Articoli simili a Composition 66 (Abadie 66), Société internationale d'art XXe siècle

Sybil Andrews - The New Cable Modern British Mid 20th Century Vorticismo europeo Donna

Sybil Andrews - "Ora di punta" British Modern metà del XX secolo Vorticismo europeo Donna

Pablo Picasso - La Dame à la Collerette (Ritratto di Jacqueline à la fraise)

Martha Reed - Martha Reed, (Pesca)

Martha Reed - Martha Reed, (Astrazione a colori) (Testa?)

Pablo Picasso - Tetes: Le Vieux Buffon (Bloch 1104), Linocut di Picasso firmato

Vuoi altre immagini o video?

Richiedi altre immagini o video al venditore

1 di 8

Alberto Magnelli
Composition 66 (Abadie 66), Société internationale d'art XXe siècle
1959

Name: Composition 66 (Abadie 66), Société internationale d'art XXe siècle
Brand: Alberto Magnelli
Price: 1397.67 AUD
Availability: InStock
Rating: 4.9 (68 reviews)

Informazioni sull’articolo

Linocut on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Magnelli, Alberto, and Daniel Abadie. Magnelli : Les Estampes : Catalogue Raisonné. Ides et Calendes, 2011, illustration 66. Notes: From the album, XXe siècle, Nouvelle série, XXIe Année, N° 13, Noël 1959, Cahiers d'Art publiés sous la direction de Gualtieri di San Lazzaro, 1959. Published by Société Internationale d'Art XXe siècle, Paris, under the direction of Gualtieri di San Lazzaro, éditeur, Paris; printed by Mourlot Frères, Paris, 1959. Additional notes: Excerpted from the academic article, “Promoting Original Prints, The Role of Gualtieri di San Lazzaro and XXe Siècle” by Valerie Holman, published in Print Quarterly, XXXIII, 2016, 2, Until recently very little has been written on the Italian author and art publisher Gualtieri di San Lazzaro (1904-75), yet for 50 years he chronicled the life and work of contemporary artists, produced monographs of exceptional quality, and disseminated original prints by modern painters and sculptors through his best-known periodical, XXe Siècle. Although still a relatively unfamiliar figure in the United Kingdom, San Lazzaro is one of the half-dozen great art publishers of the mid-twentieth century who, together with his exemplar, Ambroise Vollard (1866-1939), and those of his own generation, Christian Zervos (1889-1970), Tériade (1889-1983) and Albert Skira (1904-73), chose to base himself in Paris, seeing it throughout his life as the centre of the art world….XXe Siècle, an illustrated periodical, was launched in 1938 and printed in editions of approximately 2,000, each issue containing both photographs and four-colour separation reproductions across a wide spectrum of visual imagery ranging from masterpieces of Western painting to popular prints from the Far East. Its large format, lively design, and close integration of text and image, were immediately striking, but its most innovative feature, introduced at the suggestion of Hans Arp (1886-1966), was the inclusion of original prints by contemporary artists in every issue. With obvious appeal for collectors, XXe Siècle was also designed to introduce a wider, international public to contemporary painting and sculpture through good quality colour reproductions and the immediacy of original prints. Comparable in price to Cahiers d'Art, early issues of XXe Siècle sold out rapidly. While San Lazzaro's own aesthetic preferences tended towards lyric abstraction, he made clear that XXe Siècle was non-partisan [publication ceased during World War II]….in 1951, San Lazzaro relaunched XXe Siècle with thematic issues that were materials based, or centred on a topic of current interest in the visual arts, particularly in Europe: concepts of space, matter, monochrome, mark-making and the sign.' A defining feature of the new series was Italy's artistic dialogue with France for, while San Laz-zaro had originally concentrated on Paris-based painters and sculptors, his aim was to create an international network, to make known the work of French artists in Italy and Italian artists in France, and subsequently extend this bilateral axis to the English-speak-ing world. The artists represented in No. I by an original print were all best known as sculptors: Arp, Laurens, Henry Moore (1898-186) and Marino Marini, San Lazzaro not only sought to show readers the full range of an artist's work, but to encourage the production of prints, a stimulus much appreciated, for example, by Magnelli…. Suffering from failing health, in 1968 San Lazzaro lost overall control of XXe Siècle to Léon Amiel, a printer-publisher who had provided financial backing and helped with distribution in America." Thematic issues now ceased and were replaced by a 'panorama' of the year, but San Lazzaro was still active as a publisher of books and albums of prints….Shortly after his death, San Lazzaro himself was the subject of two exhibitions: 'Omaggio a XXe Siècle' in Milan in December 1974 centred on graphic work by those artists closest to him late in life, while 'San Laz-zaro et ses Amis' at the Musée d'Art Moderne de la Ville de Paris in 1975 featured work by all those whose work he had promoted for more than 50 years: Arp, Calder (1898-1976), Capogrossi, Chagall, Sonia Delau-nay, Dubuffet, Estève, Lucio Fontana (1899-1968), Gili-oli (1911-77), Magnelli, Marini, Miró, Moore and Poliakoff. This exhibition was seen by one of his closest colleagues as an indirect portrait of San Lazzaro, a complex man whose modesty and reserve masked his unremitting drive to extend international appreciation of contemporary art, and to bring the reading public closer to its making through the medium of print. ALBERTO MAGNELLI (1888-1971) was an Italian modern painter who was a significant figure in the post war Concrete art movement. Magnelli was born in Florence on July 1, 1888. In 1907 he started painting and, despite lacking formal art education by 1909 he was established enough to be included in the Venice Biennale. His initial works were in a Fauvist style. Magnelli joined the Florentine avant-garde befriending artists including Ardengo Soffici and Gino Severini. He also visited Paris where he met Guillaume Apollinaire and the Cubists including Pablo Picasso, Fernand Léger, and Alexander Archipenko. By 1915 he had adopted an abstract style incorporating cubist and futurist elements. In 2013, Alberto Magnelli’s painting, Maschere No. 1, sold for $1,817,616 USD at Christie's London, setting a world record for the artist.

Creatore:

Alberto Magnelli (1888-1971, Italiano)

Anno di creazione:

1959

Dimensioni:

Altezza: 31,5 cm (12,4 in)Larghezza: 24,52 cm (9,65 in)

Tecnica:

Linoleografia

Movimento e stile:

Moderno

Periodo:

1950-1959

Condizioni:

Località della galleria:

Auburn Hills, MI

Numero di riferimento:

1stDibs: LU1465216495252

34% in meno

Spedizione gratuita

Prezzo su richiesta

Visualizzati di recente

Mostra tutto

Alberto MagnelliComposition 66 (Abadie 66), Société internationale d'art XXe siècle1959

Informazioni sull’articolo

Alberto Magnelli

Altro da questo venditore

Anni 1930, Moderno, Stampe figurative

Matisse, Teeny (Duthuit 723), XXe Siècle (dopo), 1938

Anni 1930, Surrealismo, Stampe figurative

Hélion, Composizione, XXe Siècle (dopo), 1938

Anni 1930, Futurista, Stampe figurative

Severini, Gravure Futuriste, XXe Siècle (dopo), 1939

Anni 1930, Surrealismo, Stampe figurative

Magnelli, Composizione, XXe Siècle (dopo), 1938

Anni 1930, Surrealismo, Stampe figurative

de Chirico, Composizione, XXe Siècle (dopo), 1938

Anni 1930, Surrealismo, Stampe figurative

Zadkine, Composizione, XXe Siècle (dopo), 1938

Ti potrebbe interessare anche

Anni 1930, Moderno, Stampe figurative

Sybil AndrewsThe New Cable Modern British Mid 20th Century Vorticismo europeo Donna, 1931

Anni 1930, Moderno, Stampe figurative

Sybil Andrews"Ora di punta" British Modern metà del XX secolo Vorticismo europeo Donna, 1930

Anni 1960, Moderno, Stampe astratte

Pablo PicassoLa Dame à la Collerette (Ritratto di Jacqueline à la fraise), 1962

Metà XX secolo, American Modern, Stampe astratte

Martha ReedMartha Reed, (Pesca), 1950

Metà XX secolo, American Modern, Stampe astratte

Martha ReedMartha Reed, (Astrazione a colori) (Testa?), 1950

Anni 1960, Moderno, Stampe figurative

Pablo PicassoTetes: Le Vieux Buffon (Bloch 1104), Linocut di Picasso firmato, 1963

Visualizzati di recente

Alberto Magnelli
Composition 66 (Abadie 66), Société internationale d'art XXe siècle
1959

Sybil Andrews
The New Cable Modern British Mid 20th Century Vorticismo europeo Donna, 1931

Sybil Andrews
"Ora di punta" British Modern metà del XX secolo Vorticismo europeo Donna, 1930

Pablo Picasso
La Dame à la Collerette (Ritratto di Jacqueline à la fraise), 1962

Martha Reed
Martha Reed, (Pesca), 1950

Martha Reed
Martha Reed, (Astrazione a colori) (Testa?), 1950

Pablo Picasso
Tetes: Le Vieux Buffon (Bloch 1104), Linocut di Picasso firmato, 1963