Frank StellaEstoril Five I1982
1982
About the Item
- Creator:Frank Stella (1936, American)
- Creation Year:1982
- Dimensions:Height: 66.75 in (169.55 cm)Width: 51.5 in (130.81 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU118526287982
Frank Stella
Frank Stella was one of the central figures in postwar American art. A proponent of minimalism and non-representational abstraction, Stella was a painter, printmaker and sculptor.
A native of Massachusetts, Stella attended Phillips Academy in Andover and earned a BA from Princeton, where he studied art and color theory with Josef Albers and Hans Hofmann. Stella frequented New York galleries as a student and was intrigued by the work of Jackson Pollock and Franz Kline, both of whom were at the height of their creative powers in the late 1950s.
After moving to New York in 1958, Stella gravitated toward the geometric abstraction and restrained painting style of Barnett Newman and Jasper Johns.
Johns’s flat, graphic images of common objects such as targets and flags prompt viewers to question the essential nature of representation and whether these pictures are really paintings or simply new iterations of the items themselves. Stella pushed Johns’s reasoning further, considering paintings on canvas as objects in their own right, like sculptures, rather than representations. This led him to reject certain formal conventions, eschewing sketches and often using nontraditional materials, like house paint.
In 1959, Stella created his “Black Paintings,” series, in which bands of black paint are separated by thin, precise stripes of bare canvas. At a time when contemporary painting was all about wild gestures, thick paint and formal abandon, these pieces created a sensation. That same year, Stella's work was included in the exhibition "Sixteen Americans" at the Museum of Modern Art in New York, and he joined the roster of artists represented by Leo Castelli Gallery. In 1960, he began introducing color into his work and using unconventionally shaped canvases to complement his compositions.
In his “Eccentric Polygon” series, from 1965 and ‘66, Stella embraces asymmetry and bold color, creating forms delineated by painted fields and by the edges of the canvas. This series was followed by the 1967–70 “Protractor” series, characterized by colorful circles and arcs. Named after the ancient cities whose circular plans Stella had noticed while traveling in the Middle East during the 1960s, these works usually comprised several canvases set flush against one another so that the geometric figures in each section came together in a larger, more complex whole.
Also in the mid-1960s, Stella started exploring printmaking, initially working with Kenneth Tyler, of Gemini G.E.L., and later installing printing equipment in his own studio. In 1968, he created the “V” series of lithographs, which included the print Quathlamba I. Following a solo exhibition at the Museum of Modern Art in 1970, Stella began working in three dimensions, adding relief elements to paintings, which could almost be considered wall-mounted sculptures.
Stella’s 1970–73 “Polish Village” series was inspired by documentary photos and architectural drawings of Polish synagogues that had been destroyed by Nazis during World War II. The resulting works — composed primarily of paint and cloth on plywood — are more rugged and less polished than his previous series.
Herman Melville's Moby Dick was Stella's muse for a series of three- dimensional works he created in the 1980s in which waveforms, architectural elements and Platonic solids play a prominent role. During this period, Stella embraced a new, exuberant style that is exemplified in "La Scienza della Fiacca."
In 1997, the artist oversaw the creation of the Stella Project, a 5,000-square-foot work inside the Moores Opera House at the University of Houston. A large free-standing sculpture by Stella stands outside the National Gallery of Art in Washington, D.C.
Stella’s work is in the collections of numerous important museums around the world, including New York’s Museum of Modern Art and Metropolitan Museum of Art; the Menil Collection, in Houston; the Hirshhorn Museum and Sculpture Garden, in Washington, D.C.; and the San Francisco Museum of Modern Art. He was awarded the National Medal of Arts by President Obama in 2009, and was given the Lifetime Achievement Award in Contemporary Sculpture by the International Sculpture Center in 2011.
Find original Frank Stella art for sale on 1stDibs.
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- Loopy Doopy, Blue/RedBy Sol LeWittLocated in New York, NY2000 Oil-based woodcut in colors Sheet: 22 3/8 x 30 in. Edition of 50 Signed and numbered in pencil, lower rightCategory
Early 2000s Abstract Geometric Abstract Prints
MaterialsWoodcut
- Curved BandsBy Sol LeWittLocated in New York, NY1996 Oil-based woodcut in colors Sheet: 22 1/2 x 22 1/2 in. Edition of 60 Signed and numbered in pencil, lower rightCategory
1990s Abstract Geometric Abstract Prints
MaterialsWoodcut
- Weeping CrabappleBy Helen FrankenthalerLocated in New York, NY2009 Thirty-one color ukiyo-e woodcut 25 1/4 x 37 1/4 in. (64.1 x 94.6 cm) Edition of 50 Signed, dated and numbered in pencil Unframed, pristine conditionCategory
Early 2000s Abstract Expressionist Abstract Prints
MaterialsWoodcut
- Weeping CrabappleBy Helen FrankenthalerLocated in New York, NY2009 Thirty-one color ukiyo-e woodcut Sheet: 25 1/4 x 37 1/4 in. (64.1 x 94.6 cm) Edition of 50 Signed, dated and numbered in pencilCategory
Early 2000s Abstract Expressionist Abstract Prints
MaterialsWoodcut
- WassermusikLocated in New York, NYWassermusik, 2015 Woodcut in colors, on wove paper 21 1/4 x 29 7/8 in. (54 x 76 cm) Edition of 8, EA Signed and numbered in pencil, lower marginCategory
2010s Abstract Abstract Prints
MaterialsPaper, Woodcut
- Ohne Titel (Blatt 2 der Folge Genesis)Located in New York, NYOhne Titel (Blatt 2 der Folge Genesis), 2006 Woodcut in colors, on wove paper 29 3/4 x 17 3/4 in. (75.5 x 45 cm) Edition of 35 Signed and numbered in pencil, lower marginCategory
Early 2000s Abstract Abstract Prints
MaterialsPaper, Woodcut
- Keiji Shinohara, Accelerondo, Ukiyo-e woodcut print landscape, 2005By Keiji ShinoharaLocated in New York, NYKeiji Shinohara was born and raised in Osaka, Japan. After 10 years as an apprentice to the renowned Keiichiro Uesugi in Kyoto, he became a Master Printmaker and moved to the United ...Category
21st Century and Contemporary Abstract Abstract Prints
MaterialsPaper, Woodcut
- The Painter Speaks Abstract Expressionist PrintBy Alex LazardLocated in Queretaro, QueretaroTitle: The Painter Speaks Watercolored four-color print on hand-made 100% cotton paper, engraved wood by Alex Lazard. Signed, titled and numbered in pencil. In excellent condition....Category
21st Century and Contemporary Abstract Figurative Prints
MaterialsWatercolor, Woodcut
- Seduction - Original woodcut (Cramer #255)By Joan MiróLocated in Paris, FRJoan MIRO Seduction Original woodcut print Unsigned On heavy Arches vellum 38 x 56 cm (c. 15 x 22 inch) REFERENCE : Catalog raisonne Miro engraver, Dupin / Cramer #255 Woodcut crea...Category
1980s Abstract Abstract Prints
MaterialsWoodcut
- Günther Uecker, Lichtungen III: Woodcut, Abstract Art, Zero, Signed PrintLocated in Hamburg, DEGünther Uecker (German, born 1930) Lichtungen III, 1997/1998 Medium: Woodcut on wove paper Dimensions: 62.5 x 51.5 cm Edition of 100 + XX: Hand-signed and (Roman) numbered in pencil ...Category
Late 20th Century Abstract Abstract Prints
MaterialsWoodcut
- Günther Förg, Six Rectangles - Woodcut in Colors, Abstract Art, Signed PrintBy Günther FörgLocated in Hamburg, DEGünther Förg (Füssen 1952 – 2013 Freiburg) Six Rectangles, 1991 Medium: Woodcut in colors on card stock Dimensions: 56 x 80 cm (60 x 84 cm) Unknown edition size: Hand-signed and date...Category
Late 20th Century Abstract Abstract Prints
MaterialsWoodcut
- "Autumn" Cubist Style Woodblock Print Edition 10/100By Eugene LarkinLocated in Houston, TXWoodcut print of fall trees done in heavy blacks with a deep blue background titled "Autumn" edition 10/100. Signed and titled by artist. Artist Biography: Eugene Larkin was born into a farming family of seven children in rural Minnesota in 1921. The landscape and rhythms of agricultural life were a strong early influence, as was the artistic example of his painter mother, Martha. Larkin attended the University of Minnesota, graduating with an M.A. in 1947. As a student of the art historian Lawrence Schmeckebier, an authority on the art of the Mexican muralists, he was soon introduced to the expressionism and political engagement of German and Mexican artists of the 1920s and 30s. An early cycle of prints and drawings on the life of labor activist Joe Hill...Category
1960s Abstract Abstract Prints
MaterialsWoodcut