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Academic Portrait Prints

ACADEMIC STYLE

During the Renaissance, the first European fine art academies were established in Italy and would guide the style and standards of visual culture in the following centuries. Academic art became dominant across the continent in the 17th century, with artists coming together to offer instruction in this style of painting and sculpture

The academic art period represented a significant change from the previous era when painters, sculptors and other artists were part of guilds and seen more as artisans than purveyors of culture. While patronage from the elite and the church remained pivotal, young artists were able to support themselves for the first time through academic exhibitions and an independent marketplace. The leading academies included the French Académie Royale de Peinture et de Sculpture founded in Paris in 1648 (which became the Académie des Beaux-Arts after the French Revolution) and the London Royal Academy of Arts formed in 1768 under the inaugural leadership of painter Joshua Reynolds

Academy students sketched drawings based on prints, sculptures and, finally, live models. Movements including neoclassicism and romanticism were particularly popular in these art schools and institutions where the influence of Raphael and Nicolas Poussin was prominent. Beaux Arts architecture and furniture design drew on these movements, too, and, as they also originated at the Académie des Beaux-Arts, the disciplines share common ground with academic painting and sculpture.

Although academic art was a major shift for artistic status when it began, by the middle of the 19th century it was viewed as stodgy and resistant to new ideas, with the subject matter of artists such as William-Adolphe Bouguereau and Jean-Léon Gérôme generally limited to allegorical or mythological themes. Impressionism, realism and the other movements that engaged with contemporary issues that followed were direct reactions to the academic tradition, although it continued to inform the avant-garde as artists like Gustav Klimt and Pablo Picasso started their practices as academic realists.  

Find a collection of academic paintings, sculptures, prints and more art on 1stDibs. 

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Style: Academic
Richard Wagner
Located in Fairlawn, OH
Richard Wagner Etching, c. 1880 Signed in the plate (see photo) Edition: c. 200 impressions Condition: mint Image/Plate size: 6 5/8 x 4 3/4 inches Sheet size: 14 3/8 x 10 7/8 inches ...
Category

1880s Academic Portrait Prints

Materials

Etching

Tender Innocence print on canvas
Located in Zofingen, AG
High quality print on canvas. Made from original oil painting "Tender Innence". Originally created by artist Maria Matveyeva in 2016 year.
Category

2010s Academic Portrait Prints

Materials

Canvas

Portrait of woman by Gustave François - Engraving 44x54 cm
Located in Geneva, CH
Work on paper without frame
Category

Mid-20th Century Academic Portrait Prints

Materials

Engraving

19th century color lithograph indigenous portrait figure feathers bison red
Located in Milwaukee, WI
"Kish-Ke-Kosh, A Fox Brave (Sauk-Fox)" is an original hand-colored lithograph by McKenney & Hall. This piece features a Native American man. Reference: Page 200 of The North American Indian Portfolios in the Library of Congress. 13 1/4" x 9 3/4" art 27 1/4" x 22 3/8" frame American lithograph publishers. Most well-known for "History of the Indian Tribes of North America," a collection of 125 images that included biographical sketches and anecdotes of principal chiefs. Thomas Loraine McKenney (1785-1859) served as Commissioner of Indian Affairs from 1824 to 1830. In that capacity he commissioned and collected portraits of Native Americans...
Category

1830s Academic Portrait Prints

Materials

Lithograph

Portrait of a man by Hans Berger - Drawing 44x50 cm
Located in Geneva, CH
Work on paper Ed: 1 /100
Category

Early 20th Century Academic Portrait Prints

Materials

Engraving, Crayon

"Rembrandt Self Portrait, 1636"
By Viktor de Jeney
Located in Southampton, NY
Here is a etching executed by master painter and copyist, Viktor de Jeney. Done circa 1965 using the same techniques employed by Rembrant when he executed his now most famous self portrait etching in 1642. Framed measurements are 15.5 by 12.5 inches in original white mat and one inch wood frame. Sheet size 8.25 by 8 inches. De Jeney was born in Budapest, Hungary and emigrated to the United States in 1962 and settled in St. Louis, Missouri. He was known for his paintings of Native American Indians...
Category

1960s Academic Portrait Prints

Materials

Etching

Engraving Portrait Print of "Boy with a Sword" by Edouard Manet 1861
By Henry Wolf
Located in Houston, TX
Early 20th century engraving of Edouard Manet's "Boy with Sword" by notable artist Henry Wolf. Manet's stepson, Léon Koëlla-Leenhoff, posed for the original work in 1861. Manet dressed him in a seventeenth-century costume, adding a period sword as a prop—a tribute to the great Spanish painters he admired, notably Velázquez. Signed and dated by Wolf in the front lower right corner. Currently hung in a gold frame with a cream matting. Dimensions Without Frame: H 10.25 in. x W 7.5 in. Artist Biography: Henry Wolf was born on August 3, 1852 in Eckwersheim, France. He lived in Strasbourg and studied under Jacques Levy and exhibited in Paris. Henry Wolf moved to New York City in 1871, where he created wood engravings of works by Gilbert Stuart, Enric Serra Auqué, Frank Weston Benson, Howard Pyle, Henry Salem Hubbell, John Singer Sargent, A. B. Frost, Jan Vermeer...
Category

Early 1900s Academic Portrait Prints

Materials

Engraving

Louis I of France as a Roman Emperor, in profile to the right
Located in Fairlawn, OH
Louis I of France as a Roman Emperor, in profile to the right Chiaroscuro woodcut, 1631-1633 Unsigned (as usual) After a drawing by Hubert Goltzius (1526-1583)...
Category

17th Century Academic Portrait Prints

Materials

Woodcut, ABS

"The Presidents of the US, " Original Handcolored Lithograph by Nathaniel Currier
Located in Milwaukee, WI
"The Presidents of the U.S." is an original hand-colored lithograph by Nathaniel Currier. It features the first eleven presidents of the United States. 14" x 10" art 23" x 19 1/8" frame Nathaniel Currier was born March 27, 1813 to Nathaniel and Hannah Currier in Roxbury, Massachusetts. At the age of fifteen he was apprenticed to William S. and John Pendleton of Boston who had set up the first lithographic establishment in America. His apprenticeship served him well as he went on to be the largest publisher of lithographs. Mr. Maurer described Nat Currier as being very gentlemanly and liberal. As is evident to the success of the firm of Currier & Ives he was very devoted to his business. Nat Currier had many friends including Horace Greely and P.T. Barnum. He was well known for his sense of humor and Harry T. Peters tells one story about P. T. Barnum. "Currier had heard that one day his friend, the great showman, had rushed into the barber shop of the old Park Hotel, at Beekman and Nassau Streets, to get a shave. Barnum had hurried up to Tom Higginson, the barber, and said, 'Tom, I'm in a hurry.' 'Sorry for it,' said Tom, 'but it's that gentleman's turn next.' 'That gentleman' was an unshaven irshman waiting for a ten-cent shave. Barnum turned to him and said, 'My friend, if you will let me have your turn, I'll pay for what you have done.' The gentleman consented, and, as Barnum found out later, had a full job done - absolutely everything the house had. The check was for a dollar and sixty cents. When Currier heard this story he found the very Irishman and had him pose. The result was the famous cartoon, "The Man that Gave Barnum 'His Turn.'" Nathaniel was married twice; his first wife was Miss Eliza West of Boston. He had one son with Eliza, Edward West Currier. In 1847 he married Miss Laura Ormsbee of Vermont. Laura and Nathaniel are memorialized in the famous N. Currier lithograph The Road Winter...
Category

1840s Academic Portrait Prints

Materials

Lithograph

"Wa-Em-Boesh-Kaa, A Chippeway Chief, " Hand-colored Lithograph by McKenney & Hall
Located in Milwaukee, WI
"Wa-Em-Boesh-Kaa, A Chippeway Chief," is an original hand-colored lithograph by McKenney & Hall. It features a portrait of a notable Native American chief, with informational text below. 13 1/2" x 18 3/4" paper 25 5/8" x 20 1/2" frame American lithograph publishers. Most well-known for "History of the Indian Tribes of North America," a collection of 125 images that included biographical sketches and anecdotes of principal chiefs. Thomas Loraine McKenney (1785-1859) served as Commissioner of Indian Affairs from 1824 to 1830. In that capacity he commissioned and collected portraits of Native Americans...
Category

1830s Academic Portrait Prints

Materials

Lithograph

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1970s Academic Portrait Prints

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Pablo Picasso, "Three Colour Profile", original lithograph, hand signed
Located in Chatsworth, CA
Pablo Picasso "Three Colour Profile" 1956 Image Size: 16.5 x 20 inches Three colour litho on transfer From the edition of 50 numbered and signed proofs Picasso Lithographs- Fernand M...
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1950s Academic Portrait Prints

Materials

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CRADLE SONG
Located in Aventura, FL
Embellished serigraph on linen canvas. Hand signed, titled and numbered by the artist. From the edition of 85. Artwork size 55 x 42 inches. Custom framed as pictured. Frame siz...
Category

Late 20th Century Academic Portrait Prints

Materials

Canvas, Linen, Screen

Not-Chi-Mi-Ne, An Ioway Chief: Original Hand-colored McKenney & Hall Engraving
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall engraving of a Native American entitled "Not-Chi-Mi-Ne, An Ioway Chief, No. 91", published by Rice, Rutter & Co. in 1865. This original McKenney and Hall engraving is presented in a cream colored mat, suitable for framing with a protective clear sleeve. The mat measures 13.88" x 11.75" and the sheet measures 10.63" x 7.38. There is a spot in the lower left margin and tiny faint spots in the periphery, but the print is otherwise in very good condition. Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis...
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Mid-19th Century Academic Portrait Prints

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Tuko-See-Mathla, Seminole Chief: Original Hand-colored McKenney & Hall Engraving
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall engraving of a Native American entitled "Tuko-See-Mathla, A Seminole Chief, No. 106", published by Rice, Rutter & Co. in 1865. This original McKenney and Hall engraving is presented in a cream colored mat, suitable for framing with a protective clear sleeve. The mat measures 13.88" x 11.75" and the sheet measures 10.63" x 7.38. There is minimal spotting in the periphery, but the print is otherwise in very good condition. Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis...
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Wa-Na-Ta, Chief of the Sioux: An Original Hand-colored McKenney & Hall Engraving
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This is an original 19th century hand-colored McKenney and Hall engraving of a Native American entitled "Wa-Na-Ta, Grand Chief of the Sioux, No. 74",...
Category

Mid-19th Century Academic Portrait Prints

Materials

Engraving

Foke-Luste-Hajo, Seminole Chief: Original Hand Colored McKenney & Hall Engraving
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall engraving of a Native American entitled "Foke-Luste-Hajo, A Seminole Chief, No. 84", published by Rice, Rutter & Co. i...
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Mid-19th Century Academic Portrait Prints

Materials

Engraving

Pierre-Auguste Renoir - Le Chapeau Épinglé (2e planche).
Located in Los Angeles, CA
PIERRE-AUGUSTE RENOIR Le Chapeau Épinglé (2e planche). Color lithograph, 1898. 600x488 mm; 23 5/8x19 1/4 inches, full margins. Edition of 200. With the second printed signature in the stone, lower left. Printed by Auguste Clot, Paris. Published by Vollard, Paris. A very good impression of this important lithograph with strong colors. Renoir (1841-1919) was, along with Edgar Degas, Claude Monet and Camille Pissarro, a founder of the Société Anonyme Coopérative des Artistes, Peintres, Sculpteurs, Graveurs and a key organizer of the 1870s Impressionist exhibitions. He is best known for his renditions of the sensuous and monumental bathing nudes that he produced from the 1880s onward, many of which were inspired by the works of Titian, Rubens, and 18th-century French painters such as Boucher and Fragonard. Like many of his contemporaries, Renoir embraced printmaking as a medium that allowed for more freedom of expression and experimentation. Ambroise Vollard, the eminent Parisian dealer and publisher, and Auguste Clot, the famed lithography printer, were both extremely instrumental in Renoir's foray into printmaking. They greatly encouraged and facilitated his practice of the medium. Vollard met Renoir during the height of Renoir's career and saw the opportunity for lithography to help disseminate the artist's ever popular work, and Clot worked closely with Renoir to masterfully capture the delicate quality of his pastels in color lithography. Renoir began producing lithographs and etchings in the late 1880s and created an oeuvre over the following two decades consisting of 25 etchings and 29 lithographs, many of them commissioned for various albums or books. His most famous prints reproduce popular compositions he had established in earlier paintings. The current lot is based on an 1893 oil and pastel painting which represents the artist Berthe Morisot's daughter pinning a flower on her cousin's hat. The same subject was reproduced in a series of etchings by Renoir...
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18th Century Academic Portrait Prints

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Lithograph

Self Portrait - Etching after Rembrandt Van Rijn - Early 20th Century
Located in Roma, IT
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Mick Jagger VI - Andy Warhol, Announcement card, Rolling Stones, Musician, Pop
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La Capeline de Paille d'Italie (The Italian Straw Hat).
Located in Storrs, CT
La Capeline de Paille d'Italie (The Italian Straw Hat). 1923. Lithograph. Duthuit 430. 17 3/4 x 15 3/4 (sheet 23 1/8 x 17 7/8). Trial proof, apart fr...
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Early 20th Century Academic Portrait Prints

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Previously Available Items
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1820s Academic Portrait Prints

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Gerald Leslie Brockhurst, Nadia, Etching
Located in Cheltenham, GB
This early 20th-century etching by eminent British artist Gerald Leslie Brockhurst (1890-1978) depicts his wife Anäis Folin. It’s a typically alluring piece, which captures an enigma...
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Early 20th Century Academic Portrait Prints

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Gerald Leslie Brockhurst, Elizabeth (Anaïs), Etching
Located in Cheltenham, GB
This early 20th-century etching by eminent British artist Gerald Leslie Brockhurst (1890-1978) depicts his wife Anäis Folin. It’s a typically alluring piece, which captures an enigmatic expression. It’s also referred to as ‘The London Caster Girl’. Imagine you’re Brockhurst, just four years after World War I. Society has altered and you’re seeking to express something greater than simply a likeness alone. You aim to convey strength, emotion, and character - a sense that times have changed immeasurably yet within each of us there’s permanency. You seek inspiration from another time of great artistic renewal, the Italian Renaissance, and depict your dear wife, Anäis, as a modern ‘old master...
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Dr. Samuel Johnson.
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Mezzotint

Academic portrait prints for sale on 1stDibs.

Find a wide variety of authentic Academic portrait prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. Many Pop art paintings were created by popular artists on 1stDibs, including McKenney & Hall, Gerald Leslie Brockhurst, Nathaniel Currier, and Gustave Francois (Barraud). Frequently made by artists working with Engraving, and Lithograph and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Academic portrait prints, so small editions measuring 4 inches across are also available. Prices for portrait prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $165 and tops out at $6,800, while the average work sells for $380.

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