Academic Art

Edith Lutz-Romani (1894-1983) was an Austrian painter active during the 20th century. Although detailed information about her life is limited, she was born in 1894 and developed her ...

Title: "Daughters of Spain" Artist: Juan José Barreira Polo (1887-1957) Medium: Oil on canvas Dimensions: 31.5 x 27.5 in (80 x 70 cm) Framing: Unframed Signature: Signed at the lower left corner as "J. Barreira" Period: Approximately first half of the 20th century Movement/Style: Realist Costumbrismo, Spanish Academicism Description of the Artwork "Daughters of Spain" is a remarkable example of Spanish Costumbrismo, where Juan José Barreira Polo masterfully captures the essence of national identity and tradition. The painting portrays two young Spanish girls in traditional attire, exuding warmth and natural grace. The older girl, with a gentle smile, wears a richly embroidered blue shawl and has flowers adorning her hair, while delicately holding a copper jug filled with vibrant orange flowers. Beside her, the younger girl, with an innocent and joyful expression, holds a doll dressed in red with floral embellishments, evoking the charm of childhood and cultural heritage. The well-balanced composition and softly blurred background enhance the presence of the figures. Barreira Polo employs a warm color palette and skillful lighting to create harmony, while his refined brushwork and attention to detail in facial expressions and textiles reflect his academic training. The artwork conveys a profound sense of cultural pride and nostalgia for Spain’s rich traditions. Artist’s Biography Juan José Barreira Polo (Valencia, March 31, 1887 – Valencia, January 30, 1957) was a Spanish painter specialized in portraits and costumbrista scenes. Son of the painter Vicente Barreira Meliá, he trained at the Academy of Fine Arts of San Carlos in Valencia, where he obtained his degree as a drawing professor in 1933. Throughout his career, he gained recognition for his representations of Spanish traditions and culture, receiving several awards at various exhibitions. In 1925, he won first prize in the Valencia City Council's poster competition. In addition to his pictorial work, he was an editorial board member of the magazine Semana Gráfica, contributing to the artistic and graphic culture of his time. His paintings, known for their exquisite detail and vibrant colors, are part of private collections worldwide and are admired for their ability to capture the spirit of Spanish heritage. Similar Artists and References The style of Juan José Barreira Polo is associated with other realist and costumbrista painters, such as: José Mongrell...

Edouard Detaille (1848-1912) An officer of the Gendarmerie Impériale, viewed of the back bears the monogram ED but it is not visible because it is hidden by the mounting of the frame...

Otto Vautier (1863-1919) was a German artist active during the late 19th and early 20th centuries. He was born into a family with artistic roots, as the s...

Title: Immaculate Conception Author: Anonymous Period: 20th Century Technique: Oil on canvas Dimensions: 25.6 x 21.3 in Signature: "Karmel" (lower right) Condition: Good Descr...

Title: Virgin Mary and Child Jesus Artist: Francisco Ribera Gómez (1907-1990) Technique: Oil on canvas Dimensions: 31.9 x 25.6 inches (unframed) Date of creation: 1942 Style: Classical Academicism with Renaissance influences Description of the Artwork The painting depicts the Virgin Mary holding the Child Jesus in a tender and intimate moment. Warm colors, primarily reds, greens, and soft flesh tones, enhance the devotional nature of the scene. The use of golden halos, symbolizing sanctity, along with serene and realistic expressions, directly connects with the Renaissance pictorial tradition. The style belongs to classical academicism, characterized by a balanced composition, meticulous drawing, and a masterful use of chiaroscuro to give volume and depth to the figures. The detailed rendering of the flesh tones and draperies amplifies the spirituality and solemnity of the piece, evoking the works of great masters such as Raphael and Murillo. Artist's Biography Francisco Ribera Gómez (1907-1990) was a prominent 20th-century Spanish painter known for his depictions of religious scenes, female portraits, and costumbrist works. Trained at the Royal Academy of Fine Arts of San Fernando, Ribera Gómez received numerous accolades and was regarded as one of the great exponents of Spanish academicism. His work combines a rigorous technical foundation with luminous sensitivity and an idealized sense of beauty. Influences and Comparisons Francisco Ribera Gómez's work can be compared to other academic and religious artists who share a similar aesthetic: Bartolomé Esteban Murillo: In the emotional and approachable treatment of religious themes. William-Adolphe Bouguereau: For the idealization of human figures and technical mastery. Raphael (Raffaello Sanzio): For harmonious composition and the depiction of the Virgin Mary. Within the Spanish tradition, his style recalls Eduardo Rosales...

It's just a little embarassing. Our young bather went for a skinny dip in the river and now needs to snatch her clothes without being spotted by the elderly artist on the river bank ...

A beautiful mid 19th Century dog painting by the undisputed king of the genre, artist Louis Godefroy Jadin (1805-1882). Jadin is known for having painted the hunts of Napoleon III an...

Henry Arthur Roberts. French ( b.1819 - d.1900 ). Academic Life Study Of A Standing Male Nude. Pencil & Charcoal On Paper. Paper size 23.8 inches x 13.6 inches ( 60.5cm x 34.5cm ). Frame size 28.3 inches x 18.7 inches ( 72cm x 47.5cm ). Available for sale; this academic life drawing of a male nude is by the French artist Henry Arthur Roberts and dates from the early 1840s. The drawing is presented and supplied in a modest hand painted glazed wooden frame dating from the mid-20th century (which is shown in these photographs). This antique drawing is in good condition, commensurate with its age. It is in an untouched condition having never been restored. The paper has handling marks, some light surface dirt, the odd foxing mark and general age toning. The overall patina adds to the aesthetic and is supplied ready to hang and display. The drawing is not signed but came from a portfolio of drawings by Henry Arthur Roberts. Henry Arthur Roberts was a recognised French artist, notable for his portraits and paintings of religious subjects. Born in Paris in 1819, he was the son of British watercolour artist James Roberts, himself active in Paris from 1819 -1846. Henry became a student of his father. Henry Roberts’s talent as a young man was such that he was accepted as a student of Michel Martin Drölling and worked extensively with him. Drölling, the highly acclaimed neoclassic artist (1786-1851) was noted for his theatrical paintings of history and grand portraits. He produced many notable works, including a ceiling work for the Louvre, and works in the Palace of Versailles. Roberts would have studied with Drölling at an early stage in his career, as Drölling died when Roberts was 32. Learning with such a master would have had a huge impact on Roberts in terms of his academic skills and his own emerging style. Roberts exhibited at the Salon de Paris from 1839, when he was only 20 years old, right through to 1867. His work in the Universal Exhibition of 1855 won him a Third Class Medal. He became Vice-President of the Association of Artists in Paris and in July 1898 he was elevated to the rank of Knight of the Legion of Honour with a foreign title. This was the highest state honour available to him, in recognition of his status as an artist. Henry Roberts died in 1900, but his legacy lives on, with works in many famous public collections, including the Musée Carnavalet, the Musée du Louvre, the Musée d’Orsay, Musée des Beaux-Arts, Orsay, and in Boston, USA. © Big Sky Fine Art This exceptional academic nude...

Henry Arthur Roberts. French ( b.1819 - d.1900 ). Academic Life Study Of A Male Nude Carrying A Staff. Pencil & Charcoal On Paper. Paper size 23.4 inches x 13.6 inches ( 59.5cm x 34.5cm ). Frame size 28.3 inches x 18.7 inches ( 72cm x 47.5cm ). Available for sale; this academic life drawing of a male nude is by the French artist Henry Arthur Roberts and dates from the early 1840s. The drawing is presented and supplied in a modest hand painted glazed wooden frame dating from the mid-20th century (which is shown in these photographs). This antique drawing is in good condition, commensurate with its age. It is in an untouched condition having never been restored. The paper has handling marks, some light surface dirt, the odd foxing mark and general age toning. The overall patina adds to the aesthetic and is supplied ready to hang and display. The drawing is not signed but came from a portfolio of drawings by Henry Arthur Roberts. Henry Arthur Roberts was a recognised French artist, notable for his portraits and paintings of religious subjects. Born in Paris in 1819, he was the son of British watercolour artist James Roberts, himself active in Paris from 1819 -1846. Henry became a student of his father. Henry Roberts’s talent as a young man was such that he was accepted as a student of Michel Martin Drölling and worked extensively with him. Drölling, the highly acclaimed neoclassic artist (1786-1851) was noted for his theatrical paintings of history and grand portraits. He produced many notable works, including a ceiling work for the Louvre, and works in the Palace of Versailles. Roberts would have studied with Drölling at an early stage in his career, as Drölling died when Roberts was 32. Learning with such a master would have had a huge impact on Roberts in terms of his academic skills and his own emerging style. Roberts exhibited at the Salon de Paris from 1839, when he was only 20 years old, right through to 1867. His work in the Universal Exhibition of 1855 won him a Third Class Medal. He became Vice-President of the Association of Artists in Paris and in July 1898 he was elevated to the rank of Knight of the Legion of Honour with a foreign title. This was the highest state honour available to him, in recognition of his status as an artist. Henry Roberts died in 1900, but his legacy lives on, with works in many famous public collections, including the Musée Carnavalet, the Musée du Louvre, the Musée d’Orsay, Musée des Beaux-Arts, Orsay, and in Boston, USA. © Big Sky Fine Art This striking academic nude study...

Martin Johnson Heade Quiet River at Dusk, circa 1859 Oil on canvas 15 x 25 inches Martin Johnson Heade was born in Lumberville, in Bucks County, Pennsylvania on August 11, 1819. He...

William Russell Flint (British, 1880 – 1969) Ray mounted on Pegasus Mixed media Signed ‘W Russell Flint’ (lower right), further signed and titled on the reverse 10.1/2 x 14.1/2 in. (...

Pierre François LEHOUX Paris, 1803 - Paris, 1889 "Egyptian Sakié, 1865" Oil on wood panel 24.5 x 18.5 cm (47 x 42.5 cm with frame) Signed lower left with the monogram "Lhx" Countersi...

André Charles Voillemot. French ( b.1822 - d.1893 ). Allegory Of Summer. Oil On Canvas. Signed Lower Left. Dedication lower left to Victorien Sardou (1831 – 1908). Image size 18.1 in...

Title: Original French Anatomical Pencil Study of Horse’s Limb Artist: Robert Ladou (French, 1929-2014) Medium: Pencil on Paper Size: 20 (Height) x 13 (Width) Signed: No Condition: G...

Edouard Detaille (1848-1912) Soldiers, a study Black ink on a wood panel 12.5 x 13 cm Framed : 20 x 20.5 cm On the back of the panel a label inscribed "Dessin à la plume par Detaill...

Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2024 Style: Impressionism Title: Sunrise Size: 9" x 13.5" x 0.8'' in...

Academic style figurative painting on canvas of three young male athletes in a locker room "Three Figures in the Locker Room", By Mark Beard as Bruce Sargeant (pseudonym in homage to...

Late 19th century genre painting, oil on card view of an interior by Marie Magyar-Mannheimer. The painting is signed bottom left and presented in a black and gilt period wood frame. ...

Etienne Billet (French, 1821-1888), Portrait of William Harold Fitch, Oil on Canvas laid on Board, circa 1870, signed mid left, inscribed "William Harold Fitch / of Marseilles France...

Here for your consideration is a very well executed luminous oil on artist board painting by the American artist, Franklin Dullin Briscoe. Signed and dated by the artist lower righ...

Mary Russell Smith Feathered Tribe, 1871 Signed and dated lower left Oil on canvas 9 1/2 x 14 3/4 inches The daughter of theater scenery and landscape painter Russell Smith (1812–1...

English School, Portrait of a Scholar, Oil on Canvas, early 19th century, signed indistinctly and dated lower left, ornate giltwood frame. Image: 51.25" H x 40.5" W; frame: 57" H x 4...

Salvatore Candido (Naples 1798 - 1869), Old coastal road Marinella, on the right the Forte del Carmine Oil painting on paper glued on board 20 x 29 cm.

Title of the Artwork: Odalisque with Tray Artist: Rosendo González Carbonell Technique: Oil on canvas Dimensions: 24 x 20 inches Frame: Unframed Style: Figurative, focusing on the fe...

Eduard Braun. German ( b.1798 - d.1876 ). Academic Life Study Of A Male Nude Carrying A Staff Pencil & Charcoal On Paper With Heightening. Annotation (presumably a dedication) Lower Left. Paper size 24 inches x 16.5 inches ( 61cm x 42cm ). Frame size 30.1 inches x 22.2 inches ( 76.5cm x 56.5cm ). Available for sale; this academic life drawing of a male nude is by the German artist Eduard Braun and dates from around 1826. The drawing is presented and supplied in an interesting configuration with a modern twist (which is shown in these photographs). The drawing has been float mounted between two sheets of Tru Vue Museum Glass® UV99 so that the wall or setting behind the hanging is visible and therefore provides the surround for the artwork. This antique drawing is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. The drawing is not signed but came from a portfolio of drawings by Eduard Braun. This drawing has a later annotation and presumably a dedication in red ink in the bottom left hand corner. The annotation is the monogram HL within a heart. The configuration of the HL resembles the format used by the French artist Henri Laurens 1885 – 1954 where the downstroke of the L is merged with the second downstroke of the H. This stunning original pencil and charcoal drawing on paper is by a German artist called Eduard Braun. He was born in 1798 and died in 1876, but little else is known about him apart from the fact that he was active in the Paris art salons and rooms. This drawing is from a portfolio by this artist on a similar theme and is typical of the type of academic study undertaken by serious art students throughout the nineteenth century. One of the other drawings in this portfolio is annotated as being created in 1826 and there is every reason to think that this drawing is contemporaneous with that. The drawing is of a very high standard, capturing both strength and sensitivity, showcasing the artist’s ability to reproduce a lifelike image of a nude model. The subject of this drawing is a young man, possibly in his mid-twenties, with a toned and muscular body. He is standing with his weight on his right leg, which is slightly bent, and holding a wooden staff in his right hand. His left foot is raised slightly with the toes pointed, and his left hand is placed behind his back. Although he is facing fully towards the viewer, his gaze is to his left. He has pleasant, serene expression on his face. The background is bare, save for the shadow cast by the model. This original antique drawing...

Academic style figurative oil painting of a handsome football player against a country landscape 'Ready to Play', Painted by Mark Beard as Bruce Sargeant (pseudonym in homage to the...

Salvatore Candido (Naples 1798 - 1869), Santa Lucia, Naples Oil painting on paper pasted on board 20 x 29 cm .

Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2023 Style: Impressionism Title: Valley Size: 9" x 13.5" x 0.8'' inch...

A very pure and tender rendition of a female nude. Elegant in its simplicity, the artist's model, is warming herself by a large stove! It is a work by Tito Lessi dating from circa 1890. Lessi was born in Florence, Italy and studied at the Florentine Academy of Fine Arts, under Enrico Pollastrini and Antonio Ciseri...

Academic style life drawing of female nude with charcoal and graphite by Mark Beard, "MB 017" graphite, Conte crayon and charcoal on Arches paper 30 x 22 inches unframed Signed, lowe...

The setting is the French coast, on a tranquil summer's evening. Clouds are drawing in, the sky is turning dusky pink and purple, but there is still time left for play, for the children on the beach...

Watercolor paper Brown wooden frame with plexiglass 85,5 x 65,7 x 2 cm

This is a hand-colored copper plate engraving entitled "Ptarmica Vulgaris (Sneezewort), Papaver Spinosum (Mexican Poppy), Chrysocame Peregrina (Seaside Strawflower)", depicting flowering Sneezewort, Mexican Poppy and Seaside Strawberry plants respectively from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful colorful engraving is printed on thin laid chain-linked paper. The left margin is thinner than the others and the left edge is somewhat irregular where the engraving was previously bound in the original publication. The print is otherwise in excellent condition with striking hand-coloring. The sheet measures 20" high and 16.38" wide. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...

Work on canvas Original frame This portrait of a woman with a cameo is a beautiful example of 19th-century classical painting, showcasing the refinement and elegance of its time. The...

Academic drawing: L'Écorché by Houdon. Italian school. 19th century. 59x44cm This represents the statue of the écorché by the French sculptor Houdon. Sculpture - Anatomical model o...

Title: Woman Selling Fruit Author: Rosendo González Carbonell Technique and Support: Oil on canvas Dimensions: 31.9 x 25.6 in (unframed) Period: 1970s Style: Costumbrist realism with impressionist influences Condition: Part of a private collection Description of the Artwork The painting portrays a woman holding a basket filled with fruit, notably apples and pears, focusing on warm and dark contrasts that add depth and realism to the composition. The artist creates an intimate atmosphere, skillfully manipulating light to highlight the woman's facial features and the textures of the fruit. The figure’s attire evokes a classical style, likely inspired by costumbrist themes. Rosendo González Carbonell, renowned for his focus on traditional scenes and female figures, employs in this piece loose yet precise brushstrokes, creating dynamism that enhances the composition. The warm hues of the fruit and the serene expression of the woman reflect the artist’s intention to capture a moment of everyday life with sensitivity and expressiveness. Author’s Biography Rosendo González Carbonell (Barcelona, 1910 - 1984) was a Spanish painter recognized for his focus on female figures, portraits, and landscapes. He studied at the Acadèmia de Belles Arts de Sabadell under the mentorship of Mayoral and Antoni Alsina i Amils and also attended the "Llotja" art academy in Barcelona. He was a disciple of Bonaventura Puig Perucho and maintained a close friendship with painter Alejandro Huerta Lucas. He participated in the National Fine Arts Exhibitions held in Barcelona in 1942 and 1944. His work reflects the tradition of Catalan painters such as Joaquim Mir and Santiago Rusiñol, as well as influences from impressionist masters like Claude Monet and Camille Pissarro. González Carbonell often depicted small villages, rural churches, and tranquil landscapes, balancing meticulous detail with impressionist brushstrokes that bring his compositions to life. Similar Artists González Carbonell shares artistic sensitivities with other renowned painters who captured the essence of landscapes and human figures through light and color: Joaquim Mir: Renowned for his luminous interpretations of the Catalan landscape. Santiago Rusiñol: Famous for his delicate depictions of rural scenes and local architecture. Josep Amat...

Eduard Braun. German ( b.1798 - d.1876 ). Academic Life Study Of A Male Nude Half Kneeling Pose. Pencil & Charcoal On Paper With Heightening. Paper size 2...

Here for your consideration is an outstanding example of the landscape mastery of American artist, Edmund Darch Lewis. Fabulous light and clarity of the bucolic scene. Signed lower right and dated 1870. Recently cleaned. Several old patches verso with corresponding in paint. Condition is very good The painting is framed in its original gold leaf period frame which is in fine condition. Overall measurements are 35 by 46.5 inches. Edmund Darch Lewis was born in Philadelphia, the son of a prominent businessman. According to family tradition he was educated at a private school...

Luis Ricardo Falero 1851-1896 Spanish The Tempest Signed and dated "Falero / 1889" (lower right) Oil on canvas Luis Ricardo Falero, the renowned Spanish painter celebrated for hi...

Original oil on canvas painting of the Union Army Calvery in the field by the well known American artist Rofus Fairchild Zogbaum. Signed lower left and dated 1885. Condition is good. Craquelure throughout. Paint is stable. Tiny old repair in middle lower sky (see last photo). The painting is housed in its original gilt wood frame. Overall framed measurements are 20.5 by 30.5 inches. Provenance: A Brooklyn, New York estate. Best known for his masterful and meticulous scenes of military engagements and nineteenth-century life in the American West, Rufus Zogbaum’s circle of acquaintances was wide and diverse. He mingled with naval commodores as well as emerging luminaries in American art, such as Norman Rockwell, his fellow illustrator and neighbor in the art colony of New Rochelle, New York. When the British writer Rudyard Kipling presented a copy of his first collection of short stories, Plain Tales from the Hills (1888), to Robley D. Evans, then captain of the USS Indiana, in 1896, the gift included a tipped-in original gouache painting by Zogbaum, whom Kipling cited in a brief poem on the leaf opposite the book’s title page. Kipling’s inscription and the four-quatrain poem begins: “Zogbaum draws with a pencil, / And I do things with a pen.” Born in Charleston, South Carolina, Rufus Fairchild Zogbaum was the son of Ferdinand Zogbaum and Mary Fairchild. The future artist’s father and his paternal uncle, Rufus Fairchild, were partners in a thriving musical instrument manufacturing and import business, first established in 1845 and then relocated to New York in 1853. Although he initially apprenticed in the family office, Rufus enrolled at the Art Students League, where he studied between 1878 and 1879. After pursuing further instruction at Germany’s University of Heidelberg in 1880, he moved on to Paris. During his two-year stay in the French capital, 1880–1882, he was a pupil of Léon Bonnat, a classical realist whose carefully constructed, emotive paintings of peasant life and religious passion reflected academic precepts of the day. The French master’s influence can be seen in Zogbaum’s oeuvre of highly-detailed, heroic paintings. Upon his return to America, Zogbaum found regular work as an illustrator; between 1883 and 1899, he frequently contributed drawings to popular periodicals like the Saturday Evening Post, North American Review, and Harper’s Monthly, where he eventually earned a staff position. In 1884, he began a run of travels to the western territories, notably Montana. The fruits of these visits were seen in the drawings that accompanied magazine articles informed by the ideals of Manifest Destiny, as well as in finished oil paintings of cowboys...

Firmado en la parte inferior por el artista Se presenta sin enmarcar la obra Medidas obra: 45 cm. de altura x 65 cm. de ancho Buen estado de conservación el de la obra ::::::::::...

This is a hand-colored copper-plate engraving entitled "I. Spatula foetida - II. Caucalis Dodonei - III. Cruciata", depicting three flowering plants, including an Iris, from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful hand-colored botanical engraving is presented in a gold-colored wood frame with a French mat...

A sensitively drawn and highly-detailed study for a three-panel set of stained glass windows showing the ascension of Jesus by angels and mortals. Initialed, lower right, 'EB-J', an...

Albert Duplain (1890-1978) was a Swiss painter known for his depictions of Swiss landscapes and scenes of everyday life. His works, characterized by vibrant colors and a strong conne...

Title: Original French Minimalist Horse Study Artist: Robert Ladou (French, 1929-2014) Medium: Pencil on paper Size: 11.75 (Height) x 14.75 (Width) ...

Beautiful golden brown patina bronze of Diana, the goddess of the moon by the French sculptor, Emmanuel Villanis. Signed on her shoulder. Impressed foundry stamp on base, “Society de...

Title: Original French Anatomical Study of a Horse's Stride Artist: Robert Ladou (French, 1929-2014) Medium: Pen on paper Size: 20 (Height) x 13.75 (Width) Signed: No Condition: Good...

Academic style figurative painting on canvas of a family and red tractor against a classic American farm field "Prosperous Family", painted by Mark Beard under his fictitious persona, Bruce Sargeant 84 x 58 inches unframed, 91 x 65 x 3 inches with a gold painted wood frame Excellent condition, ready to hang as is This Academic style figurative oil painting on canvas was painted by Mark Beard as Bruce Sargeant, a pseudonym in homage to the fashion photographer, Bruce Weber, and figurative painter, John Singer Sargeant. Here, the artist captures a blue collar American farming family in their field with an old red tractor. The man and woman stand stoically with their young child, dressed in simple white garments, perhaps to symbolize their purity. Rolling mountains...

Large Size oil Painting Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2019 Style: Classic Art, Impressionism, Subj...

Life study drawing original atelier drawing by the French artist, Jeanne Nachat (1898-1984) Nachat attended the prestigious Académie des Beaux-Arts in Pa...

Disegno del nudo maschile. Dal 19 ° secolo Disegno su carta leggermente colorata. In buone condizioni. Il disegno rappresenta un uomo sdraiato, che si abbandona al sonno. In una posa...

Life study drawing original atelier drawing by the French artist, Jeanne Nachat (1898-1984) Nachat attended the prestigious Académie des Beaux-Arts in Pa...

Emile VERNON Blois, 1872 – Blois, 1920 Oil on canvas 44 x 61 cm (57 x 74 cm with frame) Signed lower right “Emile Vernon” Very beautiful 19th century frame in carved and gilded wood ...

Very well executed oil on canvas painting of a French countryside view by J.S. Dorange. Signed lower right. Condition is very good. Circa 1920. The style is academic with more of an...

Benjamin II Vautier (1895–1974) was a Swiss-born artist, known for his contributions to both painting and graphic art. He was born into a family with artistic roots, as the son of Ot...

Lievin DE WINNE (Ghent, 1821 – Brussels, 1880) Portrait of young man Oil on canvas Signed lower right 66 x 55 cm Lievin De Winne was born on January 24, 1821, in Ghent. Then aged ...

Modern, academic style portrait painting on canvas of a young athletic male oil on canvas, 26 x 17 inches in antique wood frame This vertical, contemporary portrait painting of sin...