Academic Art

This is a hand-colored copper-plate engraving entitled "Gelsiminum Catalonicum, Mairana Latifollia, Euphasiaramosa Pratensis Flore Albo, Euphasia Minus Ramosa Flore Excereruleo Purpurascente", depicting flowering Jasmine, Mountain Laurel...

Margaret Longstreith Baugh Woman with Violets, circa 1901 Signed lower right Oil on canvas 26 3/4 x 13 3/4 inches Provenance Walker-Cunningham Fine Art, St. Louis, Missouri, 2007 Pr...

Hendricks Hallett Ships at Sunset Signed lower left Oil on canvas 22 x 27 inches Hallett, originally from Massachusetts, pursued his studies in Antwerp and Paris. He is primarily r...

Picnic on the Hudson is a significant canvas painted circa 1860 as Whittredge was purposely transitioning his European training and experience into a purely American style and genre....

Marius Jean Antonin Mercié French (1845-1916) David vainqueur de Goliath (David, Victor of Goliath) Signed “A. Mercié” (on base) Bronze This incredible bronze sculpture, entitled ...

This exquisite genre painting showcases a darling slice of life for a young woman in the Belle Epoque era. Dressed in a frilly frock made of detailed lace, and wearing a v shaped pin...

Samuel S. Carr Harvest Signed lower left Oil on canvas 16 x 12 inches Samuel S. Carr was an American pastoral and landscape painter. Originally from England, he trained at the Roy...

This is a hand-colored copper plate engraving entitled "Cataputia Vulgaris, Parietaria Sylvestris, Nummularia", depicting flowering Spanish Nut, Yellow Turk's-cap Lily, Yellow Turk's...

Mary Jane Peale Portrait of Fanny Adam, 1857 A scanned photograph of the back of the canvas taken prior to relining shows the inscription "Fanny Adam / painted by / Mary J. Peale / P...

Oil on artist board painting of a misty morning in Gloucester Harbor by the Provincetown artist, Kay Kellogg. Signed lower left. Circa 1935. The painting d...

Georges CONRAD (1874-1936) Morning moments Original India ink drawing Signed with the stamp of atelier On paper 26.5 x 20 cm (c. 10,4 x 7.8 in) Very good condition, paper lightly y...

Firmado en la parte inferior (desconozco el artista) Se presenta sin enmarcar la pintura El estado de la pintura es aceptable Medidas obra: 58 x 48 cm.

Original oil on canvas painting of a clipper ship under full sail. Signed “T. Bailey” lower right. Condition is good. Original gold frame with wear consistent with age. Overall frame...

Provenance: Sold: Jackson's Auctioneers & Appraisers, Cedar Falls, Iowa, December 8, 2009, Lot 4 A Pompeiian Love Song" by Antonio Rivas (Spanish, 1845-1911) transports viewers back ...

Still life painting by Tina Ingraham, "Cake Mountain." Oil on linen, 27 x 27 inches framed. Ingraham traveled Europe studying Old Master works, mosaics, and contemporary painters tha...

Pietro Bazzanti (1842-1881) specialized in allegorical and genre subjects as well as copies of Antique and Renaissance sculpture. Regarded as one of the most talented sculptors of h...

Firmado en la parte inferior por el artista Se presenta sin enmarcar la obra Medidas obra: 50 cm. de altura x 32 cm. de ancho Buen estado de conservación el de la obra ::::::::::...

Finely carved mythological subject in Vicenza limestone of Apollo in Excellent condition from an estate of Veneto. Timeless decoration for your interior or garden. Measurements: St...

Antonio Tantardini (Italian, 1829-1879) An extraordinary Italian 19th century life size carved Carrara white marble sculpture of "A Young Child and a baby in a wicker crib" - A Risorgimento Allegory. Signed and dated: A.nio Tantanrdini F.ce / 1863. The older child's medallion inscribed with an interlocked XV and Garibaldi, the crib monogrammed: AR. Circa: Florence, 1863. This sculpture includes a recent custom-made veined black marble pedestal stand. (The 2 items description mean the sculpture and pedestal, which are sold as sold a set.) In a country famed for its skilled carvers and working in an age when virtuoso carving technique was highly prized, Antonio Tantardini was one of the very best exponents of master carvers in nineteenth century Italy. Vicario describes Tantardini's skill as 'un abilità tecnica stupefacente'. The present amazing quality marble group epitomizes Tantardini's exceptional talents as a carver. Lesser sculptors might have shied away from attempting to carve a life-size wicker crib in marble, but Tantardini has clearly relished the Challenge. The result is a stunning achievement of verismo Italian sculpture. This marble group, however, is more than a paradigm of Italian marble carving, it is also a prime example of the use of Risorgimento allegory in Italian sculpture of the 1860s. Famous sculptural Risorgimento allegories include Raffaelle Monti...

Original oil on wooden oak panel of a traditional figural landscape of an incoming storm with figures fishing in the foreground. No visible signature. Condition is excellent. Wonder...

ARTIST: after Auguste RODIN TITLE : Icarus and Phaeton MEDIUM : Etching/photogravure after the original drawing SIGNATURE : Unsigned YEAR : 1897 PAPER : Vellum SIZE : 13 x 10" ...

The present pair of portraits would make an exceptional addition to any collection of early American art not only because they were painted by the notable William Jennys, but also because the sitters are members of notable and influential New England families. In addition, these pendants have impeccable provenance: they have never left ownership of the decedents of the Kimball family and this is the first time they have been available for purchase. David Kimball (1766-1848) and Nancy Stacy Kimball (1774-1844) were members of historic Massachusetts families. David Kimball is a sixth-generation decedent of Richard Kimball (d. 1675) and Ursula Scott (d. 1659), who emigrated from Rattlasden, Suffolk County, England to Watertown MA around 1634. The family then relocated in 1637 to Ipswich, the city with which the family is now most strongly identified, when Richard was appointed to be a wheelwright.[1] Nancy likewise had early New England ancestry, descended from Simon Stacy and Elizabeth Clark, who were married in London in 1620.[2] Nancy Stacy was the second wife of David Kimball, and the two were married in 1799. Given this, the present pendant portraits were likely completed shortly after the marriage. David had two children by his first wife Mary Morse, who died in September of 1798. David and Nancy would have nine additional children between 1801 and 1815.[3] Most notably, the couple were parents of the Boston politician and showman Moses Kimball (1809-1895).[2][3] Moses would found the Boston Museum, an early for-profit museum and theater opened in 1841 that resembled European curiosity cabinets: the museum displayed paintings of Thomas Scully and Charles Peale alongside Chinese artwork, stuffed animals, dwarves and mermaids. Alongside these exhibits, visitors could attend the theater which held performances by gymnasts and contortionists, followed by performances of Shakespeare and Dickens.[4] This museum set the model for the Museum of Fine Arts, Boston, which when founded in 1870 held a similarly diverse collection and appealed to the interests of a diverse set of visitors.[5] Moreover, some Greek antiquities from Moses Kimball's museum were eventually given to the MFA and Moses donated approximately $5,000 to the MFA's endowment upon his death.[6][7] William Jennys (1774–1859), also known as J. William Jennys, is an important American primitive portrait...

An original hand colored engraving by Johannes 'Jan' Kip (1653-1722) of Haughton in the County of Nottinghamshire, one of the seats of Prince John Duke of ...

Finely carved mythological subject in white Carrara marble of Apollo head .

Beautiful watercolor and gouache on archival paper by the well known Maine artist Bill Paxton. The watercolor depicts what Portland harbor in Maine looked like in 1910 with sailing vessels of the era moored in the harbor. Signed lower right by the artist. Titled verso. Circa 1975. Condition is excellent and is finely matted and framed. The artwork is matted and framed in a thin gold leaf custom gallery frame. Overall framed measurements are 17.5 by 21.75 inches. Provenance: Sarasota, Florida estate. William (Bill) Paxton 1930—2007 William Paxton, born August 5, 1930 in Lewiston, was one of Maine’s top selling artists. He had a passion for painting and from a young age he was known for his talents in sketching. Paxton captured many popular Maine scenes with watercolor, acrylic, and oils. His work also includes historical scenes he referenced in books from as early as the 1920’s, painting locomotives, aircraft, and war scenes. Paxton’s art is sold all over the world. As a student at Bridgton Academy, he was featured in his yearbook. It states, “When artist Bill picks up his pen, we all stand at attention, for his remarks and pictures are certainly worth mention.” He wanted to pursue a career selling his art, but it was during the time of the Great Depression. Also in his younger years, Paxton had an interest in skiing and won a medal for Second Highest Ski Jump. From there he went to flying and received a certification for Second-in-Command, to fly alongside the captain in a C-46F type of aircraft. He then joined the Air Force in the 40’s, although his passion and talents for art were constant throughout his life. Paxton quickly became the front line military sketch...

Lilly Martin Spencer (American, 1822-1902) A Rare Portrait God Bless My Father. **Figure 84 from principal book/catalogue on Lilly Martin Spencer. 19th Century. Oil on canvas, signed Lilly Martin Spencer was one of the most popular and American female genre painters in the mid-nineteenth century. She primarily painted domestic scenes, paintings of women and children...

James Henry Cafferty Landscape and Figures (New Jersey or Long Island), 1845 Signed lower right Oil on canvas 21 x 17 1/4 inches Provenance The artist John L. Schoolcraft, Albany, N...

Benjamin Constant was an important figure in the Academic painting world in Paris and one of the leading French Romantic artists of the time. He is in all the museums of France and ...

Emily Cole Moss Rose, circa 1890 Watercolor on paper Sight 5 1/2 x 3 3/4 inches Provenance The artist Edith Cole Silberstein, the artist's granddaughter, by descent Dr. Clark S. Mar...

William-Adolphe Bouguereau 1825-1905 French Jeune mère contemplant deux enfants qui s'embrassent (Young Mother Contemplating Two Embracing Children) Signed “W-Bouguereau” (bottom ...

Maurice BAUDIN (19th Century) Marine "L'Escaut near Anvers" (Belgium) Oil on canvas signed and dated 1893 low left Old frame gilded with leaves Dim canvas : 38 X 70 cm - Dim frame : ...

Oil on canvas painting of a still life with white vase by the American artist Margaret Fulton Spencer.Signed middle bottom. Titled verso. In original condition; unlined. The painting is housed in a art nouveau reproduction frame. Overall 27.25 by 23.25 inches. Biography forMargaret Spencer The niece of painters Thomas Alexander...

Alfred Copestick (1837–1859) Fort Hamilton from the Narrows, New York, 1857 Oil on canvas, in the original giltwood frame 14 ¼ x 20 ⅛ in. (canvas) Signed lower left: A. Copestick NY 1857 Painted when Copestick was only twenty years old, Fort Hamilton from the Narrows, New York captures both the military fortifications and maritime vitality of New York Harbor at mid-century. In the foreground, the fortress bastion commands the shoreline, while sail and steam vessels traverse the Narrows — the strategic waterway linking Upper New York Bay to the Atlantic. Copestick conveys not only the architectural solidity of Fort Hamilton but also the shifting atmosphere above, where cloud formations build and dissolve across a wind-driven sky. The painting is a remarkable marriage of documentary precision and romantic sensibility. The young artist’s brush imbues the fortress with weight and presence, yet the broader scene is alive with the transience of weather and the ceaseless motion of the sea. In its original giltwood frame, richly carved and preserving the period character, the canvas is a rare survival of a gifted hand cut short in its prime. This canvas reveals Copestick’s deep engagement with the maritime traditions of American art. The careful delineation of sailing vessels recalls the precision of James E. Buttersworth, while the atmospheric breadth echoes the influence of Fitz Henry Lane and John F. Kensett. The choice of subject — the strategic Narrows and its fortress — also reflects the national mood of the 1850s, when American identity was bound up with its coasts, harbors, and defenses. The romantic skies and dramatic contrasts suggest the impact of the Hudson River School, particularly the legacy of Thomas Cole and Asher B...

Geskel SALOMAN Tonder (Denmark) 1821 – Bastad (Sweden), 1902 Portrait of a woman with a book Gouache on bone 8.8 x 8.5 cm (16.5 x 15.5 cm with the frame) Signed lower right “G. Salom...

Very nicely executed original still life oil painting on fiberboard of strawberries by an unknown artist. Signed lower right, Charles Burch. I believe this painting is quite possibly the work of Edward Pritchard...

Charles Cres (French, 1850-1907) A Wood Nymph playing the pipes signed and dated `Ch. Crès/ 1884’ (lower right) oil on canvas 25.7/8 x 15.1/2 in. (65.8 x 39.4 cm.) Charles Cres was born in Briare in the province of Loiret. As early as 1875 he exhibited at the annual Paris Salon and was subsequently awarded...

Italian life-size plaster sculpture , figure of the Callipygian Venus, after the antique Roman marble statue. Aphrodite Kallipygos, or Callipygian Venus literally means “Venus of ...

Painting based on the Peplos scene (Block V, eastern Parthenon frieze, ca. 447-433 BC) by the Danish painter Sophie Holten (1858 Skuldelev - 1930 Rosk...

Venus and the Sea Monster Large Mythological Oil on Canvas — Sculpture Rendered in Painting By American Artist Philip Melville Courtney This large-scale oil on canvas painting presen...

Very fine graphite on archival paper drawing of a typical mountain side house in the town of Hayingen, Germany by the prominent artist, Johannes Kleinschmidt. Signed in ink lower le...

A stunning, large scale, oil painting by British artist Harry Watson of bathers at a rockpool. HARRY WATSON RWS ROI (BRITISH, 1871-1936) BATHERS AT A ROCKPOOL oil on canvas signed ...

1942 Calendar illustration featuring the First Lady of Haiti (Madame Elie Lescot]) rendered in a precise stipple effect and celebrating African-American women which was titled "Twelve American Women." It was executed during the hight of World War II. Lois Mailou Jones...

Signed lower right. Louis Charles Moeller was a master of American genre painting. His meticulously detailed, highly finished paintings of late Victorian interiors received consider...

Here for your consideration is a vibrant portrait of a pair of Bavarian flower girls in traditional dress. The painting is unlined and has recently been cleaned. Circa 1875. The pain...

Highly respected American painter Warren Sheppard depicts the fishing boats of Venice with their colorful sails along the still waters of the Adriatic Sea. Sheppard is famous for his...

Original, elaborately executed pietra dura mosaic plaque of a lakeside Italian villa with boat and figure. Consisting of various marble and exotic stone. Circa 1950. Condition is e...

Antoine-Louis Barye was acclaimed as the finest sculptor of the French Animaliers School. As a 19th century sculptor he was an advocate for both naturalism and romanticism. This rear...

Franck Bailleul is a French painter born in 1964 who lives & works in Abbeville, Normandy, France. He has exhibited nationally as well as in the United States and China. His wor...

In original gold leaf pierced frame Signed and dated lower right 1902 Sight size 7.5 x 9.5 in

HERRMANN LEON Charles (1838-1908) Portrait of a Dog in interior Oil on canvas signed low left Old frame re-gilded with gold leaves Dim canvas : 56 X 46 cm Dim frame : 69 X 59 cm HERRMANN LEON Charles (1838-1908) French painter 19th century Born 22 july 1838 in Le Havre. Died 1...

Alexandre François CAMINADE (1789-1862) Portrait of a Lady Oil on wood signed low right Old frame gilded with leaves Wood size : 22 X 15 cm Frame size : 40 X 30 cm Alexandre-Françoi...

A sensuous and fabulous piece to enjoy in the round as every vantage point is attractive or on a shelf or table. In the 19th century, the Italians and French were in a golden era f...

French school 19th Century A Muskeeter Pencil on paper 26.5 x 17 cm Bears a signature "F. Roybet" in the lower right In quite good condition, bears some visible foxings, In an old mount (some damages) (not framed) Even if the style, execution and of course subject are those of Ferdinand Roybet...

Georges Croegaert 1848-1923 Belgian The Chess Game Signed "Georges Croegaert Paris" (lower right) Oil on panel This oil on panel by Belgian artist Georges Croegaert is a rich and...

Notes: This painting was reviewed via digital photographs by Max and Dr. Christoph Andreas who confirmed it authenticity. They commented that the painting would benefit from removal of the discolored varnish. Provenance: Provenance: Christie's New York, 19th Century European Paintings, Drawings, Watercolors, and Sculpture, February 23, 1989, Lot 125. Private Collection, Boston MA, Skinner Auction, Nov 2021 Arab Horsemen" by Adolf Schreyer captures the grace and power of Arab horsemen in a vibrant Middle Eastern setting. Schreyer, a renowned artist of the 19th century, adeptly portrays equestrian scenes with exceptional skill and detail. The painting showcases a group of horsemen galloping through a desert landscape, evoking a sense of freedom and adventure. Schreyer's meticulous attention to detail brings the scene to life, with sunlight reflecting off the horses' coats and dust rising beneath their hooves. Beyond its visual appeal, the artwork holds cultural significance, bridging the gap between cultures and inviting appreciation of Arabian heritage. Schreyer's experiences in North Africa, Turkey, and Syria inform his captivating depictions. "Arab Horsemen" is highly regarded in both America and France, where Schreyer's works found admiration among collectors and his association with the Barbizon School solidified his reputation. Owning this artwork not only adds beauty but also connects to a pivotal period in art history, showcasing Schreyer's artistic brilliance and cross-cultural appreciation. Experience the timeless allure of "Arab Horsemen" and embrace the spirit of the Middle East. Frame Size: Width: 36″ x Hight: 24.75″ Frame Thickness: 6.50″ Picture Size: Width: 24″ x 12.75″ Description: Introducing “Arab Horsemen” by Adolf Schreyer: A Captivating Blend of Artistry and Cultural Significance Capture the essence of the vibrant Middle Eastern culture with “Arab Horsemen,” a masterpiece by the renowned artist Adolf Schreyer. This captivating painting takes you on a journey through time, allowing you to witness the grace, power, and elegance of Arab horsemen in their natural element. Adolf Schreyer, a celebrated artist of the 19th century, gained immense popularity and admiration for his exceptional ability to depict equestrian scenes with unparalleled skill and detail. Born in Frankfurt, Germany in 1828, Schreyer developed a profound fascination for the Orientalist movement, which celebrated the exoticism and allure of the Middle East. “Arab Horsemen” exemplifies Schreyer’s signature style, highlighting his mastery of capturing the energy and spirit of his subjects. The painting portrays a group of Arab horsemen galloping across a vast desert landscape, their silhouettes evoking a sense of freedom and adventure. Schreyer’s meticulous attention to detail is evident in every brushstroke, as he adeptly captures the shimmering sunlight bouncing off the horses’ coats and the billowing dust beneath their hooves. What sets Schreyer apart is his ability to transcend mere representation and infuse his artworks with a profound cultural significance. His depictions of Arab horsemen are not only visually stunning but also serve as a bridge between cultures, inviting viewers to explore and appreciate the richness of Arabian heritage. The artist’s fascination with the Middle East stems from his experiences traveling through North Africa, Turkey, and Syria, immersing himself in the sights, sounds, and traditions of these enchanting lands. “Arab Horsemen” holds a special place in the hearts of art enthusiasts in both America and France. Schreyer’s works found great admiration and recognition in these countries during his lifetime and continue to captivate audiences to this day. In America, his paintings were sought after by collectors who were drawn to the romanticism and exoticism of the Orient. In France, Schreyer’s association with the Barbizon School, a group of artists who favored realistic depictions of rural life, further solidified his reputation as a respected painter. Owning a piece by Adolf Schreyer, especially “Arab Horsemen,” is not merely acquiring a beautiful artwork but also an opportunity to possess a tangible link to a pivotal period in art history. Schreyer’s ability to seamlessly blend artistic brilliance with cross-cultural appreciation makes this painting an invaluable addition to any collection. Experience the timeless allure of “Arab Horsemen” and let the spirit of the Middle East gallop into your life. Collections holding paintings by Adolf Schreyer include the Collections: Schwerin Gallery Count Mensdorff-Pouilly Collection Raven Gallery, Berlin Rockefeller Family Collection Vanderbilt Family Collection John Jacob Astor Collection William Backhouse Astor, Sr. Collection August Belmont Collection William Walters Collection...

Emile VERNON Blois, 1872 – Blois, 1920 Oil on canvas 44 x 61 cm (57 x 74 cm with frame) Signed lower right “Emile Vernon” Very beautiful 19th century frame in carved and gilded wood ...

An academic drawing of a female nude figure sitting atop a flat surface. He highlights the body with white chalk. She leans on one arm and the other rests behind her torso. Artist B...

Guillaume Seignac 1870-1924 French Mutine Signed “G. Seignac” (lower right) Oil on canvas A mischievous maiden dominates this garden scene by French Academic artist Guillaume S...

Samantha Haring Fire, 2025 chalk pastel on paper 15 x 15 in. (hari027)

George Weissbort (Belgian / British, 1928 – 2013) SQUASHES AND A GLASS OF WATER Oil on canvasboard 18.1/4 x 21.3/8 in. (46.3 x 55.4 cm.) George Weissbort was born in Brussels in ...