Academic Art

Work on paper Sketch of Pierrot tuning his guitar on the back of the artwork

A stunning, large scale, oil painting by British artist Harry Watson of bathers at a rockpool. HARRY WATSON RWS ROI (BRITISH, 1871-1936) BATHERS AT A ROCKPOOL oil on canvas signed ...

Here for your consideration is a very well executed luminous oil on artist board painting by the American artist, Franklin Dullin Briscoe. Signed and dated by the artist lower righ...

Tetbury Church by His Majesty King Charles III - Hand Signed Limited Edition Lithograph. Belgravia Gallery has been honoured to be associated with ...

Here for your consideration is a circa 1920’s still life of red poppies and purple grapes. Oil on artist canvas board . Signed lower right but artis...

Photographed in 1987 in John Rylands Library, Manchester and was part of Richard Heeps iconic series 'Ordinary Places', which was his first colour collection. The exhibition was show...

Four hand colored etchings and aquatints depicting interiors within English royal residences, including "The Blue Velvet Room at Carlton House", "The Queen's Library at Frogmore", "T...

Picnic on the Hudson is a significant canvas painted circa 1860 as Whittredge was purposely transitioning his European training and experience into a purely American style and genre....

Benjamin Constant was an important figure in the Academic painting world in Paris and one of the leading French Romantic artists of the time. He is in all the museums of France and ...

China Ink Signed H. Balslaecj (artist unknown from the gallery) and dated 1978 Pastel wooden frame with plexiglas Total size with frame: 75x57x6 cm

The art is signed AB..6. lower right corner Albert Bierstadt, a luminary of 19th-century American landscape painting, was born on January 7, 1830, in Solingen, Prussia (now Germany)...

This Richard Vernon Goetz Drawing on Paper from the mid-20th Century features a standing female nude rendered in black and grey cross-hatch lines of Charcoal and Conté Crayon. The we...

Academic style life drawing of female nude with charcoal and graphite by Mark Beard, "MB 017" graphite, Conte crayon and charcoal on Arches paper 30 x 22 inches unframed Signed, lowe...

LE ROY Jules Gustave (1853 - 1922 ) Cats in Interior Oil on canvas signed low right Old frame gilded with leaves Size canvs : 41 X 33 cm Size frame : 51 x 63 cm LE ROY Jules Gustave (1853 - 1922 ) 19th-20th century - French painter Jules Le Roy or Jules Leroy was born the 22th of December 1853. Dead in 1922 according to the Roubaix Museum Wildlife artist. He mainly painted cats...

Orientalist African Hunter Leaning on His Shield Black Forest, School Switzerland  19th century Carved Wood 21 inches This is an exceptionally beautifu...

Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2023 Style: Impressionism Subject: Cows, Size: 8.5" x 12" x 0.8'' in...

Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2023 Style: Impressionism Subject: Harbor, Size: 8.5" x 12" x 0.8'' ...

Circa 1865 marketplace painting by the American artist, George Washington Nicholson. Signed lower left. Oil paint on wooden panel. Condit...

Late 19th century painting done after an 1890 Newsboy Plug Tobacco advertising card titled "The Last Look." At the time, a customer could trade in 10 paper tags that came with the to...

Four Caryatids sculptures with classically draped figures and their distinguishing symbols. Autumn, winter, spring and summer. Measures: Height with square form bases cm 220. Time...

Landscape, Original oil Painting, One of a Kind Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2023 Style: Impressio...

Title: Original French Abstract Study of a Horse and Figure in a Stable Artist: Robert Ladou (French, 1929-2014) Medium: Watercolor on paper Size: 12 (Height) x 14.75 (Width) Signed...

Original watercolor and gouache on paper of a busy street scene in India done in 1912 by the American artist, William Henry Drake. Copyrighted signed and dated 1912 lower left. Condition is good. Recently professionally matted. Unframed. Overall matte size is 12 by 16 inches. Provenance: A Long Island, New York estate. William Henry Drake Born: 1856 New York Died: 1926 Los Angeles Nationality: American Education: Académie Julian, Art Students League of New York Known for: Painting, illustration Awards: National Academy Biography: Drake studied at the Académie Julian in Paris, with Jean-Joseph Benjamin-Constant and Henri Lucien Doucet. Back from Europe, he studied at the Cincinnati School of Design, and would often go to the zoo, where he could draw the animals. He was then employed by the Museum of Natural History. He continued to study at the Art Students League of New York. In 1878 he worked as a freelance pen-and-ink artist for such periodicals as Century or Harper’s with animal studies...

BACHMANN Alfred Félix August (1863-1956) Venice Lagoon and Doge Palace Oil on canvas signed Low Right Frame gilded with leaves Dim canvas : 73 X 54 cm Dim frame : 78 X 95 cm ...

The Young Shepherdess by Charles Amable Lenoir (1860-1926) Oil on canvas 48 x 32 inches unframed (121.92 x 81.28 cm.) 58 ½ x 42 ¾ inches framed (148.59 x 10...

John Cousins Lawrence Croquet Signed lower right and on the overlap Oil on canvas 25 x 30 inches

Beautiful original painting by French artist, Alexandre de Valentini (1787-1887). Pencil and gouache on paper, 14 x 18.5 inches; 19 x 23.5 inches matted. Signed and dated with Paris...

Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2023 Style: Impressionism Title: Children on sea stones Size: 31.5" x...

William-Adolphe Bouguereau 1825-1905 French Jeune mère contemplant deux enfants qui s'embrassent (Young Mother Contemplating Two Embracing Children) Signed “W-Bouguereau” (bottom ...

Very nicely executed original still life oil painting on fiberboard by the Wales born artist, Edward Pritchard. Signed lower left. Circa 1915. Conditi...

Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2023 Style: Impressionism Title: Saint Sophia Size: 12" x 17" x 0.8''...

Charles Cres (French, 1850-1907) A Wood Nymph playing the pipes signed and dated `Ch. Crès/ 1884’ (lower right) oil on canvas 25.7/8 x 15.1/2 in. (65.8 x 39.4 cm.) Charles Cres was born in Briare in the province of Loiret. As early as 1875 he exhibited at the annual Paris Salon and was subsequently awarded...

Czech 19th Century Dalmatian Costume Young Man Orientalist Oil Portrait Kovács Czech, c. 1870 Canvas: Height 46cm, width 34cm Frame: Height 79cm, width 68cm, depth 10cm This oil por...

John William Godward 1861-1922 British A Pompeian Lady Signed and dated "J.W. Godward 1904" (lower right, partially covered by frame) Oil on canvas One of the last and greatest Victorian neoclassical painters, John William Godward is celebrated for his flawlessly executed images of graceful women posed in idealized ancient settings. In this work, entitled A Pompeian Lady, a classical beauty is caught idling in a moment of quiet, solitary reflection. Godward's elegant subjects are depicted with a degree of technical mastery that remains unsurpassed, and the work's dramatic palette, luxurious fabrics and classical vision are all characteristics of his unique take on the neoclassical style. Godward was unmatched in terms of his technical skill and attention to detail. A master of contrasting textures, he paints a diaphanous gown draping against the model’s smooth, milky white skin, which sits against the painstakingly rendered individual hairs of a tiger’s pel. Scintillating color permeates the canvas as well, energizing the otherwise static scene. Each element is given careful attention, and the overall effect is one of both immaculate technique and sensual tactility. Along with his contemporary and mentor, Sir Lawrence Alma-Tadema, Godward set the tone for the Victorian neoclassicist movement. He built his career upon creating images of idealized feminine beauty infused with a Greco-Roman-inspired style. Though greatly influenced by Alma-Tadema, Godward distinguished himself through his predilection for the solitary female figure. His fame rose dramatically in the first few years of the 20th century, when the present work was completed, due to the burgeoning strength of the British Empire and the Victorian society’s preoccupation with ancient Rome. To many of the newly affluent, Roman society was, as Iain Gale writes, “a flawless mirror of their own immaculate world.” The sensuality and mystery of Godward’s maidens, combined with his impressive antique backdrops...

Notes: This painting was reviewed via digital photographs by Max and Dr. Christoph Andreas who confirmed it authenticity. They commented that the painting would benefit from removal of the discolored varnish. Provenance: Provenance: Christie's New York, 19th Century European Paintings, Drawings, Watercolors, and Sculpture, February 23, 1989, Lot 125. Private Collection, Boston MA, Skinner Auction, Nov 2021 Arab Horsemen" by Adolf Schreyer captures the grace and power of Arab horsemen in a vibrant Middle Eastern setting. Schreyer, a renowned artist of the 19th century, adeptly portrays equestrian scenes with exceptional skill and detail. The painting showcases a group of horsemen galloping through a desert landscape, evoking a sense of freedom and adventure. Schreyer's meticulous attention to detail brings the scene to life, with sunlight reflecting off the horses' coats and dust rising beneath their hooves. Beyond its visual appeal, the artwork holds cultural significance, bridging the gap between cultures and inviting appreciation of Arabian heritage. Schreyer's experiences in North Africa, Turkey, and Syria inform his captivating depictions. "Arab Horsemen" is highly regarded in both America and France, where Schreyer's works found admiration among collectors and his association with the Barbizon School solidified his reputation. Owning this artwork not only adds beauty but also connects to a pivotal period in art history, showcasing Schreyer's artistic brilliance and cross-cultural appreciation. Experience the timeless allure of "Arab Horsemen" and embrace the spirit of the Middle East. Frame Size: Width: 36″ x Hight: 24.75″ Frame Thickness: 6.50″ Picture Size: Width: 24″ x 12.75″ Description: Introducing “Arab Horsemen” by Adolf Schreyer: A Captivating Blend of Artistry and Cultural Significance Capture the essence of the vibrant Middle Eastern culture with “Arab Horsemen,” a masterpiece by the renowned artist Adolf Schreyer. This captivating painting takes you on a journey through time, allowing you to witness the grace, power, and elegance of Arab horsemen in their natural element. Adolf Schreyer, a celebrated artist of the 19th century, gained immense popularity and admiration for his exceptional ability to depict equestrian scenes with unparalleled skill and detail. Born in Frankfurt, Germany in 1828, Schreyer developed a profound fascination for the Orientalist movement, which celebrated the exoticism and allure of the Middle East. “Arab Horsemen” exemplifies Schreyer’s signature style, highlighting his mastery of capturing the energy and spirit of his subjects. The painting portrays a group of Arab horsemen galloping across a vast desert landscape, their silhouettes evoking a sense of freedom and adventure. Schreyer’s meticulous attention to detail is evident in every brushstroke, as he adeptly captures the shimmering sunlight bouncing off the horses’ coats and the billowing dust beneath their hooves. What sets Schreyer apart is his ability to transcend mere representation and infuse his artworks with a profound cultural significance. His depictions of Arab horsemen are not only visually stunning but also serve as a bridge between cultures, inviting viewers to explore and appreciate the richness of Arabian heritage. The artist’s fascination with the Middle East stems from his experiences traveling through North Africa, Turkey, and Syria, immersing himself in the sights, sounds, and traditions of these enchanting lands. “Arab Horsemen” holds a special place in the hearts of art enthusiasts in both America and France. Schreyer’s works found great admiration and recognition in these countries during his lifetime and continue to captivate audiences to this day. In America, his paintings were sought after by collectors who were drawn to the romanticism and exoticism of the Orient. In France, Schreyer’s association with the Barbizon School, a group of artists who favored realistic depictions of rural life, further solidified his reputation as a respected painter. Owning a piece by Adolf Schreyer, especially “Arab Horsemen,” is not merely acquiring a beautiful artwork but also an opportunity to possess a tangible link to a pivotal period in art history. Schreyer’s ability to seamlessly blend artistic brilliance with cross-cultural appreciation makes this painting an invaluable addition to any collection. Experience the timeless allure of “Arab Horsemen” and let the spirit of the Middle East gallop into your life. Collections holding paintings by Adolf Schreyer include the Collections: Schwerin Gallery Count Mensdorff-Pouilly Collection Raven Gallery, Berlin Rockefeller Family Collection Vanderbilt Family Collection John Jacob Astor Collection William Backhouse Astor, Sr. Collection August Belmont Collection William Walters Collection...

The Original American Colony was a colony established in Jerusalem in 1881 by members of a utopian society led by Anna and Horatio Spafford. Now a hotel in East Jerusalem, it is still known by that name today. After suffering a series tragic losses following the Great Chicago Fire of 1871 (see hymn "It is Well with My Soul"), Chicago residents Anna and Horatio Spafford led a small American contingent in 1881 to Jerusalem to form a utopian society. The "American Colony," as it became known, was later joined by Swedish Christians. The society engaged in philanthropic work amongst the people of Jerusalem regardless of religious affiliation, gaining the trust of the local Muslim, Jewish, and Christian communities.During and immediately after World War I, the American Colony carried out philanthropic work to alleviate the suffering of the local inhabitants, opening soup kitchens, hospitals, orphanages and other charitable ventures. Towards the end of the 1950s, the society's communal residence was converted into the American Colony Hotel. The hotel is an integral part of the Jerusalem landscape where members of all communities in Jerusalem still meet. In 1992 representatives from the Palestine Liberation Organization and Israel met in the hotel where they began talks that led to the historic 1993 Oslo Peace Accord. Panorama of Jerusalem, c. 1890-1920 The Colony moved to the large house of a wealthy Arab landowner, Rabbah Husseini, outside the city walls in Sheikh Jarrah on the road to Nablus. Part of the building was used as a hostel for visitors from Europe and America. A small farm developed with animals, a butchery, a dairy, a bakery, a carpenter's shop, and a smithy. The economy was supplemented by a shop selling photographs, craft items and archaeological artifacts. The American Colonists were embraced by the Jewish and Palestinian communities for their good works, among them, teaching in both Muslim and Jewish schools. Photography Around 1900, Elijah Meyers, a member of the American Colony, began taking photographs of places and events in and around the city of Jerusalem. Meyers's work eventually expanded into a full-fledged photographic division within the Colony, including Hol Lars (Lewis) Larsson and G. Eric Matson, who later renamed the effort as the Matson Photographic Service. Their interest in archeological artifacts (such as the Lion Tower in Tripoli pictured here), and the detail of their photographs, led to widespread interest in their work by archeologists. The collection was later donated to the Library of Congress. World War I When the Ottoman Empire entered World War I as an ally of Germany in November 1914, Jerusalem and Palestine became a battleground between the Allied and the Central powers...

Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2021 Style: Impressionism Title: Happy Day Size: 31.5" x 43" x 1'' in...

Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2023 Style: Impressionism Title: Morning Breeze, Size: 9" x 13.5" x ...

Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2023 Style: Impressionism Title: Sunset Size: 18" x 23.5" x 0.8'' inc...

Geskel SALOMAN Tonder (Denmark) 1821 – Bastad (Sweden), 1902 Portrait of a woman with a book Gouache on bone 8.8 x 8.5 cm (16.5 x 15.5 cm with the frame) Signed lower right “G. Salom...

Study for Ruth Gathering Wheat The Painting is monogrammed bottom left side Provenance: Notes: This is the full scale version of Ruth in Pharoah's Fields exhibited at the Royal Academy (now lost). Exhibited at the Bristol Art Museum, Birmingham UK Private Collection, Detroit, MI Description: Sir Edwin Long (1829-1891) was a renowned British painter known for his historical and Orientalist artworks. Born in Bath, England, Long displayed exceptional artistic talent from an early age. He received formal training at the Royal Academy of Arts in London, where he honed his skills and developed his distinctive style. One of Long’s oil paintings...

Jean-Baptiste Robie (1821-1910) Belgian Bouquet of Flowers in the Countryside Signed "J. Robie" (lower left) Oil on panel This extraordinary floral still life embodies the height...

Antonio Tantardini (Italian, 1829-1879) An extraordinary Italian 19th century life size carved Carrara white marble sculpture of "A Young Child and a baby in a wicker crib" - A Risorgimento Allegory. Signed and dated: A.nio Tantanrdini F.ce / 1863. The older child's medallion inscribed with an interlocked XV and Garibaldi, the crib monogrammed: AR. Circa: Florence, 1863. This sculpture includes a recent custom-made veined black marble pedestal stand. (The 2 items description mean the sculpture and pedestal, which are sold as sold a set.) In a country famed for its skilled carvers and working in an age when virtuoso carving technique was highly prized, Antonio Tantardini was one of the very best exponents of master carvers in nineteenth century Italy. Vicario describes Tantardini's skill as 'un abilità tecnica stupefacente'. The present amazing quality marble group epitomizes Tantardini's exceptional talents as a carver. Lesser sculptors might have shied away from attempting to carve a life-size wicker crib in marble, but Tantardini has clearly relished the Challenge. The result is a stunning achievement of verismo Italian sculpture. This marble group, however, is more than a paradigm of Italian marble carving, it is also a prime example of the use of Risorgimento allegory in Italian sculpture of the 1860s. Famous sculptural Risorgimento allegories include Raffaelle Monti...

Firmado en la parte inferior por el artista Se presenta sin enmarcar la obra Medidas obra: 50 cm. de altura x 32 cm. de ancho Buen estado de conservación el de la obra ::::::::::...

Finely carved mythological subject in white Carrara marble of Apollo bust .

This is an Original Lithograph Vintage Railroad Map of Washington State; it is not a reproduction. “Railroad Map of Washington, 1917, The Public Servi...

Signed oil on canvas portrait circa 1890 by French academic painter Tony Robert-Fleury. The work depicts a young red-headed woman wearing in a white dress with blue trim. She is stti...

Title: Original French Anatomical Study of Horse's Head Artist: Robert Ladou (French, 1929-2014) Medium: Oil pastel on paper Size: 11.75 (Height) x 8.25 (Width) Signed: No Condition:...

Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2017 Style: Impressionism Title: Fun Day Size: 16" x 20" x 0.8'' inch...

Samuel S. Carr Harvest Signed lower left Oil on canvas 16 x 12 inches Samuel S. Carr was an American pastoral and landscape painter. Originally from England, he trained at the Roy...

Albert Duplain (1890-1978) was a Swiss painter known for his depictions of Swiss landscapes and scenes of everyday life. His works, characterized by vibrant colors and a strong conne...

Alfred Copestick (1837–1859) Coastal Scene: New York, 1857 Oil on canvas, in the original giltwood frame 14 ¼ x 20 ⅛ in. (canvas) Signed lower right: A. Copestick NY 1857 Painted at just twenty years of age, Coastal Scene: New York demonstrates Alfred Copestick’s remarkable promise as a marine painter in antebellum America. The scene brims with energy: a single sailboat heels sharply into the wind, its rigging taut against the storm, while foamy waves break against a rugged shoreline. Above, clouds mass and dissolve, illuminated by shafts of storm-lit light. Copestick’s treatment is both romantic and naturalistic, conveying the sublime tension between man, sea, and sky. His confident brushwork captures atmosphere with an immediacy and sensitivity rarely found in so young an artist. The work survives in its original giltwood frame, richly carved in a mid-nineteenth-century American style, which not only underscores its historical authenticity but also heightens the tonal drama of the painting. Alfred Copestick came of age during a fertile moment in American painting, when marine art and landscape were central to cultural identity. Though little is known of his formal training, his works suggest familiarity with and admiration for leading marine painters such as James E. Buttersworth, famed for his racing yachts; Francis Augustus Silva, who later developed a luminist style of coastal painting; and earlier masters like Thomas Birch, whose shipwrecks and storm scenes set a precedent for drama at sea. Copestick also absorbed broader currents in American landscape painting. The Hudson River School, led by Thomas Cole, Asher B...

Julius von Blaas (1845-1923) At The Gallops circa 1905 Oil on canvas Signed and dated “Julius von Blass / 1905” (lower left) 110 x 200 cm (140 x 230 cms framed ish) This enormous and grand depiction of horses exercising is an iconic image not only of the edwardien era but also of today’s racing elite. Julius von Blaas was taught by his father Carl von Blaas (1815-1994) and trained in Venice, Florence and Rome. He was also influenced by his celebrated brother Eugen von Blaas...

Pastoral Scene with Young Woman and Turkeys Oil on canvas 118.5 × 153.5 cm Original period giltwood frame Signed low-right This large-scale and finely executed oil on canvas by Erne...

This 38 x 32 inch painting, is an oil on canvas titled 'Female Nude,' by artist Charles G. Bockmann. The painting depicts a 3/4th portrait of a nude woman wh...

Work on canvas

Beautifully painted sunset on the river with a single figure in a punt and cattle crossing by the American artist, George Riecke. Most likely a New Orlea...

Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2023 Style: Impressionism Title: After Storm Size: 11" x 16" x 0.8'' ...

Coastal Original oil Painting, One of a Kind Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2023 Style: Impressionis...

"Passion #3" . Composition with Two Male Nudes, oil on canvas, 35.5x19.5in / 90x50cm Part of "Wings of Gods" solo show, April 2024. see pictures from the show. Shipped as it is, stre...