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Academic Art

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ACADEMIC STYLE

During the Renaissance, the first European fine art academies were established in Italy and would guide the style and standards of visual culture in the following centuries. Academic art became dominant across the continent in the 17th century, with artists coming together to offer instruction in this style of painting and sculpture

The academic art period represented a significant change from the previous era when painters, sculptors and other artists were part of guilds and seen more as artisans than purveyors of culture. While patronage from the elite and the church remained pivotal, young artists were able to support themselves for the first time through academic exhibitions and an independent marketplace. The leading academies included the French Académie Royale de Peinture et de Sculpture founded in Paris in 1648 (which became the Académie des Beaux-Arts after the French Revolution) and the London Royal Academy of Arts formed in 1768 under the inaugural leadership of painter Joshua Reynolds

Academy students sketched drawings based on prints, sculptures and, finally, live models. Movements including neoclassicism and romanticism were particularly popular in these art schools and institutions where the influence of Raphael and Nicolas Poussin was prominent. Beaux Arts architecture and furniture design drew on these movements, too, and, as they also originated at the Académie des Beaux-Arts, the disciplines share common ground with academic painting and sculpture.

Although academic art was a major shift for artistic status when it began, by the middle of the 19th century it was viewed as stodgy and resistant to new ideas, with the subject matter of artists such as William-Adolphe Bouguereau and Jean-Léon Gérôme generally limited to allegorical or mythological themes. Impressionism, realism and the other movements that engaged with contemporary issues that followed were direct reactions to the academic tradition, although it continued to inform the avant-garde as artists like Gustav Klimt and Pablo Picasso started their practices as academic realists.  

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Style: Academic
Winter Day in Old Yard, Original Oil Painting, One of a Kind
Winter Day in Old Yard, Original Oil Painting, One of a Kind

Winter Day in Old Yard, Original Oil Painting, One of a Kind

Located in Granada Hills, CA

Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2019 Style: Impressionism Title: Winter Day in Old Yard Size: 18" x 21" x 0.8'' inch, (45x53x2cm), Unframed, Stretched on wooden bar, Ready to Hang, Artist Bio Ara H. Hakobyan is an Armenian artist and art critic, Doctor of Sciences (arts, 2017), professor (2018) and a member of Artist Union of the Republic of Armenia (1999). Ara H. Hakobyan was born in 1973 in Yerevan in the family of art historian Hravard Hakobyan. In 1997 Mr. Hakobyan graduated from the Yerevan State Academy of Arts, Department of Painting. During 1997-2000 Ara Hakobyan...

Category

2010s Academic Art

Materials

Canvas, Oil

Bur Reed & Water Hemlock: A 17th-18th C. Besler Hand-colored Botanical Engraving
Bur Reed & Water Hemlock: A 17th-18th C. Besler Hand-colored Botanical Engraving

Bur Reed & Water Hemlock: A 17th-18th C. Besler Hand-colored Botanical Engraving

By Basilius Besler 1

Located in Alamo, CA

This is a hand-colored copper plate engraving entitled "Orobanche, Cicuta Maxima, Sparganium (Bur Reed, Water Hemlock, Broomrape) ", depicting a flowering Bur Reed, Water Hemlock, Broomrape plants from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful colorful engraving is printed on thin laid chain-linked paper with wide margins. There us spotting and some discoloration, most prominently in the upper and lower margins. There is irregularity and some loss along the right paper edge. The print is otherwise in excellent condition with striking hand-coloring. The sheet measures 21.5" high and 17.25" wide. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...

Category

Early 18th Century Academic Art

Materials

Engraving

Marine with Characters
Marine with Characters

Marine with Characters

Located in Saint-Ouen, FR

Maurice BAUDIN (19th Century) Marine "L'Escaut near Anvers" (Belgium) Oil on canvas signed and dated 1893 low left Old frame gilded with leaves Dim canvas : 38 X 70 cm - Dim frame : ...

Category

1890s Academic Art

Materials

Oil

Landscape, Impressionism, Original Painting, One of a Kind
Landscape, Impressionism, Original Painting, One of a Kind

Landscape, Impressionism, Original Painting, One of a Kind

Located in Granada Hills, CA

Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Acrylic on Canvas Year: 2019 Style: Impressionism Title: Landscape Size: 24" x 30" x 0.8'' inch, (61x76x2cm), Unframed, Stretched on wooden bar, Ready to Hang, Artist Bio Ara H. Hakobyan is an Armenian artist and art critic, Doctor of Sciences (arts, 2017), professor (2018) and a member of Artist Union of the Republic of Armenia (1999). Ara H. Hakobyan was born in 1973 in Yerevan in the family of art historian Hravard Hakobyan. In 1997 Mr. Hakobyan graduated from the Yerevan State Academy of Arts, Department of Painting. During 1997-2000 Ara Hakobyan...

Category

2010s Academic Art

Materials

Canvas, Acrylic

Sneezewort, Poppy, Strawflower: 17th C. Besler Hand-colored Botanical Engraving
Sneezewort, Poppy, Strawflower: 17th C. Besler Hand-colored Botanical Engraving

Sneezewort, Poppy, Strawflower: 17th C. Besler Hand-colored Botanical Engraving

By Basilius Besler 1

Located in Alamo, CA

This is a hand-colored copper plate engraving entitled "Ptarmica Vulgaris (Sneezewort), Papaver Spinosum (Mexican Poppy), Chrysocame Peregrina (Seaside Strawflower)", depicting flowering Sneezewort, Mexican Poppy and Seaside Strawberry plants respectively from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful colorful engraving is printed on thin laid chain-linked paper. The left margin is thinner than the others and the left edge is somewhat irregular where the engraving was previously bound in the original publication. The print is otherwise in excellent condition with striking hand-coloring. The sheet measures 20" high and 16.38" wide. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...

Category

1640s Academic Art

Materials

Engraving

Original French Anatomical Study of Horse's Eyes
Original French Anatomical Study of Horse's Eyes

Original French Anatomical Study of Horse's Eyes

By Robert Ladou

Located in Cirencester, Gloucestershire

Title: Original French Anatomical Study of Horse's Eyes Artist: Robert Ladou (French, 1929-2014) Medium: Acrylic on Paper Size: 18.25 (Height) x 14.75 (Width) Signed: No Condition: G...

Category

20th Century Academic Art

Materials

Acrylic

Anatomy Drawing of a Horse - Original French Artwork Equestrian Anatomy Study
Anatomy Drawing of a Horse - Original French Artwork Equestrian Anatomy Study

Anatomy Drawing of a Horse - Original French Artwork Equestrian Anatomy Study

By Robert Ladou

Located in Cirencester, Gloucestershire

The Anatomy of a Horse by Robert Ladou (French 1929-2014) original drawing stuck on card in blue folder/ thick paper, unframed drawing: 12 x 19 inch...

Category

20th Century Academic Art

Materials

Charcoal, Crayon, Watercolor, Pencil, Color Pencil

Symphony of Flowers, Original Painting, One of a Kind
Symphony of Flowers, Original Painting, One of a Kind

Symphony of Flowers, Original Painting, One of a Kind

Located in Granada Hills, CA

Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Acrylic on Canvas Year: 2019 Style: Impressionism Title: Symphony of Flowers Size: 24" x ...

Category

2010s Academic Art

Materials

Canvas, Acrylic

18th century diptych portraits man and woman American formal dress flower
18th century diptych portraits man and woman American formal dress flower

18th century diptych portraits man and woman American formal dress flower

By William Jennys

Located in Milwaukee, WI

The present pair of portraits would make an exceptional addition to any collection of early American art not only because they were painted by the notable William Jennys, but also because the sitters are members of notable and influential New England families. In addition, these pendants have impeccable provenance: they have never left ownership of the decedents of the Kimball family and this is the first time they have been available for purchase. David Kimball (1766-1848) and Nancy Stacy Kimball (1774-1844) were members of historic Massachusetts families. David Kimball is a sixth-generation decedent of Richard Kimball (d. 1675) and Ursula Scott (d. 1659), who emigrated from Rattlasden, Suffolk County, England to Watertown MA around 1634. The family then relocated in 1637 to Ipswich, the city with which the family is now most strongly identified, when Richard was appointed to be a wheelwright.[1] Nancy likewise had early New England ancestry, descended from Simon Stacy and Elizabeth Clark, who were married in London in 1620.[2] Nancy Stacy was the second wife of David Kimball, and the two were married in 1799. Given this, the present pendant portraits were likely completed shortly after the marriage. David had two children by his first wife Mary Morse, who died in September of 1798. David and Nancy would have nine additional children between 1801 and 1815.[3] Most notably, the couple were parents of the Boston politician and showman Moses Kimball (1809-1895).[2][3] Moses would found the Boston Museum, an early for-profit museum and theater opened in 1841 that resembled European curiosity cabinets: the museum displayed paintings of Thomas Scully and Charles Peale alongside Chinese artwork, stuffed animals, dwarves and mermaids. Alongside these exhibits, visitors could attend the theater which held performances by gymnasts and contortionists, followed by performances of Shakespeare and Dickens.[4] This museum set the model for the Museum of Fine Arts, Boston, which when founded in 1870 held a similarly diverse collection and appealed to the interests of a diverse set of visitors.[5] Moreover, some Greek antiquities from Moses Kimball's museum were eventually given to the MFA and Moses donated approximately $5,000 to the MFA's endowment upon his death.[6][7] William Jennys (1774–1859), also known as J. William Jennys, is an important American primitive portrait...

Category

1790s Academic Art

Materials

Oil, Canvas

“Dead Gull”
“Dead Gull”

John Duncan“Dead Gull”, 1902

$1,200Sale Price|50% Off

“Dead Gull”

By John Duncan

Located in Southampton, NY

In original gold leaf pierced frame Signed and dated lower right 1902 Sight size 7.5 x 9.5 in

Category

Early 1900s Academic Art

Materials

Paper, Watercolor

"Woman Selling Fruit Oil on Canvas, Costumbrist Realism, 1970s"
"Woman Selling Fruit Oil on Canvas, Costumbrist Realism, 1970s"

"Woman Selling Fruit Oil on Canvas, Costumbrist Realism, 1970s"

By Rosendo Gonzalez Carbonell

Located in Sitges, Barcelona

Title: Woman Selling Fruit Author: Rosendo González Carbonell Technique and Support: Oil on canvas Dimensions: 31.9 x 25.6 in (unframed) Period: 1970s Style: Costumbrist realism with impressionist influences Condition: Part of a private collection Description of the Artwork The painting portrays a woman holding a basket filled with fruit, notably apples and pears, focusing on warm and dark contrasts that add depth and realism to the composition. The artist creates an intimate atmosphere, skillfully manipulating light to highlight the woman's facial features and the textures of the fruit. The figure’s attire evokes a classical style, likely inspired by costumbrist themes. Rosendo González Carbonell, renowned for his focus on traditional scenes and female figures, employs in this piece loose yet precise brushstrokes, creating dynamism that enhances the composition. The warm hues of the fruit and the serene expression of the woman reflect the artist’s intention to capture a moment of everyday life with sensitivity and expressiveness. Author’s Biography Rosendo González Carbonell (Barcelona, 1910 - 1984) was a Spanish painter recognized for his focus on female figures, portraits, and landscapes. He studied at the Acadèmia de Belles Arts de Sabadell under the mentorship of Mayoral and Antoni Alsina i Amils and also attended the "Llotja" art academy in Barcelona. He was a disciple of Bonaventura Puig Perucho and maintained a close friendship with painter Alejandro Huerta Lucas. He participated in the National Fine Arts Exhibitions held in Barcelona in 1942 and 1944. His work reflects the tradition of Catalan painters such as Joaquim Mir and Santiago Rusiñol, as well as influences from impressionist masters like Claude Monet and Camille Pissarro. González Carbonell often depicted small villages, rural churches, and tranquil landscapes, balancing meticulous detail with impressionist brushstrokes that bring his compositions to life. Similar Artists González Carbonell shares artistic sensitivities with other renowned painters who captured the essence of landscapes and human figures through light and color: Joaquim Mir: Renowned for his luminous interpretations of the Catalan landscape. Santiago Rusiñol: Famous for his delicate depictions of rural scenes and local architecture. Josep Amat...

Category

1970s Academic Art

Materials

Canvas, Oil

Late 19th Century Academic Oil Painting of Seated Man
Late 19th Century Academic Oil Painting of Seated Man

Late 19th Century Academic Oil Painting of Seated Man

Located in Genève, GE

This painting depicts a portrait of a man of great dignity, typical of the academic tradition of the 19th century. The artist has captured his model in a sober and solemn pose: seate...

Category

Late 19th Century Academic Art

Materials

Oil, Canvas

Untitled (Mother Holding Baby)
Untitled (Mother Holding Baby)

Untitled (Mother Holding Baby)

By John Gilroy

Located in New York, NY

John Thomas Young Gilroy (English, 1898-1985), "Untitled: Mother Holding Baby", Figurative/Academic Drawing signed on Paper, 14 x 8, Early 20th Century Colors: White, Black "Untitled: Mother Holding Baby" is a Figurative/ Academic Drawing signed on Paper. Among our Gilroy collection of drawings, this particular work is unique due to its original grid markings included here within. As one can view among our details, the drawing has visible age markings and 3/4 of the perimeter rear of the work has tape. Nevertheless, as with all his figurative graphite works, a wonderfully drawn piece of a Mother cradling her infant child. John Thomas Young Gilroy (30 May 1898 – 11 April 1985) was an English artist and illustrator, best known for his advertising posters for Guinness, the Irish stout. He signed many of his works, simply, "Gilroy". Born in Whitley Bay, Northumberland, England, Gilroy attended Durham University until his studies were interrupted by World War I, during which he served with the Royal Field Artillery. He resumed studying at the Royal College of Art in London, where he remained as a teacher. He taught at Camberwell College of Arts. In 1925, he gained employment at S.H. Benson's advertising agency, where he created the iconic advertisement art for Guinness featuring the Zoo Keeper and animals enjoying Guinness.He worked with Dorothy L. Sayers. He was also an accomplished portrait painter, numbering Royalty, Politicians, Actors and many others amongst his sitters. He worked in his large studio at 10 Holland Park, London, the former home and studio of Sir Bernard Partridge. He was a long-standing and much loved member of the Garrick Club...

Category

1920s Academic Art

Materials

Carbon Pencil

Flowering Feverfew Plants: A 17th C. Besler Hand-colored Botanical Engraving
Flowering Feverfew Plants: A 17th C. Besler Hand-colored Botanical Engraving

Flowering Feverfew Plants: A 17th C. Besler Hand-colored Botanical Engraving

By Basilius Besler 1

Located in Alamo, CA

This is a hand-colored copper plate engraving entitled "Matricaria Flore Simplici, Matricaria Flore Pleno, depicting flowering Feverfew and Double-flowered Feverfew plants, from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. The feverfew plant is also known as featherfew, featherfoil, or bachelor’s buttons...

Category

1640s Academic Art

Materials

Engraving

Vintage Large Albumen Photo - Via Dolorosa In Station Of The Bross. Jerusalem
Vintage Large Albumen Photo - Via Dolorosa In Station Of The Bross. Jerusalem

Vintage Large Albumen Photo - Via Dolorosa In Station Of The Bross. Jerusalem

By American Colony Jerusalem

Located in Surfside, FL

The Original American Colony was a colony established in Jerusalem in 1881 by members of a utopian society led by Anna and Horatio Spafford. Now a hotel in East Jerusalem, it is still known by that name today. After suffering a series tragic losses following the Great Chicago Fire of 1871 (see hymn "It is Well with My Soul"), Chicago residents Anna and Horatio Spafford led a small American contingent in 1881 to Jerusalem to form a utopian society. The "American Colony," as it became known, was later joined by Swedish Christians. The society engaged in philanthropic work amongst the people of Jerusalem regardless of religious affiliation, gaining the trust of the local Muslim, Jewish, and Christian communities.During and immediately after World War I, the American Colony carried out philanthropic work to alleviate the suffering of the local inhabitants, opening soup kitchens, hospitals, orphanages and other charitable ventures. Towards the end of the 1950s, the society's communal residence was converted into the American Colony Hotel. The hotel is an integral part of the Jerusalem landscape where members of all communities in Jerusalem still meet. In 1992 representatives from the Palestine Liberation Organization and Israel met in the hotel where they began talks that led to the historic 1993 Oslo Peace Accord. Panorama of Jerusalem, c. 1890-1920 The Colony moved to the large house of a wealthy Arab landowner, Rabbah Husseini, outside the city walls in Sheikh Jarrah on the road to Nablus. Part of the building was used as a hostel for visitors from Europe and America. A small farm developed with animals, a butchery, a dairy, a bakery, a carpenter's shop, and a smithy. The economy was supplemented by a shop selling photographs, craft items and archaeological artifacts. The American Colonists were embraced by the Jewish and Palestinian communities for their good works, among them, teaching in both Muslim and Jewish schools. Photography Around 1900, Elijah Meyers, a member of the American Colony, began taking photographs of places and events in and around the city of Jerusalem. Meyers's work eventually expanded into a full-fledged photographic division within the Colony, including Hol Lars (Lewis) Larsson and G. Eric Matson, who later renamed the effort as the Matson Photographic Service. Their interest in archeological artifacts (such as the Lion Tower in Tripoli pictured here), and the detail of their photographs, led to widespread interest in their work by archeologists. The collection was later donated to the Library of Congress. World War I When the Ottoman Empire entered World War I as an ally of Germany in November 1914, Jerusalem and Palestine became a battleground between the Allied and the Central powers...

Category

Late 19th Century Academic Art

Materials

Photographic Paper

Lively Conversation at a Balustrade, 19th Century Oil on Canvas
Lively Conversation at a Balustrade, 19th Century Oil on Canvas

Lively Conversation at a Balustrade, 19th Century Oil on Canvas

Located in Genève, GE

Work on canvas Dimensions with frame : 83 x 101.5 x 3.5 cm This 19th-century painting depicts a genre scene, typical of the academic and romantic art of the period. It shows three fi...

Category

Late 19th Century Academic Art

Materials

Oil

Fabulous Italian Neoclassical Marble Sculpture of Hermes
Fabulous Italian Neoclassical Marble Sculpture of Hermes

Fabulous Italian Neoclassical Marble Sculpture of Hermes

Located in Rome, IT

19th century French finely chiseled bronze figure of Hermes . Signed Pigalle G . Cuspinera Hermes , the messenger of the gods, is sitting on a rock, ready to leap up. He is att...

Category

19th Century Academic Art

Materials

Bronze

Italian Stone Garden Sculptures of Roman Mythological subject of Apollo
Italian Stone Garden Sculptures of Roman Mythological subject of Apollo

Italian Stone Garden Sculptures of Roman Mythological subject of Apollo

Located in Rome, IT

Finely carved mythological subject in Vicenza limestone of Apollo in Excellent condition from an estate of Veneto. Timeless decoration for your interior or garden. Measurements: St...

Category

20th Century Academic Art

Materials

Limestone

Buttercup Flowers: A Besler 18th Century Hand-colored Botanical Engraving
Buttercup Flowers: A Besler 18th Century Hand-colored Botanical Engraving

Buttercup Flowers: A Besler 18th Century Hand-colored Botanical Engraving

By Basilius Besler 1

Located in Alamo, CA

This is a hand-colored copper plate engraving depicting Ranunculus (Persian Buttercup) flowers from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful colorful engraving is printed on thick laid chain-linked paper. There is latin text on the verso. There are central horizontal creases and two small holes on the right and another in the left lower corner. It is otherwise in excellent condition. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...

Category

Early 18th Century Academic Art

Materials

Engraving

Three Gould Hand-colored Lithographs from Birds of Australia and New Zealand
Three Gould Hand-colored Lithographs from Birds of Australia and New Zealand

Three Gould Hand-colored Lithographs from Birds of Australia and New Zealand

By John Gould

Located in Alamo, CA

Three hand-colored lithographs from John Gould's seven volume book "The Birds of Australia", which included New Zealand, depicting: pairs of "Eudyptes Chrysocome" (New Zealand Rock-hopper Crested Penguins), "Diomedea O Thalassarche Cauta" (Australian Shy Albatross) and "Sula Fusca" (Brown Gannets). These beautiful sea bird prints are presented in identical very attractive brown wood frames, embellished with gold highlights in the corners and gold inner trim, along with light cream-colored French mats, each with a medium cream-colored band and a gold highlight line. There is scattered spotting. There is a small tear in the lower right corner of the penguin lithograph...

Category

1840s Academic Art

Materials

Lithograph

“Portland Harbor in 1910”
“Portland Harbor in 1910”

“Portland Harbor in 1910”

Located in Southampton, NY

Beautiful watercolor and gouache on archival paper by the well known Maine artist Bill Paxton. The watercolor depicts what Portland harbor in Maine looked like in 1910 with sailing vessels of the era moored in the harbor. Signed lower right by the artist. Titled verso. Circa 1975. Condition is excellent and is finely matted and framed. The artwork is matted and framed in a thin gold leaf custom gallery frame. Overall framed measurements are 17.5 by 21.75 inches. Provenance: Sarasota, Florida estate. William (Bill) Paxton 1930—2007 William Paxton, born August 5, 1930 in Lewiston, was one of Maine’s top selling artists. He had a passion for painting and from a young age he was known for his talents in sketching. Paxton captured many popular Maine scenes with watercolor, acrylic, and oils. His work also includes historical scenes he referenced in books from as early as the 1920’s, painting locomotives, aircraft, and war scenes. Paxton’s art is sold all over the world. As a student at Bridgton Academy, he was featured in his yearbook. It states, “When artist Bill picks up his pen, we all stand at attention, for his remarks and pictures are certainly worth mention.” He wanted to pursue a career selling his art, but it was during the time of the Great Depression. Also in his younger years, Paxton had an interest in skiing and won a medal for Second Highest Ski Jump. From there he went to flying and received a certification for Second-in-Command, to fly alongside the captain in a C-46F type of aircraft. He then joined the Air Force in the 40’s, although his passion and talents for art were constant throughout his life. Paxton quickly became the front line military sketch...

Category

1970s Academic Art

Materials

Watercolor, Gouache, Archival Paper

Bust of veiled woman
Bust of veiled woman

Bust of veiled woman

Located in Roma, RM

Giulio Tadolini ( Rome 1849 - 1918 ) ( attr. to ), Bust of veiled woman Bronze 61 x 37 x 22 cm.

Category

Late 19th Century Academic Art

Materials

Bronze

Hunting scene with Dogs and Deer

Hunting scene with Dogs and Deer

Located in Saint-Ouen, FR

SCHOUTEN Henri (1864-1927) « Hunting scene with Dogs and Deer » - Oil on canvas signed low left - Dim canvas : 60 X 90 cm - Dim frame : 85 X 124 cm SCHOUTEN Henry (or SHOUTEN) P...

Category

Early 1900s Academic Art

Materials

Oil

“Misty Morning Gloucester”
“Misty Morning Gloucester”

“Misty Morning Gloucester”

Located in Southampton, NY

Oil on artist board painting of a misty morning in Gloucester Harbor by the Provincetown artist, Kay Kellogg. Signed lower left. Circa 1935. The painting d...

Category

1930s Academic Art

Materials

Oil, Board

Reception at the Salon
Reception at the Salon

Reception at the Salon

Located in Saint-Ouen, FR

STEVENS Agapit (1848 – 1924) Reception at the Salon Oil on wood signed low left New Golden Frame Dim wood panel : 24 X 39 cm Dim Frame : 49 X 63 cm STEVENS Agapit (1848 – 1924) Be...

Category

1880s Academic Art

Materials

Oil

Academic art for sale on 1stDibs.

Find a wide variety of authentic Academic art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of purple, blue, orange, pink and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Karen Darbinyan, Owen Jones, Paul Jones b.1921, and Mark Beard. Frequently made by artists working with Paint, and Oil Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Academic art, so small editions measuring 1.5 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $11 and tops out at $700,000, while the average work sells for $1,444.