Academic Art

FOURNIER Victor Alfred (1872-1924) "Paris, Porte Saint Denis" Oil on canvas signed lower right and dated 1924 Old frame gilded with leaf (fine gold) Canvas size: 40 X 30 cm Frame size: 58 X 48 cm FOURNIER Victor Alfred (1872-1924) French 20th century Born in Paris in 1872. Died in Paris in 1924 Painter of landscapes, seascapes, beach scenes, urban landscapes. Victor Fournier...

Franck Bailleul is a French painter born in 1964 who lives & works in Abbeville, Normandy, France. He has exhibited nationally as well as in the United States and China. His works e...

Auguste RODIN (1840–1917) (after) A group of damned souls suspended by their arms, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumber...

Four Term Figure sculptures with classically draped figures and their distinguishing symbols in carved Vicenza stone. Autumn, winter, spring and summer. Measures: Height with squar...

"Lady with Books 3", 39x23in / 100x60cm. Shipped as it is, stretched, framed from Florida. Framed size 41.5x25.7in Free shipping with 1stDibs code This particular piece is in my s...

GODCHAUX Emile (1860) Compositions of Flowers in Pair Oil on canvas signed low Left Old Frames gilded with gold leaves Dim canvas (each) : 130 X 89 cm Dim frame (each) : 149 x 109 cm...

Rembrant Van Rijn "Adam and Eve" 1638 Original etching and drypoint, printed in black ink on laid paper. A strong dark impression of Bartsch’s second and final state and Usticke’s on...

Rapidography & acrylic on paper + white frame Pascal Plazanet is a French artist born in 1963 who lives and works in Paris, France. For more 30 years, he constantly uses rapidograph pens in his artworks on paper or onto canvas. The rapidograph is a special pen with a capillary tubular tip in which flows a black pigment, an ancient drawing tool...

This lyrical landscape entitled Dance of the Nymphs was composed by the French Barbizon painter Paul Désiré Trouillebert. A joyful scene of nymphs dancing the morning fog, the work closely resembles an important work by the great Camille Corot, which is now housed at the Musée d'Orsay (Paris). Renowned for his unique individuality that toed the line between the traditional and modern, Corot and his landscapes helped pave the way for an entire generation of Impressionists who followed him. Trouillebert perfectly captures the poetic atmosphere of Corot’s groundbreaking works, while also imbuing this scene with a freshness and character that is all his own. Trouillebert's oil on canvas is exemplary of the tradition of historical painting. The work perfectly combines a realistic depiction of the natural world with a spirited romanticism as his idealized nymph figures frolic playfully beneath a crisp morning sky. As a whole, it is a lovely composition executed with a level of skill and artistry that proves Trouillebert's exceptional talent in the arts. Born in Paris in 1831, Paul Désiré Trouillebert was a student of the academic painters Ernest Hébert...

Signed and dated '1890' lower right

A very fine large, rare and charming, French, 19th century. Belle Époque carved white marble whimsical figural urn fountain depicting children climbing on an urn with flowers and gar...

VAN WYK Henri (1833-NC) Marines in pair Oil on wood panel signed low left Old frame re-gilded with gold leaves Dim wood : 23 X 41 cm Dim frame : 40 X 58 cm Certificate of authenticit...

Monumental finely carved limestone fountain sculpture of Goddess with a putto figure and three magnificent dolphins . Proveniente from an important Villa Veneta. Including a round ...

Peter Basch . ( 1921 - 2004 ) " Jean Cocteau in New York " silver print Vintage original circa 1955 . framed: 52 x 42 cm photo : 35 x 27 cm

“Italian Sketches, Oct, Nov and December 1894” – Grand Tour Architectural Sketchbook Italy and France, 1894 Fully bound in leather Height 31 cm , width 26 cm, depth 3 cm Crafted in ...

Conditions: Very good condition. In its original frame and glass. A similar composition, but less accomplished, is currently part of the collections of the Musée des Invalides. Signed at the bottom and dated. Complementary shipping worlwide by DHL, FEDEX. Description: This work of art, framed by a majestic golden frame, accurately depicts a group of soldiers in 19th-century uniforms. Every detail, from the golden buttons to the epaulettes, finely illustrates the military equipment of the time. Behind them stands a sober architectural structure, evoking a barracks or a guard post. The color palette, dominated by earthy tones and dark shades of blue, gives a solemn and dignified atmosphere to the scene. The disposition of the soldiers, turned towards the artist, with an attitude both alert and relaxed, captures a moment of daily military life. This painting, with its attention to detail and harmonious composition, transports the viewer into a bygone era, inviting reflection on history and military traditions. EDOUARD DETAILLE The emperor is accompanied by his aide-de-camp, Colonel Castelnau, and Marshal Canrobert. In a gilded wooden frame, under a Marie Louise blue background. Life and time Born in 1848 into a close-knit bourgeois family, Édouard Detaille, the eldest of eight children, displayed early talent in drawing. “He was a prodigy,” notes François Robichon. By the age of thirteen, he exhibited an astonishing surety of hand and a phenomenal sense of composition. His father, connected to Horace Vernet, encouraged him. At seventeen, after passing his baccalaureate, he entered Meissonier’s studio. This relationship, which developed into mutual affection, spared Detaille the academic detour through the École des Beaux-Arts. Rather than dictating an official art style, Meissonier, at the peak of his fame, traveled with his students, introducing them to the nuances of Titian, Rembrandt, and Rubens in Brussels and Lille. In 1867, the Paris of “free trade” dominated the world through the technological revolutions of the Universal Exhibition, and the amiable young man, striking in appearance, discovered the salon of Princess Mathilde and the theater of Dumas fils. He even approached the Empress, noting in his journals, “Not bad, the Empress.” This observation encapsulated Detaille: he had no doubts about his talent, cultivated panache, enjoyed the company of beautiful women, and aimed to conquer the circles of power without sacrificing his freedom. From childhood, he listened to his calling: “Before I could read, I could guess the subjects of battles, the names of famous generals, the weapons of officers and soldiers from the images I admired in the books of Norvins and Laurent de l'Ardèche.” He mingled with collectors and regularly attended military reviews on the Champs-Élysées. His first painting exhibited at the Salon in 1868, “La Halte de tambours,” was praised by critics who immediately recognized “a remarkable truth of observation and simplicity of effect.” The purchase of this work by Princess Mathilde, cousin of Emperor Louis-Napoleon, made Detaille, at twenty, an envied celebrity known to Sainte-Beuve, Théophile Gautier, the Goncourt brothers, and Flaubert. The young artist’s humanistic vision contrasted with the compositions of his predecessors, depicting soldiers in maneuvers, contemplative and resigned as war loomed. **The Combatant’s Vision** The Siege of Paris, where he nearly lost his life in 1870, and the deaths of two brothers in that defeat darkened his outlook. From 1871 onward, Detaille no longer concealed the cruelties of war: German riflemen mowed down by machine gun fire, cavalrymen and panicked horses caught in ambushes, fields plowed by shells strewn with dead animals. The unvarnished tragedy: “It is an absolute fact that no painter has ever rendered a battlefield covered with corpses as it is,” commented Jules Claretie. The fallen bodies still bear the appearance of life in their frozen rigidity. Detaille’s testimony of the devastating defeat and the catastrophic effects of the first total war in history was not a celebration of heroism but a lament, a “lesson in darkness.” “From war, once considered the supreme effort of human genius, we now see only melancholy and horrors,” judged one writer in response to his canvases. “Detaille experienced the reality of combat at a young age during a war that foreshadowed the two world conflicts of the 20th century,” explains François Robichon. With great realism, Detaille painted war from the perspective of the combatant. He introduced a humanity and a critical lucidity regarding the evolution of warfare. His works intensely captured the violence and firepower of new weapons like machine guns. Before he turned thirty, Detaille had become a chronicler of these painful years. He exhibited, as a critic noted, a “striking portrait of modern war” that both French civilians and soldiers had experienced firsthand. He embodied a youth humiliated and eager for revenge. Yet this scrupulous artist also remembered, in his expansive landscapes—from the chalky plateaus of Île-de-France to the Russian plains—the lessons of Corot and Courbet. Manet was not far off. “I wouldn’t want my art to be reduced to mere patriotic art,” he asserted. “A system I often employ and love is to first execute the landscape, very effective, very tight, based on nature…” Echoing Meissonier’s advice: “Always nature, always nature!” Detaille remained close to this father figure, constructing a grand townhouse next to his mentor’s studio at 129 boulevard Malesherbes at the age of 26, having purchased 425 m² of land from the Pereire brothers. He even chose the same architect as Meissonier: Paul Boesvilwald. A bachelor and incorrigible seducer, the painter welcomed his conquests, including Valtesse de la Bigne, amidst his collections, having built his studio in the courtyard. Diplomatic Actor As Detaille’s fame grew, his Malesherbes townhouse quickly became a gathering place for foreign princes, politicians, and heads of state, where Juliette Adam, Léon Gambetta’s muse, offered him valuable advice. The Prince of Wales, the future Edward VII, developed a genuine friendship with the painter. “This fervent patriot, friend of Déroulède, was extraordinarily open to the world,” recounts François Robichon. In just a few years, he gained considerable social, cultural, and international stature. Received at Windsor, at the English court, he was close to Tsar Alexander III and a great friend of Félix Faure. In this capacity, Detaille played a decisive role in the Entente Cordiale, signed in 1904 between England and France, and in the Franco-Russian alliance of 1894, thereby contributing to the Triple Entente among the three powers. An engaged witness of his time—associated with the birth of the “Ligue des Patriotes” alongside Alphonse de Neuville...

De Cost Smith Plains Battle Scene (The Medicine Lance) Oil on Watercolor board 12 x 9 1/2 inches Provenance Gerald Peters Gallery, New Mexico Private Collection, California Benny an...

In the Bazaar II, 1834-1855, by Theodore Frere (1814-1888) Oil on wood 7 x 5 inches unframed (17.78 x 12.7 cm) 10 ⅝ x 9 inches framed (26.9875 x 22.86 cm) Signed on lower right Desc...

"Girl with Books 1", 39x23in / 100x60cm. This particular piece is in my studio in Bucharest, Romania, Europe. Other pieces are in my other studios in Florida, or NY. Shipping stretc...

Signed and dated '1910' lower right

Signed and dated '1873' lower left

A portrait of a male head, in profile by BenFenske. The artist uses a variety of colors to convey a naturalist impression. Artist Bio Ben Fenske (b. 1978) although a native of Minn...

Elisa- Antoinette GEORGET (1842-1914) Flowers and Butterfly Oil on canvas signed low left Golden wooden frame stick (new) Dim canvas : 43 X 72 cm Dim Frame : 65 X 94 cm Elisa- Antoi...

Still life painting by Tina Ingraham, "Cake Mountain." Oil on linen, 27 x 27 inches framed. Ingraham traveled Europe studying Old Master works, mosaics, and contemporary painters tha...

STEIN Georges (1864-1917) Paris street Views - Porte St Denis Oil on canvas signed low right Old frame gilded with leaves Dim canvas : 70 X 92 cm - Dim ...

LEBAS Léonie (19th-20th) "Lady in Paris Street 1900" Oil on wood panel signed low right Old Frame regilded with gold leaves Dim panel : 16 X 22 cm Dim frame : 50 X 41 cm LEBAS Léoni...

This warm portrait looks like it could have been painted by Corot. Francis Luis Mora paints in that tradition. It's a small painting that invites the viewer to look closer. The art...

Hans Zatzka (8 March 1859 – 17 December 1945 Young Lady With Cupid in The Park Oil on canvas circa 1880 signed low with pseudonym C.BRIAND Old Frame gilded with leaves Size canvas : ...

Charles Joshua Chaplin (French, 1825-1891) A Very Fine and Charming Pair of 19th Century French Whimsical Oils on Canvas of Cherubs and Putti, after François Boucher (French, 1703–17...

PICOU Henri Pierre (1824-1895) Nymphs Dancing Oil on canvas signed and dated 1881 low left Old frame regilded with leaves Dim canvas : 62 X 82 cm Dim frame : 80 X 100 cm PICOU Henri Pierre (1824-1895) French Painter 19th century Born on February 27th, 1824 in Nantes - Died on July 17th, 1895 in Nantes Painter of History, allegorical subjects, genre paintings, Symbolist. Pupil of Paul Delaroche...

AUGUSTE BOUVARD 1882-1956 Pseudo : Mard ALDINE View of Venice with characters Oil on canvas signed low right "Aldine" Framed by Gault (Paris Fbg St-Honoré) Dim canvas : 50 X 65 cm D...

The painting is signed. Description: George Henry Boughton: A Master of Narrative and Natural Beauty George Henry Boughton, a distinguished Anglo-American artist of the 19th centur...

19th-century oil on canvas landscape painting by Hungarian artist Károly Markó the Younger. The painting depicts a dirt path with three figures in a wooded valley under a cloudy blue...

Finely carved mythological subject in white Carrara marble of Apollo bust .

Finely carved mythological subject in Vicenza limestone of Apollo in Excellent condition from an estate of Veneto. Timeless decoration for your interior or garden. Measurements: St...

COUSIN Charles (1807-1887) Venice With Characters Oil on canvas signed low right Old frame gilded with leaves Dim canvas : 65 X 54 cm Dim frame : 91 X 80 cm COUSIN Charles (1807-1887) French painter 19th century Portraits, Landscapes, Waterscapes He was a frequent of the Leon Bonnat...

Artwork located in Los Angeles, USA. Franck Bailleul is a French painter born in 1964 who lives & works in Abbeville, Normandy, France. He has exhibited nationally as well as in th...

This is a beautiful drawing, brimming with the unique personalities of Alice Liddell and her beloved sisters, Lorina and Edith. Dating back to the late 19th Century, this captivatin...

Original etching and lavis in black ink on Arches watermarked crème laid paper by Paul Gauguin. Titled: “La Femme aux Figues” (The Woman with Figs). This impression is from the 3rd s...

Henry Joseph Campotosto (Belgium, 1833-1910) A Very Fine Oil on Canvas "Walking the Baby Goat", depicting two young dutch girls by the grassy shore of a river bank, one standing holding a wicker basket and a leash to a resting baby goat, the youngest sitting next to her on a pile of branches tucking her pants, a pair of ducks and ducklings swimming by the tree lined river; within a later giltwood carved frame. Signed (l/r): Campotosto Henry. Circa: Brussels, 1870. Note: The artist is also known as Henri Campotosto Henry or Henri Campotosto was born in Brussels in 1833. He studied in Brussels at the Royal Academy des Beaux-Arts and painted some artworks with Eugène Verboeckhoven (Belgium, 1798-1881). He received a 1st Class Medal at the Academy of Brussels and an honorable mention at the Paris Exhibition of 1860. In 1871 he moved to London with his family and remained there for life. He exhibited his work at the Royal Academy Exhibition until 1874 and at the Suffolk Street Gallery from 1878. In 1880 he took part in the Berlin Academy Exhibition. His daughter Octavia also became a painter, visited Italy, and showed her paintings at the Royal Academy from 1871 to 1874. Henri Campotosto died in London in 1910. High Sales: Christie's New York - Property from an American Collection, "The Bird's Nest" - Lot 247 on October 22, 2008, Sold for $37,500 Bonhams London - 19th Century European, Victorian and British Impressionist Art on 28 September 2016 - Lot 33 "Gathering flowers" Sold for £25,000 ($33,750 USD) Museums: The British Museum - Print of two girls and a lamb and print of two girls by a river bank Literature • E. Benezit Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs by Librairie Gründ - 1976 Edition - Volume 2, Page 488. • Maurice W...

Signed lower left “Francis Day” This painting titled A Little Prayer is an oil on canvas work measuring 30 × 36 inches. The stretcher verso bears a pencil inscription re...

Finely carved mythological subject in Vicenza limestone of Hercules in excellent condition from an estate of Veneto. Timeless decoration for your interior or garden. Measurements: ...

A very fine Italian 19th century Carrara marble sculpture depicting a young beauty going for a Swim standing on the steps of a dock, raised on its original carved green marble pedest...

Early 20' Century large cityscapes of Venice oil on canvas with a finely carved gilt wood frame. Rialto Bridge painting is beautiful reminder of Venice, Italy's iconic bridge. The...

BARON Dominique (19th Century) The Ladies and the dove Oil on canvas signed Low Right Old frame gilded with leaves Dim canvas : 59 X 75 cm Dim frame : ...

Auguste RODIN (1840–1917) (after) Minos on his throne, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x ...

A Party To The Castle in the 18th Century Oil on canvas with a signature G.Weiss low left Old frame regilded Dim canvas : 46 X 38 cm Dim frame : 66 X 58 cm

This Reed piece is of a horse painted on 6 separate sheets of oil paper. It is painted in the influence of the European artist Stubbs. This painting is oil on paper, and is monochrom...

Artist: Mary Fish Title: Transmutations: A Study of Systems Substitution Year: 1980 Medium: Ink and Tempera on Paper, signed Size: 33.5 x 56 in. (85.09 x 142.24 cm)

This reproduction of a classical Hellenistic sculpture of Hercules . A timeless piece for interior and a garden decoration. We can raise with a base on request .

Leon Kroll was above all an academician. To him "abstract art was merely the beginning of a picture. Structurally, "Portrait of a Young Woman recalls some of the portraits from the ...

A very fine French 19th century oil on board titled "A Standing Beauty with Spring Roses" by Charles Baptiste Schreiber (French, 1845-1903)...

Georges Croegaert 1848-1923 Belgian An Amusing Thought Signed "Georges Croegaert Paris" (lower left) Oil on panel This oil on panel by Belgian artist Georges Croegaert is a rich ...

Firmado por el artista en la parte inferior El estado en general de la obra es bueno Se presenta enmarcada la obra Medidas obra: 46 cm. De altura x 38 cm. De ancho Medidas marco:...

Finely carved mythological subject in Vicenza limestone of Apollo in Excellent condition from an estate of Veneto. Timeless decoration for your interior or garden. Measurements: St...

Signed lower right. Louis Charles Moeller was a master of American genre painting. His meticulously detailed, highly finished paintings of late Victorian interiors received consider...

Signed lower left Fernand Toussaint was a Belgian painter known for portraits, genre scenes, and refined representations of women. Trained in Brussels and la...

Signed and dated '1901' lower left

Up for sale is a beautiful original painting by Valentine Thomas GARLAND (1868-1914). Garland was a painter of animal and genre subjects, working in both oil and watercolor. He was ...

Paul CEZANNE (1839-1906) Armand Guillaumin Hanged Original Etching Unsigned On laid paper, 32 x 25 cm (c. 13 x 10 in) REFERENCES: - Catalogue Raisonné Venturi #1159 - Catalogue Rai...