Academic Art

Elaborately handcarved jadeite jade standing sculpture depicting a dragon and Qilin interacting. Circa 1935. Unsigned, Chinese school. Condition is excellent. The artwork sits on ...

John Falter arranges figures and faces in a way that rival the old masters in their compositional perfection. And he makes it look easy. The expressions are captured so the emotions of the story come alive. This Golden Age of illustration artist depicts fathers and children watching...

Franck Bailleul is a French painter born in 1964 who lives & works in Abbeville, Normandy, France. He has exhibited nationally as well as in the United States and China. His works e...

Emile Rene Menard (French, 1862-1930) L`enlevement de Dejanira (The rescue of Deianara) Oil on canvas Signed `E R Menard’ (lower left) and inscribed with t...

Grand Tour Fine Group of Sculpture in Bronze after a Louvre Diana of Versailles or Artemis, Goddess of the Hunt. Diana is represented at the hunt, hastening forward, as if in pursui...

Georges-Marie-Julien Girardot (French, b. Besançon 1856 - d. Paris, 1914) "Avant le mariage" (Before the Wedding) A Palatial and Impressive French 19th Century Oil on Canvas depictin...

Charles Joshua Chaplin (French, 1825-1891) A Very Fine and Charming Pair of 19th Century French Whimsical Oils on Canvas of Cherubs and Putti, after François Boucher (French, 1703–17...

Charles Joshua Chaplin (French, 1825-1891) 'The Bird's Nest' A very fine and charming Rococo revival style oil on canvas depicting a young girl, dressed in 18th century costume and resting by a river bank, holding a bird's nest and one of the tiny eggs. Her bonnet resting to her side and a wicker basket full of hand-picked flowers by her feet; within a later giltwood carved frame. Signed: ChChaplin (lower left). Circa: 1870-1880. Canvas Height: 31 1/2 inches (80 cm) Canvas Width: 17 15/16 inches (45.5 cm) Frame Height: 38 5/8 inches (98 cm) Frame Width: 24 3/4 inches (63 cm) Frame Depth: 2 3/8 inches (6 cm) Charles Joshua Chaplin (8 June 1825 – 30 January 1891) was a French painter and printmaker who painted both landscapes and portraits. He worked in techniques such as pastels, lithography, watercolor, chalk, oil painting and etching. He was best known for his elegant portraits of young women. Chaplin was born on 8 June 1825 in Les Andelys, Eure, France. His mother, Olympia Adelle Moisy, was French, whereas his father, John Chaplin, was an art broker from England. Charles Chaplin spent his whole life in France, becoming a naturalized citizen in 1886. He studied at the École des Beaux-Arts in Paris from 1840, and he took private lessons in the studio of Michel Martin Drolling, whose apprentices included Paul Baudry, Jules Breton and Jean-Jacques Henner. Later he also taught at the École des Beaux-Arts. In 1845, he entered the Paris Salon, the official art exhibition of the Académie des Beaux-Arts, as a portrait and landscape painter with the painting Portrait of the Artist's Mother. Chaplin conducted art classes specifically for women at his studio, including Marie Joséphine Nicolas. The American artist Mary Cassatt, the French artist Louise Abbéma and the English artist Louise Jopling were among Chaplin's students. His son Arthur Chaplin was also a painter. Early Work: Chaplin made his debut at the Salon with portraits, but he also painted landscapes, particularly the countryside of Auvergne. His early works, from 1848 to 1851, were painted in a manner characterized by an interest in realism, a style established in the French Second Republic, that had the motto Liberté, égalité, fraternité, and was ruled for three years by the republican government of France from the 1848 Revolution until the 1851 coup by Louis-Napoléon Bonaparte. Realism was an artistic movement that began in France in the 1850s, after the 1848 Revolution. From the late 18th century Romanticism dominated French art and literature but was spurned by Realists, who revolted against the display of the emotions of the Romantic movement, seeking to depict real and characteristic contemporary individuals and situations with truth and accuracy. Chaplin painted many works in his early days, including floral studies that were displayed at the Salon de las Flores. Later, in the late 1850s, he abandoned naturalism, his earlier style, exchanging it for a more graceful, elegant and supple technique that brought him a certain notoriety in France during his time as a portrait painter; as such he embraced the idyllic and voluptuous and fashionable style of the prominent French painter, François Boucher (1703–1770). He also embraced the tradition of the great English portraitists and developed his very own style of painting but was inspired by the British painters Joshua Reynolds and Thomas Gainsborough. He used to engrave the works of the Dutch artist Pieter Paul Rubens and gained further influence from his work. Later Work: Gradually the muddy colours used by Chaplin transformed into white, grey and pink, depicting his models with an opalescent, mother-of-pearl complexion by applying a subtle palette of rosy flesh tones and light greys. After painting portraits and trying his skills on ornamental painting, Chaplin took up genre painting in the 1850s. His favourite subjects are the feminine grace of a young woman's everyday life. He portrays women in several poses: resting; grooming; singing; and reading. He captures them with lightness and carelessness and accentuates the decorative elements of the composition. Empress Eugénie, the wife of Napoleon III and an admirer of the "Pompadour style", rapidly fell under the enchantment of the painter's neo-Rococo works. Chaplin was among Napoleon III and Empress Eugénie's favourite court artists. In 1859, when his portrait of Aurora was banned by the judges of the Salon as "too erotically suggestive", Napoléon III defended Chaplin and overturned the disqualification order. He was similarly valued as an interior decorator and was appointed to remodel the decor of Empress Eugénie's rooms. His sensual portraits of women and young girls, often with models posed erotically in hazy surroundings and frequently wearing transparent clothing, attracted the interest of the high society and aristocracy of Paris during the French Third Republic (1870–1940) guaranteeing his success and wealth. He was one of the most popular painters of his time, but nowadays his work is almost unknown, in spite of the fact that his works hang in many major museums around the world. He employed his Rococo style for his mythological scenes and genre scenes paintings. His genre pictures formed a significant part of his work. In 1861, working as a decorative painter. Chaplin painted the doors and several glass panels above them of the Salon des Fleurs in the Tuileries Palace. The Palace was gutted by fire in 1871 and its ruins swiftly demolished.[9] He also undertook decorating work in the Salon de l’Hémicycle of the Palais de l’Elysée. Honours and awards: As a member of the Académie royale de peinture et de sculpture, Chaplin exhibited his paintings at the Paris Salon, the official exhibition venue of members' work. He began exhibiting his paintings at the French Artists' Salon in 1845 and was represented there habitually each year. These exhibitions made him one of France's most famous portrait artists. Commencing in 1847, his work was exhibited regularly at the Royal Academy in London. During his lifetime, he received acclamation for his artistic talents by the award of several medals: a third class medal in 1851; a second class medal the following year; and an Honour Medal...

Canvas size: 57 3/4 x 45 1/2 inches A striking and impressive French Academic painting in a high quality Italian style gold leaf frame. Gorguet was an Academic French artist who was trained by Boulanger, Gerome, Bonnat and Morot. His academic training was so strong that he was asked by the Opera House to illustrate many of their posters and he made his living illustrating many books of the time. In the market today this is most of what circulates and comes to light by the artist. He was ultimately made a professor of Drawings at L’Institut. However, Gorguet was also a Symbolist artist and did works aligned with the Art Nouveau movement. Many of these works are quite impressive but rarely have surfaced in the art market. Jupiter and Mercury Received by Philemon and Baucis is more of an Allegorical work and Gorguet switched gears to do a painting which would garner International attention at the important Concourse du Prix de Rome competition. 1891 was a year where the competition would be stiff and he knew he had to do an impressive painting with a compelling historical or allegorical content. In this painting, Gorguet is depicting their Jupiter and Mercury’s arrival at their home and the indication that Philemon and Baucis will share what they have with them despite their poverty-stricken means. The technical execution of this work is exceptional as the figurative work is done masterfully and any small detail within the canvas demonstrates tremendous attention of subtlety of tone and modeling. An example is the strand of cloth that crosses Jupiters chest and the delicate shades of pink and gray and how it is modeled. More than ever, the academic artists of this period are to be appreciated for the quality and creativeness of their work. And the timelessness of these classical allegories are still applicable to our lives today. So we predict a turn back toward work like this as qualitatively we know it will never be done again. Story of Jupiter and Mercury Visiting Philemon and Baucis (one interpretation) According to ancient Roman mythology and Ovid's Metamorphoses (8.631, 8.720.), Philemon and Baucis had lived out their long lives nobly, but in poverty. Jupiter, the Roman king of the gods, had heard of the virtuous couple, but based on all his previous experiences with humans, he had serious doubts as to their goodness. Jupiter was about to destroy mankind but was willing to give it one final chance before starting over again. So, in the company of his son Mercury, the wing-footed messenger god, Jupiter went about, disguised as a worn and weary traveler, from house to house among the neighbors of Philemon and Baucis. As Jupiter feared and expected, the neighbors turned him and Mercury away rudely. Then the two gods went to the last house...

Otto Eerelman 1839-1926 Dutch Newfoundland with a Kitten Oil on canvas Signed “O. Eerelman” (lower right) This monumental painting is by the celebrated Dutch artist Otto Eerelman...

Provenance: Sold: Jackson's Auctioneers & Appraisers, Cedar Falls, Iowa, December 8, 2009, Lot 4 A Pompeiian Love Song" by Antonio Rivas (Spanish, 1845-1911) transports viewers back ...

Conditions : Very good original Conditions including a beautiful frame. Framed under glass, this rare composition for sale is an exceptionnel piece for Art collectors. Signed and d...

Four Caryatids sculptures with classically draped figures and their distinguishing symbols. Autumn, winter, spring and summer. Measures: Height with square form bases cm 220. Time...

Maurice DENIS (1870 - 1943) Portrait of a Model, Study for the Bacchanale, 1918 Original lithograph enhanced in pastel On light cream tinted vellum 35 x 26 cm (c. 13,7 x 10,2 inch) ...

Isidore Pils (Paris, 1813 – Douarnenez, 1875) Study of a Woman Holding a Bowl Red chalk, heightened with white chalk, on buff paper 36.3 × 26.5 cm (14 ¼ × 10 ⅜ in.) Unsigned Prove...

Departure of the Caravan, 1834-1887, by Theodore Frere (1814-1888) Oil on wood 10 x 16 inches unframed (25.4 x 40.64 cm) 18 ¾ x 24 ¾ inches framed (47.625 x 62.865 cm) Signed on bott...

Signed lower right. Louis Charles Moeller was a master of American genre painting. His meticulously detailed, highly finished paintings of late Victorian interiors received consider...

Finely carved mythological subject in Vicenza limestone of Apollo in Excellent condition from an estate of Veneto. Timeless decoration for your interior or garden. Measurements: St...

French Academic painter Guillaume Seignac was renowned for his masterful treatment of the idealized nude. His languishing female subjects based on Greco-Roman prototypes were and rem...

Up for sale is a wonderful Italian Venetian Sunset painting by Bernhard Stange (1807-1880). Painting for sale depicts SUNSET VIEW OF SAN LAZZARO, VENICE It is absolutely colorful a...

The mat measures 21 X 16 the images are around 12 X 9 inches. They bear the blindstamp of the American Colony Jerusalem. I am not sure if these are hand colored but they are from th...

This exquisite oil on canvas painting, "The Walk on Sunday," by Hippolyte Fournier is a captivating depiction of 19th-century leisure. The artist's meticulous brushstrokes bring to l...

Artwork located in Los Angeles, USA. Franck Bailleul is a French painter born in 1964 who lives & works in Abbeville, Normandy, France. He has exhibi...

Outstanding Italian Neoclassical Sphinx Carrara Marble sculpture designed as entrance guardian, this mythical lady sphinx statuary display the head and chest of a neoclassical woma...

A stunning and dramatic still life by noted Belgian 19th century artist, David De Noter. Framed in a complimentary Empire style 22 karat hand carved frame....

A very fine large, rare and charming, French, 19th century. Belle Époque carved white marble whimsical figural urn fountain depicting children climbing on an urn with flowers and gar...

Max Kalish was an important and highly collected American sculptor desired for his depictions of the working man. Here we see a miner taking a break. Kalish was adept at conveying ...

Exhibited at the Paris Salon, exhibition label on reverse. Description: Édouard François Zier (1837-1924) was a French painter known for his captiva...

BURLING Gilbert (1843-1875) Two oil on wood panel signed low right Showing scenes of fishing by the sea Frames giglded with leaves Size wood panel : 22 X 41 cm (each) Size frame : 33...

Frederick Dickinson Williams Fishing in Autumn, 1914 Signed and dated lower left Oil on board 9 1/4 x 6 7/8 inches Frederick Dickinson W...

As all of you will know, every Meissen figure is painted individually by an artist. While all Meissen is of high quality, I feel that the present figure is particularly fine, with th...

Franck Bailleul is a French painter born in 1964 who lives & works in Abbeville, Normandy, France. He has exhibited nationally as well as in the United States and China. His works e...

Angelo Zoffoli 1860-1910 Italian Cardinal with Elegant Company Signed "A. Zoffoli Roma" (lower right) Oil on canvas A sumptuously dressed cardinal enjoys the company of a fabulou...

Theodore Blake Wirgman (1848-1925) Portrait of Sir Ernest Albert Waterlow RA, (1850-1919) pen and black ink on paper, inscribed with the name of the sitter on the verso of the sheet, now not visible under the framing 15 x 12 cm In a modern frame 34.5 x 30 cm Theodore Blake Wirgman (29 April 1848 – 16 January 1925) was an English painter and etcher who moved to London, studied at the Royal Academy schools, became a painter of history and genre subjects, and worked as a portrait artist for The Graphic. A number of these portraits are held at the National Portrait Gallery. Theodore Blake Wirgman was born in Belgium and died in London. He worked from a studio at 24 Dawson Place, Notting Hill, London, and joined The Arts Club in 1892. Wirgman was part of a group of avant-garde young artists who emulated Edward Burne-Jones and Simeon Solomon...

KAUFMANN KARL (1843-1901) Pseudonym : CARNIER Venice view Oil on canvas signed CARNIER low right Framed by Gault (Paris) gilded with leaves Dim : canvas ...

Isidore Pils (1813-1875) An Orientalist scene Signed lower left Pencil and heightenings of watercolor on paper ​​​​​​​15 x 24 cm In a modern mount 40.5 x 53 cm We know that Isidore Pils spent two years in Algeria starting in 1863, so this depiction of a festive scene could quite likely date from that period. It is very free in its execution, but at the same time very evocative. Isidore-Alexandre-Augustin Pils (1815–1875) was a French academic painter of religious and military subjects. Pils was born in Paris as the son of a soldier François Pils. At the age of twelve, he studied with Guillaume Guillon-Lethière for four years. In 1831 he became a student at the École des Beaux-Arts and studied under François-Édouard Picot. He competed for the Prix de Rome, which he won in 1838 for a history painting, St. Peter Healing a Lame Man at the Door of the Temple. Although in poor health, Pils then spent the customary three years at the French Academy in Rome at the Villa Medici, which then had Jean Auguste Dominique Ingres as its director. While in Italy he visited Naples, Venice, and Florence. Pils's earlier paintings have religious themes. In 1849 he completed his most famous work, Rouget de L'Isle Singing La Marseillaise, which now resides at the Musée historique de Strasbourg. After experiences travelling with French troops through the Crimea, his themes took on military and nationalistic subjects. He later produced many military scenes during the siege of Paris during the Franco-Prussian War of 1870. Pils was appointed professor of painting at the École des Beaux-Arts in 1863 but left the same year for two years in Algeria. In 1868 he was elected to seat #14 of the Académie des Beaux-Arts. Among his students were Adrien Moreau...

Female Illustrator of the Golden Age Alice Barber Stephens renders in an academic style and women sitting in a chair and responding to something outside of the frame. Signed lower left. Most likely done for a major newsstand magazine like Harper's, Century or Scribner's Monthly. Work is framed under glass in a simple black wood frame. Perhaps period. Matt is new. Frame size: 20.5 x 14.5 From: Wikipedia Alice Barber Stephens (July 1, 1858 – July 13, 1932) was an American painter and engraver, best remembered for her illustrations. Her work regularly appeared in magazines such as Scribner's Monthly, Harper's Weekly, and The Ladies Home Journal. Early life and education Alice Barber was born near Salem, New Jersey. She was the eighth of nine children born to Samuel Clayton Barber and Mary Owen, who were Quakers. She attended local schools until she and her family moved to Philadelphia, Pennsylvania. At age 15 she became a student at the Philadelphia School of Design for Women (now Moore College of Art & Design), where she studied wood engraving. The Women's Life Class (1879), Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania. She was admitted to the Pennsylvania Academy of the Fine Arts in 1876 (the first year women were admitted), studying under Thomas Eakins. Among her fellow students at the Academy were Susan MacDowell, Frank Stephens, David Wilson Jordan, Lavinia Ebbinghausen, Thomas Anshutz, and Charles H. Stephens (whom she would marry). During this time, at the academy, she began to work with a variety of media, including black-and-white oils, ink washes, charcoal, full-color oils, and watercolors. In 1879, Eakins chose Stephens to illustrate an Academy classroom scene for Scribner's Monthly. The resulting work, Women's Life Class, was Stephens' first illustration credit. New Woman As educational opportunities were made more available in the nineteenth century, women artists became part of professional enterprises, including founding their own art associations. Artwork made by women was considered to be inferior by the art world, and to help overcome that stereotype women became "increasingly vocal and confident" in promoting women's work, and thus became part of the emerging image of the educated, modern and freer "New Woman". Artists then, "played crucial roles in representing the New Woman, both by drawing images of the icon and exemplifying this emerging type through their own lives." Alice Barber Stephens, The Women Business, oil, 1897, Brandywine River Museum, Chadds Ford, Pennsylvania One example of overcoming women stereotypes was Stephens' Woman in Business from 1897, which showed how women could focus not only in the home, but also in the economic world.[8] As women began to work, their career choices broadened and illustration became a commendable occupation. People's ideas about education and art started to merge, and the outcome of a certain sensitivity to the arts began to be seen as uplifting and educational. By using illustration as a means to further their practices, women were able to fit the traditional gender role while still being active in their pursuits for the "New Woman". According to Rena Robey of Art Times, "The early feminists began to leave the home to participate in clubs as moral and cultural guardians, focused on cleaning up cities and helping African Americans, impoverished women, working children, immigrants, and other previously ignored groups." Stephens took advantage of the explosion of illustration opportunities, including the opportunity to work from home. Women's education Edwin Forrest House, formerly the home of the Philadelphia School of Design for Women. Throughout the period before the civil war, textile and other decorative work became acceptable occupations for those who aspired to be in the middle class. The Philadelphia School of Design for Women, founded in 1848 by Sarah Worthington Peter was first among a group of women's design schools established in the 1850s and 1860s; others appeared in Boston, New York, Pittsburgh, and Cincinnati. It began as a charitable effort to train needy and deserving young women in textile and wallpaper design, wood engraving, and other salable artistic skills, providing a means for training women who needed wage work. The Pennsylvania Academy of the Fine Arts (PAFA) was established in 1805 by painter and scientist Charles Willson Peale, sculptor William Rush...

Sculpture Terracotta From Marcel Bouraine (1886-1948)" Original terra cotta sculpture of Marcel Bouraine Naïade of the 1930's Signed Bouraine On the ...

Luis Ricardo Falero 1851-1896 Spanish The Tempest Signed and dated "Falero / 1889" (lower right) Oil on canvas Luis Ricardo Falero, the renowned Spanish painter celebrated for hi...

Original watercolor on archival paper of a Portuguese fisherman with fishing boats in the background. Done in an academic style. Great detail. Signed by the artist and dated 1971 lo...

Original watercolor on archival paper of a fishing boat being hauled onto the beach by a team of animals and villagers. Done in an academic style. Signed by the artist and dated 197...

Original watercolor on archival paper of a group of local villagers washing their clothes by the sea. Done in an academic style. Great detail. Signed by the artist and dated 1970 lo...

GODCHAUX Emile (1860) Compositions of Flowers in Pair Oil on canvas signed low Left Old Frames gilded with gold leaves Dim canvas (each) : 130 X 89 cm Dim frame (each) : 149 x 109 cm...

Biblioteca di Michelozzo a S.Marco, Firenze, 2009 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. The photographer is based in Florence, and is f...

"Stag Beetle & Longicorn Beetle" is an original color lithograph by Louis Prang. It depicts two forest-dwelling beetles. The artist signed the piece in the stone lower left. It was published by Selmar Hess in New York. 8" x 5" art 19 3/8" x 16" framed Louis Prang (March 12, 1824 – September 14, 1909) was an American printer, lithographer, publisher, and Georgist. He is sometimes known as the "father of the American Christmas card". Prang's early activities in the US publishing architectural books and making leather goods were not very successful, and he began to make wood engravings for illustrations in books. In 1851 he worked for Frank Leslie, art director for Gleason's Pictorial Drawing-Room Companion, and later with John Andrew. In 1851, he married Rosa Gerber, a Swiss woman he had met in Paris in 1846. In 1856, Prang and a partner created a firm, Prang and Mayer, to produce lithographs. The company specialized in prints of buildings...

QAHATIKA GIRL Portfolio 2, plate no. 56 THE NORTH AMERICAN INDIAN BY EDWARD S. CURTIS SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & INSURANCE Considered by art collectors as extr...

STEIN Georges (1864-1917) Paris street Views - Porte St Denis Oil on canvas signed low right Old frame gilded with leaves Dim canvas : 70 X 92 cm - Dim ...

Finely carved mythological subject in white Carrara marble of Apollo head .

Georges Croegaert 1848-1923 Belgian The Chess Game Signed "Georges Croegaert Paris" (lower right) Oil on panel This oil on panel by Belgian artist Georges Croegaert is a rich and...

19th Century Dutch

This exquisite genre painting showcases a darling slice of life for a young woman in the Belle Epoque era. Dressed in a frilly frock made of detailed lace, and wearing a v shaped pin...

Signed lower left corner Painting Size: 9.13″ x 18.20″ Frame Size: 14.13″ x 20.13″ Francis Augustus Silva (1835-1886) was a prominent American artist renowned for his remarkable ability to paint boats and seascapes...

Plaster, raised pins and later coloured to simulate terracotta Height: 32 3⁄4 inches (83.5 cm). Full of elegance and liveliness, it conveys the consummate ability of the artist. Be...

Emily Cole Moss Rose, circa 1890 Watercolor on paper Sight 5 1/2 x 3 3/4 inches Provenance The artist Edith Cole Silberstein, the artist's granddaughter, by descent Dr. Clark S. Mar...

This lyrical landscape entitled Dance of the Nymphs was composed by the French Barbizon painter Paul Désiré Trouillebert. A joyful scene of nymphs dancing the morning fog, the work closely resembles an important work by the great Camille Corot, which is now housed at the Musée d'Orsay (Paris). Renowned for his unique individuality that toed the line between the traditional and modern, Corot and his landscapes helped pave the way for an entire generation of Impressionists who followed him. Trouillebert perfectly captures the poetic atmosphere of Corot’s groundbreaking works, while also imbuing this scene with a freshness and character that is all his own. Trouillebert's oil on canvas is exemplary of the tradition of historical painting. The work perfectly combines a realistic depiction of the natural world with a spirited romanticism as his idealized nymph figures frolic playfully beneath a crisp morning sky. As a whole, it is a lovely composition executed with a level of skill and artistry that proves Trouillebert's exceptional talent in the arts. Born in Paris in 1831, Paul Désiré Trouillebert was a student of the academic painters Ernest Hébert...

The painting is signed and dated 1872 in Algiers Description: Ferdinand Victor Léon Roybet (1840-1920) was a French painter renowned for...

Antique British oil painting of the Alhambra by Thompson British, 1876 Canvas: Height 45cm, width 35.5cm Frame: Height 69cm, width 61cm, depth 6cm This serene Orientalist oil painti...

Biblioteca di Michelozzo a S.Marco, Firenze, 2009 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. The photographer is based in Florence, and ...

In uno sfondo naturale, con una grotta, il tronco di un'albero e un ruscello, risalta la figura di un giovane, in posizione centrale, coperto solo da un bianco perizoma cinto da un l...

Title: Anatomical Study of Horse Legs Artist: Robert Ladou (French, 1929-2014) Medium: Coloured Pencil and pen on paper Size: 20 (Height) x 13.75 (Width) Signed: No Condition: Good ...