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Academic Art

ACADEMIC STYLE

During the Renaissance, the first European fine art academies were established in Italy and would guide the style and standards of visual culture in the following centuries. Academic art became dominant across the continent in the 17th century, with artists coming together to offer instruction in this style of painting and sculpture

The academic art period represented a significant change from the previous era when painters, sculptors and other artists were part of guilds and seen more as artisans than purveyors of culture. While patronage from the elite and the church remained pivotal, young artists were able to support themselves for the first time through academic exhibitions and an independent marketplace. The leading academies included the French Académie Royale de Peinture et de Sculpture founded in Paris in 1648 (which became the Académie des Beaux-Arts after the French Revolution) and the London Royal Academy of Arts formed in 1768 under the inaugural leadership of painter Joshua Reynolds

Academy students sketched drawings based on prints, sculptures and, finally, live models. Movements including neoclassicism and romanticism were particularly popular in these art schools and institutions where the influence of Raphael and Nicolas Poussin was prominent. Beaux Arts architecture and furniture design drew on these movements, too, and, as they also originated at the Académie des Beaux-Arts, the disciplines share common ground with academic painting and sculpture.

Although academic art was a major shift for artistic status when it began, by the middle of the 19th century it was viewed as stodgy and resistant to new ideas, with the subject matter of artists such as William-Adolphe Bouguereau and Jean-Léon Gérôme generally limited to allegorical or mythological themes. Impressionism, realism and the other movements that engaged with contemporary issues that followed were direct reactions to the academic tradition, although it continued to inform the avant-garde as artists like Gustav Klimt and Pablo Picasso started their practices as academic realists.  

Find a collection of academic paintings, sculptures, prints and more art on 1stDibs. 

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Style: Academic
The Swiss by Otto Vautier - Drawing 31x24 cm
Located in Geneva, CH
Work on canvas Otto Vautier is a renowned Swiss painter, born in 1863 in Düsseldorf. He was influenced by a family of artists and developed his style dur...
Category

1910s Academic Art

Materials

Crayon, Watercolor

Nude Boy Discovered in Barn - Gay Interest
Located in Miami, FL
Norman Mills Price depicts a handsome, nude blond boy with classical good looks. He is lying on his stomach in straw in the loft of a barn with his buttocks exposed. The artist captu...
Category

1910s Academic Art

Materials

Gouache, Board, Pencil

A Very Fine Austrian Oil on Canvas "Young Ladies Collecting Spring Flowers"
Located in LA, CA
Hans Zatzka (Austrian, 1859-1945) a very fine and charming oil on canvas ""Young Ladies Collecting Spring Flowers", depicting three young maidens picking flowers by a lake. The three...
Category

Late 19th Century Academic Art

Materials

Oil

The Dance 19th-century Large Antique Nude Oil Painting on Canvas, Signed & Dated
Located in Jacksonville, FL
Exhibited at the Paris Salon, exhibition label on reverse. Description: Édouard François Zier (1837-1924) was a French painter known for his captiva...
Category

Early 19th Century Academic Art

Materials

Canvas, Oil

River and snowy mountains by G. E. Haberjahn - Watercolor on paper 16x21 cm
Located in Geneva, CH
Gabriel Eduard HABERJAHN was an artist born in Switzerland in 1890 and died in 1956. His works have been sold at public auction 85 times, mostly in the Painting category. The oldest ...
Category

1930s Academic Art

Materials

Watercolor

“The Race”
Located in Southampton, NY
Graphite and watercolor attributed to the well known British artist, Henry Thomas Alken. Circa 1825. Unsigned. Condition: Good. Provenance: Christie’s London, 1993. Matted but presently unframed. Alken was born on 12 October 1785 in Soho, Westminster, and baptised on 6 November at St James's Church, Piccadilly. He was the third son of Samuel Alken, a sporting artist. Two of his brothers were George and Samuel Alken the Younger, also an artist. In 1789, the Alken family moved from Soho to 2, Francis Street East, Bedford Square. Young Henry first studied under his father and then with the miniature painter John Thomas Barber...
Category

1820s Academic Art

Materials

Paper, Watercolor, Graphite

“Bringing Home the Game”
Located in Southampton, NY
Original watercolor with graphite tracings of a hunter bring home the fresh game by the British artist, George Anderson Short. Signed top right. ...
Category

1940s Academic Art

Materials

Watercolor, Archival Paper, Graphite

'Nymph with a Centaur', French School, Academic, Greek Mythological Grisaille
Located in Santa Cruz, CA
An exceptionally fine, brush and wash, mythological figural study showing a centaur interrupting the playing of his pan pipes to cast a speculative eye towards a dancing nymph. Datin...
Category

Early 1900s Academic Art

Materials

Paper, Watercolor, Illustration Board

The Charge 19th-century Realism Antique Oil Painting on Canvas, Signed
Located in Jacksonville, FL
The painting is signed and dated 1894 Description: Eugene Alexis Girardet (1853-1907) was a prominent Swiss painter known for his remarkable attention to detail and his ability to capture vivid and dynamic scenes. Born in Paris, France, Girardet came from a family of artists and received early artistic training from his father, Paul Girardet, and his uncle, Jules Girardet, both respected engravers. He later studied at the prestigious École des Beaux-Arts in Paris, where he honed his skills and developed a deep appreciation for historical and orientalist subjects. He was interred at the Père-Lachaise Cemetery. In addition to several museums in France, his works may be seen at the Dahesh Museum of Art and the National Museum of Fine Arts of Algiers, as well as at museums in Switzerland and New York City. Girardet’s artwork often depicted historical and exotic scenes, particularly focusing on Middle Eastern and North African themes. His meticulous attention to detail and his ability to convey a sense of movement and drama made his works highly sought after. One of his most renowned paintings, “The Charge,” exemplifies his exceptional talent and his ability to create a captivating and immersive experience for viewers. In “The Charge,” Girardet presents an army of Arab camel...
Category

19th Century Academic Art

Materials

Oil, Canvas

Painting animals interior cats
Located in Saint-Ouen, FR
Alfred BRUNEL NEUVILLE (1852-1941) Interior with cats Oil on canvas signed low right Old frame re-gilded with gold leaves Dim canvas : 54 X 75 cm Dim frame : 74 X 85 cm Alfred BRUNE...
Category

1890s Academic Art

Materials

Oil

"Cows in a Landscape"
Located in Southampton, NY
Oil on board painting of cows in a landscape by the American artist, James Fairman. Signed lower right. In good condition; overall fram...
Category

1870s Academic Art

Materials

Oil, Board

MINIATURE - L'Empereur Napoleon Ier
By Jacques Lienard
Located in Paris, FR
Jacques Lienard (1779-1848) French Napoleon Ist Miniature on Porcelain Signed Porcelain: 5 1/2 high x 4 1/5 wide
Category

19th Century Academic Art

Materials

Porcelain

“Tavern Life”
Located in Southampton, NY
Original watercolor with graphite tracings of a lively tavern scene. Signed lower right and dated 1942 by the British artist, George Anderson Short...
Category

1940s Academic Art

Materials

Watercolor, Archival Paper, Graphite

Mountain's view by M. Völlmy - Oil on wood 40x50 cm
Located in Geneva, CH
Oil paint on wood with original frame. Total size with frame: 60x50x5 cm
Category

1950s Academic Art

Materials

Oil

Untitled (Cafe Interior), Shimshon Holzman
Located in Fairfield, CT
Artist: Shimshon Holzman (1907-1986) Title: Untitled (Cafe Interior) Year: 1962 Medium: Watercolor and graphite on wove paper Size: 27.75 x 19.75 inches ...
Category

1960s Academic Art

Materials

Watercolor, Graphite

“Enlevement des Sabines”
Located in Southampton, NY
Here for your consideration is a beautiful highly detailed bronze done in the forth quarter of the nineteen century after the work of Jean Boulogne, known as Giambologna. Boulogne’s sculpture was done in marble and was completed between 1579 and 1583. The sculptor of this bronze is Antonin Mercie, a well known French sculptor born in 1845. The bronze represents the Rape of the Sabine Women (Latin: Sabinae raptae), also known as the Abduction of the Sabine Women or the Kidnapping of the Sabine Women, was an incident in Roman mythology in which the men of Rome committed a mass abduction of young women from the other cities in the region. It has been a frequent subject of artists and sculptors, particularly during the Renaissance and post-Renaissance eras. Signed on base “Mercie” for Antonin Mercie.. In very good condition wirh original brown patina. The base which depicts rocks is bronze and has been painted a matt black. Provenance:: A Sarasota estate. Mercié, (Marius Jean Antonin Mercie...
Category

1880s Academic Art

Materials

Bronze

The Paris Hotel de Ville , Watercolor signed Signed E. Galien Laloue, circa 1920
Located in Paris, FR
View of Paris: The Hotel de Ville banks and the statue of Etienne Marcel under Snow Watercolor Signed E. Galien Laloue, circa 1910-1920 Appraisal by Mr Noé Willer. (Will figurate in...
Category

Early 20th Century Academic Art

Materials

Watercolor

Four Season Extraordinary Set of Italian Stone Caryatids Sculptures
Located in Rome, IT
Four Caryatids sculptures with classically draped figures and their distinguishing symbols. Autumn, winter, spring and summer. Measures: Height with square form bases cm 220. Time...
Category

20th Century Academic Art

Materials

Limestone

Dance of the Nymphs
Located in New Orleans, LA
This lyrical landscape entitled Dance of the Nymphs was composed by the French Barbizon painter Paul Désiré Trouillebert. A joyful scene of nymphs dancing the morning fog, the work closely resembles an important work by the great Camille Corot, which is now housed at the Musée d'Orsay (Paris). Renowned for his unique individuality that toed the line between the traditional and modern, Corot and his landscapes helped pave the way for an entire generation of Impressionists who followed him. Trouillebert perfectly captures the poetic atmosphere of Corot’s groundbreaking works, while also imbuing this scene with a freshness and character that is all his own. Trouillebert's oil on canvas is exemplary of the tradition of historical painting. The work perfectly combines a realistic depiction of the natural world with a spirited romanticism as his idealized nymph figures frolic playfully beneath a crisp morning sky. As a whole, it is a lovely composition executed with a level of skill and artistry that proves Trouillebert's exceptional talent in the arts. Born in Paris in 1831, Paul Désiré Trouillebert was a student of the academic painters Ernest Hébert...
Category

19th Century Academic Art

Materials

Canvas, Oil

"Mephistopheles and the Faust" Mid 19th c, Antique Oil Painting on Wood Panel
By Alfred Jacomin
Located in Jacksonville, FL
The painting is dated and signed on the bottom left side. Description: Alfred Jacomin was a landscape and genre painter. He was a student of his father, Jean-Marie Jacomin, the Swiss...
Category

19th Century Academic Art

Materials

Oil, Wood Panel

The Tempest by Luis Falero
Located in New Orleans, LA
Luis Ricardo Falero 1851-1896 Spanish The Tempest Signed and dated "Falero / 1889" (lower right) Oil on canvas Luis Ricardo Falero, the renowned Spanish painter celebrated for hi...
Category

19th Century Academic Art

Materials

Canvas, Oil

Still life with apples and channe by Georges Djakeli - Oil on wood 9x11 cm
Located in Geneva, CH
Djakeli G. Officier de cavalerie Work on wood Gilded wood frame 13 x 15 x 2 cm
Category

Mid-20th Century Academic Art

Materials

Oil

Resting Man (Man relaxes draped only in a small towel) - In Celebration of Pride
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. A rare pencil drawing by John Lear created in 1957, signed and dated in pencil. John Brock Lear...
Category

1930s Academic Art

Materials

Pencil, Graphite

Original 1925 Zeppelin "Bayerische Zeppelin Eckene-Spende" vintage air travel
Located in Spokane, WA
Original Germany poster: Bayerische Zeppelin-Eckener Spende. 1925. (Bavarian Zeppelin-Eckener donation). Printer: M. Grunst, München. Condition: Grade A. The Zeppelin Eckene...
Category

1920s Academic Art

Materials

Lithograph

Giorgio De Chirico ( 1888 – 1978 ) – Autoritratto – hand-signed lithograph –1970
Located in Varese, IT
Original color lithograph , edited in 1970 limited edition signed in pencil in lower right corner and numbered as: 72/110 paper size: 70 x 53,5 cm framed size: 93,5 x 77 cm ( origina...
Category

1970s Academic Art

Materials

Paper, Lithograph

19th-20th Century Oil on Panel An 18th Century Interior "Dressing for the Ball"
Located in LA, CA
Eduardo León Garrido (Spanish, 1856-1949) A very Fine oil on panel "Dressing for the Ball" depicting 18th century interior scene of a young 'High Society' maiden getting dressed for ...
Category

Early 1900s Academic Art

Materials

Wood, Oil

Fabulous Italian Neoclassical Marble Sculpture of Hermes
Located in Rome, IT
19th century French finely chiseled bronze figure of Hermes . Signed Pigalle G . Cuspinera Hermes , the messenger of the gods, is sitting on a rock, ready to leap up. He is att...
Category

19th Century Academic Art

Materials

Bronze

Three Gould Hand-colored Lithographs from Birds of Australia and New Zealand
Located in Alamo, CA
Three hand-colored lithographs from John Gould's seven volume book "The Birds of Australia", which included New Zealand, depicting: pairs of "Eudyptes Chrysocome" (New Zealand Rock-hopper Crested Penguins), "Diomedea O Thalassarche Cauta" (Australian Shy Albatross) and "Sula Fusca" (Brown Gannets). These beautiful sea bird prints are presented in identical very attractive brown wood frames, embellished with gold highlights in the corners and gold inner trim, along with light cream-colored French mats, each with a medium cream-colored band and a gold highlight line. There is scattered spotting. There is a small tear in the lower right corner of the penguin lithograph...
Category

1840s Academic Art

Materials

Lithograph

"Montauk Point Lighthouse" Antique 19th Century Academic Oil Painting on Canvas
Located in Jacksonville, FL
Signed lower left corner Painting Size: 9.13″ x 18.20″ Frame Size: 14.13″ x 20.13″ Francis Augustus Silva (1835-1886) was a prominent American artist renowned for his remarkable ability to paint boats and seascapes...
Category

19th Century Academic Art

Materials

Oil, Canvas

Composition, Description of a Masque, Jane Freilicher
Located in Auburn Hills, MI
Woodcut on vélin Tosa Hanga à la main paper. Paper Size: 16 x 12 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Description of a Masque, 1998. Publis...
Category

1990s Academic Art

Materials

Woodcut

Original 1917 Railroad Map of Washington State railway map
Located in Spokane, WA
This is an Original Lithograph Vintage Railroad Map of Washington State; it is not a reproduction. “Railroad Map of Washington, 1917, The Public Servi...
Category

1910s Academic Art

Materials

Lithograph

'Still Life, Red Tulips with Japanese Porcelain', Belgian Lace, Japonaiserie
Located in Santa Cruz, CA
A finely-drawn, pastel still-life showing red tulips informally arranged in a Chelsea soft paste porcelain Chocolate pot decorated in the Japanese style and set beside a cup and sauc...
Category

1890s Academic Art

Materials

Gold Leaf

Spanish painting Portrait man Trace signature Academic 19th oil on canvas
Located in PARIS, FR
Juan Pablo SALINAS (Attributed to) Madrid, 1871 – Rome, 1946 Oil on canvas on a panel 34 x 22 cm (43 x 31 cm with the frame) Trace of signature lower lef...
Category

Late 19th Century Academic Art

Materials

Oil

Mounted Jockeys Taking a Jump
Located in Saratoga Springs, NY
Bronze (After) Henri (Comte) Geoffroy De Ruille, Mounted Jockeys (French 1842-1922) "Mounted Jockeys Taking a Jump" 40"long x 26" high x 20 ½" wide 20th Century Medium: Patinaed B...
Category

Mid-20th Century Academic Art

Materials

Bronze

Domingo Alvarez Gómez (1942) - Retrato femenino - Dibujo a pastel
Located in Sant Celoni, ES
Firmado en la parte inferior por el artista Se presenta sin enmarcar la obra Medidas obra: 65 cm. de altura x 50 cm. de ancho Buen estado de conservación el de la obra ::::::::::...
Category

Late 20th Century Academic Art

Materials

Pastel

Praying in the Desert by Rudolf Ernst, 19th Century Oil on Panel
Located in Jacksonville, FL
Rudolph Ernst’s Praying in the Desert is a masterful example of Orientalist art, showcasing the artist's profound ability to blend intricate detail with an atmosphere of serene spiri...
Category

19th Century Academic Art

Materials

Panel, Oil

“European Village”
Located in Southampton, NY
Original watercolor on archival paper laid down to heavy card stock by the American artist, Edward Loyal Field. The watercolor is of a European scene, perhaps Holland when the artist...
Category

1870s Academic Art

Materials

Watercolor, Archival Paper

Antique SUNSET VIEW OF SAN LAZZARO, VENICE
Located in New York, NY
Up for sale is a wonderful Italian Venetian Sunset painting by Bernhard Stange (1807-1880). Painting for sale depicts SUNSET VIEW OF SAN LAZZARO, VENICE It is absolutely colorful a...
Category

1870s Academic Art

Materials

Oil

Young Beauty
Located in Mc Lean, VA
An Orientalist figurative or genre painting by Conrad Kiesel.
Category

Mid-19th Century Academic Art

Materials

Oil, Wood Panel

Set of Four Italian Stone Statues Representing the Four Arts 1920'
Located in Rome, IT
Rare set of sculptures composed by a set of the four female figures representing The Arts. 1920' Music, Painting , Architecture ,Sculpture. Measures: Height cm 150 Very good origin...
Category

20th Century Academic Art

Materials

Limestone

“On the Seine, Paris”
Located in Southampton, NY
Original aquatint etching of working river barges on the Seine in Paris, France. A horse drawn cart is seen loading or unloading product. Circa 1900. Si...
Category

Early 1900s Academic Art

Materials

Archival Paper, Aquatint

“Checco vuol un Soldo” (Checco wants a Penny)
Located in Southampton, NY
Original oil on wooden panel painting of a young child begging for a coin. The painting is attributed to the hand of Leopoldo Dumini. Circa 1865...
Category

1860s Academic Art

Materials

Wood Panel, Oil

Portrait of a Lady with Hat and Fan - Marie-Antoinette Style in 1783
Located in Saint-Ouen, FR
Félix-Henri Giacomotti (1828-1909) Portrait of a Lady - Marie-Antoinette fashion in 1783. Signed low left Old frame gilded with leaves Dim canvas : 92,5 X 73,5 cm Dim Oval view : 86 ...
Category

1880s Academic Art

Materials

Oil

Portrait of a Young Woman, Sir Godfrey Kneller, Hand carved gilt frame
Located in London, GB
Oil on canvas Image size: 30 1/4 x 25 inches (77 x 63 cm) Original hand carved gilt frame Provenance Private Estate, England This is a very fine example of Kneller's work in the early 18th century. Here, the emphasis is placed directly on the sitter's alluring femininity, with this being enhanced by the falling hair around her shoulder. This looseness of focus is created with a free fluidity of brushstrokes. He has used a Rembrandt-esque technique of subtle tones in the face, and we can see how Kneller often allowed the bluer ground layer to show through when suggesting the darker flesh tones.The painterly technique seen here is an excellent demonstration of Kneller’s style. The bold handling of the flesh tones is Kneller at his most emphatic, while the sizeable areas of dark grey ground we see are indicative of his method of painting quickly, developed by this stage in his career to cope with the many demands of a large circle of patrons. The same effect is used for the shadows in the face: rather than paint darker colours on top of the pink flesh tones, as most artists would have done, Kneller instead painted in the reverse order, using the ground layer for his dark shadows, and then painting the lighter colours on top. Often he worked with an almost dry brush in strong firm strokes. Here the flesh tones have been rapidly, almost roughly painted, with bold areas of impasto giving way to areas where almost no paint has been applied at all, a trick that allowed Kneller to use the blue-grey ground layer to show darker flesh tones. Godfrey Kneller...
Category

Early 18th Century Academic Art

Materials

Canvas, Oil

A Very Fine Italian Oil on Canvas Titled "The Solo Violinist or Violin Teacher "
Located in LA, CA
A very fine Italian oil on canvas titled "The Solo Violinist" by Luigi Da Rios (Italian, 1844-1892), depicting an interior 18th century room scene of a single violinist player; withi...
Category

Late 19th Century Academic Art

Materials

Gesso, Canvas, Wood, Oil

The gift of flowers / - The depth of allegory -
Located in Berlin, DE
Conrad Kiesel (1846-1921), The gift of flowers. Oil on wood, 43 x 35 cm, 69 x 61 cm (frame), signed at lower left "Conrad Kiesel pxt [pinxit]", about 1900. In a magnificent gilt stuc...
Category

1890s Academic Art

Materials

Oil

Beaty - Archival fine art print, Black white photo, Portrait of a young woman
Located in Sant Cugat del Vallès, Barcelona
An archival pigment print on Hahnemühle Photo Rag® Baryta 315 g/m² paper of a photograph by Harry Sutcliffe (1878- 1942) entitled ' Beaty ' Portrait of a young woman created cerca ...
Category

1910s Academic Art

Materials

Black and White, Giclée, Pigment, Archival Pigment, Digital Pigment

Study of woman in bathing suit - Ink drawing - circa 1916
Located in Paris, IDF
Georges CONRAD (1874-1936) Study of woman in bathing suit Original India ink and color pencil drawing Signed with the stamp of atelier On paper 26.5 x 20 cm (c. 10.4 x 7.8 in) Ver...
Category

1910s Academic Art

Materials

India Ink, Color Pencil

“Les Revers de la Fortune”
Located in Southampton, NY
Original stipple engraving with colors titled “Les Revers de la Fortune” (Reversal of Fortune) by the well known French engraver, Louis Marin Bonnet...
Category

1780s Academic Art

Materials

Laid Paper, Engraving

Solothman on the Aase, Switzerland
By Eugene Schmidt
Located in San Francisco, CA
Artist: Eugene Schmidt (German/American, 1919-2007) Title: Solothman on the Aase, Switzerland Year: Circa 1970 Medium: Oil on canvas board Board size: 10 x 8 inches Signature...
Category

Late 20th Century Academic Art

Materials

Oil

Magnificent Italian Fountain Sculpture of Goddess with Delphines
Located in Rome, IT
Monumental finely carved limestone fountain sculpture of Goddess with a putto figure and three magnificent dolphins . Proveniente from an important Villa Veneta. Including a round ...
Category

1930s Academic Art

Materials

Limestone

CLASSICAL Antique PRE-RAPHEALITE Grecian Ladies on a MARBLE Painted TERRACE
Located in New York, NY
Ryland studied under Jean-Joseph Benjamin-Constant (1845-1902), Gustave Boulanger (1824-1888), and Jules Joseph Lefebvre (1836-1911) in Paris, and also at the South Kensington Art Sc...
Category

1880s Academic Art

Materials

Watercolor

“Tavern Meeting”
Located in Southampton, NY
Original watercolor with graphite tracings of interior crowded pub scene by the British artist, George Anderson Short. Signed bottom left. Circa...
Category

1940s Academic Art

Materials

Watercolor, Archival Paper, Graphite

Charming 19th Century Oil on Canvas Triptych of Cherubs 'An Allegory to Spring'
Located in LA, CA
Ferdinand Wagner II (German, 1847-1927) A very fine and charming triptych group of three oil on canvas laid on board titled "An Allegory to Spring" each panel depicting different pla...
Category

Late 19th Century Academic Art

Materials

Oil

Edouard Detaille (1848 1912), A trophy of arms, original signed Drawing
Located in Paris, FR
Edouard Detaille (1848-1912) A trophy of arms 11.5 x 20 cm Pen and ink with heightenings of white gouache on paper Signed and dated 1885 lower right and annotated "Armée française...
Category

1880s Academic Art

Materials

Ink

Emile Vernon (French, 1872-1919) Pink Roses Belle Epoque Oil Painting .
Located in New York, NY
This exquisite genre painting showcases a darling slice of life for a young woman in the Belle Epoque era. Dressed in a frilly frock made of detailed lace, and wearing a v shaped pin...
Category

Early 20th Century Academic Art

Materials

Canvas, Oil

Paintings 19th Century Flowers Still life
Located in Saint-Ouen, FR
GODCHAUX Emile (1860) Big Compositions of Flowers in Pair Oil on canvas signed low right Frames gilded with gold leaves Dim canvas (each) : 90 X 129 cm Dim frame (each) : 118 x 159 cm Certificate of authenticity GODCHAUX Emile (1860 - nc) French School - XIXth century Born in 1860 Painter of genre scenes, landscapes, waterscapes, marines, flowers, still lives. He sold his paintings on the public place, and sometimes in Lotteries. He is related to Alfred Godchaux...
Category

Late 19th Century Academic Art

Materials

Oil

Italian Mid 19th century White Carrara Marble bust. Portrait of young male.
Located in Firenze, IT
Italian Portrait White Marble Bust in a Heroic Attitude. Carrara statuary Marble. Tuscan school. Circa 1850.  Bust depicting a young man with bare shoulders. This model draws inspira...
Category

Mid-19th Century Academic Art

Materials

Marble

A Fine French 19th Century Oil on Canvas 'A Young Girl Holding a Bird's Nest'
Located in LA, CA
Charles Joshua Chaplin (French, 1825-1891) 'The Bird's Nest' A very fine and charming Rococo revival style oil on canvas depicting a young girl, dressed in 18th century costume and resting by a river bank, holding a bird's nest and one of the tiny eggs. Her bonnet resting to her side and a wicker basket full of hand-picked flowers by her feet; within a later giltwood carved frame. Signed: ChChaplin (lower left). Circa: 1870-1880. Canvas Height: 31 1/2 inches (80 cm) Canvas Width: 17 15/16 inches (45.5 cm) Frame Height: 38 5/8 inches (98 cm) Frame Width: 24 3/4 inches (63 cm) Frame Depth: 2 3/8 inches (6 cm) Charles Joshua Chaplin (8 June 1825 – 30 January 1891) was a French painter and printmaker who painted both landscapes and portraits. He worked in techniques such as pastels, lithography, watercolor, chalk, oil painting and etching. He was best known for his elegant portraits of young women. Chaplin was born on 8 June 1825 in Les Andelys, Eure, France. His mother, Olympia Adelle Moisy, was French, whereas his father, John Chaplin, was an art broker from England. Charles Chaplin spent his whole life in France, becoming a naturalized citizen in 1886. He studied at the École des Beaux-Arts in Paris from 1840, and he took private lessons in the studio of Michel Martin Drolling, whose apprentices included Paul Baudry, Jules Breton and Jean-Jacques Henner. Later he also taught at the École des Beaux-Arts. In 1845, he entered the Paris Salon, the official art exhibition of the Académie des Beaux-Arts, as a portrait and landscape painter with the painting Portrait of the Artist's Mother. Chaplin conducted art classes specifically for women at his studio, including Marie Joséphine Nicolas. The American artist Mary Cassatt, the French artist Louise Abbéma and the English artist Louise Jopling were among Chaplin's students. His son Arthur Chaplin was also a painter. Early Work: Chaplin made his debut at the Salon with portraits, but he also painted landscapes, particularly the countryside of Auvergne. His early works, from 1848 to 1851, were painted in a manner characterized by an interest in realism, a style established in the French Second Republic, that had the motto Liberté, égalité, fraternité, and was ruled for three years by the republican government of France from the 1848 Revolution until the 1851 coup by Louis-Napoléon Bonaparte. Realism was an artistic movement that began in France in the 1850s, after the 1848 Revolution. From the late 18th century Romanticism dominated French art and literature but was spurned by Realists, who revolted against the display of the emotions of the Romantic movement, seeking to depict real and characteristic contemporary individuals and situations with truth and accuracy. Chaplin painted many works in his early days, including floral studies that were displayed at the Salon de las Flores. Later, in the late 1850s, he abandoned naturalism, his earlier style, exchanging it for a more graceful, elegant and supple technique that brought him a certain notoriety in France during his time as a portrait painter; as such he embraced the idyllic and voluptuous and fashionable style of the prominent French painter, François Boucher (1703–1770). He also embraced the tradition of the great English portraitists and developed his very own style of painting but was inspired by the British painters Joshua Reynolds and Thomas Gainsborough. He used to engrave the works of the Dutch artist Pieter Paul Rubens and gained further influence from his work. Later Work: Gradually the muddy colours used by Chaplin transformed into white, grey and pink, depicting his models with an opalescent, mother-of-pearl complexion by applying a subtle palette of rosy flesh tones and light greys. After painting portraits and trying his skills on ornamental painting, Chaplin took up genre painting in the 1850s. His favourite subjects are the feminine grace of a young woman's everyday life. He portrays women in several poses: resting; grooming; singing; and reading. He captures them with lightness and carelessness and accentuates the decorative elements of the composition. Empress Eugénie, the wife of Napoleon III and an admirer of the "Pompadour style", rapidly fell under the enchantment of the painter's neo-Rococo works. Chaplin was among Napoleon III and Empress Eugénie's favourite court artists. In 1859, when his portrait of Aurora was banned by the judges of the Salon as "too erotically suggestive", Napoléon III defended Chaplin and overturned the disqualification order. He was similarly valued as an interior decorator and was appointed to remodel the decor of Empress Eugénie's rooms. His sensual portraits of women and young girls, often with models posed erotically in hazy surroundings and frequently wearing transparent clothing, attracted the interest of the high society and aristocracy of Paris during the French Third Republic (1870–1940) guaranteeing his success and wealth. He was one of the most popular painters of his time, but nowadays his work is almost unknown, in spite of the fact that his works hang in many major museums around the world. He employed his Rococo style for his mythological scenes and genre scenes paintings. His genre pictures formed a significant part of his work. In 1861, working as a decorative painter. Chaplin painted the doors and several glass panels above them of the Salon des Fleurs in the Tuileries Palace. The Palace was gutted by fire in 1871 and its ruins swiftly demolished.[9] He also undertook decorating work in the Salon de l’Hémicycle of the Palais de l’Elysée. Honours and awards: As a member of the Académie royale de peinture et de sculpture, Chaplin exhibited his paintings at the Paris Salon, the official exhibition venue of members' work. He began exhibiting his paintings at the French Artists' Salon in 1845 and was represented there habitually each year. These exhibitions made him one of France's most famous portrait artists. Commencing in 1847, his work was exhibited regularly at the Royal Academy in London. During his lifetime, he received acclamation for his artistic talents by the award of several medals: a third class medal in 1851; a second class medal the following year; and an Honour Medal...
Category

19th Century Academic Art

Materials

Oil

Chrysanthemums Blooming on a Terrace
Located in Mc Lean, VA
Large oil painting of chrysanthemums by one of the most well-known 19th-century French flower painters. Signed and dated lower right
Category

Early 1900s Academic Art

Materials

Canvas, Oil

Academic art for sale on 1stDibs.

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