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Academic Art

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ACADEMIC STYLE

During the Renaissance, the first European fine art academies were established in Italy and would guide the style and standards of visual culture in the following centuries. Academic art became dominant across the continent in the 17th century, with artists coming together to offer instruction in this style of painting and sculpture. 

The academic art period represented a significant change from the previous era when painters, sculptors and other artists were part of guilds and seen more as artisans than purveyors of culture. While patronage from the elite and the church remained pivotal, young artists were able to support themselves for the first time through academic exhibitions and an independent marketplace. The leading academies included the French Académie Royale de Peinture et de Sculpture founded in Paris in 1648 (which became the Académie des Beaux-Arts after the French Revolution) and the London Royal Academy of Arts formed in 1768 under the inaugural leadership of painter Joshua Reynolds. 

Academy students sketched drawings based on prints, sculptures and, finally, live models. Movements including neoclassicism and romanticism were particularly popular in these art schools and institutions where the influence of Raphael and Nicolas Poussin was prominent. Beaux Arts architecture and furniture design drew on these movements, too, and, as they also originated at the Académie des Beaux-Arts, the disciplines share common ground with academic painting and sculpture.

Although academic art was a major shift for artistic status when it began, by the middle of the 19th century it was viewed as stodgy and resistant to new ideas, with the subject matter of artists such as William-Adolphe Bouguereau and Jean-Léon Gérôme generally limited to allegorical or mythological themes. Impressionism, realism and the other movements that engaged with contemporary issues that followed were direct reactions to the academic tradition, although it continued to inform the avant-garde as artists like Gustav Klimt and Pablo Picasso started their practices as academic realists.  

Find a collection of academic paintings, sculptures, prints and more art on 1stDibs. 

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Style: Academic
Apples and Lemons by Edith LUTZ - Oil on Canvas - 64x96 cm
Apples and Lemons by Edith LUTZ - Oil on Canvas - 64x96 cm

Apples and Lemons by Edith LUTZ - Oil on Canvas - 64x96 cm

Located in Geneva, CH

Edith Lutz-Romani (1894-1983) was an Austrian painter active during the 20th century. Although detailed information about her life is limited, she was born in 1894 and developed her ...

Category

1910s Academic Art

Materials

Canvas, Oil

Landscape, Impressionism, Original Painting, One of a Kind
Landscape, Impressionism, Original Painting, One of a Kind

Landscape, Impressionism, Original Painting, One of a Kind

Located in Granada Hills, CA

Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Acrylic on Canvas Year: 2019 Style: Impressionism Title: Landscape Size: 24" x 30" x 0.8'' inch, (61x76x2cm), Unframed, Stretched on wooden bar, Ready to Hang, Artist Bio Ara H. Hakobyan is an Armenian artist and art critic, Doctor of Sciences (arts, 2017), professor (2018) and a member of Artist Union of the Republic of Armenia (1999). Ara H. Hakobyan was born in 1973 in Yerevan in the family of art historian Hravard Hakobyan. In 1997 Mr. Hakobyan graduated from the Yerevan State Academy of Arts, Department of Painting. During 1997-2000 Ara Hakobyan...

Category

2010s Academic Art

Materials

Canvas, Acrylic

Cupid and Aphrodite: Late 19th Century Porcelain Painting
Cupid and Aphrodite: Late 19th Century Porcelain Painting

Cupid and Aphrodite: Late 19th Century Porcelain Painting

Located in Milwaukee, WI

This painting on porcelain depicts the Greek legends Aphrodite and Cupid in radiant light. In this playful scene, Aphrodite holds Cupid's bow just out of his reach. This painting is ...

Category

Late 19th Century Academic Art

Materials

Oil, Porcelain

Ugolin in Prison - Etching, (Ed. Goupil, 1897)
Ugolin in Prison - Etching, (Ed. Goupil, 1897)

Ugolin in Prison - Etching, (Ed. Goupil, 1897)

By Auguste Rodin

Located in Paris, IDF

Auguste RODIN (1840–1917) (after) Ugolin in Prison, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x 31 ...

Category

1890s Academic Art

Materials

Etching

Mercure - Etching, (Ed. Goupil, 1897)
Mercure - Etching, (Ed. Goupil, 1897)

Mercure - Etching, (Ed. Goupil, 1897)

By Auguste Rodin

Located in Paris, IDF

Auguste RODIN (1840–1917) (after) Mercury, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x 31 cm (16.7 ...

Category

1890s Academic Art

Materials

Etching

Landscape, Original Painting, One of a Kind
Landscape, Original Painting, One of a Kind

Landscape, Original Painting, One of a Kind

Located in Granada Hills, CA

Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Acrylic on Canvas Year: 2019 Style: Impressionism Title: Landscape Size: 16" x 20" x 0.8'' inch, (41x51x2cm), Unframed, Stretched on wooden bar, Ready to Hang, Artist Bio Ara H. Hakobyan is an Armenian artist and art critic, Doctor of Sciences (arts, 2017), professor (2018) and a member of Artist Union of the Republic of Armenia (1999). Ara H. Hakobyan was born in 1973 in Yerevan in the family of art historian Hravard Hakobyan. In 1997 Mr. Hakobyan graduated from the Yerevan State Academy of Arts, Department of Painting. During 1997-2000 Ara Hakobyan...

Category

2010s Academic Art

Materials

Canvas, Acrylic

Mythological scene, study for the Prize of Rome 1864, French academism, Homer
Mythological scene, study for the Prize of Rome 1864, French academism, Homer

Mythological scene, study for the Prize of Rome 1864, French academism, Homer

Located in Norwich, GB

This rare mythological scene depicting the Greek author Homer on the island of Scyros. You will notice the Trojan War being fought in the background. Our painting, dating from 1864, is unsigned, but has a solid attribution to academic artist Henri-Léopold Lévy...

Category

Mid-19th Century Academic Art

Materials

Canvas, Oil

“Quan Yin”
“Quan Yin”

“Quan Yin”

Located in Southampton, NY

Here for your consideration is a vintage bronze statuette from the mid-20th century depicting Quan Yin. Created during the midcentury period, this bronze statuette features the Quan ...

Category

1950s Academic Art

Materials

Bronze

Dante, Terror - Etching, (Ed. Goupil, 1897)
Dante, Terror - Etching, (Ed. Goupil, 1897)

Dante, Terror - Etching, (Ed. Goupil, 1897)

By Auguste Rodin

Located in Paris, IDF

Auguste RODIN (1840–1917) (after) Dante, Terror, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x 31 cm ...

Category

1890s Academic Art

Materials

Etching

"Original set illustration from "Gone With The Wind" Tyrus Wong, Hollywood, Film
"Original set illustration from "Gone With The Wind" Tyrus Wong, Hollywood, Film

"Original set illustration from "Gone With The Wind" Tyrus Wong, Hollywood, Film

Located in New York, NY

Tyrus Wong Original set illustration from "Gone With The Wind", 1939 Signed lower right Oil on panel 6 x 8 3/4 inches Tyrus Wong’s life embodies a remarkable journey of perseverance, talent, and artistic achievement. Born in China, he immigrated to the United States at the age of nine after being separated from his mother, whom he would never see again. Reunited with his father in Sacramento, Wong later relocated to Los Angeles, where the two lived in modest circumstances within a boarding house in Chinatown. His father nurtured his artistic abilities by encouraging him to practice Chinese calligraphy and helping him secure small painting jobs in the neighborhood. Recognizing his exceptional talent, one of Wong’s teachers recommended him for a summer scholarship at the Otis Art Institute. He became the youngest recipient of the award and later earned a full scholarship, offsetting tuition costs through work performed on campus. After completing his studies in 1930, Wong supported himself through a variety of artistic jobs, including creating advertisements and working at the popular Dragon’s Den restaurant in Chinatown. During the Great Depression, he found employment through the Federal Art Project, producing paintings for government-sponsored programs. His career took a pivotal turn when he joined Walt Disney Studios. There, his atmospheric pastel studies for Bambi impressed Walt Disney and helped shape the film’s distinctive visual style. Wong’s contributions to the film’s backgrounds were instrumental to its success, earning him posthumous recognition as a Disney Legend in 2001. Following labor disputes at Disney, he left the studio before Bambi was released and continued his career at Warner Bros. and Republic Studios, creating concept art for films including Rebel Without a Cause, Around the World in 80 Days, Sands of Iwo Jima, and The Wild Bunch. He retired from the film industry in 1968. Alongside his Hollywood career, Wong remained deeply involved in Southern California’s art community. He exhibited regularly in galleries and museums and participated in artist-run initiatives such as Eleven Associated, a cooperative gallery active during the early 1950s. Best known for his watercolor paintings and ceramics, Wong developed a unique artistic language that blended traditional Chinese brush techniques with modern American aesthetics. Influenced by his teacher Stanton Macdonald-Wright, he combined expressive calligraphic brushwork with depictions of nature and movement. His artistic versatility extended beyond fine art into commercial design, where he created popular Christmas card imagery and dinnerware patterns for Winfield Pottery...

Category

1930s Academic Art

Materials

Oil, Panel

Seated Mercury Life-Size Bronze Sculpture, Italian, Late 19th Century
Seated Mercury Life-Size Bronze Sculpture, Italian, Late 19th Century

Seated Mercury Life-Size Bronze Sculpture, Italian, Late 19th Century

Located in Palm Beach, FL

Seated Mercury (Hermes) — Grand Tour Life-Size Bronze Italian School (possibly Naples) Italy, Late 19th–Early 20th Century This commanding life-size Grand Tour bronze depicts Mercury (Hermes) seated in quiet repose upon a rock, rendered with classical authority and exceptional refinement. The youthful god’s finely modeled anatomy, serene, introspective expression, and distinctive winged sandals draw directly from the celebrated ancient prototype, creating a sculpture of enduring presence and balance. Fully restored and ready to place, the bronze presents beautifully for interior display or garden installation, where its patinated surface responds richly to natural light. The composition derives from the renowned Seated Mercury discovered on August 3, 1758, in the peristyle garden of the Villa dei Papiri at Herculaneum. The ancient original—now housed in the Museo Archeologico Nazionale di Napoli—became a touchstone of classical taste and a must-see for Grand Tour travelers of the 18th and 19th centuries, admired for its harmony, restraint, and technical mastery. Cast in richly toned bronze and finished with a nuanced patina, this example exemplifies the Neapolitan tradition of Grand Tour bronzes, prized for archaeological fidelity and sculptural finesse. Its impressive scale and poised silhouette make it a significant focal point in both modern and classical settings—an object that bridges antiquity and the cultivated collecting culture of the Grand Tour. Notable Related Examples: Getty Villa · Kunsthistorisches Museum · Villa San Michele...

Category

Late 19th Century Academic Art

Materials

Bronze

Parade in Geneva, 19th Century European Historical Oil Painting
Parade in Geneva, 19th Century European Historical Oil Painting

Parade in Geneva, 19th Century European Historical Oil Painting

Located in Genève, GE

Signed "A Dovianne" in the lower left corner. A vibrant and highly detailed historical scene depicting a ceremonial procession of mounted figures crossing a grand city square in Geneva, richly adorned with festive banners and flags. The composition is animated by a rhythmic procession of elegantly dressed horsemen, accompanied by soldiers and attendants, creating a dynamic sense of movement and civic pageantry. At the center of the scene, a monumental statue anchors the composition, reinforcing the public and historical significance of the event. The surrounding architecture, carefully rendered, is decorated with numerous flags suggesting a moment of national celebration or official ceremony within the city. The artist demonstrates strong academic training in the rendering of figures, horses, and perspective. The palette is lively yet balanced, combining warm earth tones with vibrant reds, blues, and gold accents, while the softly illuminated sky provides atmospheric contrast. This work belongs to the tradition of 19th century European historical painting, with particular appeal for collectors interested in Swiss subjects, civic celebrations, and narrative compositions. défilé à genève painting, geneva parade painting, swiss historical painting, military parade oil painting, horsemen procession art, 19th century history painting, geneva city scene oil, swiss flags painting, ceremonial parade artwork, cavalry painting...

Category

Mid-19th Century Academic Art

Materials

Canvas, Oil

The Showdown - Etching, (Ed. Goupil, 1897)
The Showdown - Etching, (Ed. Goupil, 1897)

The Showdown - Etching, (Ed. Goupil, 1897)

By Auguste Rodin

Located in Paris, IDF

Auguste RODIN (1840–1917) (after) The Showdown, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x 31 cm (...

Category

1890s Academic Art

Materials

Etching

Purgatory - Etching, (Ed. Goupil, 1897)
Purgatory - Etching, (Ed. Goupil, 1897)

Purgatory - Etching, (Ed. Goupil, 1897)

By Auguste Rodin

Located in Paris, IDF

Auguste RODIN (1840–1917) (after) Purgatory, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x 31 cm (16....

Category

1890s Academic Art

Materials

Etching

Seated Man - Etching, (Ed. Goupil, 1897)
Seated Man - Etching, (Ed. Goupil, 1897)

Seated Man - Etching, (Ed. Goupil, 1897)

By Auguste Rodin

Located in Paris, IDF

Auguste RODIN (1840–1917) (after) Seated Man, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x 31 cm (16...

Category

1890s Academic Art

Materials

Etching

Waves, Seascape, Original oil Painting, One of a Kind

Waves, Seascape, Original oil Painting, One of a Kind

By Karen Darbinyan

Located in Granada Hills, CA

Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2023 Style: Impressionism Title: Waves Size: 12" x 17" x 0.8'' inch, ...

Category

2010s Academic Art

Materials

Canvas, Oil

Sunny Day, Original Oil Painting, One of a Kind
Sunny Day, Original Oil Painting, One of a Kind

Sunny Day, Original Oil Painting, One of a Kind

Located in Granada Hills, CA

Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2018 Style: Impressionism Title: Sunny Day Size: 16" x 20" x 0.8'' in...

Category

2010s Academic Art

Materials

Canvas, Oil

Mary Magdalene - Original lithograph
Mary Magdalene - Original lithograph

Mary Magdalene - Original lithograph

By Maurice Denis

Located in Paris, IDF

Maurice DENIS (1870 - 1943) Mary Magdalene Original lithograph enhanced in pastel Printed signature in the plate On light cream tinted vellum 32,5 x 47 cm (c. 12,7 x 18,5 inch) INF...

Category

Early 20th Century Academic Art

Materials

Lithograph

“Summer”
“Summer”

“Summer”

By Charles Wilson Knapp

Located in Southampton, NY

Here for your consideration is a wonderful large panoramic original oil painting by the well known American artist, Charles Wilson Knapp. Signed lower right. Circa 1880. Condition...

Category

1880s Academic Art

Materials

Canvas, Oil

Vintage Large Albumen Photo Jerusalem Landscape
Vintage Large Albumen Photo Jerusalem Landscape

Vintage Large Albumen Photo Jerusalem Landscape

By American Colony Jerusalem

Located in Surfside, FL

The Original American Colony was a colony established in Jerusalem in 1881 by members of a utopian society led by Anna and Horatio Spafford. Now a hotel in East Jerusalem, it is still known by that name today. After suffering a series tragic losses following the Great Chicago Fire of 1871 (see hymn "It is Well with My Soul"), Chicago residents Anna and Horatio Spafford led a small American contingent in 1881 to Jerusalem to form a utopian society. The "American Colony," as it became known, was later joined by Swedish Christians. The society engaged in philanthropic work amongst the people of Jerusalem regardless of religious affiliation, gaining the trust of the local Muslim, Jewish, and Christian communities.During and immediately after World War I, the American Colony carried out philanthropic work to alleviate the suffering of the local inhabitants, opening soup kitchens, hospitals, orphanages and other charitable ventures. Towards the end of the 1950s, the society's communal residence was converted into the American Colony Hotel. The hotel is an integral part of the Jerusalem landscape where members of all communities in Jerusalem still meet. In 1992 representatives from the Palestine Liberation Organization and Israel met in the hotel where they began talks that led to the historic 1993 Oslo Peace Accord. Panorama of Jerusalem, c. 1890-1920 The Colony moved to the large house of a wealthy Arab landowner, Rabbah Husseini, outside the city walls in Sheikh Jarrah on the road to Nablus. Part of the building was used as a hostel for visitors from Europe and America. A small farm developed with animals, a butchery, a dairy, a bakery, a carpenter's shop, and a smithy. The economy was supplemented by a shop selling photographs, craft items and archaeological artifacts. The American Colonists were embraced by the Jewish and Palestinian communities for their good works, among them, teaching in both Muslim and Jewish schools. Photography Around 1900, Elijah Meyers, a member of the American Colony, began taking photographs of places and events in and around the city of Jerusalem. Meyers's work eventually expanded into a full-fledged photographic division within the Colony, including Hol Lars (Lewis) Larsson and G. Eric Matson, who later renamed the effort as the Matson Photographic Service. Their interest in archeological artifacts (such as the Lion Tower in Tripoli pictured here), and the detail of their photographs, led to widespread interest in their work by archeologists. The collection was later donated to the Library of Congress. World War I When the Ottoman Empire entered World War I as an ally of Germany in November 1914, Jerusalem and Palestine became a battleground between the Allied and the Central powers...

Category

Late 19th Century Academic Art

Materials

Photographic Paper

Seated Mercury, or Hermes - God of Speed
Seated Mercury, or Hermes - God of Speed

Seated Mercury, or Hermes - God of Speed

Located in New York, NY

This Mercury by Montagne has lovely patina and surface and is a pleasingly different depiction of Winged speed as he is seated! It is an arresting pose and elegant and covers all fa...

Category

1860s Academic Art

Materials

Bronze

Dynamic Watercolor study of Equine Trainer with a Horse
Dynamic Watercolor study of Equine Trainer with a Horse

Dynamic Watercolor study of Equine Trainer with a Horse

By Robert Ladou

Located in Cirencester, Gloucestershire

Title: Dynamic Watercolor study of Equine Trainer with a Horse Artist: Robert Ladou (French, 1929-2014) Medium: Watercolour on paper Size: 7.75 (Height) x 11.25 (Width) Signed: No C...

Category

20th Century Academic Art

Materials

Watercolor

Lion & Mouse
Lion & Mouse

Lion & Mouse

By Isidore Jules Bonheur

Located in New York, NY

Isadore stands as one of the greatest animaliers of all time and this is a playful and endearing example of his work! Especially going forward, these bronzes make a distinctive and...

Category

1870s Academic Art

Materials

Bronze

Copper and Fruit Still-Life Painting, Early 20th Century, Framed
Copper and Fruit Still-Life Painting, Early 20th Century, Framed

Copper and Fruit Still-Life Painting, Early 20th Century, Framed

Located in Genève, GE

A charming and finely executed still life painted in oil on board, signed A. Bally in the upper right corner and bearing an inscription in the upper left. The composition presents a carefully arranged group of everyday objects rendered with warmth and sensitivity: a large copper basin, a green glazed earthenware jug, a glass tumbler, a ceramic vessel, a small knife, and several ripe peaches distributed across a white tablecloth. The artist skillfully balances form, color, and light to create a harmonious and timeless domestic scene. The copper bowl serves as the focal point of the composition, its rich reddish-brown surface reflecting subtle highlights and demonstrating the painter’s particular attention to texture and materiality. The surrounding objects are depicted with equal care, each contributing to a quiet dialogue of shapes and volumes. The luminous peaches introduce vibrant accents of red and orange that enliven the otherwise restrained palette of earthy browns, soft creams, olive greens, and warm neutrals. Executed with confident brushwork and a keen understanding of tonal relationships, the painting recalls the enduring tradition of European still-life painting. The work celebrates ordinary household objects through careful observation and thoughtful composition, transforming familiar forms into an elegant study of color, light, and balance. The neutral background and uncluttered arrangement lend the composition a modern simplicity while preserving the classical qualities associated with traditional nature morte painting. The result is an inviting and highly decorative work that would complement both traditional and contemporary interiors. Still Life Painting, Oil on Board, Signed A. Bally, European Still Life, Copper Basin Painting, Fruit Still Life, Peaches Painting, Kitchen Still Life, Traditional Still Life, Academic Realism, Decorative Painting, Mid Century European Art, Oil Painting on Board, French School Still Life, Rustic Interior Art, Antique Copper Vessel...

Category

Early 20th Century Academic Art

Materials

Oil, Cardboard

Portrait of Emma, Lady Hamilton by Domenico Pellegrini
Portrait of Emma, Lady Hamilton by Domenico Pellegrini

Portrait of Emma, Lady Hamilton by Domenico Pellegrini

By Domenico Pellegrini

Located in New Orleans, LA

Domenico Pellegrini 1759–1840 Italian Portrait of Emma, Lady Hamilton Signed and dated “Do Pellegrini / 1791” center right Oil on canvas Few women have risen so far, captivated s...

Category

1790s Academic Art

Materials

Canvas, Oil

"Dutch Girl with Lamb" in Bronze and Marble by Giuseppe Joseph D'Aste
"Dutch Girl with Lamb" in Bronze and Marble by Giuseppe Joseph D'Aste

"Dutch Girl with Lamb" in Bronze and Marble by Giuseppe Joseph D'Aste

Located in Soquel, CA

"Dutch Girl with Lamb" in Bronze and Marble by Giuseppe Joseph D'Aste Finely expressed in detail is the Girl wearing Clogs or Klomps - Dutch Wooden shoes, holding a Lamb and carrying...

Category

Early 1900s Academic Art

Materials

Marble, Bronze

ANTINOUS Magnificent Italian Neoclassical Carrara Marble Sculpture
ANTINOUS Magnificent Italian Neoclassical Carrara Marble Sculpture

ANTINOUS Magnificent Italian Neoclassical Carrara Marble Sculpture

Located in Rome, IT

Outstanding 19th century Italian finely carved Carrara "Statuario" marble sculpture of Antinoo , after the Antique The Capitoline 'Antinous'. Antinous, a young Bithinius favorite...

Category

19th Century Academic Art

Materials

Marble

Original French Anatomical Study of Horse's Head
Original French Anatomical Study of Horse's Head

Original French Anatomical Study of Horse's Head

By Robert Ladou

Located in Cirencester, Gloucestershire

Title: Original French Anatomical Study of Horse's Head Artist: Robert Ladou (French, 1929-2014) Medium: Oil pastel on paper Size: 11.75 (Height) x 8.25 (Width) Signed: No Condition:...

Category

20th Century Academic Art

Materials

Pencil, Oil Pastel

'Nymph with a Centaur', French School, Academic, Greek Mythological Grisaille
'Nymph with a Centaur', French School, Academic, Greek Mythological Grisaille

'Nymph with a Centaur', French School, Academic, Greek Mythological Grisaille

Located in Santa Cruz, CA

'Nymph with a Centaur' by T.M. French School, Academic, Framed Greek Mythological Grisaille --- An exceptionally fine, brush and wash, mythological figural study showing a centaur i...

Category

Early 1900s Academic Art

Materials

Paper, Watercolor, Illustration Board

Ludwig van Löfftz (1845-1910) The Artist at Work, oil on panel
Ludwig van Löfftz (1845-1910) The Artist at Work, oil on panel

Ludwig van Löfftz (1845-1910) The Artist at Work, oil on panel

Located in Les Acacias GE, GE

Ludwig van Löfftz (1845-1910)
 The Artist at Work
 Oil on panel
 Signed and located Munchen lower left 
21 x 16 cm
 Provenance: * Collections of Prof. Dr. Ludwig Borchardt and Emili...

Category

19th Century Academic Art

Materials

Oil, Wood Panel

Georg von Urlaub - Moscow - The Beard Control at the City Gate
Georg von Urlaub - Moscow - The Beard Control at the City Gate

Georg von Urlaub - Moscow - The Beard Control at the City Gate

Located in Wien, AT

A monumental, museum-quality historical masterpiece by the renowned Russian-German painter and Academician of the Imperial Academy of Arts, Georg Johann Christian von Urlaub (1845-19...

Category

Late 19th Century Academic Art

Materials

Canvas, Oil

Marine with Characters
Marine with Characters

Marine with Characters

Located in Saint-Ouen, FR

Maurice BAUDIN (19th Century) Marine "L'Escaut near Anvers" (Belgium) Oil on canvas signed and dated 1893 low left Old frame gilded with leaves Dim canvas : 38 X 70 cm - Dim frame : ...

Category

1890s Academic Art

Materials

Oil

Italian 19th Carved Marble Figure of a Nude Young Bather Girl by Pietro Bazzanti
Italian 19th Carved Marble Figure of a Nude Young Bather Girl by Pietro Bazzanti

Italian 19th Carved Marble Figure of a Nude Young Bather Girl by Pietro Bazzanti

By Pietro Bazzanti

Located in LA, CA

Pietro Bazzanti - Barzanti (Italian, 1825-1895) "After the Bath" - a fantastic quality and large carved white Carrara marble figure of a semi-nude young maiden standing by the sea-shore. The smiling and posing young beauty, with bare breasts and back, her right arm juxtaposed over her head, while holding a blanket over her waist with her left hand and standing barefoot by a rocky seawall and wavy shoreline. Signed 'P. Barzanti/Florence' (on reverse) and raised on a cylindrical swiveling carved verde antico solid marble pedestal. circa: Florence, 1880-1890. Pietro Bazzanti or Barzanti (Italian, 1825-1895) was a 19th Century Italian sculptor born in Florence. Together with his brother, Niccolò Bazzanti (Firenze, 1802-1869) who was also a sculptor, they both worked the sprawling Florentine studio 'Pietro Bazzanti e Figlio' a hugely successful sculpture studio, operated within the family at their gallery on Lungarno Corsini until the mid-twentieth century. The studio was a place where many talented professors and apprentice sculptors specialized in sculpting marble genre scenes and allegorical figures as well as copies of antique and Renaissance sculpture catered to a prominent international clientele which included European and Russian aristocracy, and the Industrial fortunes being made in England and Americas drove considerable export demand. In 1861 the studio was awarded the medal for 'Ercole con cinghiale sulla spalla' (Hercules with boar on shoulder), 'Due Cani' (Two dogs) and 'Cinghiale' (Boar) sculptures at the National Exposition in Florence. In 1874 he exhibits his works in London and in 1876 in Philadelphia. Bazzanti frequently returned to the subject of 'After the Bath' or 'The Bather' in his works, having carved examples of the bathing Venus after the Antique and in dynamic and dramatic compositions such as the present sculpture. The finely-detailed work relates closely to popular figures produced by Bazzanti’s contemporary, Cesar Lapini, whose La Sopresa depicts a young woman stepping back from approaching waves. The sculptor’s penchant for realism is on full display with the contrasting matte and highly-polished finishes of the gently lapping waves at the figure’s feet, to the jutting rocks and soft skin. Elegant handling of textures is further exemplified in the draped fringe of the cloth. This monumental and Fine work is illustrated in situ at Bazzanti’s studio circa 1900 among other fashionable works of the period. Notes: Pietro Bazzanti was also known as Pietro Barzanti. There are conflicting dates of Pietro Bazzanti/Barzanti's birth/death year. Some auction houses and art galleries have described 'Pietro Barzanti' as Italian, 1842–1881 and Pietro Bazzanti as Italian, 1825-1895. However, according to Alfonso Panzetta – Nuovo Dizionario degli Scultori Italiani dell’ottocento e del Primo Novecento – 2003 Edition –Page 78, 'Pietro Barzanti' was in fact 'Pietro Bazzanti' one and the same, and it questions his year of his birth/death as "Firenze (?), ?, ?." thus we believe that the Italian, 1825-1895 description is the most plausible. Literature: Alfonso Panzetta – Nuovo Dizionario degli Scultori Italiani dell’ottocento e del Primo Novecento – 2003 Edition –Page 78. Auctions: Another example of this sculpture, probably also Pietro Bazzanti but almost a foot shorter (Height 44¾ in. (113.5 cm), unsigned and without its pedestal, was sold at Christie's New York, 19th Century Furniture, Sculpture, Works of Art and Ceramics Sale...

Category

19th Century Academic Art

Materials

Marble

“The Grand Canal, Venice”
“The Grand Canal, Venice”

“The Grand Canal, Venice”

Located in Southampton, NY

Venice, The Grand Canal, Illustrated London News: hand-colored wood engraving after drawings by Viscount Maidstone, published August 25, 1849 in The Illustrated London News, titled “...

Category

1840s Academic Art

Materials

Archival Paper, Engraving

“Knight of the Field”
“Knight of the Field”

“Knight of the Field”

Located in San Francisco, CA

On offer is “Knight of the Field” aka “A Man in Armour,” a painting by Edgar Allan Ward (1862–1947). The portrait is of an unknown gentleman in full plate armor, complete with a swor...

Category

Late 19th Century Academic Art

Materials

Canvas, Oil

“The French Cavalier”
“The French Cavalier”

“The French Cavalier”

By Alex De Andreis

Located in Southampton, NY

Original oil on canvas portrait of a French cavalier by the well known French/Belgian artist, Alex de Andreis. Signed lower right and dated 1924. Condition is very good. Original N...

Category

1920s Academic Art

Materials

Canvas, Oil

Belle Époque Beauty with White Lilies, 1920s Oil Pastel Portrait
Belle Époque Beauty with White Lilies, 1920s Oil Pastel Portrait

Belle Époque Beauty with White Lilies, 1920s Oil Pastel Portrait

Located in New York, NY

A captivating tondo portrait by celebrated French pastellist Frédérique Vallet-Bisson, trained under Jules-Joseph Lefebvre at the Académie Julian and a regular exhibitor at the Paris Salon from 1890 to 1945. Described in 1909 as "one of the most celebrated pastellists of her time," Vallet-Bisson was renowned for her expressive and refined portrayals of women in the Belle Époque tradition. The composition depicts a young elegant woman in three-quarter view, wearing a dramatic wide-brimmed black hat with feathers and holding an abundant bouquet of white lilies against a luminous twilight landscape. Her academic training is evident in the precise draughtsmanship, while the atmospheric background reveals the Impressionist influences characteristic of her mature work. Presented in its original carved and gilded tondo frame...

Category

1920s Academic Art

Materials

Oil Pastel, Paper

“Still Life with Fruit”
“Still Life with Fruit”

“Still Life with Fruit”

By Oliver Clare

Located in Southampton, NY

Very well Victorian still life of fruit by the renowned botanical artist, Oliver Clare. Signed by the artist lower right. Circa 1880. Condition is very good. The painting is housed i...

Category

1880s Academic Art

Materials

Canvas, Oil

Academic art for sale on 1stDibs.

Find a wide variety of authentic Academic art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of purple, blue, orange, pink and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Karen Darbinyan, Owen Jones, Paul Jones b.1921, and Mark Beard. Frequently made by artists working with Paint, and Oil Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Academic art, so small editions measuring 1.5 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $11 and tops out at $700,000, while the average work sells for $1,444.