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Academic Art

ACADEMIC STYLE

During the Renaissance, the first European fine art academies were established in Italy and would guide the style and standards of visual culture in the following centuries. Academic art became dominant across the continent in the 17th century, with artists coming together to offer instruction in this style of painting and sculpture

The academic art period represented a significant change from the previous era when painters, sculptors and other artists were part of guilds and seen more as artisans than purveyors of culture. While patronage from the elite and the church remained pivotal, young artists were able to support themselves for the first time through academic exhibitions and an independent marketplace. The leading academies included the French Académie Royale de Peinture et de Sculpture founded in Paris in 1648 (which became the Académie des Beaux-Arts after the French Revolution) and the London Royal Academy of Arts formed in 1768 under the inaugural leadership of painter Joshua Reynolds

Academy students sketched drawings based on prints, sculptures and, finally, live models. Movements including neoclassicism and romanticism were particularly popular in these art schools and institutions where the influence of Raphael and Nicolas Poussin was prominent. Beaux Arts architecture and furniture design drew on these movements, too, and, as they also originated at the Académie des Beaux-Arts, the disciplines share common ground with academic painting and sculpture.

Although academic art was a major shift for artistic status when it began, by the middle of the 19th century it was viewed as stodgy and resistant to new ideas, with the subject matter of artists such as William-Adolphe Bouguereau and Jean-Léon Gérôme generally limited to allegorical or mythological themes. Impressionism, realism and the other movements that engaged with contemporary issues that followed were direct reactions to the academic tradition, although it continued to inform the avant-garde as artists like Gustav Klimt and Pablo Picasso started their practices as academic realists.  

Find a collection of academic paintings, sculptures, prints and more art on 1stDibs. 

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Style: Academic
Seated Mercury, or Hermes - God of Speed
Seated Mercury, or Hermes - God of Speed

Seated Mercury, or Hermes - God of Speed

Located in New York, NY

This Mercury by Montagne has lovely patina and surface and is a pleasingly different depiction of Winged speed as he is seated! It is an arresting pose and elegant and covers all fa...

Category

1860s Academic Art

Materials

Bronze

Mythological scene, study for the Prize of Rome 1864, French academism, Homer
Mythological scene, study for the Prize of Rome 1864, French academism, Homer

Mythological scene, study for the Prize of Rome 1864, French academism, Homer

Located in Norwich, GB

This rare mythological scene depicting the Greek author Homer on the island of Scyros. You will notice the Trojan War being fought in the background. Our painting, dating from 1864, is unsigned, but has a solid attribution to academic artist Henri-Léopold Lévy...

Category

Mid-19th Century Academic Art

Materials

Canvas, Oil

Seated Mercury Life-Size Bronze Sculpture, Italian, Late 19th Century
Seated Mercury Life-Size Bronze Sculpture, Italian, Late 19th Century

Seated Mercury Life-Size Bronze Sculpture, Italian, Late 19th Century

Located in Palm Beach, FL

Seated Mercury (Hermes) — Grand Tour Life-Size Bronze Italian School (possibly Naples) Italy, Late 19th–Early 20th Century This commanding life-size Grand Tour bronze depicts Mercury (Hermes) seated in quiet repose upon a rock, rendered with classical authority and exceptional refinement. The youthful god’s finely modeled anatomy, serene, introspective expression, and distinctive winged sandals draw directly from the celebrated ancient prototype, creating a sculpture of enduring presence and balance. Fully restored and ready to place, the bronze presents beautifully for interior display or garden installation, where its patinated surface responds richly to natural light. The composition derives from the renowned Seated Mercury discovered on August 3, 1758, in the peristyle garden of the Villa dei Papiri at Herculaneum. The ancient original—now housed in the Museo Archeologico Nazionale di Napoli—became a touchstone of classical taste and a must-see for Grand Tour travelers of the 18th and 19th centuries, admired for its harmony, restraint, and technical mastery. Cast in richly toned bronze and finished with a nuanced patina, this example exemplifies the Neapolitan tradition of Grand Tour bronzes, prized for archaeological fidelity and sculptural finesse. Its impressive scale and poised silhouette make it a significant focal point in both modern and classical settings—an object that bridges antiquity and the cultivated collecting culture of the Grand Tour. Notable Related Examples: Getty Villa · Kunsthistorisches Museum · Villa San Michele...

Category

Late 19th Century Academic Art

Materials

Bronze

Portrait of a Woman in Traditional Dress and Lace Bonnet
Portrait of a Woman in Traditional Dress and Lace Bonnet

Portrait of a Woman in Traditional Dress and Lace Bonnet

Located in Genève, GE

A finely executed 19th-century portrait depicting a woman dressed in traditional regional attire. Presented against a dark background that emphasizes her calm expression and dignifie...

Category

19th Century Academic Art

Materials

Canvas, Oil

Silence, Contemporary Art, Original oil Painting, One of a Kind
Silence, Contemporary Art, Original oil Painting, One of a Kind

Silence, Contemporary Art, Original oil Painting, One of a Kind

Located in Granada Hills, CA

Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2012 Style: Expressionism Title: Silence Size: 22" x 28" x 0.8'' inch...

Category

2010s Academic Art

Materials

Canvas, Oil

Drawing of Putti with Anchor by Jean-Jacques le Barbier l'Ainé (1738-1826)
Drawing of Putti with Anchor by Jean-Jacques le Barbier l'Ainé (1738-1826)

Drawing of Putti with Anchor by Jean-Jacques le Barbier l'Ainé (1738-1826)

By Jean Jacques Francois Le Barbier

Located in SANTA FE, NM

Drawing of Putti with Anchor Jean-Jacques le Barbier l'Ainé (1738-1826) Black pencil on paper Signed and dated lower left "...1822. 12 years l waiting" Considering that the anchor ...

Category

1820s Academic Art

Materials

Paper, Pencil

Alfred Copestick, Fort Hamilton from the Narrows, New York, 1857
Alfred Copestick, Fort Hamilton from the Narrows, New York, 1857

Alfred Copestick, Fort Hamilton from the Narrows, New York, 1857

Located in Queens, NY

Alfred Copestick (1837–1859) Fort Hamilton from the Narrows, New York, 1857 Oil on canvas, in the original giltwood frame 14 ¼ x 20 ⅛ in. (canvas) Signed lower left: A. Copestick NY 1857 Painted when Copestick was only twenty years old, Fort Hamilton from the Narrows, New York captures both the military fortifications and maritime vitality of New York Harbor at mid-century. In the foreground, the fortress bastion commands the shoreline, while sail and steam vessels traverse the Narrows — the strategic waterway linking Upper New York Bay to the Atlantic. Copestick conveys not only the architectural solidity of Fort Hamilton but also the shifting atmosphere above, where cloud formations build and dissolve across a wind-driven sky. The painting is a remarkable marriage of documentary precision and romantic sensibility. The young artist’s brush imbues the fortress with weight and presence, yet the broader scene is alive with the transience of weather and the ceaseless motion of the sea. In its original giltwood frame, richly carved and preserving the period character, the canvas is a rare survival of a gifted hand cut short in its prime. This canvas reveals Copestick’s deep engagement with the maritime traditions of American art. The careful delineation of sailing vessels recalls the precision of James E. Buttersworth, while the atmospheric breadth echoes the influence of Fitz Henry Lane and John F. Kensett. The choice of subject — the strategic Narrows and its fortress — also reflects the national mood of the 1850s, when American identity was bound up with its coasts, harbors, and defenses. The romantic skies and dramatic contrasts suggest the impact of the Hudson River School, particularly the legacy of Thomas Cole and Asher B...

Category

19th Century Academic Art

Materials

Canvas, Oil

“Mother and Child in the Garden”
“Mother and Child in the Garden”

“Mother and Child in the Garden”

By Edward Percy Moran

Located in Southampton, NY

Original oil on canvas painting of a young woman with child in a garden in the moon light. The artist is the well known American painter, Edward Percy Moran. Signed by the artist low...

Category

1890s Academic Art

Materials

Canvas, Oil

“Summer”
“Summer”

“Summer”

By Charles Wilson Knapp

Located in Southampton, NY

Here for your consideration is a wonderful large panoramic original oil painting by the well known American artist, Charles Wilson Knapp. Signed lower right. Circa 1880. Condition...

Category

1880s Academic Art

Materials

Canvas, Oil

Italian 19th Carved Marble Figure of a Nude Young Bather Girl by Pietro Bazzanti
Italian 19th Carved Marble Figure of a Nude Young Bather Girl by Pietro Bazzanti

Italian 19th Carved Marble Figure of a Nude Young Bather Girl by Pietro Bazzanti

By Pietro Bazzanti

Located in LA, CA

Pietro Bazzanti - Barzanti (Italian, 1825-1895) "After the Bath" - a fantastic quality and large carved white Carrara marble figure of a semi-nude young maiden standing by the sea-shore. The smiling and posing young beauty, with bare breasts and back, her right arm juxtaposed over her head, while holding a blanket over her waist with her left hand and standing barefoot by a rocky seawall and wavy shoreline. Signed 'P. Barzanti/Florence' (on reverse) and raised on a cylindrical swiveling carved verde antico solid marble pedestal. circa: Florence, 1880-1890. Pietro Bazzanti or Barzanti (Italian, 1825-1895) was a 19th Century Italian sculptor born in Florence. Together with his brother, Niccolò Bazzanti (Firenze, 1802-1869) who was also a sculptor, they both worked the sprawling Florentine studio 'Pietro Bazzanti e Figlio' a hugely successful sculpture studio, operated within the family at their gallery on Lungarno Corsini until the mid-twentieth century. The studio was a place where many talented professors and apprentice sculptors specialized in sculpting marble genre scenes and allegorical figures as well as copies of antique and Renaissance sculpture catered to a prominent international clientele which included European and Russian aristocracy, and the Industrial fortunes being made in England and Americas drove considerable export demand. In 1861 the studio was awarded the medal for 'Ercole con cinghiale sulla spalla' (Hercules with boar on shoulder), 'Due Cani' (Two dogs) and 'Cinghiale' (Boar) sculptures at the National Exposition in Florence. In 1874 he exhibits his works in London and in 1876 in Philadelphia. Bazzanti frequently returned to the subject of 'After the Bath' or 'The Bather' in his works, having carved examples of the bathing Venus after the Antique and in dynamic and dramatic compositions such as the present sculpture. The finely-detailed work relates closely to popular figures produced by Bazzanti’s contemporary, Cesar Lapini, whose La Sopresa depicts a young woman stepping back from approaching waves. The sculptor’s penchant for realism is on full display with the contrasting matte and highly-polished finishes of the gently lapping waves at the figure’s feet, to the jutting rocks and soft skin. Elegant handling of textures is further exemplified in the draped fringe of the cloth. This monumental and Fine work is illustrated in situ at Bazzanti’s studio circa 1900 among other fashionable works of the period. Notes: Pietro Bazzanti was also known as Pietro Barzanti. There are conflicting dates of Pietro Bazzanti/Barzanti's birth/death year. Some auction houses and art galleries have described 'Pietro Barzanti' as Italian, 1842–1881 and Pietro Bazzanti as Italian, 1825-1895. However, according to Alfonso Panzetta – Nuovo Dizionario degli Scultori Italiani dell’ottocento e del Primo Novecento – 2003 Edition –Page 78, 'Pietro Barzanti' was in fact 'Pietro Bazzanti' one and the same, and it questions his year of his birth/death as "Firenze (?), ?, ?." thus we believe that the Italian, 1825-1895 description is the most plausible. Literature: Alfonso Panzetta – Nuovo Dizionario degli Scultori Italiani dell’ottocento e del Primo Novecento – 2003 Edition –Page 78. Auctions: Another example of this sculpture, probably also Pietro Bazzanti but almost a foot shorter (Height 44¾ in. (113.5 cm), unsigned and without its pedestal, was sold at Christie's New York, 19th Century Furniture, Sculpture, Works of Art and Ceramics Sale...

Category

19th Century Academic Art

Materials

Marble

Outdoor Italian Stone Sculpture of Classical Torso with Base
Outdoor Italian Stone Sculpture of Classical Torso with Base

Outdoor Italian Stone Sculpture of Classical Torso with Base

Located in Rome, IT

This reproduction of a classical Hellenistic sculpture, a timeless piece for interior and a garden decoration. Measurement: Torso cm 100 base cm 70.

Category

1980s Academic Art

Materials

Limestone

ANTINOUS Magnificent Italian Neoclassical Carrara Marble Sculpture
ANTINOUS Magnificent Italian Neoclassical Carrara Marble Sculpture

ANTINOUS Magnificent Italian Neoclassical Carrara Marble Sculpture

Located in Rome, IT

Outstanding 19th century Italian finely carved Carrara "Statuario" marble sculpture of Antinoo , after the Antique The Capitoline 'Antinous'. Antinous, a young Bithinius favorite...

Category

19th Century Academic Art

Materials

Marble

TORSO OF YOUNG BRONZE  MAN
TORSO OF YOUNG BRONZE  MAN

TORSO OF YOUNG BRONZE MAN

Located in Nice, FR

Bust of a young man with green bronze patina.

Category

1960s Academic Art

Materials

Bronze

Drawing of Putti in the Clouds by Jean-Jacques le Barbier l'Ainé (1738-1826)
Drawing of Putti in the Clouds by Jean-Jacques le Barbier l'Ainé (1738-1826)

Drawing of Putti in the Clouds by Jean-Jacques le Barbier l'Ainé (1738-1826)

By Jean Jacques Francois Le Barbier

Located in SANTA FE, NM

Drawing of Putti in the Clouds Jean-Jacques le Barbier l'Ainé (France, 1738-1826) Black pencil on paper Signed and dated lower left "Le Barbier L'ainé 1816" 10 1/4 x 12 1/4 inches ...

Category

1810s Academic Art

Materials

Paper, Pencil

Landscape, Original Painting, One of a Kind
Landscape, Original Painting, One of a Kind

Landscape, Original Painting, One of a Kind

Located in Granada Hills, CA

Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Acrylic on Canvas Year: 2019 Style: Impressionism Title: Landscape Size: 16" x 20" x 0.8'' inch, (41x51x2cm), Unframed, Stretched on wooden bar, Ready to Hang, Artist Bio Ara H. Hakobyan is an Armenian artist and art critic, Doctor of Sciences (arts, 2017), professor (2018) and a member of Artist Union of the Republic of Armenia (1999). Ara H. Hakobyan was born in 1973 in Yerevan in the family of art historian Hravard Hakobyan. In 1997 Mr. Hakobyan graduated from the Yerevan State Academy of Arts, Department of Painting. During 1997-2000 Ara Hakobyan...

Category

2010s Academic Art

Materials

Canvas, Acrylic

Waves, Seascape Original oil Painting, One of a Kind

Waves, Seascape Original oil Painting, One of a Kind

By Karen Darbinyan

Located in Granada Hills, CA

Seascape Original oil Painting, One of a Kind Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2023 Style: Impressioni...

Category

2010s Academic Art

Materials

Canvas, Oil

Copper and Fruit Still-Life Painting, Early 20th Century, Framed
Copper and Fruit Still-Life Painting, Early 20th Century, Framed

Copper and Fruit Still-Life Painting, Early 20th Century, Framed

Located in Genève, GE

A charming and finely executed still life painted in oil on board, signed A. Bally in the upper right corner and bearing an inscription in the upper left. The composition presents a carefully arranged group of everyday objects rendered with warmth and sensitivity: a large copper basin, a green glazed earthenware jug, a glass tumbler, a ceramic vessel, a small knife, and several ripe peaches distributed across a white tablecloth. The artist skillfully balances form, color, and light to create a harmonious and timeless domestic scene. The copper bowl serves as the focal point of the composition, its rich reddish-brown surface reflecting subtle highlights and demonstrating the painter’s particular attention to texture and materiality. The surrounding objects are depicted with equal care, each contributing to a quiet dialogue of shapes and volumes. The luminous peaches introduce vibrant accents of red and orange that enliven the otherwise restrained palette of earthy browns, soft creams, olive greens, and warm neutrals. Executed with confident brushwork and a keen understanding of tonal relationships, the painting recalls the enduring tradition of European still-life painting. The work celebrates ordinary household objects through careful observation and thoughtful composition, transforming familiar forms into an elegant study of color, light, and balance. The neutral background and uncluttered arrangement lend the composition a modern simplicity while preserving the classical qualities associated with traditional nature morte painting. The result is an inviting and highly decorative work that would complement both traditional and contemporary interiors. Still Life Painting, Oil on Board, Signed A. Bally, European Still Life, Copper Basin Painting, Fruit Still Life, Peaches Painting, Kitchen Still Life, Traditional Still Life, Academic Realism, Decorative Painting, Mid Century European Art, Oil Painting on Board, French School Still Life, Rustic Interior Art, Antique Copper Vessel...

Category

Early 20th Century Academic Art

Materials

Cardboard, Oil

BELLAY French Academic Painting Portrait Italian Roman woman Rome 19th
BELLAY French Academic Painting Portrait Italian Roman woman Rome 19th

BELLAY French Academic Painting Portrait Italian Roman woman Rome 19th

Located in PARIS, FR

Charles BELLAY Paris, 1826 - Paris, 1900 Portrait d'une Italienne Huile sur toile 41 x 34 cm (55 x 48 cm avec le cadre) Signée en bas à droite « Ch. Bellay » Beau cadre en bois doré ...

Category

19th Century Academic Art

Materials

Oil

Cupid and Aphrodite: Late 19th Century Porcelain Painting
Cupid and Aphrodite: Late 19th Century Porcelain Painting

Cupid and Aphrodite: Late 19th Century Porcelain Painting

Located in Milwaukee, WI

This painting on porcelain depicts the Greek legends Aphrodite and Cupid in radiant light. In this playful scene, Aphrodite holds Cupid's bow just out of his reach. This painting is ...

Category

Late 19th Century Academic Art

Materials

Oil, Porcelain

Apples and Lemons by Edith LUTZ - Oil on Canvas - 64x96 cm
Apples and Lemons by Edith LUTZ - Oil on Canvas - 64x96 cm

Apples and Lemons by Edith LUTZ - Oil on Canvas - 64x96 cm

Located in Geneva, CH

Edith Lutz-Romani (1894-1983) was an Austrian painter active during the 20th century. Although detailed information about her life is limited, she was born in 1894 and developed her ...

Category

1910s Academic Art

Materials

Canvas, Oil

“Castle Combe”
“Castle Combe”

“Castle Combe”

By Cedric Dawe

Located in Southampton, NY

Cedric Dawe (1906-1996) British, original conte crayon drawing of the English village town of Castle Combe in Wiltshire, England. Signed lower left by the artist. Executed in 1977. ...

Category

1970s Academic Art

Materials

Conté, Crayon, Archival Paper

Portrait of a Young Boy with Cap and Red Scarf, European Oil Painting
Portrait of a Young Boy with Cap and Red Scarf, European Oil Painting

Portrait of a Young Boy with Cap and Red Scarf, European Oil Painting

Located in Genève, GE

Dimension with frame: 42,5 x 34,5 x 4 cm. A sensitive and finely observed portrait of a young boy shown in profile, wearing a dark cap and a vivid red scarf. The composition is inti...

Category

Early 20th Century Academic Art

Materials

Oil, Cardboard

19th Century Bronze Sculptures of Muses, Signed, Academic Style
19th Century Bronze Sculptures of Muses, Signed, Academic Style

19th Century Bronze Sculptures of Muses, Signed, Academic Style

By Paul Dubois

Located in New York, NY

A pair of French 19th Century bronze figures of muses by Paul Dubois (1829 - 1905), of standing female classical figures, one holding a mandolin, the other reading a book, both resti...

Category

19th Century Academic Art

Materials

Bronze

Ludwig van Löfftz (1845-1910) The Artist at Work, oil on panel
Ludwig van Löfftz (1845-1910) The Artist at Work, oil on panel

Ludwig van Löfftz (1845-1910) The Artist at Work, oil on panel

Located in Les Acacias GE, GE

Ludwig van Löfftz (1845-1910)
 The Artist at Work
 Oil on panel
 Signed and located Munchen lower left 
21 x 16 cm
 Provenance: * Collections of Prof. Dr. Ludwig Borchardt and Emili...

Category

19th Century Academic Art

Materials

Oil, Wood Panel

“Quan Yin”
“Quan Yin”

“Quan Yin”

Located in Southampton, NY

Here for your consideration is a vintage bronze statuette from the mid-20th century depicting Quan Yin. Created during the midcentury period, this bronze statuette features the Quan ...

Category

1950s Academic Art

Materials

Bronze

Swans Woodblock by Hans Neumann, 1913
Swans Woodblock by Hans Neumann, 1913

Swans Woodblock by Hans Neumann, 1913

By Hans Neumann

Located in New York, NY

Hans Neumann (German, 1873 - 1957) Schwäne (Swans), 1913 Woodblock Sight: 17 x 11 in. Framed: 25 3/4 x 19 in. Signed & inscribed bottom, artist monogram lower left This outstanding ...

Category

1910s Academic Art

Materials

Woodcut

Portrait of a Lady with Red Fan, Oil on Canvas, Circa 1945
Portrait of a Lady with Red Fan, Oil on Canvas, Circa 1945

Portrait of a Lady with Red Fan, Oil on Canvas, Circa 1945

Located in Sitges, Barcelona

Artist: Francesc Domingo i Segura (Barcelona, 1893 – São Paulo, 1974) Title: Portrait of a Lady with Red Fan Technique: Oil on canvas Dimensions: 76 × 56 cm (29.9 × 22 in), unframed Signature: Signed lower left “F. Domingo” Estimated Date: ca. 1945–1955 Provenance: Private collection Condition Report: Homogeneous superficial craquelure across the surface, especially in the background; varnish possibly not original, with slight yellowing. No paint losses or visible dirt. Canvas stable and well-stretched. DESCRIPTION This female portrait depicts a distinguished woman dressed in a floral-patterned gown in green and pink tones, holding a red fan that provides contrast and character to the composition. The sitter, with a serene expression and a slightly melancholic gaze, is softly illuminated, highlighting the texture of her hair and the delicacy of her skin. The work exemplifies Francesc Domingo’s mature style, where his academic beginnings merge with a livelier palette and touches of modernity, particularly visible in the treatment of patterns. The pink background, with loose brushwork and an almost abstract texture, enhances the sitter’s presence. ARTIST BIOGRAPHY Francesc Domingo i Segura (Barcelona, 1893 – São Paulo, 1974) was one of the most versatile Catalan painters of the 20th century. Trained at the Escola Superior de Belles Oficis of the Mancomunitat, he began in the Noucentisme movement and later traveled to Paris, where he absorbed the influence of Cézanne, Cubism, and modern currents. In the 1930s, he cultivated social realism with scenes of Barcelona’s Paral·lel district and the working-class world. After the Spanish Civil War, he went into exile in Latin America, residing first in Buenos Aires and later in São Paulo, where he taught printmaking and co-founded the Grupo Bisonte. His work, with both European influences and local echoes, is represented in museums such as the MNAC and in international collections. SIMILAR ARTISTS For his focus on portraiture and the fusion of academicism and modernity, Francesc Domingo can be compared with: Ricardo Macarrón...

Category

1940s Academic Art

Materials

Oil, Canvas

“India, 1912”
“India, 1912”

“India, 1912”

Located in Southampton, NY

Original watercolor and gouache on paper of a busy street scene in India done in 1912 by the American artist, William Henry Drake. Copyrighted signed and dated 1912 lower left. Condition is good. Recently professionally matted. Unframed. Overall matte size is 12 by 16 inches. Provenance: A Long Island, New York estate. William Henry Drake Born: 1856 New York Died: 1926 Los Angeles Nationality: American Education: Académie Julian, Art Students League of New York Known for: Painting, illustration Awards: National Academy Biography: Drake studied at the Académie Julian in Paris, with Jean-Joseph Benjamin-Constant and Henri Lucien Doucet. Back from Europe, he studied at the Cincinnati School of Design, and would often go to the zoo, where he could draw the animals. He was then employed by the Museum of Natural History. He continued to study at the Art Students League of New York. In 1878 he worked as a freelance pen-and-ink artist for such periodicals as Century or Harper’s with animal studies...

Category

1910s Academic Art

Materials

Paper, Watercolor, Gouache

Outdoor Italian Stone Sculpture of Classical Torso with Base
Outdoor Italian Stone Sculpture of Classical Torso with Base

Outdoor Italian Stone Sculpture of Classical Torso with Base

Located in Rome, IT

This reproduction of a classical Hellenistic sculpture, a timeless piece for interior and a garden decoration. Measurement: Torso cm 100 base cm 70.

Category

1980s Academic Art

Materials

Limestone

Fall Landscape, Impressionism, Original oil Painting, One of a Kind
Fall Landscape, Impressionism, Original oil Painting, One of a Kind

Fall Landscape, Impressionism, Original oil Painting, One of a Kind

Located in Granada Hills, CA

Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2018 Style: Impressionism Subject: Fall Landscape Size: 24" x 30" x 0...

Category

2010s Academic Art

Materials

Canvas, Oil

Academic art for sale on 1stDibs.

Find a wide variety of authentic Academic art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of purple, blue, orange, pink and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Karen Darbinyan, Owen Jones, Paul Jones b.1921, and Mark Beard. Frequently made by artists working with Paint, and Oil Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Academic art, so small editions measuring 1.5 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $11 and tops out at $700,000, while the average work sells for $1,444.