Still-life Sculptures
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Still-life Sculptures For Sale
"The Top Dog" PolyStone Sculpture 24" x 11" x 12" in Ed. of 333 by Huang Yulong
By Huang Yulong
Located in Culver City, CA
"The Top Dog" PolyStone Sculpture 24" x 11" x 12" in Ed. of 333 by Huang Yulong
The Top Dog(陶瓷&树脂)
Childhood is not just the years earlier than adulthood, it is another meaning of l...
Category
21st Century and Contemporary Contemporary Still-life Sculptures
Materials
Polyurethane
Richard Klein, Johnson Hs. & Guest Hs. General View (2024), Ed 2/3, replica
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
Johnson Hs. & Guest Hs. is an exact replica of an art history slide made in the 1950s picturing Philip Johnson’s Glass House. The slide has been replicated digitally on a much larger scale (23” x 23”) and like the original is made of a cardboard mount that contains a color transparency. The original slide is faded from years of use and most of the color, other than red, has been bleached out.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Dada Still-life Sculptures
Materials
Photographic Film, Film, Archival Paper, Digital, Wood
Richard Klein, Holiday Inn Beirut, 2017, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Still-life Sculptures
Materials
Metal
Richard Klein, Expo 67, 2017, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Still-life Sculptures
Materials
Metal
Richard Klein, American Glassware, 2010-2024, Found and altered objects
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
American Glassware (2010-present) which is presented in a small, wall-mounted vitrine. American Glassware is composed of three glass objects: a “souvenir” Walden Pond ashtray made by me as a multiple; a real souvenir ashtray from the 1964-65 New York World’s Fair; and an authentic “Happy Face” drinking glass from the same era. They are all nestled in crumpled, vintage newspaper from 1967, and are presented together in a dilapidated cardboard box, as if they have been found in someone’s attic or basement. Once again, in a similar manner to the Glass House Ashtray, versions of his Walden Pond ashtray (Walden Pond Souvenir) have been injected into the collectable stream of tag sales and flea markets, creating a souvenir that never existed. The ashtray is screenprinted with an image of Thoreau’s cabin on Walden Pond as pictured on the title page of his book Walden, or Life in the Woods (1854). (The original illustration was created by Thoreau’s sister, Sophia.) Walden Pond Souvenir was originally produced for the 2010 exhibition Renovating Walden at the Tufts University Art Gallery in Medford, MA.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Still-life Sculptures
Materials
Metal
Richard Klein, Holiday Inn Nocturne, 2020, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Still-life Sculptures
Materials
Metal
Richard Klein, McDonalds (El Nino), 2024, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Still-life Sculptures
Materials
Metal
Richard Klein, iHop II, 2018, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Still-life Sculptures
Materials
Metal
Parallel Worlds - Glowing Green City / Urban Scene in Sculptural Glass: Triptych
Located in London, GB
Sympathetically capturing the essence of the urban landscape in his work, Jeff says - ‘I studied HND Art & Design at the Glasgow College of Building & Printing before working as a set artist for “the Complex” theatre, Los Angeles. I then went on to study BSc “Special Effects” at Southbank University, London, which led to employment in the Art/Special Effects departments on major movie productions including the Oscar-winning “Last Samurai” and Steven Spielbergs’ Oscar-nominated “Munich”. After several years working as a fine artist in the industry, I realised a lifelong ambition, setting up my own glass studio to research and work with the diverse materials and challenging techniques involved in the creation of multi-layered glass sculpture.’
Category
2010s Contemporary Still-life Sculptures
Materials
Glass
Black seed - small free standing sculpture with clay on brass
Located in New York, NY
The new works of Mylinh Nguyen designed from polymer resin, bring us into a nature whose refinement commands admiration. From the physiognomy of living or extinct plant species, the ...
Category
2010s Abstract Geometric Still-life Sculptures
Materials
Brass
"STACKED" LOUIS VUITTON SCULPTURE, UNIQUE VERSION Multicolor LV Box BRILLO
By Charles Lutz
Located in Brooklyn, NY
CHARLES LUTZ (AMERICAN, B. 1982)
STACKED (LOUIS VUITTON SCULPTURE) 2008-
Acrylic on canvas with leather and brass fittings over wood in three pieces.
61 x 19 x 24 in. (154.9 x 48.2 ...
Category
21st Century and Contemporary Contemporary Still-life Sculptures
Materials
Enamel, Brass
"One Can Two Can 1" from Huichol ALTERATION Series
Located in Cuauhtemoc, Ciudad de México
ALTERTATION ART . . . is a collaboration process between Rick Wolfryd, fine artist and art dealer with over 40 years experience, and various Mexican Huichol artists and Mexican Huich...
Category
2010s Contemporary Still-life Sculptures
Materials
Resin
Magic garden. Golden midday.
Located in Oslo, NO
In this creation, I've poured my soul into embracing the warmth of the golden hour, a symphony of florals dances across the canvas, their delicate petals bathed in an uplifting amber...
Category
2010s New Media Still-life Sculptures
Materials
Board, Acrylic, Clay
Future Relic no.3 (Clock)
Located in London, GB
Daniel Arsham
Future Relic no.3 (Clock), 2015
Plaster and broken glass
comes with the original box
some minor wear to the box.
14 × 12.7 × 6.4 cm
Edition of 400
Daniel Arsham is a c...
Category
2010s Contemporary Still-life Sculptures
Materials
Glass, Plaster
"One Can Two Can 2" from Huichol ALTERATION Series
Located in Cuauhtemoc, Ciudad de México
ALTERTATION ART . . . is a collaboration process between Rick Wolfryd, fine artist and art dealer with over 40 years experience, and various Mexican Huichol artists and Mexican Huich...
Category
2010s Contemporary Still-life Sculptures
Materials
Resin
Eine Rose fur direkte Demokratie, conceptual, Glass, Politics
By Joseph Beuys
Located in Milano, IT
A renowned edition by Joseph Beuys by the title ‘Rose for direct democracy'. These works are collected by major museums: another exemplar is currently in the Museum of Contemporary A...
Category
1960s Conceptual Still-life Sculptures
Materials
Glass
Rob Lenihan, Archetype Lightwave, 2024
Located in Manchester, GB
Rob Lenihan, Archetype Lightwave, 2024
Cast in resin mixed with marble powder, finished with a high reflective chrome surface
26.5cm (H) 9cm (W) 7cm (D)
Edition of 10
Accompanied with a special edition street art collectors box based on memories from Rob's youth
Rob Lenihan's work has its roots in a world of hip hop performance, street art, and the late 80’s acid house scene. His early music and art creative outlets provided an anchor at a time when searching for an identity and forming a new inner world. An inner landscape of sights and sounds, all set against a soundtrack of electronic beats of his home city of Manchester. Classically trained, Rob’s influences are wide ranging. From early New York...
Category
2010s Contemporary Still-life Sculptures
Materials
Resin
Yellow Ceramic
Located in Brookville, NY
Keith Day Pearce Murray was a New-Zealand-born British architect and industrial designer, known for ceramic, silver and glass designs for Wedgwood, Mappin & Webb and Stevens & Will...
Category
Mid-20th Century Art Deco Still-life Sculptures
Materials
Ceramic
Magic garden.Summer song.
Located in Oslo, NO
I was inspired to create this series by the film “The secret garden “ from the director Marc Munden.
Оf course, the garden is only a metaphor . In a world overloaded with information and problems, every person needs a shelter where his soul can rest and heal and where he can forget about everything else for a while. For some people it is a faith, for someone it is a relationship , a job or a hobby. The magic garden...
Category
2010s New Media Still-life Sculptures
Materials
Clay, Ink, Acrylic, Board
Noiseless Blackboard Eraser, 1974, Sculpture, Blackboard, Prototype
By Joseph Beuys
Located in Milano, IT
Joseph Beuys
Silent chalkboard eraser
1974
felt chalkboard eraser with stamp additions
Published by Ronald Feldman Fine Arts, Inc., New York.
Measurements of the work: 2.5 x 12.6 x 5...
Category
1970s Contemporary Still-life Sculptures
Materials
Felt, Paper
Magic garden. Flower secrets.
Located in Oslo, NO
In creating this lush garden of thoughts, I wielded acrylics and ink to breathe life into a vibrant dance of florals. Each brushstroke carries whispers of mystery and untold stories ...
Category
2010s New Media Still-life Sculptures
Materials
Clay, Ink, Acrylic, Board
Magic garden. Pink twilight.
Located in Oslo, NO
In this piece, I poured my soul into capturing the ephemeral beauty of nature's twilight moments. With each stroke of acrylic, spray, and ink, I aimed to embody the richness, depth, ...
Category
2010s New Media Still-life Sculptures
Materials
Clay, Ink, Acrylic, Board
Black and Gold Gingko by Kuno Vollet Contemporary Bronze sculpture on granite
By Kuno Vollet
Located in DE
Artist: Kuno Vollet
Title: Grey Bronze Gingko with 8 leaves sculpture four or three of them in gold leaf - arrangement of gold leaves can be chosen by client.
Base can be chosen be...
Category
21st Century and Contemporary Contemporary Still-life Sculptures
Materials
Marble, Gold, Bronze
One of a Kind (souvenirs)
Located in Denver, CO
Timothy Berg and Rebekah Myers are a studio art collaborative based in Claremont, California. Berg and Myers have participated in multiple solo exhibitions including On the bright si...
Category
2010s Contemporary Still-life Sculptures
Materials
Metal
CAMPBELLS CHICKEN NOODLE SOUP
Located in Aventura, FL
Unique hand painted resin sculpture. Hand signed by the artist. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered.
Category
Early 2000s Pop Art Still-life Sculptures
Materials
Resin, Paint
30 MG Love Happy pill Combo (Yellow, magenta pink) - figurative sculpture
By Tal Nehoray
Located in New York, NY
This new work by Tal Nehoray is from her latest body of works called "Happy Pills".
All are hand made with ceramic and hand painted with automotive paint.
It is a combination of 2 ce...
Category
2010s Pop Art Still-life Sculptures
Materials
Ceramic, Automotive Paint
Rouge Pink
By Hunt Slonem
Located in Laguna Beach, CA
From canvas to kiln, Hunt Slonem brings his signature subject to life like never before. This wonderful hand-blown sculpture depicts one of Slonem's signature bunnies in beautiful pink opaque...
Category
21st Century and Contemporary Contemporary Still-life Sculptures
Materials
Blown Glass
"Black Medicine II", Found Object Sculpture, First aid, ginger ale soda
Located in Philadelphia, PA
"Black Medicine II" is a piece by Caff Adeus made from acrylic on found objects. This piece measures 18.25"h x 11.25"w x 4.5"d.
"This piece is about the health and wealth gap and a...
Category
21st Century and Contemporary Contemporary Still-life Sculptures
Materials
Found Objects, Acrylic
Prelude 82: Pig perched on a pedestal, inscribed w/ text from poem by Wordsworth
By Paul Katz
Located in Hudson, NY
Prelude 82 & 100 (Black and White Sculpture of Piglet Perched on a Pedestal) by Paul Katz
Plaster, sand, & paint on found object
Prelude #82 (Pedestal) measures 7.5 x 4 x 4 inches
Pr...
Category
2010s Contemporary Still-life Sculptures
Materials
Paint, Found Objects, Plaster
"Drowned from the Unknown", Blown Glass, Sand-Casted Glass, Historical objects
Located in Philadelphia, PA
"Drowned from the Unknown" is an assembled sculpture by Devon Harrison made from sculpted and sand-casted glass. This piece measures 14"h x 19"w x 15"d completely assembled.
"Drown...
Category
21st Century and Contemporary Contemporary Still-life Sculptures
Materials
Glass
Singing Bowl Cerulean Sky Medium - outdoor stainless steel sculpture in blue
Located in Bloomfield, ON
Based on Tibetan singing bowls, a medium sized outdoor stainless steel bowl is coated in a rich cerulean blue by sculptor Marlene Hilton Moore. T...
Category
2010s Contemporary Still-life Sculptures
Materials
Stainless Steel
Jadeite Jade Flower Vase Carving
Located in Los Angeles, CA
Item JD823
Jadeite Jade carved vase with flowers, fruits in natural Green, Yellow and Lavander colors. This intricately hand carved natural Jadeite jade is sitting on a custom made ...
Category
Late 20th Century Other Art Style Still-life Sculptures
Materials
Precious Stone
Roland Paris Bronze Statue Glider 1933 Schneider Grunau Baby Glider
Located in Oakland, CA
Roland Paris Bronze Statue Glider 1933. This glider was originally based on the Schneider Grunau Baby Glider from 1931. It held the world record fo...
Category
1930s Art Deco Still-life Sculptures
Materials
Marble, Bronze
'Calling Curlew' Solid Bronze Nature & Wildlife Sculpture by Richard Smith
Located in Shrewsbury, Shropshire
'Calling Curlew' is a Solid Bronze Bird Sculpture by Richard Smith is a stunning piece. The endangered curlew is captured beautifully and sculpted with such love - you can feel the a...
Category
21st Century and Contemporary Modern Still-life Sculptures
Materials
Bronze
"Existence" Resin Sculpture 37" x 22" x 15" inch Ed. of 99 by Huang Yulong
By Huang Yulong
Located in Culver City, CA
"Existence" Resin Sculpture 37" x 22" x 15" inch Ed. of 99 by Huang Yulong
Resin with stainless steel base
Existence/存在
The universe does not have "existence" at all, and the growt...
Category
21st Century and Contemporary Contemporary Still-life Sculptures
Materials
Resin
Surrealist Porcelain Teapot and Cup Set with Tray, Ceramic and Glass Accents
Located in St. Louis, MO
Bonnie Seeman grew up in Miami, Florida with a propensity towards anatomy illustration and the dazzling colors and rich foliage of the Miami landscape. Developing her technique with...
Category
2010s Contemporary Still-life Sculptures
Materials
Ceramic, Porcelain, Glass, Mixed Media
Joel Urruty - Balta, Sculpture 2020
By Joel Urruty
Located in Greenwich, CT
Mahogany, dye, lacquer, concrete
As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visua...
Category
2010s Contemporary Still-life Sculptures
Materials
Wood, Lacquer, Dye, Pigment
RENDEZVOUS BLOWN
Located in New York, NY
Adriana Marmorek
RENDEZVOUS BLOWN, 2020
blown glass, bronze
1.97 x 9.45 x 6.5 in. 5 x 24 x 16.5 cm.
Category
2010s Contemporary Still-life Sculptures
Materials
Bronze
Dylan Martinez - Blue, Sculpture 2024
Located in Greenwich, CT
A hyper-realistic glass sculptor, Dylan's playful creations deceive the eye with their lifelike appearance. Whether mimicking water balloons or plastic bags filled with water housing...
Category
2010s Contemporary Still-life Sculptures
Materials
Glass
Yayoi Kusama - Naoshima Red Pumpkin
By Yayoi Kusama
Located in Central, HK
Yayoi Kusama
Naoshima Red Pumpkin, 2019
Resin
3 3/10 × 5 × 5 in 8.26 × 12.7 × 12.7 cm
Category
2010s Still-life Sculptures
Materials
Resin
Jadeite Jade Bonsai Tree with Birds Carving
Located in Los Angeles, CA
Item JD803
Jadeite Jade carved Bonsai Tree with Birds in natural translucent Green color. This intricately hand carved natural Jadeite jade is sitting on a custom made wood stand. ...
Category
Late 20th Century Other Art Style Still-life Sculptures
Materials
Precious Stone
Rams Head Sculpture in Bronze by Charles Rumsey
Located in Brookville, NY
Charles Rumsey was an avid sportsman, horseman and a child prodigy in sculpting sent to Paris to study as a boy. His life of hunting fishing and ridin...
Category
1910s American Realist Still-life Sculptures
Materials
Bronze
Knotted Thread
Located in Mill Valley, CA
A core-cast glass sculpture by Joanna Manousis.
Category
2010s Contemporary Still-life Sculptures
Materials
Glass
"SHURA (stripes)" Ceramic Sculpture 10" x 6.5" inch by Grigorii Gorkovenko
Located in Culver City, CA
"SHURA (stripes)" Ceramic Sculpture 10" x 6.5" inch by Grigorii Gorkovenko
SHURA ceramic
An elegant shape and free lines are combined together to create an image of the Russian matr...
Category
21st Century and Contemporary Contemporary Still-life Sculptures
Materials
Ceramic
Yayoi Kusama Pumpkins (Set of 2) Red White Black Yellow
By Yayoi Kusama
Located in Central, HK
Yayoi Kusama
Pumpkin (Yellow & Black and Red & White), 2016
Two cast resin sculptures
10.2 x 7.6 x 7.6cm 4 x 3.15 inches each
Category
2010s Still-life Sculptures
Materials
Resin
WHITE PUMPKIN
By Yayoi Kusama
Located in Cuauhtemoc, Ciudad de México
Yayoi Kusama: Internationally renowned Japanese artist Yayoi Kusama works in a wide range of media, from drawing, painting and photography to installation and performance art. Throu...
Category
2010s Contemporary Still-life Sculptures
Materials
Resin
"En el sueño la vigilia" Dreamscape, nature, leaf, bronze branches installation
Located in Ciudad de México, MX
Life can be scary, fast, and discordant. Adulthood, the compilation of myriad experiences, can bury youthful dreams. Alejandra España resists this dark
potential, using a common, joy...
Category
2010s Contemporary Still-life Sculptures
Materials
Bronze
"En el sueño la vigilia" Dreamscape, nature, leaf, bronze branches installation
Located in Ciudad de México, MX
Life can be scary, fast, and discordant. Adulthood, the compilation of myriad experiences, can bury youthful dreams. Alejandra España resists this dark
potential, using a common, joy...
Category
2010s Contemporary Still-life Sculptures
Materials
Bronze
30 MG Happy pill Combo (blue, orange, white) - figurative sculpture
By Tal Nehoray
Located in New York, NY
This new work by Tal Nehoray is from her latest body of works called "Happy Pills".
All are hand made with ceramic and hand painted with automotive paint.
It is a combination of 2 ce...
Category
2010s Pop Art Still-life Sculptures
Materials
Automotive Paint, Ceramic
Joel Urruty - Lotus, Sculpture
By Joel Urruty
Located in Greenwich, CT
Lotus
basswood, sterling silver leaf, lacquer
24" x 7" x 7"
As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and s...
Category
21st Century and Contemporary Contemporary Still-life Sculptures
Materials
Silver
Joel Urruty - Scribble #3, Sculpture 2024
By Joel Urruty
Located in Greenwich, CT
Medium: Walnut
As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The fi...
Category
2010s Contemporary Still-life Sculptures
Materials
Walnut
Solid Bronze Wildlife Sculpture 'Dab Chick' by Richard Smith
Located in Shrewsbury, Shropshire
'Dabchick' is a solid Bronze sculpture with a stunning patination. Richard Smith's ability to convey so much character with such simple lines is a testament to the knowledge and love the artist has of the animals he sculpts.
Richard J. Smith was born in Luton, Bedfordshire, UK in 1955. He studied illustration at Luton School of Art to a high standard and graduated with a diploma in Technical & Scientific Illustration. He was soon offered a job as a medical artist at the John Radcliffe teaching hospital in Oxford. In 1978 he was painting for galleries as a full time artist with his depictions of wildlife. He has gained an international reputation for his work and is best known for his superb paintings of fish and water. He has exhibited at prestigious galleries such as the Tryon Gallery and W. H. Patersons in London, The Sportsman's Edge Gallery in New York, The Call of Africa in Fort Lauderdale, Florida and the Everard Reed Gallery in Johannesburg, South Africa. Richard has exhibited his paintings at the Leigh Yawkey Woodson Museum in the USA and the Natural History Museum and Tring Museum in Britain. He has sold at all the major auctions houses in London, such as Christie's, Sotheby's, Bonhams and Phillips. In the latter part of 2007, Richard was commissioned to produce several fish paintings, for the Sultan of Oman. Callaghan Fine Paintings has commissioned a series of life size bronze birds. His works include British birds such as the elusive Snipe sitting atop a fence post and the beautiful Little Blue penguin...
Category
21st Century and Contemporary Modern Still-life Sculptures
Materials
Bronze
Winning the Race Galloping Horse and Rider in Bronze by Charles Rumsey
Located in Brookville, NY
Rumsey’s specialties included equestrian sculptures – portraits of polo players and prize horses, as well as of cowboys, cattle and horses as metaphors. He worked principally in bron...
Category
1910s American Impressionist Still-life Sculptures
Materials
Bronze
Joel Urruty - Walnut Wave, Sculpture 2024
By Joel Urruty
Located in Greenwich, CT
Medium: Walnut
As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The fi...
Category
2010s Contemporary Still-life Sculptures
Materials
Walnut
Dog Bronze Foxhound Sculpture by Charles Rumsey
Located in Brookville, NY
This beautiful bronze of a Foxhound is a study for what was to be a pair of larger ones used as a pair of Andirons outside fireplace at Harriman House in NYC. The artist, Charles Ru...
Category
1910s American Realist Still-life Sculptures
Materials
Bronze
Joel Urruty - Lady in Silver, Sculpture 2024
By Joel Urruty
Located in Greenwich, CT
Medium: Silver Leaf, Basswood
As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual l...
Category
2010s Contemporary Still-life Sculptures
Materials
Silver
Curved Form -original geometrical abstract sculpture-artwork-contemporary Art
Located in London, Chelsea
"Curved Form" by David Sprakes is an original table-top bronze sculpture that commands attention with its abstract interpretation of form and geometry. Crafted in bronze and offered ...
Category
21st Century and Contemporary Modern Still-life Sculptures
Materials
Bronze
Clematis Brown
Located in Valencia, ES
Every artwork is hand-made and supported with a certificate of authenticity.
Made in Spain, 2024.
The frame is included.
Package: protected cardboard box.
Dispatching terms: 2-3 work...
Category
2010s Abstract Still-life Sculptures
Materials
Sandstone
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