Metal Sterling Silver

An exceptional, fine and impressive, rare antique Victorian English sterling silver mustard pot; an addition to our silver cruets/condiments collection. This exceptional and rare an...

A classic Antique George III Sterling Silver Half Pint Mug with a traditional tapered cylindrical form. The Mug has a spread foot and a acanthus leaf topped scroll handle. There isa ...

A magnificent Antique 19th Century Indian Silver Jug. This Jug has a tapered cylindrical form embellished with a cast applied band of lion heads hold...

Centerpiece in solid silver of ctogonal shape, composed of a so-called "dormant" tray on which an imposing soup tureen on a pedestal with an ogee lid is fitted. The handles and grip ...

An exceptional, fine and impressive antique George V English cast sterling silver presentation trophy on plinth in the form of a golfer; an addition to our golfing silverware collection. This exceptional antique George V English cast sterling silver trophy has a square, rounded form. The trophy is embellished with a cast sterling silver model realistically modelled in the form of a golfer swinging a club. This antique silver golf trophy...

Antique early 20th Century Chinese export solid silver presentation cup, of traditional shape, the body is embossed with beautiful scenes in relief depicting Chinese nobility amongst village landscape and battle scenes, both sides applied with bamboo handles, centred with an engraved cartooche 'Tongshan Autumn Meeting...

An exceptional, fine and impressive Chinese silver battleship/wugongchuan ornament; an addition to our diverse related silverware collection. This e...

Heading : Sterling silver quart tankard Date : Hallmarked in London in 1763 for William and James Priest Period : George III Origin : London. England Decoration : Baluster form with ...

Antique late-19th Century Victorian solid silver armada bowl, the body is intricately adorned with elaborate chasing and embossing, showcasing a pristine floral decoration. On each s...

VEGETABLE DISH covered on its rectangular solid silver presentation dish, the pedestal vegetable dish, curved sides, is flanked by two side handles, the ogee lid is surmounted by a l...

SURTOUT DE TABLE in three oval-shaped parts, with a mirror base, surrounded by a bronze grid punctuated with capitals forming the feet. Bay leaf finish. Th...

Being offered is a beautiful sterling silver tray with an elegant reticulated design going around the border. It’s an oval piece with handles on each side and stands on a pedestal. ...

Set of 4 sterling silver teaspoons by Tiffany & Co in the Windham pattern. No monogram. Beautiful set of teaspoons in the Windham pattern which was in produced in 1923 and desi...

Rare round box covered in silver and black enamel in a stylized ART DECO decor. The interior is vermeil and the lid is surmounted by an ebony grip. (Small gaps in the enamel). Di...

Hector Aguilar Sterling Silver Mexican Serving Spoon 9.25" x 2.25"

Pair of solid silver coolers mounted on a pedestal, engraved with a decoration of water leaves, halfway down a large garland of laurel leaves is connected to the handles represented ...

A fine antique French tea strainer. In sterling silver. Fully hallmarked. Simply a wonderful strainer! Date: Late 19th to Early 20th Century Overall Condition: It is in overall ...

Pair of solid silver displays in the shape of a scallop shell decorated with waves edged with nets and staples, resting on a round bate. The winding socket on the side is foliated. ...

ALLEGORICAL STATUE in solid silver representing a goddess in a magnificent draped dress. Stained wooden base. Dimensions: height of the statue alone 58 cm - base height 8 cm or total height 66 cm. Material: Silver 1st title 950/°°° Weight: 7520 grams Hallmark: MINERVA Period: 1866 (dated and signed) Goldsmith: Jacques Léonard MAILLET (1823-1895) Origin: France/Paris BIBLIOGRAPHY: 19th century bronze...

Large silver bowl forming a table centrepiece, round in shape, mounted on a pedestal with a stepped round base, wooden shaft with large gadroons. Dimensions : Diameter of bowl 25 c...

An excellent, fine and impressive antique Georgian English sterling silver candle snuffer / pen tray; an addition to our 18th century silverware collection. This exceptional antique Georgian sterling silver candle snuffer tray has a navette shaped form. The surface of this antique silver snuffer/pen tray is ornamented with a contemporary bright cut engraved crest depicting a centaur regardant holding and arrow on a bended bow, above the bright cut engraved initials 'WIL'. The outer circumference of the surface is encompassed with an undulating wriggle work decorated border. The raised rounded sides of the tray are embellished with pierced decorated urn designs conjoined by suspended bright cut engraved festoon ornamentation further accented with undulating pin struck decoration. The tray is further embellished with an applied bead decorated border to the rim. Either end of the tray incorporates an impressive pierced and applied scrolling leaf decorated handle accented with a pendant drop design to the inner surface. This exceptional tray was crafted by the London silversmith William Plummer who is known for his work with pierced decoration. The centaur in this stance is also a depiction of Sagittarius (otherwise known as Arcitenens), one of the twelve signs of the Zodiac. Condition This antique silver candle snuffer...

A lovely petite English sterling silver four slice toast rack by William Bruford & Son Ltd, London, dated 1936. Hallmarks on reverse. This fine quality silver toast rack is well made...

A fine silver table bell. By S. Kirk & Sons, Inc. of Baltimore. In sterling silver. With repoussé decoration throughout. Engraved to the top of the handle with a monogram. Fully...

Gorgeous Italian Silver Pair of Nicest Candlesticks of finest manufacturing quality as well as of most elegant appearance. These candlesticks were made during HIGH VICTORIAN PERIOD...

An exceptional, fine and impressive antique Victorian sterling silver and blue glass mustard pot; an addition to our Victorian silver cruets/condiments collection. This exceptional ...

An extraordinary pair of sterling silver tazzas by the world renowned Tiffany and Company. They are oval in shape and stand on pedestals. They have a floral reticulated design goin...

Set of 12 sterling silver place card holders in the shape of crustaceans 800 silver hallmark Length: 8.3 cm - 3.26 inches Height: 1.8 cm - 0.7 inches Weight: 270 grams In perfect co...

Large silver Mezuzah made in Israel by S Zilka, Circa 1980 WHAT IS A MEZUZAH? The Hebrew word mezuzah means “doorpost.” According to tradition, the mezuzah is to be affixed to the d...

Large, Edwardian, sterling silver and blue guilloche enamel-mounted magnifying glass, Birmingham, England, 1906, Geo. Hope - maker. Measures almost 9 inches long x 3 3/4 inches diame...

An rare Georgian sterling silver filigree bougie box, chamberstick, circa 1780. A "bougie box" was a cylindrical container holding a coiled wax taper, mostly used for light often as...

Rectangular shaped frame for oval photos cm. 7.8 x 10.4 in 925/1000 sterling silver gold plated with very fine fire-enameled floral engraving and hand-painted by the painter Renato D...

Large octagonal table frame for round photos diameter cm. 7, in 925/1000 sterling silver gold plated with translucent fired enamel on sunburst guilloche, with Napoleon III French Empire style borders and ornaments. External cm. 17 x 17. Weight gr. 483. Designed by Giorgio Salimbeni in 1978 on the inspiration of previous artefacts from the early 1900s and manufactured in Florence at the headquarters of the Salimbeni company with completely manual execution by artisan artists with a very thick plate and large reinforcements suitable to support numerous high-fire enameling firings at approximately 750 < 800° C. It is a new object that has never been used but is considered vintage because it was built more than 20 years ago. The hallmarks struck to the underside of this fine box include: manufacturer's mark: 391FI metal mark fineness:925 Art Deco was also born in France and is the abbreviation of "Art Decoratif". With more decisive and geometric features than Art Nouveau, therefore more evident and "harder", with always contrasting and strong colours, Art Deco spread throughout the world, from Shanghai's China to the under construction New York and in various parts of Europe. Many artists and designers of the time dedicated themselves to the creation of drawings, paintings, objects for personal use and furniture, interior furnishings, entire buildings and skyscrapers, in this new style. Sandoz in Paris, Lalique with its crystals, Puiforcat with its silverware, Erté with its "ante litteram" fashion designs, Tiffany with its table lamps, Louis Cartier with its objects inspired by the Far East (hence the connection with Shanghai). Salimbeni was able to interpret and propose new objects inspired by Art Deco, in precious metals, semiprecious stones and fired enamels, when, exhibiting at jewelery exhibitions in the United States, and more precisely in New York, he made contact with Cartier buyers first, and also with Tiffany later, and for them he created objects in this style inspired by the original drawings of Louis Cartier, obtained from the buyer of the time, but with absolutely different and original designs and interpretations. Many of the objects produced by Salimbeni for Cartier in the United States had taken inspiration from famous Cartier objects belonging to famous people. An example of all is Mary Pickford's set consisting of a powder compact, cigarette case, pill case and evening handbag. About cooperation Salimbeni and Cartier. Our first meetings with the Cartier USA Company took place through the Giorgini Company, the first "Buying Office" set up in Florence immediately after the Second World War, which had the purpose of bringing together Florentine, and also Italian, producers with American buyers, who especially appreciated the artistic objects still manufactured by artisans who still took inspiration from the Italian Renaissance, using techniques handed down from generation to generation. Mrs. Gina Pestelli, wife of a Florentine retail jeweller, was in charge of contacts with Cartier USA, above all an employee, while her daughter, also for Giorgini, took care of the fashion that in those years was affirmed in Florence with the events of "Pitti ". With their help, we began to supply frames and boxes in sterling silver gold plated with malachite and other semi-precious stones. At the same time, the official buyer of Cartier, Mr. William Smith, began to appreciate and commission the first objects with fired enamels, a process of which we have always been specialists. In 1975 we began exhibiting at the prestigious New York Jewellery Association Show, which we participated in both the February and July editions, for a good 26 years until 2001. In New York in those years the "Art deco style" was still very much appreciated, still mindful of the beautiful early 20th century architecture of the great buildings such as the "Crysler" or the "Empire State". We then began to produce frames, boxes, evening bags, "objets de vertu" and other objects in "art deco style" which were very popular with Mr. Smith who gave us some photocopies of Louis Francois Cartier drawings to reproduce them. Thus, numerous cigarette cases, powder compacts, evening bags, frames and table boxes were created exclusively for Cartier USA which, at the time, had the prestigious "Silver Department" on the first floor of the Cartier store on Fifth Avenue. An evening bag, with matching cigarette case and powder compact, were redone on the design created for a gift given to Mary Pickford at the time. In a 1986 Cartier...

An exceptional, fine and impressive, rare antique Victorian English cast sterling silver three piece condiment set in the form of cats; an addition to our silver cruets/condiments collection. This exceptional and rare antique Victorian English cast sterling silver condiment set consists of a mustard pot and a pair of peppers. The components of this exceptional set have been realistically modelled in the form of cats. Each piece is ornamented with details reproducing the feline's fur and anatomical features, in addition to a plain ribbon bow design to each neck. The fine mustard pot is fitted the original hallmarked hinged cover and retains the original gilding to the interior. Each of the silver cat...

A good & finely engraved antique Russian Kiddush cup or beaker of larger size, Moscow, 1888. The cup with a flared rim and profusely engraved with ...

Introducing a timeless treasure: a pair of 925 sterling silver napkin rings nestled within an elegant case. Crafted in a captivating ellipse shape, each ring showcases the graceful p...

A Silver and Enamel Passover Kiddush Cup by Henryk Winograd, New York, 1995 Spectacular Kiddush cup for the Passover holiday beautifully embellished with floral and enamel motifs e...

Late 19th to early 20th century sterling silver serving tray / dish, item number 1713, by James E. Blake & Company. Square serpentine shape with rounded corners and sides ruffled upward. Pierced leaf motif with etched foliate shields at the corners and engraved initial M at the center. "James E. Blake was born 8 Jun 1851 in Chicopee, MA. He worked from 1880 to 1881 as a silversmith in Attleboro, MA for Sturdy Brothers & Co. He was a partner from circa 1881/1889 until 1898 with Albert Wilbur Sturdy and Edward P. Chaflin as Blake & Chaflin, successors to Sturdy Brothers & Co, the result of a controlling interest buy out of the company. This partnership is noted in the 1892 Attleboro directory, with their bookeeper noted as Ezekiel Blake. James married Ella Judson Sturdy, daughter of Charles H. Sturdy and Eliza...

From at least the 14th century, Jews created special rings to be used during the wedding ceremony. Many of the rings featured the depiction of a house, possibly symbolizing the estab...

An beautiful Antique Victorian Silver & Enamel Cigarette Case. The Cover of this Cigarette Case had a gorgeous Enamelled Imaged of a naked woman sitting on the banks of a river weari...

An exceptional, fine and impressive, rare vintage George VI English sterling silver travelling communion set - boxed; an addition to our religious silverware collection. This except...

This pattern was named after the art of repoussé (the process of embossing metal from the back by hammering), originally used in European silversmithing. The Repousse pattern, first crafted in 1828, features an intricate floral design along its entire stem and handle. Repousse By Kirk Sterling Silver...

A magnificent Antique Indian Two Handled Cup & Cover with an unusual spherical form on top of tall column. The body of the Cup is embellished with beautiful chased floral patterns s...

Mid-Century Modern style sterling silver condiments set in original box, consisting of a pair of salt and pepper shakers, an open mustard cellar and a matching mustard spoon, London, year hallmarked for 1971, Asprey and Company...

These Edwardian salt & pepper shakers are top quality pieces made by Helaria Silversmiths in Bolivia, a country with a centuries old history with silversmithing. They have an ovoid b...

Introducing an exquisite Tall Tiffany & Co Sterling Silver Double Handled Decorative Vase. This remarkable piece boasts the renowned Tiffany & Co craftsmanship and showcases a truly ...

Large photo frame in 925/1000 sterling silver gold plated with painted fire enamels like lapis lazuli stone. Shaping taken from the tiles of the North Door of the Baptistery of the F...

Gorgeous sterling silver stuns in this rich pattern that features a natural theme reminiscent of old world grace. A classic design yet with an understated touch, this pattern focuses...

Large rectangular table box with long rounded sides in 925/1000 sterling silver with fire-enamelled stripes in Art Deco style. With “lost” hinge, i.e. semi-invisible. Dimensions cm. 10.5 x 15 x 2.3. Weight gr. 548. Inspired by drawings by Louis Cartier from the early 1900s in Art Deco style and recreated for Cartier USA in the 1980s, manufactured in Florence in the Salimbeni company headquarters with completely manual execution by artisan artists with thick and thick slabs reinforcements suitable for supporting numerous high-fire enamelled firings at about 800° C. About cooperation Salimbeni and Cartier. Our first meetings with the Cartier USA Company took place through the Giorgini Company, the first "Buying Office" set up in Florence immediately after the Second World War, which had the purpose of bringing together Florentine, and also Italian, producers with American buyers, who especially appreciated the artistic objects still manufactured by artisans who still took inspiration from the Italian Renaissance, using techniques handed down from generation to generation. Mrs. Gina Pestelli, wife of a Florentine retail jeweller, was in charge of contacts with Cartier USA, above all an employee, while her daughter, also for Giorgini, took care of the fashion that in those years was affirmed in Florence with the events of "Pitti ". With their help, we began to supply frames and boxes in sterling silver gold plated with malachite and other semi-precious stones. At the same time, the official buyer of Cartier, Mr. William Smith, began to appreciate and commission the first objects with fired enamels, a process of which we have always been specialists. In 1975 we began exhibiting at the prestigious New York Jewellery Association Show, which we participated in both the February and July editions, for a good 26 years until 2001. In New York in those years the "Art deco style" was still very much appreciated, still mindful of the beautiful early 20th century architecture of the great buildings such as the "Crysler" or the "Empire State". We then began to produce frames, boxes, evening bags, "objets de vertu" and other objects in "art deco style" which were very popular with Mr. Smith who gave us some photocopies of Louis Francois Cartier drawings to reproduce them. Thus, numerous cigarette cases, powder compacts, evening bags, frames and table boxes were created exclusively for Cartier USA which, at the time, had the prestigious "Silver Department" on the first floor of the Cartier store on Fifth Avenue. An evening bag, with matching cigarette case and powder compact, were redone on the design created for a gift given to Mary Pickford at the time. In a 1986 Cartier catalogue...

Delve into a world of refined elegance with our distinguished 19th Century Sterling Silver Travel Spoon, meticulously crafted in the Renaissance Revival style in The Netherlands. This exceptional piece boasts a versatile design, as its Spoon Bowl features an exquisite engraving of a double eagle and the the prestigious "Order of the Golden Fleece." Notably, this travel spoon offers a unique functionality, as it can be effortlessly transformed into both a fork and a spoon, catering to various dining needs while retaining its historical charm. Perfect for discerning travelers or collectors seeking a blend of practicality and sophistication, this sterling silver utensil...

Antique Pair of sterling silver holy water fonts This splendid pair of embossed silver basins from the 19th century are true masterpieces of craftsma...

Oval tray in silver-plated metal, with an animated shape, interior chiseled with a radiant decoration surrounding a cartouche, stylized arabesques, and flanked by two side handles. T...

An exceptional, fine and impressive antique German sterling silver cup and cover; an addition to our antique presentation silverware collection. This exceptional antique German sterling silver cup & cover has a bulbous circular shaped form onto a shaped pedestal foot. The lobed body of the cup is embellished with chased decorated scenes incorporating: a putto raising a glass and playing a musical instrument, a stag, a unicorn and an elephant. The upper portion of the body is encompassed with a paralleling cast and applied stylised rope twist border, accented with a collet set round faceted cut gemstone to each incurve, with a scrolling leaf decorated bracket to the underside. This impressive presentation cup retains the original hallmarked cover, ornamented with a continuation of the leaf bracket to each incurve, in addition to a reflection of chased decorated scenes. The cover is surmounted with an exceptional cast figural finial comprised of a putto figure holding a glass and cluster of grapes, sat to a large plain ball. The impressive baluster shaped pedestal is encompassed to the upper portion with four semi-circular shaped bifurcating bracket designs, each accent with a further collet set gem. The lower bell-shaped portion of the pedestal and base are encompassed with egg and lobed decoration, each incorporating a matte background. The hallmarks struck to this German silver cup...

Rectangular photo frame in 925/1000 silver with geometric design and fire-enameled with Chinese influence style. External cm. Internal 11.6 x 14.6 cm. 6 x 9. Weight gr. 194. Created in Art Deco style for Cartier USA in the 1980s, inspired by drawings by Louis Cartier from the early 1900s. Manufactured in Florence in the Salimbeni company headquarters with completely manual execution by artisan artists with high thickness plate and large reinforcements suitable to support numerous high-fire enamelling firings at approximately 750° < 800° C. It is a new object that has never been used but is considered vintage because it was built more than 20 years ago. The hallmarks struck to the underside of this fine box include: manufacturer's mark: 391FI metal mark fineness:925 Art Deco was also born in France and is the abbreviation of "Art Decoratif". With more decisive and geometric features than Art Nouveau, therefore more evident and "harder", with always contrasting and strong colours, Art Deco spread throughout the world, from Shanghai's China to the under construction New York and in various parts of Europe. Many artists and designers of the time dedicated themselves to the creation of drawings, paintings, objects for personal use and furniture, interior furnishings, entire buildings and skyscrapers, in this new style. Sandoz in Paris, Lalique with its crystals, Puiforcat with its silverware, Erté with its "ante litteram" fashion designs, Tiffany with its table lamps, Louis Cartier with its objects inspired by the Far East (hence the connection with Shanghai). Salimbeni was able to interpret and propose new objects inspired by Art Deco, in precious metals, semiprecious stones and fired enamels, when, exhibiting at jewelery exhibitions in the United States, and more precisely in New York, he made contact with Cartier buyers first, and also with Tiffany later, and for them he created objects in this style inspired by the original drawings of Louis Cartier, obtained from the buyer of the time, but with absolutely different and original designs and interpretations. Many of the objects produced by Salimbeni for Cartier in the United States had taken inspiration from famous Cartier objects belonging to famous people. An example of all is Mary Pickford's set consisting of a powder compact, cigarette case, pill case and evening handbag. About cooperation Salimbeni and Cartier. Our first meetings with the Cartier USA Company took place through the Giorgini Company, the first "Buying Office" set up in Florence immediately after the Second World War, which had the purpose of bringing together Florentine, and also Italian, producers with American buyers, who especially appreciated the artistic objects still manufactured by artisans who still took inspiration from the Italian Renaissance, using techniques handed down from generation to generation. Mrs. Gina Pestelli, wife of a Florentine retail jeweller, was in charge of contacts with Cartier USA, above all an employee, while her daughter, also for Giorgini, took care of the fashion that in those years was affirmed in Florence with the events of "Pitti ". With their help, we began to supply frames and boxes in sterling silver gold plated with malachite and other semi-precious stones. At the same time, the official buyer of Cartier, Mr. William Smith, began to appreciate and commission the first objects with fired enamels, a process of which we have always been specialists. In 1975 we began exhibiting at the prestigious New York Jewellery Association Show, which we participated in both the February and July editions, for a good 26 years until 2001. In New York in those years the "Art deco style" was still very much appreciated, still mindful of the beautiful early 20th century architecture of the great buildings such as the "Crysler" or the "Empire State". We then began to produce frames, boxes, evening bags, "objets de vertu" and other objects in "art deco style" which were very popular with Mr. Smith who gave us some photocopies of Louis Francois Cartier drawings to reproduce them. Thus, numerous cigarette cases, powder compacts, evening bags, frames and table boxes were created exclusively for Cartier USA which, at the time, had the prestigious "Silver Department" on the first floor of the Cartier store on Fifth Avenue. An evening bag, with matching cigarette case and powder compact, were redone on the design created for a gift given to Mary Pickford at the time. In a 1986 Cartier...

Very beautiful pair of hammered silver cups mounted on a square base Decorated with festoons topped with a barrel supporting a semi-hollow vermilion cup, bordered by a carving of fl...

Salem gold by Tiffany and Co. sterling silver flatware set, 24 pieces. This set is vermeil (completely gold-washed) and includes: Six knives, 8 1/2", six forks, 6 7/8", six salad ...

Two festive five-flame candelabras on a round, centrally raised foot, segmented by four applied pilasters with volute ends protruding over the rim, ring-shaped and radial relief band...

Direct from Paris the Birthplace of Art Deco, a Stunning "Gatsby Era" Original French 950 Sterling Silver Art Deco Tureen by Internationally Known French Silversmith "J. Gruhier" Sop...

This is an elegant vintage Italian sterling silver casket labelled Teghini, Florence, mid 20th century in date. The shaped lobed casket features a hinged cover centred by a blue sto...