Painted Floor Lamps

Standing lamp from the Firefly collection, which takes on a new character in this version by the renowned Mexican interior designer Olga Hanono. Olga Hano...

Monumental Gesto Terra floor lamp designed by Bruno Geccheling for Gruppo Skipper, Italy 1974. This rare large arc shaped floor lamp has a rectangular whit...

Florentine gilded metal floor lamp with colored glass chalice-shaped shades. Hans Kögl style 1970s This rare lamp features 4 light points and has 11...

Beautiful 1940's ivory painted wood floor lamp with carved detail. The lamp has visible paint loss and wear. It has it's original wire shade support, but a...

Matt white toleware floor lamp with soft pink flower heads Hans Kögl, 1970's /80's Stunning large statement floor lamp the light has five tall ste...

Porcelain standing lamp from the Nightbloom Collection, created by Lladró in collaboration with the Dutch designer Marcel Wanders. Delicate petals that seem to sway in the breeze ins...

The Horst Collection is inspired by the life and times of pioneering early 20th century lensman Horst P. Horst, who is credited with introducing color photography to a mass audience ...

Here you are shown the US wired, Terminus floor lamp with Structure in painted sheet steel. One bulb 12V, 50W., designed in 1981, by Martine Bedin. Martine Bedin is an industrial d...

Christian Dell 'Kaiser Idell 6580-F' Floor Lamp for Fritz Hansen in Matte Black. Established in 1872, Fritz Hansen has become synonymous with legen...

An unusual 1950s Spanish black painted wrought iron floor lamp in a captivating modernist style. The twisted central stem is mounted on a geometric tripod base with solid, pronounced...

Christian Dell 'Kaiser Idell 6556-F' Floor Lamp for Fritz Hansen in Glossy White. Established in 1872, Fritz Hansen has become synonymous with lege...

Christian Dell 'Kaiser Idell 6580-F' Floor Lamp for Fritz Hansen in Gloss Black. Established in 1872, Fritz Hansen has become synonymous with legen...

Christian Dell 'Kaiser Idell 6580-F' Floor Lamp for Fritz Hansen in Gloss White. Established in 1872, Fritz Hansen has become synonymous with legen...

Vilhelm Lauritzen VL38 black 'Radiohus' floor lamps for Louis Poulsen. The VL38 floor lamp was originally designed in the 1930s by Vilhelm Lauritzen in partnership with Louis Poulsen...

Unique pair of massive scale painted wood and metal floor lamps. Rich shades of green with gilded accents and ornate carved face and scroll detail. Good vintage condition, lights are...

This tall antique wood floor lamp was carved in Italy, circa 1850. The elegant light stands a wide three-leg pedestal base ending with scrolle...

" Floor lamp in painted wrought iron by Maison R.Gleizes, 1950-1960 design. " Floor lamp by Maison R.Gleizes, white painted wrought iron, mid XXth century design. h: 186cm, l: 40cm, ...

A black, vintage Industrial Style French spotlight made of hand crafted painted metal, in good condition. The detailed Parisian cinema floor studio la...

DESCRIPTION: This is the most versatile lamp of the Mouille collection. Each ‘chapeau’ shade can be oriented differently. Sculptural in form with three rotating arms, it stands maj...

The Horst adjustable brass tripod floor lamp collection was inspired by the life and times of globe-trotting early 20th century lensman Horst P. Horst, who introduced color photograp...

Rare Mid-Century Modern Space Age sculptural floor or reading lamp in brass, black painted lacquered metal, marble base and orange Murano glass shade by Vistosi. Famous designer like...

A 160 cm standing soldier with quite a style made in the late 20th century by Suzanne Bonnichon for Jacques Adnet. It is hand painted and lacquered. ...

The World’s Fair Collection is a family of fixtures handmade from sustainably sourced materials and upcycled antique paper parasols given to visitors at the 20th century’s most illustrious cultural expo. Model No. 001 features an oil-paper shade constructed from a vintage souvenir parasol handed out at the Japanese Pavilion during the 1933 World's Fair in Chicago. It sits atop a lacquered bamboo column with rattan wrapping and a painted seagrass base. Brass fittings, leather accents, and a cloth-covered cord complete the modernist profile. Made-to-order by hand in New York by artist Christopher Tennant...

DESCRIPTION: This is the most versatile lamp of the Mouille collection. Each ‘chapeau’ shade can be oriented differently. Sculptural in form with three rotating arms, it stands maj...

Italy, 1950-55 Marble, brass, painted aluminium One point Light E27.

The World’s Fair Collection is a family of fixtures handmade from sustainably sourced materials and upcycled antique paper parasols given to visitors at the 20th century’s most illustrious cultural expo. Model No. 002 features a rice-paper shade constructed from a vintage souvenir parasol handed out at the 1962 World's Fair in Seattle. It sits atop a lacquered bamboo column with a hand-painted, rattan-and-leather handle, and a painted coiled-seagrass base. Brass fittings, tan leather accents, and a cloth-covered cord complete the modernist profile. Limited edition of 3. One in stock and ready to ship. Handmade in New York by artist Christopher Tennant...

Description: Clean, simple lines describe the elegance of this Serge Mouille floor lamp. A long, slender arm supported by a tapered triangular base allows the swiveling shade to illu...

Intricately hand carved French torchere style floor lamp featuring an abundance of fruit nuts and foliage.

Una lampada molto bella e rara della ditta Stilnovo reca il bollino con la scritta stilnovo nell’ ottone sopra il vetro. I vetri di murano sono 2 uno bianco e uno giallo di forma e ...

A black-silver, vintage Mid-Century Modern French spotlight made of handcrafted chrome, in good condition. The detailed cinema floor studio lamp is fe...

Figure out a shape while staring at the fireplace, the designer came up with a geometrical shape that we carved it into solid wood. Now we have a worm white light, and a everlasting ...

A houseof icon, this statement lamp has become a favourite, combining soft ambient lighting and pop-art shapes. Sitting on a tripod base, the oversized dome...

DESCRIPTION: This is the most versatile lamp of the Mouille collection. Each ‘chapeau’ shade can be oriented differently. Sculptural in form with three rotating arms, it stands maje...

A very large vintage 'Entrance' advertising sign. The box is made from metal which has been painted red. The sign lights up and has been converted to a ...

Rare original 1940s swedish modern floor lamp in solid golden patinated elm tree with beautiful hand painted bird motive on the linen f...

Gino Sarfatti floor lamp Model 1086 for Arteluce, Italy 1961. Variably adjustable tube construction in black enamelled steel and aluminium., swivelling joint for both horizontal and ...

Paavo Tynell Model 9602 floor lamp with wicker shade. Originally designed by Paavo Tynell in 1935, this authorized GUBI re-edition is executed ...

This elegant, antique floor lamp was forged in France, circa 1930. The lamp sits on three double scroll legs over a bottom central finial; it features intricate motifs with decorativ...

Model No. 014 is a one-of-a-kind art lamp featuring a vintage rice-paper shade constructed from an exceedingly rare 1919 French parasol advertising a lin...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

Description: Clean, simple lines describe the elegance of this Serge Mouille floor lamp. A long, slender arm supported by a tapered triangular base allows the swiveling shade to ill...

A houseof icon, this statement lamp has become a favourite, combining soft ambient lighting and pop-art shapes. Sitting on a tripod base, the oversized dome...

Lovely and elegant teak and brass Floor lamp mod G45 designed by Hans-Agne Jakobsson for Markaryd, Sweden in the 1960s. Tripod base in brass and black teak lamp pole. Perfeckt lamp f...

Mosaik, wall lamp in white steel by LYFA. Size : H 135 x W 25 x D 26,9 cm Materials : Matt painted Steel, Solid brass LIGHT SOURCE (NOT INCLUDED) Socket: E27 Max wattage: 60...

Soft cream toleware floor lamp with pale pink flower heads Hans Kögl, 1970's Stunning large statement floor lamp the light has five tall st...

Fabulous style in a Triennial Floor Lamp. Three beautiful colored shades, all original with some normal paint loss on edges , pictured. 32 x 29 at...

Very rare Mid-Century Modern floor or reading lamp in brass and white cream lacquered painted metal, white lucite methacrylate difusor. High quality articulated adjustable brass arm ...

Mosaik, wall lamp in white steel by LYFA. Size : H 135 x W 25 x D 26,9 cm Materials : Matt painted Steel, Solid brass LIGHT SOURCE (NOT INCLUDED) Socket: E27 Max wattage: 60...

Poul Henningsen PH 3-2 1/2 outdoor bollard for Louis Poulsen. Based on Poul Henningsen's revolutionary reflective three-shade system, which directs the...

A very lovely Chinoiserie floor lamp in turned and polychromed wood with ebonized (black) background & hand-painted in gold depicting figure in landscape with flowers and fern leaves. England, dated 1932 (appears on small dedication plaque). Newly electrified, with new cream-colored shade and antique brass finial...

A houseof icon, this statement lamp has become a favourite, combining soft ambient lighting and pop-art shapes. Sitting on a tripod base, the oversized dome...

This midcentury French floor lamp features five black painted steel pillars will brass rings on a square base. Each pillar ends with a round clear bulb.

A grey-black, vintage Mid-Century Modern French spotlight made of handcrafted lacquered iron, designed and produced by Clémançon in good condition. Th...

A pair of carved wood and painted white, elegant torchieres floor lamps in Serge Roche style.

French Empire-style floor lamp with an Ionic columnar form, constructed in aluminum and brass with a heavy patina and mounted with a brass two-light fixture and a black painted woode...

Joe Colombo 'Triedro' floor lamp in chrome and white for Stilnovo. Founded in 1946 in Milan, Stilnovo was one of the most innovative lighting companies in Italy during the Mid-centu...

A decorative Italian 18th century Baroque period floor-standing torchière lamp. Wood carved rich in details and painted in green, giltwood an...

Tall Scoop Industrial lamp with three caster wheels for great mobility. From a movie set, television or a theatre production. Rewired. Adjustable shade will tilt and lock. Height adj...