What are Annie Leibovitz's main ideas when creating portrait photography?

Art Edition “Patti Smith” (No. 1–275). Hardcover volume in a slipcase, accompanied by the portrait Patti Smith, New Orleans, 1978. For over 50 years, Annie Leibovitz has been creati...

Art Edition “Whoopi Goldberg” (No. 1–450). Hardcover volume in a slipcase, accompanied by the portrait Whoopi Goldberg, Berkeley, California, 1984. For over 50 years, Annie Leibovitz has been creating a body of work that is unequaled in breadth and influence. From the viscerally immediate reportage made for Rolling Stone magazine in the 1970s and extending through the more stylized portraiture of her work for Vanity Fair and Vogue, her pictures make up what is essentially a family album of our time. In 2014, in close collaboration with Annie, TASCHEN published a SUMO edition of her work: over 200 photographs, many of them famous (the naked John Lennon entwined in a last embrace with Yoko Ono, Patti Smith on fire) and some rarely, if ever, seen before. In 2022, to accommodate a wider audience, this volume was recreated as an unlimited XXL edition. The XXL volume is now available as an Art Edition in four different versions, each accompanied by a signed, numbered and framed dye-sublimation ChromaLuxe aluminum print. Whoopi Goldberg, Berkeley, California, 1984 is included in an edition of 450 copies. Annie’s most well-known portraits are based on ideas that come from studying the subject’s work. “It didn’t have to be a big idea,” Annie says. “It could be simple. There’s a case to be made that the simpler idea the better.” The Whoopi Goldberg portrait is based on a character in Whoopi’s one-woman show, which in early 1984 was playing at a small downtown club in New York. The character is a little African-American girl...

Annie Leibovitz Photographs 1970-1990 (Hand signed by Annie Leibovitz), 1993 Offset lithograph poster (hand signed) Boldly signed in black marker on the front 30 × 24 inches Ansel Adams Center for Photography, San Francisco in collaboration with the National Portrait Gallery, Smithsonian Institution Unframed This offset lithograph poster was published on the occasion of the Annie Leibovitz' 1993 survey exhibition at the Ansel Adams Center for photograph in San Francisco. The photograph of course depicts the actor and renowned art collector Steve Martin in front of a Franz Kline painting entitled Rue, which Martin apparently once owned. Steve Martin was said to have always wanted to be part of the painting; Complete with black brushstrokes on his white suit, Martin realized his dream and posed for Leibowitz in front of Rue. (Of course the irony is that Martin cuts a gleeful, almost clownish pose in front of a painting, Rue, whose very name means sorry and regret. Perhaps Martin will rue the day he sold this Franz Kline!) A companion photo appeared on the cover of Rolling Stone magazine. The Portland Art Museum also exhibited the photo Annie Leibovitz took of Steve Martin in Beverly Hills when he posed for his portrait. A coveted poster when hand signed by Annie Leibovitz Provenance: Collection of former Trustee of the Portland Museum of Art Annie Leibovitz Biography: Born in 1949, Annie Leibovitz graduated from the San Francisco Art Institute in 1971. Photos she took during college while living on a kibbutz in Israel and working to uncover the remains of King Solomon’s Temple helped land her a job at Rolling Stone magazine, where she was quickly named chief photographer. Between photographing John Lennon and documenting the Rolling Stones’ 1975 concert tour, Liebovitz reinforced her reputation as the most prominent celebrity photographer of her generation. In 1983, she moved to Vanity Fair, where she broadened her range of subjects from rock stars to other public figures like the Dalai Lama. In 1991, Leibovitz became only the second living photographer to be featured in an exhibit at the National Portrait Gallery. Overview and Early Life For decades, Annie Leibovitz and her camera have exposed to the public eye subtleties of character in rock stars, politicians, actors, and literary figures that lay beneath their celebrity personae. Her work first fueled the American fascination with rock ’n’ roll dissidents in the 1970s and then, in the 1980s and 1990s, captured the essence of the day’s great cultural icons. Her photographs make plain that, as Leibovitz herself once put it, she was not afraid to fall in love with her subjects. Anna-Lou Leibovitz was born on October 2, 1949, in Westbury, Connecticut. She was the third of six children of Marilyn Leibovitz, a modern dance instructor, and Sam Leibovitz, an air force lieutenant colonel. As the daughter of a career military officer, Leibovitz moved with her family frequently from town to town. The constant relocation fostered strong ties among the six Leibovitz children. Education and Work with Rolling Stone Leibovitz attended the San Francisco Art Institute from 1967 until 1971. She shifted her focus from painting to photography early in her college career. In 1969, she lived on Kibbutz Amir in Israel. The archaeological team on which she worked during her five months in Israel uncovered the remains of King Solomon’s Temple. By the time Leibovitz received her bachelor of fine arts degree in 1971, her photographs of Israel and a picture of the poet Allen Ginsberg at a San Francisco peace march had already landed her a job at the music magazine Rolling Stone. Soon after she was hired, Leibovitz convinced editor Jann Wenner to grant her a breakthrough assignment. Leibovitz flew with Wenner to New York City to interview John Lennon. A photo from that trip adorned the cover of Rolling Stone, the first of dozens Leibovitz would shoot over the course of her career with the music magazine. In 1973, she was named chief photographer. The mid-1970s brought Leibovitz an increasing amount of notoriety and its concomitant tribulations. In 1975, the rock band the Rolling Stones invited Leibovitz to document their six-month concert tour. Living in the world of her subjects, her camera did not shield Leibovitz from the rock ’n’ roll life-style. She began using cocaine on tour and struggled for years afterward to recover. Photography Exhibits and Move to Vanity Fair In 1983, Leibovitz put together her first major exhibit, which led to the publication of her book Annie Leibovitz: Photographs (1983). Her ability to work with her subjects to get beneath the veneer of superficiality that typically characterizes Hollywood paparazzi has reinforced her reputation as the most prominent celebrity photographer of her generation. The rapport Leibovitz develops with her subjects creates an atmosphere in which celebrities will strike the most unconventional of poses and show emotions that other photographers could not evoke. Among her most famous shots are a naked John Lennon curled around a fully clothed Yoko Ono, Bette Midler in a bed of roses, and the Blues Brothers painted blue. In 1983, after more than a decade of photographing such rock ’n’ roll legends as Lennon, Bob Dylan, Stevie Wonder, and Bruce Springsteen, Leibovitz left Rolling Stone for Vanity Fair. This move gave her the opportunity to shoot a broader range of subjects, including the Dalai Lama, Vaclav Havel, and Donald Trump. Her art did not suffer from the change. The American Society of Magazine Photographers selected her as the Photographer of the Year in 1984. Advertising Work, Awards, and Honors In addition to her work for Vanity Fair, Leibovitz became active in advertising photography. In 1986, she was the first photographer ever to be commissioned to design and shoot posters for the World Cup. A campaign she designed for American Express brought Leibovitz a storm of critical acclaim. In 1987, she received the Innovation in Photography Award from the American Society of Magazine Photographers, a Clio Award from Clio Enterprises, and a Campaign of the Decade Award from Advertising Age for the “Portraits” campaign she produced for American Express. Then, in 1990, the International Center of Photography recognized the same work by giving Leibovitz the Infinity Award for applied photography. n 1991, Leibovitz became only the second living photographer to be featured in an exhibit at the National Portrait Gallery in Washington, D.C. She published this retrospective in book form under the title Annie Leibovitz: Photographs, 1970–1990. In anticipation of the centennial Olympic games, Leibovitz spent two years photographing athletes...

Art Edition “Keith Haring” (No. 1–1,000). Hardcover volume in a slipcase, accompanied by a numbered, signed, and framed dye-sublimation ChromaLuxe aluminum print of Keith Haring, New...

Art Edition “David Byrne” (No. 1–275). Hardcover volume in a slipcase, accompanied by the portrait David Byrne, Los Angeles, 1986. For over 50 years, Annie Leibovitz has been creating a body of work that is unequaled in breadth and influence. From the viscerally immediate reportage made for Rolling Stone magazine in the 1970s and extending through the more stylized portraiture of her work for Vanity Fair and Vogue, her pictures make up what is essentially a family album of our time. In 2014, in close collaboration with Annie, TASCHEN published a SUMO edition of her work: over 200 photographs, many of them famous (the naked John Lennon entwined in a last embrace with Yoko Ono, Patti Smith on fire) and some rarely, if ever, seen before. In 2022, to accommodate a wider audience, this volume was recreated as an unlimited XXL edition. The XXL volume is now available as an Art Edition in four different versions, each accompanied by a signed, numbered and framed dye-sublimation ChromaLuxe aluminum print. David Byrne, Los Angeles, 1986 is included in an edition of 275 copies. In 1986, David Byrne wrote, directed and starred in his only feature film, True Stories. It was a quirky view of life in small-town rural Texas. Several of his collaborators on the project were from the downtown New York performing-arts world. Music was an integral element in the film and much of it was supplied by Byrne’s band, the Talking Heads...

He’s a four-time Mr. Universe, seven-time Mr. Olympia. His films have grossed four billion dollars worldwide. He won the California governor’s race by a landslide. He has one of the most recognizable faces in the world, an oft-imitated accent, and a physique still heralded as the most perfect ever built. He’s Arnold, the one and only, with first name recognition worldwide, and now with an Art Edition equal to his impressive size and unabashed ego. A decade of collaboration in the making, this photo tribute covers 75 years of Schwarzenegger, from the future Terminator’s impoverished childhood in Thal, Austria, to his rise as a young athlete, his journey to America to become the most celebrated bodybuilder of all time, to his career as the world’s leading action film star, then into the California governor’s mansion and beyond. Along the journey, Arnold’s muscular body, chiseled features, and charismatic personality made him a favorite subject of photographers, including Richard Avedon, Annie Leibovitz, Robert Mapplethorpe, Herb Ritts, Francesco Scavullo, and Andy Warhol. The big book includes them all, while the smaller companion volume gives you more intimate images, and exclusive interviews with Arnold and directors Ivan Reitman and Bob Rafelson, and top bodybuilding legends. The Art Edition comes with a nearly life-size print of Arnold on the ski slopes by Annie Leibovitz for the June 1997 cover of Vanity Fair...