Cassie Normandy White

"the wind telling stories", Abstract, Collaged Monoprints, Ink, Botanicals

2023

This piece titled "who's there?" is an original piece by Cassie Normandy White and is made from fabric monotypes and ink. This piece measures 30"...

This piece titled "said the zinnia" is an original piece by Cassie Normandy White and is made from fabric monotypes and ink. This diptych piece m...

This piece titled "when darkness yields" is an original piece by Cassie Normandy White and is made from fabric monotypes and ink. This piece meas...

This piece titled "fortress of inseparability" is an original piece by Cassie Normandy White and is made from fabric monotypes and ink. This piec...

This piece titled "held like a dream" is an original piece by Cassie Normandy White and is made from fabric monotypes and ink. This piece measure...

This piece titled "an ancient conversation" is an original piece by Cassie Normandy White and is made from fabric monotypes and ink. This piece m...

Monotype Charbonnel Ink Archival paper

Statement-The emphasis in the work is on color ,motion and emotion. I make paintings that are inspired by aspects of life thus transforming color and movement into their own visual ...

Title -Green Light Go Year- 2011 MonoType / Embossment =They are made by drawing on a plate or glass with a substance such as printer"s ink or oil paint. An impression is infused i...

Statement-The emphasis in the work is on color ,motion and emotion. I make paintings that are inspired by aspects of life thus transforming color and movement into their own visual ...

Andrea Belag New Moon, 1990 Monotype on Wove Paper 42 × 30 inches Hand signed and dated on the front Published by Pelavin Editions, with blind stamp recto Unique Unframed Lovely cont...

"Old Glory" is a unique monotype from a series of prints by Judy Ledgerwood published by Manneken Press in 2020. Rather than using ink, the artist painted directly on a sanded acrylic plate with watercolor paints. The impervious surface of the plate allowed the paint to flow, pool, settle and dry in ways that are distinct from painting in an unmediated manner on paper. When dry, the plate was printed onto damp Hahnemühle Copperplate paper; the moisture in the paper reactivated the watercolor paint and the pressure exerted by the press transferred the image, resulting in a one-of-a-kind monotype print. In "Old Glory" Ledgerwood alludes to the American flag in its rectangular format and red, white and blue color scheme. The artist's signature, title and date are verso, in pencil, and the Manneken Press blindstamp is impressed into the lower left corner of the print. Since the 1980’s Judy Ledgerwood has been exploring light, color, and space in paintings that combine the formal vocabulary of concrete abstraction with influences from pop culture to create vividly colored compositions. She combines decorative patterning, elements of textile design and other traditionally female crafts, with bold color and assertive brush strokes, traits associated with the historically male-dominated tradition of gestural abstraction. Often using stereotypically “feminine” elements, such as pastel colors and stylized floral patterns, Ledgerwood merges formalist and feminist concerns in works that are both sensual and subversive, with the ability to resonate beyond their initial impact. Judy Ledgerwood has received awards from The Richard H. Driehaus Foundation, National Endowment for the Arts; and Illinois Art Council. Ledgerwood has also received an Artadia Award and a Tiffany Award...