Charles Miesmer

Cold Call 2

2010

Art in America Sarah S. King July 2003 Komarin’s most successful works are serial - such as the Pop-artish “cake” images - in which versions of a crudely outlined central image are...

Watercolor on paper

watercolor on arches paper, unframed

Watercolor on arches, unframed

Janet Jennings is known for her luminous oil & watercolor paintings. After working for Lawrence Rubin at Knoedler Contemporary Art, Jennings maintained a studio at Waverly Studios in New York City. She began as a Color Field painter, working on canvas and linen. Janet moved to Amagansett, NY in 1981 and switched her focus to landscape painting. Her career path led her to teach at The Parrish Art Museum, Guild Hall & The Victor D’amico Institute of Art. From 1993 to 1998, she was the Chair of the Andy Warhol Visual Arts Preserve Program. Jennings maintains ties to the art community as an educator and curator. She is a member of the East Hampton Arts Council, an advocacy group for performing and visual artists of East Hampton. Ms. Jennings maintains a painting studio in East Hampton and currently teaches oil and watercolor classes. In 1997, she was a founding member of CMEE, The Children’s Museum of the East End. Working with Lee Skolnick and JoAnn Secor, she was an exhibit designer and fabricator for “Time and Place, Light and Space”, the initial installation at Guild Hall, which launched CMEE. She was a lead designer for the permanent exhibition installation of CMEE, located in Bridgehampton, NY. Jennings received her BFA from the University of Dayton and attended The Dayton Art Institute, Antioch College and The Art Students League. Her paintings are in numerous corporate and private collections worldwide. She has exhibited at numerous galleries on Long Island and New York City including The New York Design Center, Hampton Road Gallery, Pamela Williams Gallery, Folioeast, Lizan-Tops Gallery, Chase Edwards Gallery...

Janet Jennings is known for her luminous oil & watercolor paintings. After working for Lawrence Rubin at Knoedler Contemporary Art, Jennings maintained a studio at Waverly Studios in New York City. She began as a Color Field painter, working on canvas and linen. Janet moved to Amagansett, NY in 1981 and switched her focus to landscape painting. Her career path led her to teach at The Parrish Art Museum, Guild Hall & The Victor D’amico Institute of Art. From 1993 to 1998, she was the Chair of the Andy Warhol Visual Arts Preserve Program. Jennings maintains ties to the art community as an educator and curator. She is a member of the East Hampton Arts Council, an advocacy group for performing and visual artists of East Hampton. Ms. Jennings maintains a painting studio in East Hampton and currently teaches oil and watercolor classes. In 1997, she was a founding member of CMEE, The Children’s Museum of the East End. Working with Lee Skolnick and JoAnn Secor, she was an exhibit designer and fabricator for “Time and Place, Light and Space”, the initial installation at Guild Hall, which launched CMEE. She was a lead designer for the permanent exhibition installation of CMEE, located in Bridgehampton, NY. Jennings received her BFA from the University of Dayton and attended The Dayton Art Institute, Antioch College and The Art Students League. Her paintings are in numerous corporate and private collections worldwide. She has exhibited at numerous galleries on Long Island and New York City including The New York Design Center, Hampton Road Gallery, Pamela Williams Gallery, Folioeast, Lizan-Tops Gallery, Chase Edwards Gallery...

Dagoberto Rodríguez Septimo Pasillo, 2021 Watercolor on paper 200 x 260 cm.

*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE Red River Inside my Eyelids by Yayoi Kusama (b. 1929) Ink, pastel, felt pen on paper 55 x 39.8 cm (21 ⁵/₈ ...

Felice Grodin 'Untitled (02),' 2023 Ink on Mylar 18 x 24 inches ━━━ (This piece is part of the exhibition titled 'Work' on LADIES' ROOM) In encountering the discursive history of “work” in artmaking, all of the objects assembled in WORK variously venerate labor as an essential element. WORK features 10 artists whose laborious methodologies demonstrate an indisputable meticulousness and care for their media. Selected for their quasi-obsessive dedication to their practice, each of the artists in WORK assiduously and repeatedly cut, draw, carve, sculpt, stitch, and weave their materials into complex configurations. - BIOGRAPHY - Felice Grodin is a visual artist based in Miami Beach, FL. She holds a Bachelor of Architecture from Tulane University, and a Master of Architecture with Distinction from Harvard University. Her solo and duo exhibitions include Diana Lowenstein Gallery, Pérez Art Museum Miami (PAMM), Museum of Contemporary Art Miami, ArtCenter South Florida, Locust Projects, RED-EYE Magazine...

Felice Grodin 'Doily,' 2005 Ink on Mylar 24 x 36 inches ━━━ (This piece is part of the exhibition titled 'WORK' on LADIES' ROOM) In encountering the discursive history of “work” in artmaking, all of the objects assembled in WORK variously venerate labor as an essential element. WORK features 10 artists whose laborious methodologies demonstrate an indisputable meticulousness and care for their media. Selected for their quasi-obsessive dedication to their practice, each of the artists in WORK assiduously and repeatedly cut, draw, carve, sculpt, stitch, and weave their materials into complex configurations. - BIOGRAPHY - Felice Grodin is a visual artist based in Miami Beach, FL. She holds a Bachelor of Architecture from Tulane University, and a Master of Architecture with Distinction from Harvard University. Her solo and duo exhibitions include Diana Lowenstein Gallery, Pérez Art Museum Miami (PAMM), Museum of Contemporary Art Miami, ArtCenter South Florida, Locust Projects, RED-EYE Magazine...

Artwork size: 67 x 51 cm. Frame size: 112 x 97 cm. Free shipment worldwide. Archive number SF 89-153 in the Sam Francis Foundation. Stamped with the Sam Francis Estate logo and stamped signature on verso. Sam Francis’s paintings are a journey into a dream, a voyage into the landscapes of the soul where colours are lights on fire. Alongside names such as Jackson Pollock, Willem de Kooning and Franz Kline, Sam Francis is an artist who has succeeded in demonstrating a total mastery of abstract expressionism’s impassioned and spontaneous genre. The explosions of colour – red, blue, green and yellow – the streaks, strokes and bold lines of his pictures are the physical synthesis of the deepest crevices of the soul. His colours create rhythmical motifs that, characteristically enough, can be called the “musicality” of his paintings. The work of Sam Francis provides a visible meeting place for the conscious and the unconscious. His pictures are the cross-fertilisation of what has already been experienced with what exists still only as desire, a struggle between melancholy and merrymaking. Influenced by C.G. Jung, the father of psychoanalysis, Sam Francis spent a large portion of his life exploring the premise that dreams, instincts and intuition provide, the keys which unlock the mysteries and meaning of our inner lives. He was also fascinated by the four ancient elements – earth, water, air and fire – which developed into a leitmotif in his work. Sam Francis was born in San Mateo in California, USA in 1923. After starting to paint at the age of around twenty, he soon found himself increasingly consumed by the power of art. He spent much of the 1950s in Paris, from where he not only made frequent excursions to a number of European cities, but also embarked on many journeys to South America and Asia. He continued to move from place to place, primarily in the USA and Japan, right up until his death in 1994. Sam Francis’s first...

Black Sky (The Cave Series), 3 graphite on paper 77 x 112 cm