Gloria Dudfield

Mid Century "Sunburst" Stone Lithograph Abstract Bay Area Figurative Movement

c. 1960s

Donald Stacy "Abstract #4" c.1950s Ink & Gouache on paper 10.5x19.5" brown, ripple, wood frame 11.5”x1”x20.75” Signed in pencil lower right with label on reverse Came from artist's e...

Michael Knigin Abstract 2 Purple and Yellow 1967 Ink brush and watercolor on paper 8.25"x11" unframed $675 Signed and dated in ink lower left Came from artist's estate *Custom framin...

Michael Knigin Abstract 3 Blue and Purple 1967 Ink brush and watercolor on paper 8.25"x11" unframed $675 Signed and dated in ink lower right Came from artist's estate *Custom framing...

Michael Knigin Abstract 1 Orange and Yellow 1967 Ink brush and watercolor on paper 8.25"x11" unframed Signed and dated in ink lower right Came from artist's estate *Custom framing a...

Gloria Dudfield Red at Top Abstract 1960s Oil Pastel and Gouache on Paper 36"x32" unframed Gloria (Fischer) Dudfield July 12, 1922 – May 27, 2015 Came from a portfolio of her work ...

Gloria Dudfield Red Landing 1960s Oil Pastel and Gouache on Paper 26.5"x36" unframed $1600 *Custom framing available for additional charge. Please expect framing time between 3-5 wee...

Ashley John is proud to offer this artwork by: Gershon Benjamin (1899 - 1985) Gershon Benjamin is a painter of portraits, landscapes, still lives, and the urban scene. He had a pro...

Original gouache painting on paper. Hand signed lower front by Yaacov Agam. Image size 20.25 x 18.5 inches. Sheet size 29 x 22.2 inches. Frame size approx 33 x 31 inches. Cert...

Geometric abstract painting made in 2020 by Amanda Andersen, initialed on the back. This piece is from a body of work inspired by ordinary object arrangements such as table-top still...

The discipline of creating a drawing each day is a process, like a written diary, to clear the mind, to declutter thoughts, and to observe patterns. It is a method that allows the mind a freedom to wander and drift. A visual journal becomes a safe space for personal reflection–a self-awareness fueled by the opportunity for contemplation and immersion. The painted surface for the drawings was created by dividing five large paintings into 40 separate pieces. I chose five paintings from my Perspective Series (1993-94), which relied on day-to-day imagery that narrated a story about shifting time and how time anchors our day. The brush strokes of Perspectives are fluid, with muted colors – moving from deep blacks to taupe whites. Dividing these pieces was a means for me to rethink ideas and recurring images in my older work. The very thin gold leaf applied to each piece has a wonderful amber tone. This gold leaf is from Myanmar, where it is used as decoration for Buddha or for the dome of a temple or monastery. In the drawings, the gold element relates to the sense of infinity – like the sky in an enclosed courtyard. An architectural element is a critical component in my studio work that I wanted to carry over into these pieces. I envisioned a courtyard–a safe space that opens up to the sky. Unfolding circles define the beginnings of an open interior space. The process felt open-ended. It was an opportunity to get lost in thought and to give me an opportunity to reflect, muse and declutter my thinking. Then repeat. 40 days...

In this abstract floral artwork I experience the world of nature through the bright colors of a spring period. While painting, I sought to capture the beauty of spring flowers which...

Little Stories (Abstract painting) Acrylic on paper — Unframed Barcelona-based painter Nikolaos Schizas creates dynamic abstract paintings that radiate with vibrant splashes of colo...