Gwyther Irwin

Edge of the Universe - British Abstract art watercolour painting St Ives Newlyn

Circa 1990

This British abstract watercolour is by noted artist David Gwyther Irwin. Painted circa 1990 it is one of a series of paintings and is entitled Edge of the Universe. A superb paintin...

An original watercolour on paper by famous listed Australian female artist Judy Cassab. This stunning painting is a bold, adventurous and confident abstract expressionist landscape w...

This superb vibrant British Abstract painting is by noted artist John Piper. It was painted 27th October 1965 at Mendham and is a watercolour and gouache composition. The stunning palette and brushwork make this a really colourful and engaging painting. It is in excellent condition as it is behind glass. A lovely example of Piper's work with echoes from the sixties. Signed lower right. Inscribed lower middle 'Mendham 27 X 65'. Provenance. Illustrated in black and white on the back cover of Marlborough/Aldeburgh Festival show catalogue 'John Piper, Suffolk Churches and Landscapes', 1966. Condition. Watercolour and gouache, 21 inches by 14 inches and in good condition. Frame. Housed in a generous surround float mounted frame and behind glass, 28 inches by 21 inches and in good condition. John Egerton Christmas Piper CH (1903-1992) was an English painter, printmaker and designer of stained-glass windows and both opera and theatre sets. His work often focused on the British landscape, especially churches and monuments, and included tapestry designs, book jackets, screen-prints, photography, fabrics and ceramics. He was educated at Epsom College and trained at the Richmond School of Art followed by the Royal College of Art in London. He turned from abstraction early in his career, concentrating on a more naturalistic but distinctive approach, but often worked in several different styles throughout his career. Piper disliked the regime at the Royal College of Art and left in December 1929. Piper and his wife lived in Hammersmith and held a joint exhibition of their artworks at Heal's in London in 1931. Piper also wrote art and music reviews for several papers and magazines, notably The Nation and Athenaeum. One such review, of the artist Edward Wadsworth's work, led to an invitation from Ben Nicholson for Piper to join the Seven and Five Society of modern artists. In the following years Piper was involved in a wide variety of projects in several different media. As well as abstract paintings, he produced collages, often with the English landscape or seaside as the subject. He drew a series on Welsh nonconformist chapels, produced articles on English typography and made arts programmes for the BBC. He experimented with placing constructions of dowelling rods over the surface of his canvases and with using mixtures of sand and paint. With Myfanwy Evans, Piper founded the contemporary art journal Axis in January 1935. As the art critic for The Listener, through working on Axis and by his membership of the London Group and the Seven and Five Society, Piper was at the forefront of the modernist movement in Britain throughout the 1930s. In 1935 Piper and Evans began documenting Early English sculptures in British churches. Piper believed that Anglo-Saxon and Romanesque sculptures, as a popular art form, had parallels with contemporary art. Through Evans, Piper met John Betjeman in 1937 and Betjeman asked Piper to work on the Shell Guides he was editing. Piper wrote and illustrated the guide to Oxfordshire, focusing on rural churches. In March 1938 Stephen Spender asked Piper to design the sets for his production of Trial of a Judge. Piper's first one-man show in May 1938 included abstract paintings, collage landscapes and more conventional landscapes. His second in March 1940 at the Leicester Galleries, featuring several pictures of derelict ruins, was a sell-out. Piper had first met Myfanwy Evans in 1934 and early the next year, when his wife Eileen left him for another artist, Piper and Evans moved into an abandoned farmhouse at Fawley Bottom in the Chilterns near Henley-on-Thames. The farmhouse had no mains electricity, no mains water and no telephone connection. They married in 1937. They gradually converted the farm's outbuildings to studios for their artworks, but it was not until the 1960s that they could afford to modernise the property. Piper was an official war artist in World War II and his wartime depictions of bomb-damaged churches and landmarks, most notably those of Coventry Cathedral, made Piper a household name and led to his work being acquired by several public collections. Piper collaborated with many others, including the poets John Betjeman and Geoffrey Grigson on the Shell Guides, the potter Geoffrey Eastop...

This stunning much exhibited Scottish Abstract painting is by noted seminal artist Robin Philipson. It was painted circa 1963 in gouache and mixed media. The palette is one of vibran...

This striking Abstract oil painting is by Scottish artist Iain Robertson. It was painted in 1997 just before he moved to Cornwall. The painting is a riot of red, white and blue with heavy impasto which works beautifully. Signed and inscribed with title and dated 1997 verso. Provenance. Scottish estate. Condition. Oil on canvas, image size 24 inches by 18 inches and in good condition. Housed in a white surround frame, 26 inches by 20 inches framed and in good condition. Iain Robertson (b. 1955) was born in Cyprus but grew up in Edinburgh before studying art, 1978-1982. In 1993 he worked as Artist In Residence at Grizedale Sculpture Park before relocating to Cornwall where he now lives and works. He has retained studio 7 at Porthmeor Studios in St Ives, since 2007. Previously Robertson worked in Montgomery Street Studio, Edinburgh, 1991-1999. He has exhibited widely with numerous solo shows in the UK and Europe. His work is held in public and private collections in Germany, Denmark, Norway, Scotland, England, USA and Hong Kong. His work was included in the ‘Art Now Cornwall’ exhibition at TATE St Ives Spring 2007 and at the City Art Centre, Edinburgh, 2007. The recipient of a number of awards including Scottish Arts Council, British Council and Arts Council, Robertson was the first Scottish recipient of the Pollock Krasner Foundation, New York, in 1988. Notable exhibitions include, Contemporary Abstract Printmaking, Artists- Rachel Clark, Ian Davenport, Christopher Le Brun, John McLean, Mali Morris...

This striking Abstract Expressionist oil painting is by noted Scottish artist Iain Robertson. Entitled Sunset verso, it was painted in 2006 after Robertson had moved to Cornwall to live and work. It is a superb example of Robertson's use of symbols in art and the bold use of orange with heavy impasto against the blue and white is fantastic. A really strong Abstract Expressionist art work by a sought after Scottish artist. Signed inscribed Sunset and dated 2006 verso. Provenance. Cornish estate. Condition. Oil on Canvas, 30 inches by 24 inches and in good condition. Frame. Housed in a white surround frame, 32 inches by 26 inches and in good condition. Iain Robertson (b. 1955) was born in Cyprus but grew up in Edinburgh before studying art, 1978-1982. In 1993 he worked as Artist In Residence at Grizedale Sculpture Park before relocating to Cornwall where he now lives and works. He has retained studio 7 at Porthmeor Studios in St Ives, since 2007. Previously Robertson worked in Montgomery Street Studio, Edinburgh, 1991-1999. He has exhibited widely with numerous solo shows in the UK and Europe. His work is held in public and private collections in Germany, Denmark, Norway, Scotland, England, USA and Hong Kong. His work was included in the ‘Art Now Cornwall’ exhibition at TATE St Ives Spring 2007 and at the City Art Centre, Edinburgh, 2007. The recipient of a number of awards including Scottish Arts Council, British Council and Arts Council, Robertson was the first Scottish recipient of the Pollock Krasner Foundation, New York, in 1988. Notable exhibitions include, Contemporary Abstract Printmaking, Artists- Rachel Clark, Ian Davenport, Christopher Le Brun, John McLean, Mali Morris...

Charcoal and gouache on paper Paper size: 9x 11.5 inches Framed size: 23.5 x 25.75 inches Signed lower right Provenance: Raymond Spencer Co.; Galerie Dominion, Montreal, 1982; Dr Max Stern, Montreal, 1982; Leslie Sacks Fine Art, Los Angeles; Purchased by Haynes Fine Art...

Sam Francis Composition in Red c. 1960 Gouache on paper 52.5 x 24.5 cms (20 11/16 x 9 11/16 ins) SF14434 $125,000 Exhibited: Bernard Jacobson Gall...

Sam Francis Untitled (SF64-121) 1964 Gouache and oil on paper 69.9 x 104.4 cms (27 1/2 x 41 1/8 ins) SF14605 Exhibited: New York, 'Chamberlain/Francis', Van Doren Waxter, July 11- ...

Sam Francis Untitled (#2 Pri-Rain) (SF64-592) 1964 Gouache on paper 57.2 x 75.6 cms (22 1/2 x 29 3/4 ins) Frame size: 82.9 x 103.2 cms (32 5/8 x 40 5/8 ins) SF14652 $300,000 Exhibit...

*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE Fire (3) by Yayoi Kusama (b. 1929) Gouache and pastel on paper 27.7 x 20.3 cm (10 ⁷/₈ x 8 inches) Signed, ...

Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of ...