Hans Arp

French Form - Pencil Drawing - Abstract French German

1959

LOUIS MARCOUSSIS (1883-1941) (Ludwik Kazimierz Wladyslaw Markus) 1878 or 1883 Łódź, Poland – 1941, Cusset, France (Polish/French) Title: The Balcony (Drawing for Plate I, Plan...

ENZO BENEDETTO 1905-1993 Reggio Calabria 1905-1993 Rome (Italian) Title: Untitled [Biplane] Senza titolo [Biplano], 1925/26 Technique: Signed Waterco...

MINO DELLE SITE 1914-1996 [Domenico Delle Site] Lecce 1914-1996 Rome (Italian) Title: Untitled Senza Titolo, 1935 Technique: Signed and Dated Crayon...

ALEXANDER CALDER 1898-1976 Lawnton, Pennsylvania 1898 - 1976 New York (American) Title: Seahorse, 1962 Technique: Original Signed and Dated Gouache and Ink on BFK Rives Wove P...

ALEXANDER CALDER 1898-1976 Lawnton, Pennsylvania 1898 - 1976 New York (American) Title: The Yellow Shock Absorber, 1969 Technique: Original Signe...

EDIK EDWARD ARCADIEVICH STEINBERG b. 1937 born in Moscow 1937 (Russian) Title: Composition in Shades of White, 1997 Technique: Original Hand Signed and Dated Gouache Painting on cardboard size: 76.5 x 57.5 cm / 30.1 x 22.6 in Additional information: This original painting is hand signed and dated by the artist. It was painted in 1997. Provenance: Acquired directly from the artist by the previous owner. Exhibited: Paris & Tel Aviv, Galerie Le Minotaure...

Provenance: This piece was deaccessioned from the Bass museum in Miami Beach florida. This piece is a good museum example of Exquisite corpse, also known as exquisite cadaver (from the original French term cadavre exquis), A method by which a collection of words or images is collectively assembled. This example is by Manuel Saez, Xisco Mensua and Guillermo Paneque. Each collaborator adds to a composition in sequence, either by following a rule or by being allowed to see only the end of what the previous person contributed. The technique was invented by surrealists. Surrealism principal founder André Breton reported that it started in fun, but became playful and eventually enriching. In the beginning were Yves Tanguy, Marcel Duchamp, Jacques Prévert, Benjamin Péret, Pierre Reverdy, and André Breton. Other participants probably included Max Morise, Joan Miró, Man Ray, Simone Collinet, Tristan Tzara, Georges Hugnet, René Char, and Paul and Nusch Éluard. Henry Miller often partook of the game to pass time in French cafés during the 1930s. Manuel Sáez (born 6 March 1961) is a Spanish, self-taught artist. Since 1984, he has been living and working in Valencia. The Enciclopedia Universal Ilustrada Europeo-Americana describes Manuel Sáez as among the most important painters of the turn of the 21st century owing to his simultaneously sensual and psychological approach to the world of objects, landscapes, figures and portraits. As a resident fellow of the Spanish Fine Arts Academy in Rome in 1990, Sáez elaborated a series of portraits called Biografia no autorizada In 1991 Sáez held his first important show at the Fundació La Caixa. in Valencia In 1996 he presented his first retrospective, Colección Exclusiva 1984-1995, in the Club Diario Levante of Valencia, as well as the Madrid Circle of Fine Arts, the Salas Verónicas of Murcia, the Castellón Delegation and the Brocense of Cáceres. In 2000 Sáez exhibited in Mexico City's Museo Rufino Tamayo and in the Instituto Valenciano de Arte Moderno (IVAM) in Valencia. In 2008 Sáez's work could be seen at the Sala Parpalló in Valencia. In 2003-04, Dispersions was exhibited at the Bass Museum of Art in Miami. In 2007, Sáez's work is featured in the Valencian Institute of Modern Art's (IVAM) El Pop Art en la Colección del IVAM ("Pop Art in the IVAM Collection") in Valencia.[12] Xisco Mensua Initially studied at Escuelas Virtèlia, but followed an atypical school career due to illness. Began to paint in 1978. Took a course in painting at the Escola d’Arts i Oficis (Valencia), where he had lived since the age of eight. Lived in Barcelona from 1982 to 1987, studying art at the Escola Eina for the first two years. Returned to Valencia and began exhibiting in 1990. Produced works in co-operation with Fernando Ros and Mim Juncà, as well as designing stage sets for the theatre. Now forms part of the Jacques Moran collective. Through drawing, Mensua creates a fictional world in an exercise in which he transfigures common references, whether intimate or biographic, political or social. Guillermo Paneque Seville, 1963 Spanish painter. He completed his artistic training at the Faculty of Fine Arts in Seville, Director and founder, along with Rafael Agredano and José Espaliú, of the magazine Figura in 1984. It is in the mid-eighties when his work is made known within the Andalusian artistic scene, through the production of small format paintings populated with references and symbols from the religious and everyday environment that the author mixes with a playful sense and with erotic characters that reveal a clear rejection of the Andalusian artistic tradition. His work evolves towards a formal synthesis and an iconographic cleansing in the line of conceptual art. He has starred in numerous solo exhibitions and participated in important collectives, among which include: Aperto 86 at the Venice Biennial (1986), Spain 87. Dynamiques and Interrogations (1987) at the Musée d'Art Moderne de la Ville in Paris, Spanish natures...

Surrealist landscape of South Texas. The subject matter is a cigar that is suppose to look like a bull with a crop duster in the background. The drawing is done in graphite with brig...

Surrealism has been my passion since a young age. The concept of being able to manifest my visions into a space where it can be seen and interacted with has always been fascinating...

Artist: Eduardo Arranz-Bravo, Spanish (1941 - ) Title: Cadaques No.23 Year: 1994 Medium: Mixed Media (Watercolor and Color pencil) on paper, signed and dated Size: 14 x 5 in. (35.56 ...

Artist: Eduardo Arranz-Bravo, Spanish (1941 - ) Title: Cadaques No.24 Year: 1994 Medium: Mixed Media (Watercolor and Color pencil) on paper, signed and dated Size: 13.75 x 5 in. (34....

Artist: Ian Hornak (1944-2002) Title: View on Cherry Hill, Barbados Year: 1971 Medium: Pencil on heavy archival paper Size: 29 x 41 inches Condition: Good ...