Mixed Media Abstract Drawings and Watercolors

Part of the Tectonics Series from Cornwall based artist Caro Woods. This mixed media work is available individually or as part of a set of four. Image 6" x 6". Behind glass

Gouache on paper and technic mixed, signed lower left.

"Untitled," Flashe on Paper, 30 x 22 Inches A highly sophisticated series of large and small paintings, drawings and monoprints by Margo Margolis, NY artist who recently retired as ...

mixed media on paper, unframed 44 x 30 inches unframed flower line drawing, abstract flower drawing, arabesque line drawing, nature drawing,...

mixed media on paper, unframed 44 x 30 inches unframed This is one is a series of modern abstract flower line drawings. With simple forms and a...

mixed media on paper, unframed 44 x 30 inches unframed This is one in a series of modern abstract flower line drawings. With simple forms and a ...

ink and mixed media on paper, unframed 44 x 30 inches unframed black and white line drawing, black and white flower drawing, black and white flower, line flower drawing, arabes...

Pastel, gouache and coffee on paper. Artwork size: 58 x 56 cm. Frame size: 78 x 76 cm. Free shipment worldwide. Acquired directly from the artist. Archive number (P90/37) “The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén at number 36 Södra Förstadsgatan in Malmö, Sweden. This was also the time when Matta began to collaborate with poets and other artists in Sweden. He produced the illustrations for Lasse Söderberg’s first anthology of poems, Akrobaterna (“The Acrobats”), published in 1955, and was also responsible for the cover of the Swedish art and literary magazine Salamander. In 1959 the first museum exhibition of Matta’s work in Europe was arranged at the Museum of Modern Art (Moderna Museet) in Stockholm. Held under the aegis of Pontus Hultén, it was entitled “Fifteen Forms of Doubt” and included 15 or so gigantic paintings...

Signed and dated "1962" by the artist lower right. Mixed media on heavy paper. Done for a show to fund a trip to Italy.

Michael Rich’s early years were spent in the shadow of the Blue Ridge Mountains and surrounded by the waters of New England. Graduate studies and later travels to Italy heightened an...

Jean Cohen Untitled, circa 1960 Signed Lower Right: Jean Cohen Mixed Media on artist board 26 3/4 x 19 inches Jean Cohen was an important American painter whose work spans six decades. Jean Cohen lived on Tenth Street in Manhattan, and was a member of the vibrant Tenth Street Artists Galleries during the 1950s and 1960s. She was married to Alex Katz, was a member of the Area Gallery, and showed her work in the Tanager Gallery as well. She has paintings in the permanent collection of the Metropolitan Museum of Art, the New Jersey State Museum, Museum of Modern Art, the University of Maine, and the Whitney Museum of American Art. She has yet to be given the recognition she deserves. Born 1927 Washington Heights, New York Married to painter Alex Katz 1949-1956 Tanager Gallery NYC 1952-1962 Involved with painter John Grillo 1957-1962 Area Gallery NYC 1960-'65 Split time living between NYC and Provincetown c.1957-1980 Landmark Gallery, NYC 1972-1977 Co Founder in '72. Moved to Long Island '85 Died on Long Island, New York 2013 Education: Cooper Union 1945-1948. Studied with John Ferren, Nicholas Marsicano, Morris Kantor, Leo Manso...

FRANCESCA DIMATTIO untitled, 2007 Gouache And Mixed Media On Paper 12h x 9w in 30.48h x 22.86w cm

Martin Reyna’s paintings embody and expand upon the artist’s ongoing exploration of landscape, architecture, and light. His brightly colored inks are spread and diluted through dyna...

Valley House Gallery & Sculpture Garden presented the first solo exhibition in the United States of sculpture and works on paper by Italian artist Alex Corno in 2015. In his studio n...

Valley House Gallery & Sculpture Garden presented the first solo exhibition in the United States of sculpture and works on paper by Italian artist ALEX CORNO in 2015. In his studio n...