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Norman Bluhm
Untitled

1969

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  • Abstract
    By Kenneth Callahan
    Located in Santa Fe, NM
    Tempura and ink on heavy paper Signed bottom right, Numbered on verso "No. 18" 8.75 x 19.75 inches; 18.5 x 29.5 inches framed Provenance: Private collection, Denver, Colorado
    Category

    1950s Abstract Expressionist Abstract Paintings

    Materials

    Paper, Ink, Tempera

  • Untitled Abstract
    By Carl Morris
    Located in Santa Fe, NM
    mixed media on paper Signed in blue, lower right 18.25 x 25 inches; 27 x 33.375 framed Provenance: Private Collection, Denver, CO
    Category

    1950s Abstract Abstract Paintings

    Materials

    Paper, Mixed Media

  • Falling Figure
    Located in Santa Fe, NM
    Print engraving, soft ground and scouper on paper; ed. 45/50 24 x 20 inches; 26.25 x 23 inches framed Signed and dated lower center, "SW Hayter 47", titled in pencil lower center Pro...
    Category

    1940s Abstract Abstract Paintings

    Materials

    Paper, Engraving

  • Winter Garden
    Located in Santa Fe, NM
    Print color etching on heavy paper Signed, titled, dated on mat 18 x 11 inches; 20.5 x 17 inches framed Provenance: Private collection, Denver, Colorado
    Category

    1950s Abstract Expressionist Abstract Paintings

    Materials

    Paper, Color, Etching

  • To Be or Not To Be
    By Paul Burlin
    Located in Santa Fe, NM
    Casein on board, signed lower right. 22 x 29.5 inches; 33 x 39.5 inches framed. Provenance: Paul Burlin Art Trust Hollis Taggart Galleries, New York, ...
    Category

    1940s Abstract Expressionist Abstract Paintings

    Materials

    Casein, Board

  • Abstract Sketch
    By Hugo Weber
    Located in Santa Fe, NM
    20 x 30 inches; 22.125 x 32.0625 inches framed Provenance: Private collection, Denver, CO Exhibition History: Exhibition label on stretcher, "Elmhurst Art Museum, Hugo Weber, Septemb...
    Category

    1950s Abstract Abstract Paintings

    Materials

    Canvas, Oil

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  • Daily Drawing Series - 40 Days, original drawings, large scale installation
    By Francie Hester
    Located in New York, NY
    The discipline of creating a drawing each day is a process, like a written diary, to clear the mind, to declutter thoughts, and to observe patterns. It is a method that allows the mind a freedom to wander and drift. A visual journal becomes a safe space for personal reflection–a self-awareness fueled by the opportunity for contemplation and immersion. The painted surface for the drawings was created by dividing five large paintings into 40 separate pieces. I chose five paintings from my Perspective Series (1993-94), which relied on day-to-day imagery that narrated a story about shifting time and how time anchors our day. The brush strokes of Perspectives are fluid, with muted colors – moving from deep blacks to taupe whites. Dividing these pieces was a means for me to rethink ideas and recurring images in my older work. The very thin gold leaf applied to each piece has a wonderful amber tone. This gold leaf is from Myanmar, where it is used as decoration for Buddha or for the dome of a temple or monastery. In the drawings, the gold element relates to the sense of infinity – like the sky in an enclosed courtyard. An architectural element is a critical component in my studio work that I wanted to carry over into these pieces. I envisioned a courtyard–a safe space that opens up to the sky. Unfolding circles define the beginnings of an open interior space. The process felt open-ended. It was an opportunity to get lost in thought and to give me an opportunity to reflect, muse and declutter my thinking. Then repeat. 40 days...
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    2010s Abstract Abstract Paintings

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  • Spring rainbow fusion
    Located in VÉNISSIEUX, FR
    In this abstract floral artwork I experience the world of nature through the bright colors of a spring period. While painting, I sought to capture the beauty of spring flowers which...
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