Patricia "Patti" Shepp

"Sea Fan" - Abstracted Oceanic Still Life in Pen & Ink on Cardstock

2000s

Detailed drawing of several flowers and geometric shapes by an unknown artist (20th Century). Signed (illegible) and dated on the right side. Presented in a new double mat (grey, and...

Bold mid century modern abstracted pastel on paper still life of several terra cotta jugs and vessels distilled down to their most basic shapes and ar...

Beautiful abstracted watercolor still life with white and yellow daisies on a soft purple and blue background, on heavy paper by Les Anderson (American, 1928-2009). This piece is uns...

Vivid watercolor still life with colorful expressionist pink and purple hues, of a bright table with watermelon, pears, and flowers on heavy paper by Monterey artist Les Anderson (Am...

Abstracted still life by Les Anderson (American, 1928-2009). Unsigned, but was acquired from the estate of Les Anderson in Monterey, California. No frame. Image size: 20"H x 14"W. L...

Abstracted still life of a vase of red flowers and fruit blending into an abstract expressionist watercolor composition by Les Anderson (American, 1928-2009). Signed "Les Anderson" l...

Mark di Suvero Yayoi's Guitar, 1980 Ink wash drawing Signed and titled in red ink on the front Frame included (held in original vintage frame) Unique 1980 drawing by sculptor Mark di...

"My life as a painter began in the late 1950s when abstraction was “The only game in town”. I followed and progressed through gesture, organic and finally, geometric non-objective pa...

"My life as a painter began in the late 1950s when abstraction was “The only game in town”. I followed and progressed through gesture, organic and finally, geometric non-objective painting. The radical move for me was to discover that the real world of landscape lurked behind all that past work. My childhood in the mountains of Pennsylvania pervaded my “way of seeing” and I wanted to investigate and celebrate the infinite variety of tone, color and composition that I found around me. Sky, the structure of trees, mist and water appeared to fill a hunger to look again and again. There was mystery and danger lurking behind the beauty, and my aim was to try to avoid the cliché and explore the infinite structure of the visual landscape. Now I use my camera as a sketchbook and search for images that seem to offer odd structure and “mystery”. I shoot multiple points of view, cull, crop, and mostly discard. The surviving photographs become the catalyst for the paintings and the process is always a mediation between memory and the small image pinned to my easel...

"My life as a painter began in the late 1950s when abstraction was “The only game in town”. I followed and progressed through gesture, organic and finally, geometric non-objective painting. The radical move for me was to discover that the real world of landscape lurked behind all that past work. My childhood in the mountains of Pennsylvania pervaded my “way of seeing” and I wanted to investigate and celebrate the infinite variety of tone, color and composition that I found around me. Sky, the structure of trees, mist and water appeared to fill a hunger to look again and again. There was mystery and danger lurking behind the beauty, and my aim was to try to avoid the cliché and explore the infinite structure of the visual landscape. Now I use my camera as a sketchbook and search for images that seem to offer odd structure and “mystery”. I shoot multiple points of view, cull, crop, and mostly discard. The surviving photographs become the catalyst for the paintings and the process is always a mediation between memory and the small image pinned to my easel...

Hereldic Symbols 1-10 Andreev’s paintings and installations draw the viewer into post-revolutionary landscapes containing unidentified flying objects su...

"Cherries, Persimmons, & Pears" is an original ink drawing by David Barnett, signed in the lower right corner. The fruits pictured are abstracted to their most basic forms. They are ...