1970s Abstract Drawings and Watercolors

Etching on paper, signed Gaetano Carboni A painter and engraver, Gaetano Carboni was born in 1928 in Ascoli Piceno and, between 1940 and 1950, implemented his first figurative experi...

Untitled Watercolor on paper, c. 1971 Unsigned From the collection of Ileana Sonnabend (1914-2007) Laddie John Dill, a Los Angeles artist, had his first solo exhibition in New York C...

Aubrey Penny Abstract Watercolor Triomphe De Hasard Series December 1973 #7594 12-7594, 1973 Aubrey Penny (American 1917-2000) was an innovative California abstract artist who wo...

This bold contemporary composition by Yvonne Lammerich is an intriguing exploration of colour and form. Origami-like folded shapes inter-connected by fine lines dance across this col...

Aubrey Penny Ink and Watercolor Drawing with Hidden Faces. Untitled, Unsigned. 1970's Aubrey Penny (American 1917-2000) was an innovative California abstract artist who worked in a...

Aubrey Penny Original Marker Drawing and Dated October 1973. Aubrey Penny Triomphe De Hasard Series #7573 10-7573, 1973 Aubrey Penny (American 1917-2000) was an innovative Calif...

Aubrey Penny Original Marker Drawing and Dated October 1973. Aubrey Penny Triomphe De Hasard Series #7574 10-7574, 1973 Aubrey Penny (American 1917-2000) was an innovative Calif...

Swallows by the water. 1976, paper, pencil, 45. 5 x 40. 5 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1947, she bega...

This is an original graphite pencil drawing with piercing in a pattern and either watercolor, gouache or pastel on it. It is signed in pencil and dated. there is an inventory number verso. Katherine Porter is an American artist born in Cedar Rapids, Iowa in 1941. She received her BA from Colorado College in 1963. Katherine Porter received an honorary doctorate from Colby College. She has shown twice in the Whitney Biennial and solo exhibitions at the Knoedler Gallery in London, the Nina Nielsen Gallery in Boston, and the Andre Emmerich and Salander-O'Reilly Galleries in New York. Her work is in the collections of the Metropolitan Museum of Art, Museum of Modern Art, Whitney Museum of American Art, Museum of Fine Arts in Boston, and the Tel Aviv Museum and Bezalel Museum in Jerusalem. (Katherine Page Porter, Katherine Pavlis Porter) Her exhibitions include biennials in 1976 and 1981 at the Whitney Museum of American Art in New York City; 1980 at the San Francisco Museum of Fine Arts; 1981, Dartmouth College, Hanover, New Hampshire; 1985, Brandeis University, Waltham, Massachusetts; and 1987 at the Sidney Janis Gallery, New York City. Classic Americana. American Abstract Expressionism. it bears similarity to works by Cy Twombly and to early Pattern and Decoration piece, The movement was championed by the gallery owner Holly Solomon. The P&D movement wanted to revive an interest in minor forms such as patterning which at that point was equated with triviality. The prevailing negative view of decoration was one not generally shared by non-Western cultures, The Pattern and Decoration movement was influenced by sources outside of what was considered to be fine art. Blurring the line between art and design, many P&D works mimic patterns like those on wallpapers, printed fabrics, and quilts. There is a close connection between the Pattern and Decoration movement and the Feminist art movement. The P&D movement arose in opposition to the Minimalist and Conceptualist movements. Mary Grigoriadis, Valerie Jaudon, Joyce Kozloff, Miriam Schapiro, Robert Zakanitch all worked in this same vein. SELECTED SOLO EXHIBITIONS Galerie Hubert Winter, Vienna, Austria Victoria Munroe Fine Art, Boston, MA Meridian Gallery, San Francisco, CA Salander O’Reilly Gallery, New York, NY Bowdoin College Museum of Art, Brunswick, ME Andre Emmerich Gallery, New York, NY Knoedler Gallery, London Sidney Janis Gallery, New York, NY Pace Gallery, Addison, ME Dartmouth College, Hanover, NH (drawings) Harcus Krakow Gallery, Boston, MA SELECTED GROUP EXHIBITIONS Contemporary Landscape Painting, Nagoya/Boston Museum of Art, Nagoya, Japan From the Collection of Edward Broida, Palm Beach Art Museum, Palm Beach, FL Abstraction Per Se (through January 1993), Pratt Manhattan Gallery, NY Painting Self-Evident (Curator), Picolo Spoleto Festival, Charleston, SC Art on Paper 1990, Weatherspoon Art Gallery, The University of North Carolina, Museo Barjola, Gijon, Spain; Calouste Gulbenkian Foundation, Lisbon, Portugal; Pratt Manhattan Gallery, NY Sightings, Instituto de Estudios Norteamericanos, Barcelona; Casa Revilla, Valladolid, Invitational, New Britain Museum of American Art, New Britain, CT Atelier Project, Neuberger Museum, SUNY Purchase, NY Landscape Show, Allan Frumkin Gallery, NY Rethinking the Avant-Garde, by Jonathan Fineberg, The Katonah Gallery, NY Nancy Hoffman Gallery, NY Group Show, Van Abbemuseum, Eindhoven, Holland Contemporary Drawings, Museum of Modern Art, New York, NY International Survey of Recent Painting and Sculpture, Museum of Modern Art, NY Modern Expressionist: German, Italian, & American Painters, Sidney Janis Gallery, NY American Women Artists, Part II: Younger Generation, Sidney Janis Gallery, NY Contemporary Works on Paper, Frumkin-Adams Gallery, NY Hassam Speicher Purchase Fund Exhibition, American Academy of Arts and Letters, NY The End of the World: Contemporary Visions of the Apocalypse, The New York Museum of Contemporary Art, NY Recent Acquisitions, Museum of Modern Art, New York, NY Homage to Arthur Dove, Hobart and William Smith Colleges, Geneva, NY Six Painters, The Hudson River Museum, Yonkers, NY Twenty New York Painters, Institute of Contemporary Art, Philadelphia, PA 74th American Exhibition, The Art Institute of Chicago, Chicago, IL Abstract Painting, Women’s Caucus, NY Biennial, Whitney Museum of American Art, New York Spoleto Choice, Spoleto Festival, Charleston, SC From Women’s Eyes, Rose Art Museum, Brandeis University, Waltham, MA Theodoran, Solomon R. Guggenheim Museum, New York, NY Three If By Air, Obelisk Gallery, Boston, MA Betty Parsons Collection, Finch College, New York, NY SELECTED PUBLIC COLLECTIONS Addison Gallery of American Art, Andover, MA Albertina Museum, Vienna, Austria California Palace of the Legion of Honor (Achenbach Foundation), San Francisco, CA Detroit Art Institute, Detroit, MI Fogg Art Museum, Harvard University, Cambridge, MA Gemeentsmuseum of the Hague, The Hague, Netherlands (permanent installation) Solomon R. Guggenheim Museum, New York, NY High Museum of Art, Atlanta, GA Houston Museum of Fine Art, Houston, TX Massachusetts Institute of Technology, Cambridge, MA Metropolitan Museum of Art, New York, NY Mount Holyoke...

Acrylic on cardboard. Signed lower right. Accompanied by Authentication on photo signed by the artist, with stamp of Bolzicco Gallery in Portogruaro (VE). Published in General catalo...

Abstract composition is a contemporary artwork realized by Artist in 1970s. Mixed colored drawing on paper.

Emily Mason Aground, 1979 Oil on paper painting Signed, dated '79, with a dateline of Vermont (VT) on the lower front in silver marker; bears original artist's label and exhibit label Frame included: floated and framed in original vintage silver color...

Jeremy Moon Drawing 73/13 (20/5/73), 1973 Pastel on paper Hand-signed by artist, Signed and dated 20/5/73 in graphite on the lower front; the back of the v...

Emily Mason So Slight a Film (from the Lehman Brothers art collection), 1978 Oil on paper Abstract Expressionist painting Signed and dated 'Emily Mason '78' bottom right in pencil Fr...

aka Beni Kosh Untitled (Abstraction) Watercolor on paper, 1970's Unsigned Ben Kosh Estate Stamp verso, No. 754 Condition: Very good Sheet size: 10 5/8 x 14 9/16 inches Provenance: Es...

This is titled "Karrierist" the German word for careerist and depicts a surreal face on a figure with a Salvador Dali esque quality about it. Published by Edition Hansjörg Mayer, Stuttgart They published concrete poetry and art books by Mark Boyle, Richard Hamilton, Dorothy Iannone, John Latham, Tom Phillips, Dieter Roth, André Thompkins and Emmett Williams, to name just a few. André Thomkins (1930 - 1985) was a Swiss painter, illustrator, and poet. He attended art-school, taught by Max von Moos, 1947 – 1949 and the Académie de la Grande Chaumière, Paris, France, 1950. From 1952, he lived in Germany and taught at the Kunstakademie Düsseldorf between 1971 and 1973. Thomkins painted and drew ironic and fantastic pictures influenced by surrealism and dadaism. Together with Dieter Roth and Daniel Spoerri he prepared works of Eat Art. He also was a writer of palindromes. His friends and collaborators included Daniel Spoerri, Dieter Roth, George Brecht, Richard Hamilton and Karl Gerstner, Thomkins gained a reputation as an ‘artist’s artist’, and is considered one of the most important Swiss artists of the second half of the twentieth century.He died in 1985. His work is currently represented by Hauser & Wirth Zurich, Switzerland. Select group exhibitions: 2018 Kunsthalle Krems, 'Pablo Picasso. Arshile Gorky, Andy Warhol. Sculptures and Works on Paper. Hubert Looser Collection', Krems, Austria 2017 Kunsthandel Wolfgang Werner, 'Martin Barré, Karl Otto Götz, Ernst Wilhelm Nay, André Thomkins', Berlin, Germany 2013 Fabian & Claude Walter Galerie, 'Schweizer Avantgarde Kunst nach 1940', Zurich, Switzerland 2009 The Modern Institute, 'Thomas Houseago, Dieter Roth, Andre Thomkins', Glasgow, England Museum of Modern Art, 'Compass in Hand: Selections from the Judith Rothschild Collection', NYC 2004 Kunsthandel Wolfgang Werner, 'Arman, Baumeister, Götz, Graubner, Tàpies, Thomkins', Berlin, Germany 1994 Kunstmuseum Solothurn, 'Eine Schenkung. Grafik von Eduardo Chillida, Antoni Tàpies, Alexander Calder, Jean Dubuffet, Ben Nicholson, Giacometti, Tinguely, Thomkins', Solothurn, Switzerland 1992 Galerie Littmann, Tinguely zu Ehren. A Tribute to Jean Tinguely. Hommage à Tinguely, Basel, 1988 Museum Ludwig, 'Uebrigens sterben immer die anderen. Marcel Duchamp und die Avantgarde seit 1950', Cologne, Germany 1987 Aargauer Kunsthaus, 'Otto Grimm. Marc-Antoine Fehr. Christoph Gredinger', Aarau, Switzerland Cercle Municipal, 'Art contemporain suisse. Collection de la Banque du Gothard', Luxembourg, 1985 Centre national d'art et de culture Georges Pompidou, 'Livres d'artistes', Paris, France Rathaus, 'Claude Sandoz – Hans Schärer...

Joel BASS (1942-2019) Adjusted silhouette n°2, 1975 Mixed media, collage, gouache, adhesive on paper Signed, dated and. titled Work : 17,5 x 28 cm Frame : 3...

Abstract landscape resembling a blue, green, yellow, and white. This piece is painted with watercolor and measuring 13" x 13". The frame measures 22" x 24".

Dennis Oppenheim (1938 - 2011) Pencil and colored pencil drawing on paper, 'Memory Generator Receiver; Transmitter project for ACE Gallery Los Angeles' (possibly with watercolor pai...

Large bright vivid drawing done in oil crayon or oil pastel. Abstract floral drawing. David Kimball Anderson’s work is bold and graceful, respectful and spiritual. A practicing Bud...

Lyman Kipp Unique painting on paper done with paint roller, 1970 Ink roller painting on paper Signed and dated in ink by Lyman Kipp on the lower right Frame included: elegantly framed in a museum quality wood frame with UV plexiglass This is a unique color oil painting created in 1970 with his signature technique of using a roller, by pioneering Minimalist artist Lyman Kipp, one of the founders of Construct Gallery., which included sculptors Kenneth Snelson and Mark di Suvero. Measurements: Frame: 17.5 x 15.25 x 1.75 inches Artwork: 11 x 8.5 inches About Lyman Kipp: The large, powerful sculptures of Lyman Kipp were part of the Primary Structures movement in the 1960s, that transformed the way sculptors worked, and the way in which sculpture was viewed in America. The Constructivism movement, that began in Moscow in the 1920s, espoused the idea that art should be created for the benefit of society and that artists should be involved in industrial design and construction. It viewed the artist as a creator, designer and constructor. The simplicity of design of the Constructivists had a profound effect on the De Stijl movement in the Netherlands and the Bauhaus movement in Germany during the 1920s and ‘30s. Artists in the United States were slowly embracing the ideas of constructivism and minimalism, but it took a group of artists, including Kipp, to change the way artists, and the public, create and view art. Kipp was born in Dobbs Ferry, New York in 1929. He studied at Pratt Institute in New York and then went on the study and teach at the Cranbook Academy in Michigan. He began making large, steel and aluminum sculptures in the 1960s, that had to be transported and welded together on site. He worked in spare, geometric shapes and primary colors. In 1966, the Jewish Museum in New York organized the Primary Structures exhibit, showing large, minimal style works by young American and British sculptors. The show was a huge success, and got rave reviews by art critics, including those of Time and Newsweek. In an effort to get continued recognition, a group of American sculptors, including Lyman Kipp, founded an artist-owned gallery called, ConStruct. They organized exhibitions throughout the United States to promote their large-scale sculptures. The pieces we have in our gallery are maquettes, preliminary models that Kipp made before he built and assembled his huge, finished sculptures. In addition to painting and creating sculptures for public spaces, Kipp dedicated his life to art education. He taught at Bennington College in Vermont, Hunter College in New York and became the chairman of the art department at Lehman College in New York. Kipp’s works are part of the permanent collections of the Whitney Museum of Art, the Philadelphia Museum of Art and the Smithsonian American Art Museum. Lyman Kipp died in Bonita Springs, Florida on March 30, 2014, leaving a legacy of his work in parks and public spaces around Florida and other states throughout the U.S. Courtesy of Vertu Fine Art

Watercolor on brightly colored paper, signed Gibor, with wooden frame mis.cm.h.65x56

Grace Knowlton Untitled (Colored Pencils), 1978 Mixed media watercolor and charcoal painting on paper. (Framed with labels from the legendary Allan Stone Collection + Sotheby's label...

Sister Mary Corita Kent Love You, ca. 1975 Original signed watercolor painting on paper Signed in graphite pencil on the recto Floated and framed in white wood frame This is a unique...

Drawing on paper without frame Size A4

Black and White Cat Ink and watercolor on paper, c. 1970 Unsigned Provenance: Estate of the artist (Estate No. 737) Condition: Excellent Image/Sheet size: 4 3/4 x 6 1/4 inches Sam Spanier (1925-2008) Born in Brooklyn New York, Sam Spanier studied painting with Hans Hofmann (1949–50) and also at the Taos Valley Art School (1951). His formative years as a working artist were spent in Paris (1951–52), where he also became involved with the work of G. I. Gurdjieff, through his disciple, Mme. Jeanne de Salzmann. By 1953, Spanier’s work had already begun to meet with critical acclaim. That year, he had his first solo gallery show, and was selected by Milton Avery and Hans Hofmann to receive the prestigious Lorian Fund Award. His second solo exhibition, in 1955, was curated by renowned museum director, Gordon Washburn. Spanier’s early work was reviewed by Dore Ashton, Donald Judd, Fairfield Porter, Stuart Preston, and Irving Sandler, among other significant critics of the period. Spanier’s spiritual path increasingly became the central focus of both his life and his art. In 1960, he was introduced to the teachings of Sri Aurobindo, which led to visits to the Sri Aurobindo Ashram in Pondicherry, India, in 1962 and 1964, during which he was inspired to leave New York City and found Matagiri (in 1968)—a spiritual center in Woodstock, New York—with his lifelong partner, Eric Hughes. The work he embarked upon there bifurcates his life as an artist, separating him from New York’s art world, and radically altering the trajectory of his career. From that point forward, it would be difficult, perhaps impossible, to consider his artistic endeavor apart from the life of dedication he had undertaken, and to which he remained committed. As early as 1954, Dore Ashton had recognized in Sam Spanier a “haptic visionary;” in 1960, Irving Sandler wrote that the people in Spanier’s paintings “seem to have witnessed some transfiguring event.” In his later paintings—usually worked in oil pastel on panel or paper—made during intermittent creative periods, from the mid-1970s to the final years of his life, the artist’s inner life remains always apparent in his subject matter; and from the portraits and abstract Buddha-like figures and heads, to the fantasy landscapes, the paintings are redolent with a rich intensity of color and light that can only be described as inspired. Sam Spanier’s works are in the collections of the Historical Society of Woodstock Museum, and the Woodstock Artists Association & Museum. He received the Woodstock Artists Association Lifetime Achievement Award in 2007. Selected Solo Exhibitions: Urban Gallery, New York (1954, 1955, 1956); Wittenborn Gallery, New York (1958); Gallery Mayer, New York (1958, 1959, 1960); Unison Gallery, New Paltz (1986, 1995, 2009); Limner Gallery, New York (1988); Fletcher Gallery, Woodstock, New York (1999). Selected Group Exhibitions: Salon des Comparaisons, Musée d’Art Moderne, Paris, France (1952); October Exhibition of Oil Paintings, New York City Center Gallery, New York (1954); Salon de Mai, Musée d’Art moderne de la ville de Paris, Centre Culturel de Saint-Germain-en-Laye, Paris, France (1954); Carnegie International, Carnegie Institute, Pittsburgh, Pennsylvania (1955); Les Plus Mauvais Tableaux, Galerie Prismes, Paris (1955); Première Exposition Internationale de l’Art Plastique Contemporain, Musée des Beaux-Arts de la Ville de Paris (1956); Recent Paintings USA: The Figure, The Museum of Modern Art (1960); Winter’s Work, Woodstock Artists Association, Woodstock, New York (1985); Juried Group Show, Woodstock Artists Association, Woodstock, New York (1986); Woodstock Artists, Self-Portraits, Historical Society of Woodstock Museum, Woodstock, New York (1988); Portraits, Albert Shahinian Fine Art, Poughkeepsie, New York (2003); The World We Live In, Upstate Art, Phoenicia, New York (2003); Show of Heads, Limner Gallery, Phoenicia, New York (2004). Selected Writings on the Artist: Dore Ashton, “Sam Spanier,” Art Digest (May 1, 1954) and “Sam Spanier,” The New York Times (March 16, 1960); Cassia Berman, “Sam Spanier: A Divine Calling,” Woodstock Times (February 7, 2008); Lawrence Campbell, “Sam Spanier: Exhibition of Paintings at Urban Gallery,” Art News...

Billy Al Bengston Turkey Dracula, 1973 Color lithograph with hand coloring and watercolor (unique variant) on Lanaquaralle paper with deckled edges Hand signed and numbered A.P. #6, aside from the regular edition of 24 on the front, with the printer's blind stamp Frame Included: held in original vintage frame Mixed media Lithograph with hand coloring in watercolor (unique variant) Hand signed and numbered A.P. #6 (of 10), aside from the regular edition of 24 on the front, with the printer's blind stamp (Flower) Publisher: Published by Brooke Alexander, Inc. (New York) Printer: Printed by Ed Hamilton (American, born 1941) at Cirrus Editions, Los Angeles (with blind stamp) Measurements: Frame: 25.25 x 25.25 inches Print: 23 x 23 inches About Billy Al Bengston: Billy Al Bengston (b. 1934, Dodge City, Kansas, d. 2022, Venice Beach) moved to Los Angeles with his family in 1948. He studied painting under Richard Diebenkorn at California College of Arts, Oakland, California. In 1957, Bengston began showing with the legendary Ferus Gallery (founded and run by Walter Hopps...

Signed and dated "H Burkhardt 1973" lower right.

Katherine Porter Geometric Abstraction, 1971 Watercolor and graphite on graph paper Signed and dated "Katherine Porter 1971" in pencil on the front Held in original vintage 1970s met...

Mark di Suvero Study for Atman (hand signed twice), ca. 1978 Marker wash on paper (hand signed twice by Mark di Suvero) Signed twice by Mark di Suvero on the lower front center and again on the right 15 × 20 inches Unframed This original, hand signed marker on wash drawing is a study for di Suvero's sculpture Atman, 1978-1979, in the Cincinnati Art Museum Collection. About Mark di Suvero: Internationally renowned sculptor Mark di Suvero was born in Shanghai, China, in 1933. He immigrated to the United States in 1941 and received a BA in Philosophy from the University of California, Berkeley. Di Suvero began showing his sculpture in the late 1950's and is one of the most important American artists to emerge from the Abstract Expressionist era. A pioneer in the use of steel, di Suvero is without peer in the exhibition of public sculpture worldwide. Mark di Suvero's architectural-scale sculptures - many with moving elements that invite viewer participation - have been exhibited in the United States, France, the Netherlands, Italy, Spain, Germany, Australia, Japan and the United Kingdom. Di Suvero is the first living artist to exhibit in Le Jardin de Tuileries and Les Esplanades des Invalides in Paris and at Millennium Park-Chicago. His work is in over 100 museums and public collections including the Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, the Museum of Modern Art, National Gallery of Art, the Whitney Museum of American Art, the Walker Art Center, and Storm King Art Center where he has had three major exhibitions. Mark di Suvero is a lifelong activist for peace and social justice, and has demonstrated a generous commitment to helping artists. In 1962, he co-founded Park Place Gallery, the first artists' cooperative in New York City. In 1977, he established the Athena Foundation to assist artists to realize their ambitions. In 1986, he established Socrates Sculpture Park at the site of a landfill on the East River in Queens, New York. Through his leadership, a 4.5 acre parcel was transformed by a coalition of artists and community members into an open studio and exhibition space. To date, the park has hosted the work of over 900 artists. Di Suvero received the Lifetime Achievement Award in Contemporary Sculpture from the International Sculpture Center in 2000 and the Heinz Award for Arts and Humanities in 2005. In 2010, di Suvero was a recipient of the Smithonian Archives of American Art Medal...

Al Hirschfeld Original (unique) Self portrait drawing, 1976 Hand signed ink drawing, on typewritten letter with envelope Hand signed in Hirschfel...

Carl Andre Handwritten Letter to the Artist's Parents, 1974 Letter handwritten with black marker on postmarked, stamped postcard (hand signed by Carl Andre) Boldly signed @ - the art...

Hyper Cube Series. Drawing. 1978. Gouache on Paper. Artist interpretation of a hyper cube.

Robert Duran Untitled #1 (with Museum of Modern Art (MOMA) label), 1974 Watercolor on paper Includes labels from the Museum of Modern Art rental gallery label and Donna Schneier Inc; the artist's name is written on the board, not signed 18 × 23 1/2 inches Unframed This work was removed from the original vintage frame but comes with the back board with the original labels from MOMA Rental Gallery in New York and Donna Schneier Gallery in Manhattan (and later Palm Beach) Robert Duran Biography (courtesy of KARMA): Robert Duran (b. 1938, Salinas, CA; d. 2005, New Jersey) found his way from San Francisco to New York City in the mid-1960s, where he became associated with a Minimalist cohort that included Brice Marden, David Novros, and Paul Mogensen...

Composition is an original contemporary artwork realized by Mario Martini in 1970. Original drawing in tempera on paper. Good conditions except for some folding and stains that don...

Cats is a Colour Maker Drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition on a sheet of notebook. No Signature. Reynold Arnould was born in Le Hav...

Charcoal 32.00 cm. x 24.50 cm. 12.6 in. x 9.65 in. (paper) 40.00 cm. x 32.00 cm. 15.75 in. x 12.6 in. (frame) LCD5893

Abstract Expressionist design. Sealed on the back with the design studio name and number . Ilegible signature We offer a small number of these original illustration designs by this ...

Work on paper without frame

Anthony Padovano Untitled Abstract Expressionist drawing, 1971 Ink Wash on Paper Drawing Signed and dated by the artist Original vintage frame included Original (unique) signed Abstr...

André MASSON (1896-1987) The enigma, 1975 ink drawing Dimensions: 47.8 x 35cm Signed lower right Provenance: Louise Leiris Gallery, Paris Paper in perfect condition. FREE period ...

Abstract Expressionist design. Sealed on the back with the design studio name and number . Ilegible signature We offer a small number of these original illustration designs by this ...

Cafè in Kiev is a Colors Markers Drawing and Watercolor realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition on a sheet of a notebook. No signature, dated an...

Abstract Expressionist design. Sealed on the back with the design studio name and number . Ilegible signature We offer a small number of these original illustration designs by this ...

Lyman Kipp Untitled Minimalist Geometric Abstraction, 1978 Acrylic painting on paper Hand signed and dated by the artist on the lower right front Frame Included: elegantly matted and...

Monochromatic abstract figurative drawing by New Orleans artist Ida Rittenberg Kohlmeyer. The drawing depicts a sketch of nine faces and torsos. The work is framed and matted in a simple gold frame. Signed and dated by the artist at the bottom right. Dimensions With Frame: H 4.75 in. x W 10.25 in. Artist Biography: The daughter of Polish immigrants, Ida Kohlmeyer was born in 1912 in New Orleans, Louisiana, where she would reside for the majority of her life. Following her graduation from Sophie Newcomb Memorial College at Tulane University, she married and raised a family. She casually began studying drawing and painting relatively late in life, taking her first classes at the John McCrady...

Carl-Henning Pedersen (Denmark, 1913 - 2007) The Blue Earth II, 1971 Watercolor on paper Signed and dated lower right, signed, dated and titled verso 30.5 x 21.5 inches Carl-Hennin...

Aubrey Penny, American (1917 - 2000) Abstract Drawing on Paper. Signed and Dated 71, lower right Titled: "Hyler Reflection" Series #5932, ...

Raymond Parker Untitled (Abstract Expressionist painting), 1978 Acrylic on Paper. Hand signed, inscribed "For Carl" [Carl Solway, gallerist] and dated 1978 on the upper left front; ...

Ron Gorchov Untitled, inscribed to Robert Vogele, 1978 Watercolor and etching on paper with 2 deckled edges. Hand signed in pencil and inscribed on lower front. Inscription reads as ...

Raymond Parker Untitled Abstract Expressionist Painting, 1974 Acrylic on Canvas (with original Fischbach gallery label on the back of frame) Hand sig...

In the Restaurant is a Colors Markers Drawing realized by Reynold Arnould (Le Havre 1919 - Paris 1980). Good condition on a sheet of a notebook. No signature,titled and dated on ...

This serene watercolor is a wonderful example of of an abstract landscape. The colors used in this piece create a calm and quiet atmosphere. The landscape itself consists of browns ranging from light beige and soft oranges to deeper browns. Using rich blues, the landscape expands into the brighter hues in the sky which mixed together give a sense of mist. This watercolor is signed by the artist, and will be sold framed. Patricia Kerr Ross...

Abstract Composition is a Color Markers Drawing and Watercolour realized by Reynold Arnould (Le Havre 1919 - Paris 1980). Good condition. No signature. Reynold Arnould was born ...

Abstract Expressionist design. Sealed on the back with the design studio name and number . Ilegible signature We offer a small number of these original illustration designs by this ...

Signed lower left, 'A. McKay' for Arthur "Art" Fortescue McKay (Canadian, 1926-2000) and painted circa 1975. An important Canadian painter, draftsman, printmaker and an influential educator, Arthur McKay was born in Saskatchewan and first studied at the Provincial Institute of Technology and Art, Calgary, Alberta, most notably under Jock Macdonald...

Tony Oursler Crab (With Museum Exhibition Labels), 1972 Colored pencil on paper Bears what appears to be the artists signature (or original notation)...

Abstract Expressionist design. Sealed on the back with the design studio name and number . Ilegible signature We offer a small number of these original illustration designs by this ...