Sir Terry Frost

Sir Terry Frost, Red Black and Yellow Autumnal Landscape, Modern British Art

1958

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

To see our other Mid Century and Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Charles Pulsford...

To see our other Mid Century Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Charles Pulsford...

Kenneth Rowntree Abstract Australian Landscape Watercolour 27.5 x 33cm Signed (top left) and dated ‘Kenneth Rowntree ’85’ Provenance: Anderson & Garland Studio sale of Kenneth Rowntree lot 263 Tuesday 8 September 2009 For biographical details and other works by Rowntree click here. Rowntree visited Australia in 1984/85. In this painting he picks up various vignettes from the Australian landscape in six separate blocks. Two relate to the sky, with almost-unbroken blue skies stretching from horizon to horizon, three relate to desert areas, with a whole array of different textures, and one is a luscious green. In one of the desert scenes he has picked out two road signs, in typical Rowntree fashion, reducing them to their simplest form. In her essay Kenneth Rowntree: A Strange Simplicity (published in Kenneth Rowntree A Centenary Exhibition Published by Moore-Gwyn Fine Art and Liss Llewellyn Fine Art, on behalf of the artist’s estate, on the occasion of the centenary of Kenneth Rowntree’s birth) Alexandra Harris makes reference to this painting noting: "Later, in 1986, just when the young David Hockney was collaging the signs and road-markings of Route 138 in Pearblossom Highway, Rowntree was in Australia painting yellow diamond-shaped road-signs as bright icons in open country. Wherever he went, Rowntree captured both the unfamiliarity of places and their relationship to things he knew. Heading into the Australian outback, he painted a road-sign as he would paint a rail signal at Clare in Suffolk or nautical markers at Swansea." Hockney’s 1986 Pearblossom Highway may be seen in the Getty and it is worth noting that Rowntree was in fact painting the yellow sign in 1985, so a year before Hockney. Kenneth Rowntree (1915-1997) Rowntree was born in Scarborough and educated in York where his father managed the local department store. Young Kenneth’s work was displayed there and his first major commission arose from an advertisement at the store. After the Ruskin School of Drawing in Oxford he studied at the Slade School, meeting Eric Ravilious and Edward Bawden and then moving to north Essex to work with them as members of the group of Great Bardfield Artists. Between 1940 and 1943 he was one of the team of over 60 artists engaged by the War Artists Advisory Committee for the ‘Recording Britain’ project, to record the face of England and Wales before wartime action – or development – changed it for ever. Rowntree’s keen sense of design, and fascination with the quirky and the vernacular made him an ideal candidate to interpret our built heritage’s more unusual aspects. In 1951 he painted murals in the Lion and Unicorn pavilion for the Festival of Britain, he decorated the route of the Queen’s Coronation procession (some of the works being acquired by Her Majesty). During a teaching job at the Ruskin School of Drawing in Oxford he was driven, perhaps by his experiences recording Britain, to record the decorated barges that belonged to the Oxford Colleges. These wooden Victorian ceremonial barges had belonged to the London livery companies, but were acquired in their later life by the Colleges to be used as changing rooms and clubhouses for the College boat clubs – depending on the size of the barge rowing eights were stored on board too. Part way through painting one of them Rowntree thought his drawing incorrect until he realised that it was the boat that was moving. It was in fact sinking. These days the Colleges have modern (but unromantic) boat houses; a handful of the barges remain – restored – in private hands. In 1959 he was appointed Professor of Fine Art at King’s College, Newcastle (latterly part of the University), which as British art schools went was one of the most progressive. The Master of Painting was the abstract constructionist Victor Passmore...

To see our other Mid Century and Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Charles Pulsford...

We acquired a series of paintings from Clifford and Rosemary Ellis's studio. To find more scroll down to "More from this Seller" and below it click on "See all from this seller." C...

Jay Van Everen was a pioneering early American abstractionist known for his affiliation with the Synchromists. His abstract color studies would take him to the forefront of the Ameri...

Minimalist work by Annemarie Graupner, in a charming hand-carved wood frame. Perfect for an intimate nook. About this artist: Swiss artist Annemarie Graupner, granddaughter of the S...

Abstract Mid 20th Century WPA Non Objective American Modernism New Hope Modern.mixed media. 21 x 16 (sight). Housed in a hand carved frame. Louis King Stone ...

Donald Stacy "Red Sun" c.1950s Gouache and oil pastel on paper 13.75" x 17" unframed Unsigned Came from artist's estate *Custom framing available for additional charge. Please expect framing time between 3-5 weeks. Donald Stacy (1925-2008) New Jersey Studied: Newark School of Fine Art The Art Students League...

Donald Stacy "Sitting in Chair" c.1950s Gouache and oil pastel on paper 24" x 18" unframed Came from artist's estate *Custom framing available for additio...

Mid century modern gouache on paper by the well known Canadian/American artist, Rolph Scarlett. Signed and dated in blue pen lower left, 1947. Condition: Good. Framed in thin black matte painted frame with acid free white mat. Not examined out of frame. Overall framed 14.25 by 17 inches. ROLPH SCARLETT (1889-1984) Rolph Scarlett was born 1889 in Guelph, Ontario. His long life as an artist began in his teens as a jewelry designer and fabricator. At the age of fourteen he began to design jewelry professionally, a craft which he continued off and on for the rest of his life. His desire to learn more about art took him to New York in 1908, when American artists were just beginning to experience strong influences from major modern European artists of the day such as Cezanne and Picasso. Throughout his long career he produced, oil paintings, many works on paper, unique sculptured jewelry, modernist style industrial and furniture designs. Currently there are over 800 of his designs at the Montreal Museum of Fine Arts Design Collection. In 1928 he moved to Hollywood, California where he became a very successful stage and set designer. In the mid-1930s he met the director of the Museum of Non-objective Art in New York ( Hilla Rebay). He became her close associate and advisor in organizing and running the museum. He was Chief lecturer at the museum (1939 -1946) teaching the new modernism and abstraction to the new generation of artists in the New York art community. Hilla Rebay would introduce him as “Rolph Scarlett, my great find”. So considerable was her enthusiasm for Scarlett, that she and Solomon Guggenheim bought over sixty of his paintings and monotypes for the museum. After Kandinsky and Bauer, there was more of Scarlett’s work in the collection than any other artists. He participated in many of the museum exhibitions and galleries and was regularly exhibiting his work in Los Angeles, the San Francisco Art Museum, the Art Institute in Chicago, the Modern Age Gallery in N.Y., the Metropolitan Museum, the Whitney Museum and the Museum of Modern Art. He studied for a time at the Art Student League with William Merrit...