William Black

Mid 20th Century Cornish Abstract gouache painting by William Black 'Landscape'

1963

William Black (British, Fl. 1963 – 69) Doorway Ink and watercolour on paper Signed, inscribed and dated ‘Doorway William Black 64’ (lower edge) 7.1/2 x 4.7/8 in. (19.2 x 12.4 cm.) (to site edge) William Black is a little known and underrated member of the St Ives artist group who, having worked as an architect after the Second World War, went on to work as an artist following the inheritance of money in the early 1950s. He was a self taught artist, producing numerous deconstructivist sculptures in the 1960s. He moved to St Ives in Cornwall where he knew artists such as Ben Nicholson, Barbara Hepworth and Naum Gabo. There is a clear architectural element to the sculptures that he made . They illustrate an assemblage of fragmented shapes and forms of a deconstructivist nature. William Black’s artwork is very much rooted in the time and Cornish School so one can see elements from those such as Wilhelmina Barns Graham...

Adrian Heath (British, 1920-1992) Squared foliage Gouache on paper Signed and dated `Heath 64’ (lower right) 29.1/2 x 21.3/4 in. (75 x 55.3 cm.) Born in Burma, Adrian Heath moved to...

Sandra Blow (British, 1925-2006) Abstract, 1970 Watercolour Signed with estate stamp (lower left) 11 x 7 in. (28 x 18 cm.) The late British artist Sandra Betty Blow (1925-2006) came...

Norman Edgar Hubert (British, 1906 – 1985) Geometric abstract in black and white Signed and dated ‘E Hubert 55’ (on the reverse) Gouache on black paper 25.3/8 x 20.3/4 in. (64.3 x 53 cm.) Abstract painter, born Norman Edgar Hubert in Billingshurst, Sussex, and one of the mysterious curiosities of modern British painting. He was at school at Sherborne, and after studying art at University of Reading, 1924–6, was at the Slade School of Fine Art, 1926–9 (gaining a certificate for drawing, 1926–7). Henry Tonks was among his teachers and he shared rooms with William Townsend, in whose journals he appears. Although he socialized with such painters as Geoffrey Tibble, William Coldstream and Rodrigo Moynihan...

Scottie Wilson (Scottish, 1888 – 1972, born Louis Freeman) Ducks paradise Signed ‘Scottie’ (lower right), further signed and inscribed with title on th...

Edmond Xavier Kapp (British, 1890 – 1978) No Question! Ink on paper Signed and dated ‘Kapp ‘71’ (lower left), titled on the reverse 14.3/4 x 11.7/8 in. (37.5 x 30.3 cm.) Edmond Kapp was born in Islington, London, on 5 November 1890, of American and German Jewish parentage. He gave himself the middle initial ‘X’ – sometimes said to stand for Xavier – to distinguish himself from his father Emil Kapp, who was a wine merchant. However, his parents called him ‘Eddie’ while his wife and friends knew him as ‘Peter’. During his early years, Kapp was continually ill and, while convalescing, entertained himself by drawing at home. As his health improved, he attended Dame Alice Owen’s School, Islington (1903-10), with periods at Berlin University (1909) and L’Institut Français pour les Etrangers, Paris (1909). He then read Languages at Christ’s College, Cambridge (1910-13), though spent most of his time writing and drawing. Kapp took a studio in London, and worked intensively until the outbreak of the First World War, contributing to the Daily News, the Onlooker and other periodicals. During the war, he served as a 2nd Lieutenant in the Royal Sussex Regiment on the Western Front, and then in Intelligence, rising to the position of Staff Captain on Haig’s Staff. Finally, he founded and directed the Neutral Press Counter-propaganda Section. In 1919, Kapp returned to London and, after abortive periods at three art schools, worked alone. In that year, he made his name with an exhibition of caricatures, held at Furst’s Gallery, London, and accompanied by a catalogue introduced by Max Beerbohm. This soon led to contracts with three London periodicals and a book of caricatures, Personalities, published by Martin Secker. Through the 1920s and 30s, his drawings of musicians...

"Wigwam rouge et jaune" is a gouache on paper by Alexander Calder. The unique work is signed in the lower right, “Calder 65”. Although renowned for his innovative and groundbreaking...

"Three Pyramids + Blue Ball" is a gouache on paper by Alexander Calder. The work is signed in the lower right, "Calder 73”. Although renowned for his innovative and groundbreaking sculptures, Alexander Calder started his artistic career as an abstract painter, preferring to use gouache. What is gouache? Gouache is a water-soluble paint – a type of opaque watercolor. As Calder returned to gouache painting towards the end of his life, he was now armed with a lifetime of experience as a sculptor. He explored the three-dimensional vocabulary of sculptural forms he had developed onto the two-dimensional surface of the paper. Certain shapes and colors recur throughout his gouaches and sculptures. Circles, ovals, and other geometric forms dominate the space. There is the same sense of energy and fluidity. The shapes do not sit on the surface but vibrate giving a feeling of movement in contrast to the static nature of painting. Like his sculpture, Calder’s gouache...

"Two Crosses" is a gouache on paper by Alexander Calder. The work is signed in the lower right, "Calder 65”. Although renowned for his innovative and groundbreaking sculptures, Alexander Calder started his artistic career as an abstract painter, preferring to use gouache. What is gouache? Gouache is a water-soluble paint – a type of opaque watercolor. As Calder returned to gouache painting towards the end of his life, he was now armed with a lifetime of experience as a sculptor. He explored the three-dimensional vocabulary of sculptural forms he had developed onto the two-dimensional surface of the paper. Certain shapes and colors recur throughout his gouaches and sculptures. Circles, ovals, and other geometric forms dominate the space. There is the same sense of energy and fluidity. The shapes do not sit on the surface but vibrate giving a feeling of movement in contrast to the static nature of painting. Like his sculpture, Calder’s gouache...

"Bobine" is a gouache and ink on paper by Alexander Calder. The work is signed in the lower right "Calder 72". Although renowned for his innovative and groundbreaking sculptures, Alexander Calder started his artistic career as an abstract painter, preferring to use gouache. What is gouache? Gouache is a water-soluble paint – a type of opaque watercolor. As Calder returned to gouache painting towards the end of his life, he was now armed with a lifetime of experience as a sculptor. He explored the three-dimensional vocabulary of sculptural forms he had developed onto the two-dimensional surface of the paper. Certain shapes and colors recur throughout his gouaches and sculptures. Circles, ovals, and other geometric forms dominate the space. There is the same sense of energy and fluidity. The shapes do not sit on the surface but vibrate giving a feeling of movement in contrast to the static nature of painting. Like his sculpture, Calder’s gouache...

Black & Gold Glyphs III by Cheryl R. Riley Metallic abstract geometric symbols Gouache and metallic ink on 140# cold press watercolor paper Feminist Art and Contemporary Feminist / ...

2018 Watercolor and ink drawing on paper 27 1/2 x 19 1/2 in. Signed and dated in pencil Unframed, excellent condition