Items Similar to Folio from a Book of Hours, c.1475 Delft (Holland)
Want more images or videos?
Request additional images or videos from the seller
1 of 3
Anonymous 15th ArtistFolio from a Book of Hours, c.1475 Delft (Holland)c. 1475
c. 1475
About the Item
Folio from a Book of Hours, c.1475
Delft (Holland)
red, blue and black Ink on vellum, c. 1475
Unsigned as is usual
Most probably created at the Church of St. Agnes, by the women of the Convent of the Cannonesses Regular (Augustinian Nuns) at St.Agnes
Note: A very rare, documented example of women (nuns) scribes
Folio contains a long series of readings, or lessons, consisting of prayers, Psalms, and other short responsory chants and text. It is the end of the sixth and beginning of the seventh lesson
Provenance: Possibly S. Dijkstra (18th century inscription)
Condition: Excellent
Image/Folio size: 6 7/8 x 4 7/8 inches
- Creator:Anonymous 15th Artist (1400 - 1500, Italian)
- Creation Year:c. 1475
- Dimensions:Height: 6.88 in (17.48 cm)Width: 4.88 in (12.4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1978
1stDibs seller since 2013
711 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: Akron, OH
- Return PolicyA return for this item may be initiated within 10 days of delivery.
More From This SellerView All
- CornucopiaBy Adolf Arthur DehnLocated in Fairlawn, OHSigned by the artist in ink lower right Preliminary sketch in reverse for the 1928 lithograph "Cornucopia," part of Dehn's Paris Lithographs portfolio An unsigned sketch of tw...Category
1920s Figurative Drawings and Watercolors
MaterialsInk
- Veillee Sepulchrale; Verso: Study of two figures in a landscapeBy Eugene BermanLocated in Fairlawn, OHVeillee Sepulchrale Verso: Study of two figures in a landscape Pen and ink on rose colored Canson watermark paper, 1944 Signed in ink with the artist's initials lower center (see photo) Dated 1944 lower center; Titled in ink upper left corner (see photo) Provenance: Swann Galleries, 2010, realized $900. John Popplestone (1928-2013), Akron, OH collector, noted psychologist and author Berman brothers (painters) From Wikipedia, the free encyclopedia Jump to navigationJump to search This article is about the painters. For the American songwriters/producers, see Berman Brothers (producers). Eugene Berman in Italy in the 1960s Eugène Berman (Russian: Евгений Густавович Берман; 4 November 1899, Saint Petersburg, Russia – 14 December 1972, Rome) and his brother Leonid Berman (1896 – 1976[1]) were Russian Neo-romantic painters and theater and opera designers. Contents 1 Early years 2 Later years and death 2.1 Works 3 Legacy 4 See also 5 References Early years Born in Russia, the Bermans fled the Russian revolution in 1918. In Paris the Bermans exhibited at the Galerie Pierre where their work earned them the name "Neo-Romantics" for its melancholy and introspective qualities, having taken inspiration from the Blue Period paintings of Pablo Picasso. Other Neo-Romantic painters were Christian Bérard, Pavel Tchelitchev, Kristians...Category
1940s Surrealist Landscape Drawings and Watercolors
MaterialsInk, Pen
- Untitled (Inspired by a Chinese scroll painting)By Peter MarksLocated in Fairlawn, OHUntitled (Inspired by a Chinese scroll painting) Collage with ink on 6 paper elements Unsigned Provenance: Estate of the Artist Condition: Excellent Image size: 4 x 12 inches Support...Category
Early 2000s Abstract Abstract Drawings and Watercolors
MaterialsInk
- Untitled (Abstraction)By Rolph ScarlettLocated in Fairlawn, OHUntitled (Abstraction) Ink on textured paper, c. 1958 Signed lower right "Scarlett" (see photo) Condition: Excellent Archival framing with OP3 Acrylic Sheet size: 21 3/4 x 30 inches Frame size: 28 1/2 x 36 1/2 inches Note: A rare mid to late 1950s example of the artist's abstract expressionist style. Provenance: estate of the artist Private Collection, Hudson River Valley, New York Rolph Scarlett B. 1889, GUELPH, ONTARIO; D. 1984, WOODSTOCK, NEW YORK Born on June 13, 1889 in Guelph, Canada, and into an artistic family, Rolph Scarlett spent his teenage years as an apprentice in his uncle’s jewelry firm and briefly studied at the Art Students League, New York. While working in the jewelry industry, Scarlett found time to paint and design theatrical sets in his free time, including one for the 1928 world premiere of Eugene O’Neill’s drama Lazarus Laughed (1926). In 1923, while on a business trip to Switzerland, Scarlett had met the artist Paul Klee and soon after abandoned his figurative painting style in favor of an abstract language that suggested more universal, cosmic truths. In 1937, after permanently settling in New York, Scarlett became acquainted with the artist and curator Hilla Rebay, the first director of the Museum of Non-Objective Painting (renamed the Solomon R. Guggenheim Museum in 1952). Rebay provided Scarlett with a Guggenheim Foundation scholarship to paint full-time and obtained several of his paintings for the museum’s collection. From 1940 to 1946, Scarlett served as the museum’s chief lecturer, giving Sunday afternoon talks on art. Through Rebay, Scarlett became acquainted with the nonobjective works of Rudolf Bauer and Vasily Kandinsky and further refined his abstract style. Works from this era such as Yellow Bar (1942) are defined by overlapping geometric planes of bright, primary colors set against mute backgrounds. Scarlett avoided any reference to the outside world and believed that nonobjective painting was an act, in his words, of “pure creation.” During his lifetime, solo shows of his work were held at the Jacques Seligmann Gallery, New York (1949); Sioux City Art Center, Iowa (1951); and Washburn Gallery...Category
1950s Abstract Abstract Drawings and Watercolors
MaterialsInk
- Woman in a Fur WrapBy Rudolf BauerLocated in Fairlawn, OHWoman in a Fur Wrap Pen and ink heightened with white, c. 1920 Signed in ink lower right (see photo) Estate stamp verso (see photo) Provenance: estate of the artist Borghi & Company, New York Condition: excellent Sheet/Image size: 11 1/8 x 8 1/8 inches Rudolph Bauer 1889-1953 "Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'. From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay...Category
1920s Art Deco Figurative Drawings and Watercolors
MaterialsInk
- JazmenBy Sedrick HuckabyLocated in Fairlawn, OHJazmen Pen and ink on paper, 2013 Signed and titled lower right (see photo) Annotated: “I want to go to Dunbar,…because my friends are there…” Series: The 99% - Highland Hills Exhibited: Valley House Gallery, Everyday Glory, Dec. 4, 2013-Jan. 11, 2014 Illustrated: Everyday Glory, page 45 Condition: excellent Sheet size: 14 x 10 7/16 inches Provenance: Valley House Gallery (no. 18597) Sedrick Huckaby (b. 1975) Born in Fort Worth in 1975, Huckaby has been creating some form of art since his childhood. In 1995, he began his formal art studies at Texas Wesleyan University in Fort Worth. After a brief stay he transferred to Boston University, where he received a BFA degree. He then earned a MFA degree from Yale University in New Haven, Connecticut. Huckaby is known for his powerful use of color and his exploration of cultural roles and the heritage of the African American family. His work has evolved from portraiture to objects and interiors that venerate his personal family legacy rooted in Fort Worth, Texas. Portraying these familiar subjects on a large scale and pushing his use of materials, Huckaby defines the significance of family and tradition while touching on the subject of ethnographic stereotypes in our culture. For the past few years he has concentrated his efforts on a series of quilt paintings. One of the series he created is a tribute to both of his Grandmothers and a celebration of the African American quilting tradition. He used the actual quilts sewn by family members as models for his paintings. These quilts document significant events in his family history. According to Huckaby, the paintings represent an artistic family legacy. The colorful, rhythmic abstracted patterns come together like the musical notes in African American musician John Coltrane's famous jazz composition, A Love Supreme, from which the painting series acquired its name. He has earned national acclaim for his work over the past several years. Huckaby has received the 2001 Louis Comfort Tiffany Award...Category
2010s American Realist Figurative Drawings and Watercolors
MaterialsInk
You May Also Like
- Louis Osman Architectural Drawing Design for a Shop Front with Elegant FiguresBy Louis OsmanLocated in London, GBAs goldsmith Osman designed the Crown for the Investiture of the Prince of Wales in 1969, and as architect he commissioned Jacob Epstein's chef d'oeuvre, the Madonna and Child on the convent Osman rebuilt in Cavendish Square, W1 London after the war. From a large archive we acquired of his works from his daughter. To view more, scroll down to 'view all from this seller' and then search for 'Osman'. Louis Osman (1914-1996) Architectural Perspective Design for a Shop Front...Category
1930s Gothic Landscape Drawings and Watercolors
MaterialsWatercolor, Pencil
- "Two Girls". Contemporary Figurative PaintingBy Celia RobertsLocated in Brecon, PowysWe are pleased to sell works on behalf of Celia RobertsBorn 1950 in Stafford Educated at Oxford University 1969-1973 BA Hons in Hebrew. She has exhibited in the Arterie Gallery in ...Category
2010s Medieval Figurative Drawings and Watercolors
MaterialsPaint, Watercolor, Bamboo Paper
- Sir Lancelot and the Young Squire, 1911. King Arthur and the Round Table KnightsBy William Russell FlintLocated in Sutton Poyntz, DorsetSir William Russell Flint. Scottish ( b.1880 - d.1969 ). Sir Lancelot and the Young Squire, 1911. Sir Thomas Malory's Le Morte Darthur. Watercolor. Signed & Dated.. Image size 10.6...Category
Early 20th Century Gothic Figurative Drawings and Watercolors
MaterialsPaper, Watercolor
- HUBER Johann Kaspar. View of a city thought to be Antwerp. Wasked ink.By HUBER JOHANN KASPARLocated in Paris, FRJohann Kaspar HUBER is a Swiss painter.Category
Late 18th Century Landscape Drawings and Watercolors
MaterialsInk
- HUBER Johann Kaspar. View of a city thought to be Antwerp. Wasked ink.By HUBER JOHANN KASPARLocated in Paris, FRJohann Kaspar HUBER is a Swiss painter.Category
Late 18th Century Landscape Drawings and Watercolors
MaterialsInk
- “Guy au portrait de madame Descazeaux” / Guy (Bardone) in the portrait of MadameBy René GenisLocated in Berlin, MDRene Genis (French 1922-2004) “Guy au portrait de madame Descazeaux” / Guy (Bardone) in the portrait of Madame Descazeaux. Ink on paper laid down on matt board. Unsigned. Image siz...Category
Mid-20th Century French School Portrait Drawings and Watercolors
MaterialsIndia Ink