Abel Pann

Soldiers in World War I

1913

MARC CHAGALL 1887-1985 [Shagal, Mark, Zakharovich, Moses] Vitebsk, Belarus 1887-1985 Saint-Paul-de-Vence, Alpes-Maritimes Title: Study for The Circus Equisse pour ‘Le Cirque’, 1957...

MARIO SIRONI 1885-1961 Sassari, Italy , 1885-1961 Milan, Italy (Italian) Title: Heads of Two Women Technique: Hand Signed Pencil and Crayon Drawing on Tan Paper size: 17.4x 21 cm ...

WALASSE TING (1929-2010) [Ding Xiongquan] Wuxi 1929 – 2010 New York (Chinese/American) Title: Reclining Woman with Horseriders Technique: Stamp Signed Watercolour on Handmade Pape...

BELA KADAR 1877-1956 Budapest 1877-1956 (Hungarian) Title: Fantasy, circa 1940 Technique: Original Hand Signed Gouache on paper size: 46.2 x 29.4 cm / 18.2 x 11.6 in Additional Information: This work is a guache painting by the famous Hungarian artist Bela Kadar. It is hand signed in pencil "Kadar Bela" in the lower right corner of the paper. Exhibitions: New York, Shepherd & Derom Galleries, Hungarian Modernism, 29 April-2 July 2010, no.12. Tel Aviv, Galerie le Minotaure...

TSUGOUHARU FOUJITA 1886-1968 Edogawa Tokyo 1886-1968 Zurich (French / Japanese) Title: The Little Housewife Le petite ménagere, 1956 Technique: Original Hand Signed Pencil Drawin...

ERNST LUDWIG KIRCHNER 1880-1938 (German) Aschaffenburg 1880 - 1938 Davos Title: Ball Playing Nudes Ballspielende Akte, 1932 Technique: Chalk Drawing on Smooth Wove Paper Paper s...

Marc Chagall 1887-1985 Russian Musiciens sur fond multicolore (Musicians on a multicolored background) Signed 'Chag' (on the sleeve of the right figure); stamped with the signature 'Marc Chagall' (lower right) Tempera, gouache, colored ink and India ink and pastel on paper “The fact that I made use of cows, milkmaids, roosters and provincial Russian architecture as my source forms is because they are part of the environment from which I spring and which undoubtedly left the deepest impression on my visual memory of the experiences I have." - Marc Chagall Marc Chagall’s 1981...

Medium: Pastel Signature: Unsigned Zoe Mozert created several pastel paintings for use in the 1946 movie, "Never Say Goodbye", starring Errol Flynn, Eleanor Parker and Peggy Knudsen about a calendar artist trying to paint the perfect pin up. A Zoe Mozert pastel strikingly similar to this one prominently appears at the beginning of the movie. The model in this pastel is the actress from the movie, Peggy Knudsen. Zoe Mozert, born in Colorado Springs in 1907, was the most successful and well known female calendar artist of her time. She was born Alice Adelaide Moser, but when she was old enough, she changed her name to Zoe Mozert because she felt that she could never become famous with such a name. In 1941, Brown and Bigelow Calendar Company signed her to an exclusive calendar contract. During the war, her pin-up series for Brown and Bigelow called Victory Girls was published both in calendar and mutoscope card form. By 1950, she was considered among the "big four" at Brown and Bigelow, taking a place alongside Gil Elvgren, Rolf Armsgtrong, and Earl Moran. Often her own model, Mozert is noted for depicting realistic looking young women with individual features and personalities, while rejecting the sexy girl...

James Tissot was among the most successful and critically acclaimed artists of the Victorian era. Although the artist is celebrated for his elegant scenes of fashionable life in Paris and London, this work is a fascinating rarity within his oeuvre. In this monumental pastel, Tissot depicts a prehistoric woman draped in a tiger skin, presented with a striking pose and heroic air. His delicate portraiture, combined with his fascination with conveying texture, demonstrates why he was one of the most revered artists of his generation, and La femme préhistorique illustrates the remarkable technique for which he was renowned. This work was completed in preparation for a series of works exploring the Old Testament undertaken by Tissot from 1899-1902 that remained unfinished at the time of his death. A portion of this series focused on illustrations of Adam and Eve, and among these sketches were images of a nude Eve partially draped in animal furs. Towards the end of his life, following his conversion to Catholicism, biblical subjects became important to the artist. A few years before this work was completed, Tissot embarked upon a highly ambitious group of nearly 300 watercolors illustrating the New Testament, presenting the illustrated epic in its entirety at the Paris Salon of 1894. Both of these series were a critical artistic departure for the artist, stemming from a desire to create works separated from his typical images of modern society. This pastel imagines Eve as the prototype of womanhood in the guise of a prehistoric woman. Tissot rarely painted the nude, and his skill as a draftsman highlights the figure's natural beauty, contrasting it with the stark landscape surrounding her. Although a study, this monumental work is incredibly well-finished and highly engaging, with the statuesque model commanding the majority of the canvas. Her pose is strong and theatrical, and she addresses the viewer with a direct, confident gaze. The imagined historical subject of this drawing is grounded by Tissot’s exceptional attention to detail. A master of conjuring an array of textures, Tissot showcased this ability in this work by juxtaposing many types of fabrics and natural elements within one composition. The tiger skin with which the woman partially covers herself was a favorite studio prop of Tissot’s, appearing in many of his most influential works from the period, including several paintings of his partner and favorite model Kathleen Newton. It, in particular, showcases the artist’s understanding of texture, yet it also serves as an exotic element that elevates the sensuality of the scene when placed against the woman’s bare skin. Born in 1836 in the port town of Nantes, Tissot traveled to Paris at the age of 20 in order to join the studios of Hippolyte Flandrin and Louis Lamothe. During this period, he became close with James Abbott McNeill Whistler, Edgar Degas and Edouard Manet, and the impact of these friendships is reflected in his portraits of modern life. Having enjoyed considerable success in Paris during the 1860s, Tissot fought in the Siege of Paris, and after the fall of the Commune in 1871, he went to London, where he stayed for the next ten years. He was met with incredible success there, and he also met the love of his life, Kathleen Newton, a divorcée, with whom he lived from about 1876 until her death in 1882. Today he is regarded among the great masters of Belle Époque painting, and his works can be found in important collections worldwide, including the Metropolitan Museum of Art, the Brooklyn Museum, the National Gallery of Art, the Musée d’Orsay, the Tate Gallery and many others. This pastel remained in Tissot's private collection until his death in 1902 and is referenced in the posthumous 1902-3 valuation of Tissot's home at 64 avenue du Bois...

Artist: Wifredo Lam, Cuban (1902 - 1982) Title: Untitled - I Year: 1957 Medium: Crayon and Pastel on Paper, signed and dated l.r. Paper Size: 22 in. x 26.5 in. (55.88 cm x 67.31...

Date: 1921 Medium: Pastel on Paper Dimensions: 28.00" x 21.00" Signature: Signed Lower Right Satuday Evening Post Cover, November 12, 1921

Work : Soft Pastel on archival and heavy paper for pastel drawing. The colors are fixed on the paper and the work has been treated with a UV-resistant varnish. Signed lower right. Un...