Ernest Collier

The River Nymph, Early 20th Century Art-Deco Watercolour

1900

J Fairfax Whiteside ARRC FMAA 1904 - 2001 X MARKS THE SPOT Gouache, signed lower right Image size: 30 x 17 inches (76 x 43 cm) Hand made frame

Arthur H. Tranter Fl. 1920-1940 Colman's Starch Gouache Image size: 23 x 15 inches Art Deco frame Arthur Henry Tranter was an accomplished artist, illustrator and sculptor from Birm...

J Fairfax Whiteside ARRC FMAA 1904 - 2001 SAFE HARBOUR Gouache, signed Image size: 29 x 19 inches Framed

William Walcot R. E. Hon. R. I. B. A. 1874 - 1943 The Supreme Court, Parliament Square Graphite, watercolour and gouache Image size: 29 x 20 inches (74 x...

C.M. European 1946 Cibon Chocolat Gouache on paper Image size: 38 x 24 inches

Watercolour with bodycolour on card Titled 'Donn d'Albano' lower left and signed and inscribed 'Roma 1853' lower right Image size: 19 1/2 x 13 1/2 inches (50 x 34 cm) This is a full...

This gouache is a museal and historical piece. Gouache and charcoal on paper stuck on panel by Henri Rapin, France, 1924-1928. "Fructidor". With frame: 80x114x3 cm - 31.5x44.9x1.2, w...

Watercolor by Paul-Alex Deschmacker, France, 1920s. This watercolor is in the classical period populated by mythological characters of Paul-Alex Deschmacker, itself becoming part of ...

Pierre Olivier DUBAUT (1886-1968) Head studies of a horseman, Geoffrey Larcher, 1936 Signed lower center Watercolor, black and red chalks and pencil on paper 22 x 27.5 cm Titled an...

Charles-Victor Guilloux (1866-1946) Landscape in Provence Oil on canvas (Without stretcher) 31 x 23 cm Signature stamp on the bottom left (slightly faded) Framed under glass (Frame...

“Dime a Dance” American Art Deco 20th Century Modernism Pin-Up Social Realism Arthur Rosenman Ross (1913 - 1981) “Dime a Dance”, 1933 Watercolor and Ink on Illustration Board 18” x 10 1/2 inches (sight) Signed Arthur Rosenman, ‘33 L/R 29 1/2”H x 25 1/2 inches ( Framed) Provenance: Estate of the artist. The Drawing is in very good condition. The period frame is solid, but could use some restoration. BIO Arthur Rosenman Ross was a key figure in automotive design at General Motors during America's "Golden Age" of auto design, the 1930's through the 1950s. He attended the Art Institute of Chicago from age 17, exhibiting a special interest for automotive renderings and the female figure. In 1934, he changed his name from Rosenman to Ross, fearing his Jewish ancestry could prejudice his career prospects. At age 20, he turned down job offers from MGM Studios in Hollywood and Duesenberg to work at General Motors alongside the Legendary Harley Earl in 1935. He was hand picked by Mr. Earl and assigned to GM's War and Camouflage Division in 1937 through WW2. It was during this pivotal period in which he executed some extraordinary military aircraft artworks, likely used between GM and America's military aeronautics companies in design preparation for WW2. General Motors played an important role in helping America's aircraft manufacturers preceding and during the war. Just after the war in 1945, Mr. Ross was rewarded by GM, being made Chief Designer of Cadillac, then two years later becoming Chief at Oldsmobile until his retirement in 1959. He was in large part responsible for some of GM's classic Cadillac designs such as the Cadillac Sixty Special, Fleetwood, LaSalle and GM's first concept car, the extraordinary Buick Y-Job. Mr. Ross was an exceptionally charismatic and vivacious man who quite by chance, befriended His idol, Salvador Dali at GM in 1955. They talked about art, cars and girls late into the evening, according to his son, Carter Ross. He had a gift in rendering the erotic arts...

Erte Roman de Tirtoff:1892-1990. Well listed and very important Russian artist. Most famous for his set decorations and art deco design. He has an auction result high of $45,000 for ...