Gabriele Galantara

Figures - Ink and Pencil Drawing by G. Galantara - Early 20th Century

Early 20th Century

Portrait of a Gentleman of the Renaissance is an original drawing in Pencil and Ink on paper realized by an anonymous artist in the early 20th Century. Good Conditions but aged with...

This beautiful artwork is a piece of paper with studies and notes. On one side, eleven subjects are drawn in ink, among which La Pietà in different poses, a female figure, and a prof...

Figure is an Original china ink drawing realized by Georges Jeanniot (1848-1934). Hand-Signed by the artist on the lower left corner. Good condition included a qhite cardboard pas...

Lying Man is an original modern artwork realized in the mid-20th Century by Enrique Vasi. Pencil drawing on paper. Includes frame: 32,6 x 1.5 x 24.3 cm Date and signed on the back

City view is an original drawing realized by Helen Vogt in the Mid-20th Century. China ink drawing on paper. Fair conditions. Dry stamp of the Atelier Vogt on the lower right margi...

Study of Figures includes two original drawings in china ink and pencil on paper realized by Michel Dumas (1812-1885), with the stamp of the artist on the rear. One of them is a nude...

Karl HUBBUCH (1891-1979) Thoughtful young woman, circa 1920-30 Pen and ink, pink colored pencil on paper Stamp of the Karl Hubbuch estate in the upper left corner 14,5 x 14 inch German artist and figure of the New Objectivity, Karl Hubbuch was born in Karlsruhe in 1891. He received his first artistic training at the Academy of Fine Arts in 1908, where he became friends with Georg Scholz and Rudolf...

*THIS PRICE INCLUDES 5% IMPORT DUTY APPLICABLE IF THE WORK REMAINS IN THE UK ONLY. Esquisse pour "Commedia dell'arte" by Marc Chagall (1887-1985) India ink, pen and pencil on paper...

This piece titled "CONDENSE" is an original artwork made from pencil and ink on paper by Jasjyot Singh Hans. This piece measures 13"h x 13"w framed. Jasjyot Singh Hans is an illustrator unendingly inspired by an explosive neon mix of fashion, music and pop culture. He has a constant regard for things past and a voracity for all that is current. He studied animation film design at the National Institute of Design...

In the 1950s and 60s Grambs worked on many commissions. This drawing was probably for a magazine, perhaps House and Garden or House Beautiful. It is signed and dated in pencil on the...

Pen and sepia ink and wash on vellum, 8 7/8 x 10 1/2 inches (225 x 267 mm). In very good condition with some modern notations in pencil on the verso, minor cockling, and a 1-inch hor...

E. Simms Campbell was the first African-American illustrator/ cartoonist published in nationally distributed, slick magazines, he created Esky, the familiar pop-eyed mascot of Esquire. This early work of 1930 was done on assignment for an interior page of Life Magazine. It features two Rowing teams engaged in spirited competition with cheering onlookers. This is a highly stylized black-and-white illustration and is masterfully executed. The work is composed of two illustrations, 6 x 9 inches and 2-3/4 x 2 inches respectively. It is initialed center bottow ESC. unframed Campbell left the University of Chicago and transferred to and received his degree from the Chicago Art Institute.[3] Professional career During a job as a railroad dining-car waiter, Campbell sometimes drew caricatures of the train passengers, and one of those, impressed by Campbell's talent, gave him a job in a St. Louis art studio, Triad Studios. He spent two years at Triad Studios before moving to New York City in 1929. A month afterward, he found work with the small advertising firm, Munig Studios, and began taking classes at the National Academy of Design.During this time, he contributed to various magazines, notably Life, & Judge Following the suggestion of cartoonist Russell Patterson to focus on good girl art, Campbell created his "Harem Girls", a series of watercolor cartoons that attracted attention in the first issue of Esquire, debuting in 1933. Campbell's artwork was in almost every issue of Esquire from 1933 to 1958 and he was the creator of its continuing mascot, the cartoon character in a silk top hat. He also contributed to The Chicagoan, Cosmopolitan, Ebony, The New Yorker, Playboy, Opportunity: A Journal of Negro Life, Pictorial Review, and Redbook. His commercial artwork for advertising included illustrations for Barbasol, Springmaid, and Hart Schaffner...