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Gottfried SalzmannRare Large Collage New York Cityscape Skyline Assemblage Painting1972
1972
About the Item
Gottfried Salzmann worked on a series of photo collages inspired by the city streets and the urban. In this collage the artist cuts and crops pieces of newspaper, and attaches them to his paper matrix and then proceeds to paint around and on top of the image in black and white. The artist restrains the use of colors to black and white, creating geometric patterns through the assemblage of the cutout paper to resemble skyscrapers in the New York skyline.
Gottfried Salzmann , born on 26 March 1943 In Saalfelden near Salzburg in Austria is an Austrian painter. He lives and works in France (between Paris and Vence) since 1965.
He studied from 1963 to 1965 at the school of fine arts of Vienne and then, from 1965 to 1968, at the Beaux-Arts of Paris. He exhibited for the first time in 1969 in Salzburg.
He paints in watercolor, is also a draftsman, an engraver and a photographer; He sometimes painted on his pictures when he left the watercolor.
In 1989, he illustrated by lithographs Situations de New York by Jean-Paul Sartre (edition Les Bibliophiles de France ).
Prizes:
1972: David-Weill Drawing Prize, Paris - Theodor Körner Prize, Vienna
1975: Grand Prize of drawing of the "Salzburger Wirschatskammer"
1977: 1st international prize for watercolor in Rome.
Exhibitions:
Personal exhibitions
Germany: Krefeld (Galerie Peerlings), Düsseldorf (Galerie Walther), Cologne (Galerie Boisserée), Munich (Galerie Gunzenhauser, Galerie Seifert-Binder), Hamburg (Lochte Gallery), Darmstadt Gallery Frankfurt, Stuttgart, Mainz, Schweinfurt, Nüremberg (photographs), Aachen
England: London (Albermale Gallery)
Steyr, Innsbruck (Bloch Gallery, Maier Gallery), Lusteneau (Galerie Neufeld), Klagenfurt (Austria), Vienna (Galerie Würthle, Galerie Stubenbastei, Gallery Contact), Salzburg (Gallery Welz), Linz (Oberösterreichisches Kunstverein, (Künsterhaus, Slama Gallery), Graz, Bozen
Belgium: Brussels
United States: New York (Austrian Institute, KPF Gallery, Franklin Bowles Gallery), Washington DC (Bader Gallery)
France: Paris (Galerie Flak, Gallery of the Atelier Lambert, Galerie l'Œil Sévigné, City Hall, Galerie Nichido, Galerie Étienne de Causans, Galerie Arcturus, Rouen (Center of Contemporary Art), Aachen, Amiens (House of Culture), Deauville, Tours
Hungary: Budapest
Japan: Tokyo (Nichido Gallery), Fukuoka (Nichido Gallery)
Liechtenstein: Vaduz (Haas Gallery)
Philippines: Manila
Poland: Warsaw
Switzerland: Bern (Galerie Vita), Basel, Lausanne, Friborg (Galerie Ollier)
Latest exhibitions [ edit Change the code ]
2009:
Gallery New Art City, Lille
Engravings, photo-forts, watercolors, Métairie Bruyère, Parly (89240)
In museums:
1973: House of the culture of Amiens
1982: Museum of the Albertina of Vienna
1987: Staatliche Sammlungen Schweinfurt
1991: Oberösterreichisches Landesmuseum Linz; Metropolitan Museum of Manila; Museum of Modern Art of the Rupertinium of Salzburg
1993: Museum of the Seita, Paris
1996: Center of contemporary art of Rouen (with Nicole Bottet)
1998: Benedictine Palace , Fécamp
2001: Museum of Saint-Maur-des-Fossés, The Varenne
2003: Carolino Augusteum Museum of Salzburg
2006: Inauguration of the Gottfried Salzmann Hall at the Carolino Augusteum Museum in Salzburg
- Creator:Gottfried Salzmann (1943, Austrian)
- Creation Year:1972
- Dimensions:Height: 25.5 in (64.77 cm)Width: 32.5 in (82.55 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:size includes frame.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38212709482
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- Chaim Gross Mid Century Mod Judaica Jewish Watercolor Painting Rabbis WPA ArtistBy Chaim GrossLocated in Surfside, FLChaim Gross (American, 1904-1991) Watercolor painting Rabbinical Talmudic Discussion Hand signed 17 x 29 framed, paper 10 x 22 Chaim Gross (March 17, 1904 – May 5, 1991) was an American modernist sculptor and educator. Gross was born to a Jewish family in Austrian Galicia, in the village of Wolowa (now known as Mezhgorye, Ukraine), in the Carpathian Mountains. In 1911, his family moved to Kolomyia (which was annexed into the Ukrainian USSR in 1939 and became part of newly independent Ukraine in 1991). When World War I ended, Gross and brother Avrom-Leib went to Budapest to join their older siblings Sarah and Pinkas. Gross applied to and was accepted by the art academy in Budapest and studied under the painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. 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For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, Israeli President, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. He also did some important Hebrew medals. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. 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This aspect of his work remained consistent with his Hasidic heritage, which teaches that "only in his childlike happiness is man nearest to God." He often used his creative abilities to explore and experiment with media. In his artwork he retains an optimistic philosophy, even when facing somber issues such as war, depression, and the Holocaust. Chaim Gross (March 17, 1904 – May 5, 1991) was an American sculptor and educator. Gross was born to a Jewish family in Austrian Galicia, in the village of Wolowa (now known as Mezhgorye, Ukraine), in the Carpathian Mountains. In 1911, his family moved to Kolomyia (which was annexed into the Ukrainian USSR in 1939 and became part of newly independent Ukraine in 1991). When World War I ended, Gross and brother Avrom-Leib went to Budapest to join their older siblings Sarah and Pinkas. Gross applied to and was accepted by the art academy in Budapest and studied under the painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna, Austria shortly before immigrating to the United States in 1921. Gross's studies continued in the United States at the Beaux-Arts Institute of Design, where he studied with Elie Nadelman and others, and at the Art Students League of New York, with Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky, at the same time as Moses Soyer and Peter Blume. In 1926 Gross began teaching at The Educational Alliance, and continued teaching there for the next 50 years. Louise Nevelson was among his students at the Alliance (in 1934), during the time she was transitioning from painting to sculpture. In the late 1920s and early 1930s he exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club. In 1929, Gross experimented with printmaking, and created an important group of 15 linocuts and lithographs of landscapes, New York City streets and parks, women in interiors, the circus, and vaudeville. The entire suite is now in the collection of the Philadelphia Museum of Art. Gross returned to the medium of printmaking in the 1960s, and produced approximately 200 works in the medium over the next two decades. In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, President of Israel, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. 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- Large Watercolor Painting John Groth, Men Wrestling, Esquire Magazine WPA ArtistBy John GrothLocated in Surfside, FLJohn August Groth (American, 1908-1988) "Wrestling Match," Watercolor painting, hand signed upper right and inscribed upper left, "Las Palmas Canary Islands Lucha Canary Wrestling". Framed Size: 21'' x 29'', 53 x 74 cm (sight); 28.5'' x 36.25'', 72 x 92 cm (frame). Depiction of a wrestling match in a city square. John August Groth (1908 - 1988) was an illustrator and art teacher. He gained recognition as a war correspondent-illustrator. He studies at the Art Institute of Chicago and at Art Students League with Todros Geller, Robert Brackman, Arnold Blanch and George Grosz. He was a member: Society of American Etchers; American Newspaper Guild; Society of Illustrators; Associate Member of the National Academy of Design; American Water Color Society. Positions : Art Director at Esquire 1933 - 1937, Parade Publications 1941 - 1944; War Correspondent for Chicago Sun 1944; American Legion Magazine 1945; Artist-Correspondent in Vietnam 1967.Teacher at Art Students LeagueHe was the first art director of Esquire Magazine and taught at the Art Students League, the Pratt Institute, and the Parsons School of Design. In 1940, he was included in an exhibition at MOMA, titled, "PM Competition: The Artist as Reporter." The exhibition included Philip Guston, Reginald Marsh, John Tworkov, John Heliker, Adolf Dehn, and Chet La More. Groth began sketching intently during the Great Depression after studying at the Art Institute of Chicago. Following the advice of an editor, he penned 100 sketches a day for years. He learned to increase his speed by listening to sports on the radio and sketching the action as fast as he could. "I would listen to the games on the radio at night, and sketch the plays. It made me very quick." His break came when Arnold Gingrich, an editor for Esquire magazine, approached him at an art show in Chicago and offered him a position. "The way (Arnold Gingrich) told it," John Groth says, "he found this barefoot, bearded kid in the park, and the next day made him art director of the world's leading men's fashion magazine. But I swear I was wearing shoes." Groth went on to work as a correspondent and illustrator for the Chicago Sun, Collier's, Sports Illustrated, and The Saturday Evening Post. He developed a passion for war zones. He covered six different wars and was one of the first correspondents in Paris after its liberation. "It is only at war that I feel complete... There, you meet all sort of men -- farmers, mechanics, college professors. It rains on them and it rains on you. The shells burst in the air, and you are there, too." He would make a splash when he beat out friend and rival, Ernest Hemingway, into Paris in 1944. Hemingway was writing for the Chicago Tribune and Groth for the Chicago Sun. Groth was in the first jeep into Paris and got the scoop. His headline read, "Yanks are in Paris!" Hemingway would later write about Groth's technique. “None of us understood the sort of shorthand he sketched in. The men would look at the sketches and see just a lot of lines. It was a great pleasure to find what fine drawings they were when we got to see them. Groth went on to illustrate such classic books as: A Christmas Carol, All Quiet on the Western Front, The Grapes of Wrath, The War Prayer, and Gone with the Wind. Deborah Churchman described Groth's work in a 1980 Washington Post article: "Groth's pictures center on the day-to-day life of people caught in terrifying circumstances -- armies occupying cities, soldiers sweeping roads for land mines, bullfighters facing death." Bernie Schonfeld, a photographer for Life Magazine said of Groth, "John is one of the gentlest people in the world, and he always gets himself into the wildest hell hole." He joined the First Congress of American Artists Against War and Fascism in 1936, along with Stuart Davis, Peter Blume...Category
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