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Jean DufyPlace de la Concorde by Jean Dufy - Mixed media on paper, Parisian scenecirca 1955
circa 1955
About the Item
*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE
Place de la Concorde by Jean Dufy (1888-1964)
Gouache and watercolour on paper
48.6 x 63.2 cm (19 ¹/₈ x 24 ⁷/₈ inches)
Signed lower right, Jean Dufy
Executed circa 1955
This work is accompagnied by a certificate of authenticity signed by Jacques Bailly and will be included in the forthcoming Catalogue Raisonné vol.3 currently being prepared by Jacques Bailly.
Provenance: Private collection, France
Artist biography:
Born into a large family in the busy port-city of La Havre in northern France, Jean Dufy was the younger brother of the Fauvist painter Raoul Dufy. In order to please his accountant father, Jean was trained in business and languages and at the age of sixteen began work as an administrative clerk and secretary in what he would later described as a ‘stifling’ atmosphere. Nevertheless, thanks to his employer (The General Transatlantic Company) as part of his duties Jean travelled to New York City on up to fifteen occasions. Unlike many of his artistic contemporaries, Jean therefore had the extraordinarily opportunity of experiencing first-hand the cradle of modernity. In the spring of 1906, when Jean was eighteen, he visited an exhibition at La Havre townhall, partly organised by his brother Raoul and featuring, amongst others, the striking work of artists Henri Matisse and Pablo Picasso. Jean’s experience of their work and the feelings they provoked in him were revelatory and resolved him to become an artist.
Called-up for national service in 1909, Jean served in a cavalry officer, before moving in 1912 to Montmartre in Paris. Whilst earning money as designer for a fabric manufacturer, Jean began painting and experimenting with colour. In pursuit of what Raoul called his ‘new kind of beauty’, Jean’s pictures were recognised by French art dealer Berthe Weill who, in January 1914, gave him his first solo-exhibition at her gallery in Pigalle. The First World War broke out only seven months later and Jean was mobilized, spending what he called ’52 months of service’ in various front-line roles until 1919. Returning to Paris, Jean took on another studio near Montmartre cemetery and immediately resumed painting. In December 1922, he married divorcee Ismérie ‘Lily’ Coutut and - although they would have no children - they remained happily married until their deaths over forty years later.
During the 1920s Jean’s exuberant paintings were exhibited extensively, whilst he continued to design fabrics as well as award-winning tableware, vases and porcelain. In the spring of 1930 Jean enjoyed the first of many exhibitions in New York City at the Balzac Galleries in Midtown. For the 1937 International Exhibition in Paris, Jean’s brother Raoul Dufy was commissioned to create a vast mural on the theme of ‘electricity’. Although Jean was quickly enlisted by Raoul as his collaborator, Raoul’s instistence on recieveing all the praise began their gradual estrangement which lasted until Raoul’s death in 1953.
After the Second World War, Jean continued to exhibit paintings in Paris as well as throughout the United States – New York City, Philadelphia, Boston, Portland, Chicago and Arizona – and even at Montreal in Canada. The New York Times perceptively described his colourful ‘modernistic’ Paris scenes as looking like ‘notes of music’. Chasing inspiration, during the 1950s Jean took the opportunity to travelled widely across Europe and North Africa. At the same time, a young American student in Paris called Jacqueline Bouvier bought a small and characteristic gouache of a beach scene by Jean, which would hang – when she became First Lady Jackie Kennedy – at the heart of the White House. Jean’s work soon featured in public collections across Europe and the United States. Yet, overwhelmed by the death of his wife at their home in rural France in March 1964, Jean’s ‘life lost its meaning’ and – only two months later - he died that May.
- Creator:Jean Dufy (1888 - 1964, French)
- Creation Year:circa 1955
- Dimensions:Height: 19.14 in (48.6 cm)Width: 24.89 in (63.2 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU261212462812
Jean Dufy
Jean Dufy was a French Art Deco artist, best known for his colourful, melodic depictions of post-war Parisian society. Working to capture everyday life, from concert halls and circuses to country landscapes and busy Parisian streets, Dufy focused on recreating the feeling and impression of a scene, rather than individual details. In 1906, Dufy visited the exhibition ‘Cercle de l’Art Moderne’ in La Havre, and it was this show that eventually inspired him to pursue an artistic career. The exhibit, one of Dufy’s first exposures to Modern Art, crucially shaped his approach to art and introduced him to artists such as Picasso and Matisse. While he had no formal training, his older brother was well-known French Fauvist Raoul Dufy, who served as his artistic mentor. In January 1914, Dufy launched his artistic career, holding his first show at Galerie Berthe Weil. He returned to Paris after the war and settled in the Montmartre district of Paris, moving next door to artist George Braque, who encouraged Dufy to experiment with Cubism. His personal painting style developed into a vibrant fusion of Post-Impressionism with a loose decorative approach to colour and line, which he achieved from his work in porcelain design. For almost 30 years, Dufy worked for Limoge porcelain manufacturer Theodore Haviland, hand-painting decorative designs of animals and flowers. At the 1925 L’exposition Internationale des Arts Décoratifs he was awarded a gold medal for designing the service ‘Châteaux de France’. Dufy participated in many exhibitions, including the Salon d’Automne, which reflected the popularity of jazz music and the art of Parisian culture after the war. Dufy would return to his native Normandy throughout his life and spent long stretches of time in the south of France. The dynamism of these landscapes and cityscapes - particularly noticeable in the street scene Route de Rives (Touraine)- are so cleverly captured due to Dufy’s uniquely musical and distinctive Post-Impressionistic style.
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