Jessie Willcox Smith

Water Babies- Sitting on a Leaf

Date: 1939 Medium: Ink, Charcoal and Watercolor on Paper Dimensions: 20.00" x 30.00" "Miss America" Possible cover for "American Girl" Magazine

Medium: Gouache and Ink on Paper Dimensions: 17.50" x 10.75" Signature: Signed Lower Right

Medium: Watercolor and Ink on Paper Dimensions: 22.50" x 16.00" Signature: Signed Center Left

Medium: Watercolor and Ink on Paper Dimensions: 28.00" x 19.50" Signature: Signed Lower Right

Medium: Watercolor and Ink on Paper Dimensions: 28.00" x 19.50" Signature: Signed Center

Medium: Watercolor and Ink on Paper Dimensions: 22.50" x 16.00 Signature: Unsigned

Prada puffy coats by Manuel Santelices Ink and watercolor on paper Image size: 15" H x 11" W inches. Unframed 2023 Manuel Santelices explores the world ...

Man in a blue and brown coat by Manuel Santelices Ink and watercolor on paper Image size: 15" H x 11" W inches. Unframed 2023 Manuel Santelices explores...

J.W. Anderson fall 23, by Manuel Santelices Ink and watercolor on paper Image size: 15" H x 11" W inches. Unframed 2023 Manuel Santelices explores the world of fashion, society, ...

Duchándome and Pity June 4th, by Celso Castro-Daza From the Duchándome Series Watercolor, ink, and pastel on archival paper. 1. Duchándome 2. Pensando & recordando a Luis Caballero...

Duchando me series by Celso José Castro - Daza 1. Duchándome May 22nd 2. Duchándose, May 27th 3. Duchándome May 28th 4. Duchándose, May 27th 5. Duchándome, June 5th 6. Pensando & recordando a Luis...

Set of 4 by Celso Castro-Daza From the Duchándome Series Watercolor and ink on archival paper 1. Duchándome May 22nd 2. Duchándose, May 27th 3. Duchándome May 28th 4. Duchándose, May 27th Overall Size: 39 in. H x 27.5 in. W Individual size: 19.5 in. H x 13.75 in. W Unframed 2018 Drawing on paper is his basic work tool, some are sketches of his surviving works, and others are sketches of moments he documents. ____________ Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo...