Items Similar to Lost Hedgerows. Earth Science, Ecology and Agronomy. Original Pastel. Welsh.
Want more images or videos?
Request additional images or videos from the seller
Julian RuddockLost Hedgerows. Earth Science, Ecology and Agronomy. Original Pastel. Welsh.
About the Item
Julian Ruddock.
British ( b.1965 ).
Lost Hedgerows.
Pastel on Paper. Signed.
Image size 21.9 inches x 25 inches ( 55.5cm x 63.5cm ).
Frame size 29 inches x 32.1 inches ( 73.5cm x 81.5cm ).
Available for sale; this original mixed media artwork is by Julian Ruddock and dates from the 1990s.
The artwork is presented and supplied in a sympathetic contemporary frame (which is shown in these photographs), mounted using conservation materials and behind non-reflective Tru Vue UltraVue® UV70 glass.
This vintage artwork is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display.
The artwork is signed lower right.
Provenance: In the previous ownership of the artist Mabel Pakenham-Walsh 1937-2013 and then handed back to the artist after her passing.
Currently living and working near Aberystwyth, Ceredigion, on the west coast of Wales, Julian Ruddock is an exceptional British artist with a strong interest in the environment. This interest has found expression through the practice of landscape painting and the production of site-specific sculpture, mapping projects and installation work. He is interested in the production of works that investigate the interaction of natural environment with human histories, in particular the discourse on environmental art based practice and climate change. Indeed, this was the subject of his PhD at Aberystwyth University. Ruddock’s interest is to combine traditional means and modern media to foster awareness, enquiry and expression of the environment.
Ruddock completed a Foundation Course at the University of Gloucestershire from 1985-86. In 1997, he graduated from Aberystwyth University with a First Class Honours Degree, BA in Art and Art History. He went on the complete his MA in Fine Art at Aberystwyth, then his PGCE at the University of Newport. Between 2010-17 he completed a PhD at the Aberystwyth University School of Art.
Between his studies, he has been employed as a Lecturer in Art and Art History at Coleg Ceredigion, previously teaching at Lifelong Learning, and the Aberystwyth School of Art. As a teacher and mentor he has been well respected and highly influential.
Throughout his career Ruddock has also worked as a self-employed artist and has taken part in a great many selected exhibitions throughout the UK, and also Australia.
Ruddock’s PhD was in practice-based Fine Art and the aim of his research was to develop projects that are based on art and science collaboration in relation to climate chance. This has taken him from rivers in Wales to the remote and arid regions of Southern Ethiopia.
The intentions of the art/science collaborations stem from an interest in landscape evolution, human impact on the environment and recognition of the need to communicate climate change research to a wider audience.
Recent years have seen increased collaboration between the sciences and arts, with conferences, galleries and residencies devoted to exploiting the mutual benefits that can arise from mingling the two
Spheres. Ruddock has been an active member of the Visualising Geomorphology Working Group, whose remit is the promote the science of geomorphology through engagement with the arts.
Recently, Ruddock joined a delegation of earth scientist to Ethiopia to record their research on climate change. The work centered around a remote region of Southern Ethiopia where the researchers collected sediment drill cores for analysis close to some of the world’s most important fossil and artefact sites. His role as part of the team was of an artist in residence and his images and film work played an important part in chronicling the work of the project. He also captured fascinating imagery of the local tribes people.
Ruddock said; “My biggest remit is to work with the scientists and get involved with the communication of their findings. The idea behind it all is that scientists are very good at doing the science, obviously, but it is artists who are good at the communication side. The project is looking at how climate might have affected human evolution hundreds of thousands of years ago. They think that there are various factors that
might have caused human change and human evolution at various points in history, and think that climate was a significant part of that.”
Ruddock reflects; “When we talk about climate change in the West we talk about where these effects are going to happen; actually they are happening in the places that didn’t cause the problem in the first place. So these people are getting increased droughts.”
An amazingly talented artist, with sound practical and academic credentials, Julian Ruddock is a man on a mission. His works are unique, and speak from both the head and heart. They are set to become very collectable amongst a generation that is waking up to their message.
© Big Sky Fine Art
This original pastel on paper echoes the artist’s strong environmental credentials. It is a lament for the lost hedgerows, the natural habitat of birds and other wildlife, decimated by modern intensive farming methods. In the foreground are two men, farmers, dressed in shirtsleeves and trousers. Between them they hold a large nest, perhaps the last nest. There are three eggs in the nest, but other eggs have already fallen out and broken, the contents spilling out on the bare earth. These are chicks that will never hatch, birds that will never sing. The men’s hands are disproportionately large, suggesting that these hands have a huge influence. The field behind the farmers is ploughed, but there in nothing growing and its hedges have been replaced by wooden fences. Along one side of the field, and into the foreground we see the thick stumps of trees, cut down by man. There is also a tractor, pulling a trailer, upon which are the stacked branches and trunks of trees, devoid of their leaves. In the distance are more fields, each of them devoid of hedgerows, and the wind whips over them, eroding the earth. A last flock of birds is flying away, into the horizon. There is nothing left here for them. There is a lonely cottage, with smoke coming from the chimney. Our gaze comes back to the men in the foreground, their faces are strained and sad; do they realise what they have done? And is it too late to change their ways? This image has a message for all of us, urging us to consider carefully how we treat our planet, with its finite resources and our wider responsibilities.
- Creator:Julian Ruddock (1965, Welsh)
- Dimensions:Height: 28.94 in (73.5 cm)Width: 32.09 in (81.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:This vintage drawing is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display.
- Gallery Location:Sutton Poyntz, GB
- Reference Number:1stDibs: LU489314075642
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2010
1stDibs seller since 2016
111 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Sutton Poyntz, United Kingdom
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- To School in Llanfihangel. First Day at School, Rural Wales. Ceredigion & Powys.By Julian RuddockLocated in Sutton Poyntz, DorsetJulian Ruddock. British ( b.1965 ). To School in Llanfihangel. (First Day at School). Pastel on Paper. Signed. Image size 21.7 inches x 29.6 inches ( 55cm x 75cm ). Frame size 29 in...Category
Late 20th Century Expressionist Figurative Drawings and Watercolors
MaterialsPaper, Pastel
- The Thief. Original Drawing.Welsh Artist. Magpie.Late 20th Century.Black & WhiteBy Julian RuddockLocated in Sutton Poyntz, DorsetJulian Ruddock. British ( b.1965 ). The Thief. Pastel on Paper. Signed. Image size 29.1 inches x 21.3 inches ( 74cm x 54cm ). Frame size 38.4 inches x 29.9 inches ( 97.5cm x 76cm )....Category
Late 20th Century Expressionist Animal Drawings and Watercolors
MaterialsPaper, Pastel
- Llangorse Lake, Brecon Beacons, Wales, circa 1964. Welsh Landscape. Abstract.By Roger CecilLocated in Sutton Poyntz, DorsetRoger Cecil. Welsh ( b.1942 - d.2015 ). Llangorse, Brecon Beacons Watercolor and pastel on paper. Signed. Image size 19.5 inches x 29.5 inches ( 49.5cm x 75cm ). Frame size 24.6 inc...Category
Mid-20th Century Abstract Expressionist Landscape Drawings and Watercolors
MaterialsPaper, Pastel, Watercolor
- Stable Friends. Welsh Farmer. Turning Horses. Camaraderie Across GenerationsBy Elin Sian BlakeLocated in Sutton Poyntz, DorsetElin Siân Blake. Welsh ( b.1981). Stable Friends. Pastels on colored paper. Signed lower right. Image size 11.2 inches x 7.7 inches ( 28.5cm x 19.5cm ). Frame size 18.7 inches x 15....Category
21st Century and Contemporary Realist Figurative Drawings and Watercolors
MaterialsPaper, Pastel
- Rhythmic Gymnast. Modern British Pastel.Competition.Judge.Coach.Reds. Composure.Located in Sutton Poyntz, DorsetRobert King. English ( b.1936 ). Gymnast. Dancer. Pastel on paper. Signed. Image size 7.5 inches x 5.7 inches ( 19cm x 14.5cm ). Frame size 14 inches x 11.6 inches ( 35.5cm x 29.5cm...Category
Late 20th Century Modern Figurative Drawings and Watercolors
MaterialsPaper, Pastel
- Guardian, Cowboy and Horseman of the Camargue, South of France. Mid-Century.By John Rattenbury SkeapingLocated in Sutton Poyntz, DorsetJohn Rattenbury Skeaping. English ( b.1901 - d.1980 ). Guardian, Cowboy and Horseman of the Camargue,1970. Pastel on Paper. Signed and dated. Paper size 15.2 inches x 20.9 inches (...Category
Mid-20th Century Modern Animal Drawings and Watercolors
MaterialsPaper, Pastel
You May Also Like
- Pastel, Ink Drawing Rocks And Cloud Landscape Jewish American Modernist WPABy Ben-Zion WeinmanLocated in Surfside, FLMiniature Landscape Provenance: Virginia Field, Arts administrator; New York, N.Y. Assistant director for Asia House gallery. (she was friends with John von Wicht and Andy Warhol) Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet doors (panels) in his work. Other members of group included Ilya Bolotowsky, Lee Gatch, Adolf Gottlieb, Louis Harris, Yankel Kufeld, Marcus Rothkowitz (later known as Mark Rothko), Louis Schanker, and Joseph Solman. The Art of “The Ten” was generally described as expressionist, as this style offered the best link between modernism and social art. Their exhibition at the Mercury Gallery in New York held at the same time as the Whitney Annual Exhibition of Contemporary American Painting, included a manifesto concentrating on aesthetic questions and criticisms of the conservative definition of modern art imposed by the Whitney. Ben-Zion’s work was quickly noticed. The New York Sun said he painted “furiously” and called him “the farthest along of the lot.” And the triptych, “The Glory of War,” was described by Art News as “resounding.” By 1939, The Ten disbanded because most of the members found individual galleries to represent their work. Ben-Zion had his first one-man show at the Artist’s Gallery in Greenwich Village and J.B. Neumann, the highly esteemed European art dealer who introduced Paul Klee, (among others) to America, purchased several of Ben-Zion’s drawings. Curt Valentin, another well-known dealer, exhibited groups of his drawings and undertook the printing of four portfolios of etchings, each composed of Ben-Zion’s biblical themes. Ben-Zion’s work is represented in many museums throughout the country including the Metropolitan, the Whitney, and the Museum of Modern Art in New York, the Art Institute of Chicago, the Philadelphia Museum of Art and the Phillips Collection, Washington. The Jewish Museum in New York opened in 1948 with a Ben-Zion exhibition. “Ben-Zion has his hands on the pulse of the common man and his natural world” As he emerged as an artist Ben-Zion never lost his gift for presenting the ordinary in ways that are vital, fresh and filled with emotions that are somber and exhilarating, joyous and thoughtful, and ultimately, filled with extraordinary poetic simplicity. Ben-Zion consistently threaded certain subject matter—nature, still life, the human figure, the Hebrew Bible, and the Jewish people—into his work throughout his life. "In all his work a profound human feeling remains. Sea and sky, even sheaves of wheat acquire a monolithic beauty and simplicity which delineates the transient as a reflection of the eternal. This sensitive inter- mingling of the physical and metaphysical is one of the most enduring features of Ben-Zion's works." (Excerpt from Stephen Kayser, “Biblical Paintings,” The Jewish Museum Catalogue, 1952). Along with ben Shahn, William Gropper, Chaim Gross and Abraham Rattner he was an influential mid century Jewish American...Category
Mid-20th Century Expressionist Landscape Drawings and Watercolors
MaterialsPastel, Ink, Watercolor
- "Whew!" oil pastel signed landscape motorcycle fun adventure lake mountains boldBy Reginald K. GeeLocated in Milwaukee, WI"Whew!" is an original oil pastel drawing on a grocery bag by Reginald K. Gee. The artist signed the piece in the lower left. It depicts a man on a motorcycle doing a wheelie on a be...Category
Early 2000s Expressionist Figurative Drawings and Watercolors
MaterialsOil Pastel, Found Objects
- Garden Flowers, Original Pastel Drawing, Color, France, ImpressionismLocated in AIX-EN-PROVENCE, FRWork : Soft Pastel on archival and heavy paper for pastel drawing. The colors are fixed on the paper and the work has been treated with a UV-resistant varnish. Signed lower right. Un...Category
21st Century and Contemporary Impressionist Landscape Drawings and Water...
MaterialsArchival Paper, Pastel
- Montsouris, Watercolour and charcoal on Paper by Paulémile PissarroLocated in London, GBMontsouris by Paulémile Pissarro (1884 - 1972) Watercolour and charcoal on paper 33 x 25 cm (13 x 9 ⁷/₈ inches) Signed lower right, Paulémile- Pissarro. and titled lower left Execu...Category
1930s Post-Impressionist Figurative Drawings and Watercolors
MaterialsPastel, Paper, Watercolor
- The Royal Palace, Monte Carlo, Monaco.By Hercules Brabazon BrabazonLocated in Cotignac, FRMid 19th century pastel drawing view of the Royal Palace, Monte Carlo, Monaco by British artist Hercules Brabazon Brabazon. The work is titl...Category
Mid-19th Century Impressionist Landscape Drawings and Watercolors
MaterialsPaper, Pastel, Pencil
- Inconscience by Yvon Pissarro - Contemporary work on paperBy Yvon PissarroLocated in London, GB*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Inconscience by Yvon Pissarro (b. 1937) Conté chalk and pastel pencil on paper 50 x 65 cm (19 ³/₄ x 25 ⁵/₈ inches...Category
21st Century and Contemporary Figurative Drawings and Watercolors
MaterialsPaper, Chalk, Conté, Pastel, Pencil
Recently Viewed
View AllMore Ways To Browse
Venice Watercolour
Young Girl By Boat Coastal
Kelly 28 Stone Color
Paul Wong
Pop Art Fishing Lure
Bill Mack Relief
Daniel Spirer
Drugs Prescription
Hassan Omar
Jacob Ochtervelt
Ludmilla Meilerts
Robert Yarmola
Shola Shola
Flemish Garden 17th C
Frances Clair Miller
Jean Baptiste Joseph Debay
Laura Pedley
Lever House Nyc