R. Silvestrov

Bird on a Fence, Abstract Expressionist Miniature Etching

1989

An abstract expressionist miniature etching on paper depicting insects with arrows forming a path from start to finish by artist R. Silvestrov (Russi...

Watercolor of castle ruins along a road possibly by John Varley (jr.?). In the foreground, there is a figure with a hat, cane, and red coat beside the roa...

Abstract nude figurative drawing by George Giusti, (Italian 1908-1990). India ink on gesso patterned drawing paper created in 1949. Signed “George Giusti 1949” in the lower right corner. Presented in a distressed giltwood frame with glass and a light pink and grey mat. Image size: 15.75”H x 10”W This extraordinary artist was born in 1908 in Milan, Italy, of a Swiss father and an Italian mother. He studied at the Brera Academy of Fine Arts in Milan and did graphic design there before deciding to move to Zürich, Switzerland, where he opened a design studio, which he operated for seven years. While on a visit to the United States in 1938, Giusti was induced to stay by the several excellent commissions that were offered to him, including the opportunity to collaborate with Herbert Matter on the design of the Swiss pavilion at the 1939 New York World’s Fair. Giusti is well known in Europe and America for his architecture and sculpture, as well as his graphics. He studied architecture in Milan and worked at it from time to time, producing stunning examples of contemporary design. For more than four decades in America, and before that in Italy and Switzerland, George Giusti’s graphic designs have graced the covers of Time, Fortune, Holiday and other major magazines, as well as most of the publications of the United States Information Agency, and Giusti had a twelve-year design association with Geigy Pharmaceuticals. He has done advertising and graphic designs, illustrations, trademarks, client and employee publications, package designs for major corporations, and drawings. He has succeeded to the extent that his designs are consistently ahead of their time. It is Giusti’s expressed intention to build a bridge between fine art and art for commercial use. He disdains the terms “fine” and “commercial” as defining a distinction which should not exist. Art is art, he believes, whatever its purported use. Exhibitions: George Giusti’s work has been exhibited in America’s large cities and in most of the capitals of the world. His portfolio has been published in Graphis, Switzerland, Idea, Japan, Gebrauschsgraphik, Germany, Pagina Art, Italy, and Communication Art, and The United States. Awards and Affiliations: Over the years, Giusti has garnered more than ten gold and silver medals and eighty other awards and citations. He is a member of the American Institute of Graphic Arts, Alliance Graphique Internationale, International Center for Graphic Art (Typographic Art...

Hand-augmented collotype on layered paper by Patricia A. Pearce (American, b. 1948). Signed "Patricia A. Pearce" in the lower right corner. Titled "Red Medusa...

Hand-augmented collotype by Patricia A. Pearce (American, b. 1948). Signed "Patricia A. Pearce" in the lower right corner. This piece has an iridescent quality to the coloration. No ...

Multi-layered collotype by Patricia A. Pearce (American, b. 1948). This piece is unsigned, but was acquired with a collection of other Pearce work. No frame. Patricia Pearce (Americ...

India ink on high-quality cotton paper, which is handmade in Italy. This is part of an album. The price refers to the single drawing.

Richly painted work on archival paper - abstracted nudes

Monotype on paper Dramatic imagery from Tom Bennett’s series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstr...

Monotype on paper Dramatic imagery from Tom Bennett’s series of monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennet...

*ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imagina...

Erwin Pfrang, German (b. 1951) Graphite Pencil on paper Framed 20 X 20.5, sheet 12.5 X 13 Hand signed lower left Erwin Pfrang (born 1951, in Munich) is a German painter and printmaker. Pfrang studied at the Academy of Fine Arts in Munich from 1974–79. Later he spent many years as an independent artist in Montepulciano, Val d’Orcia and Catania, Italy, interrupted by stays in Munich and Augsburg. He presently lives and works in Berlin. Erwin Pfrang is the grandson of the Munich folk comedian Konstantin Pfrang. Carla Schulz-Hoffmann makes an attempt at characterising the painter: “An artist such as Erwin Pfrang inhabits an alternative world, a tiny microcosm of subjectivity, and lives that life uncompromisingly, with all the limitations and hardships that it entails. Among twentieth-century artists a comparable stance can be encountered perhaps in Jean Fautrier, but certainly in Otto Wols. His oeuvre relates in its figuration to Bosch or James Ensor and his oil painting to Lucian Freud in its painterly quality. Erwin Pfrang is represented by gallerists Fred Jahn, Munich (Exhibition: Don’t Forget Your Mask: Don’t (Part I: Don’t Forget Your Mask), Forget (Part II: Don’t Forget Your Mask), Your Mask (Part III: Don’t Forget Your Mask)Artists: Imi Knoebel, Barry Le Va, Karel Appel, Alexi Tsioris, William N. Copley, Isa Genzken...