Robert Santerne

Landscape - Charcoal Drawing on Paper by R. Santerne-Early 20th Century

Early 20th Century

City is an original drawing in pencil made by the Hungarian artist Nicolas Czinober in the mid-20th century.The state of preservation is good, the paper presents some small stains. ...

French Landscape is a drawing in Charcoal and watercolor in the early 20th Century by Jean Le Soudier. Good Conditions. The artwork is depicted through soft strokes in a well-balan...

Trees is an original drawing in pencil and charcoal, realized by an Anonymous artist of the XX century. The state of preservation of the artwork is very good and aged with some fold...

Rural Landscape with Cow is an artwork, ink, charcoal and watercolor on paper. Is not signed and dated but we can attribute the period middle 20th Century. The work is represented ...

Landscape is an original drawing in charcoal realized in the early 20th Century by Edmond Cuisinier (1857-1917). Monogrammed on the lower. Good conditions. The artwork is depicted...

Landscape is an original drawing in charcoal realized in the early 20th Century by Edmond Cuisinier (1857-1917). Monogrammed on the lower. With the stamp on the rear. Good conditio...

Abstracted New York City landscape drawing of urban rooftops and tree tops "Rooftops", created by William Clutz in 1977 30 x 20 inches, charcoal and pastel on paper 33 x 25 inches in light wood frame This framed pastel on paper was made in 1977 by William Clutz. It features an abstracted depiction of New York City rooftops as seen from a high window. Of particular note is the artist's technique with pastel; a wonderful texture and motion is created by closely woven striated lines. Sunlight reflects off brown rooftops and peaking green tree tops. The charcoal and pastel drawing is framed in a natural light wood frame with non-reflective glass and wire backing for installation. About the Artist: Renowned as the “impressionist of the contemporary metropolis”, William Clutz uses the city, in its entirety, as his subject. Pedestrians crossing streets become stars of the stage; the hustle and bustle of traffic and surrounding buildings are the chorus; each play their part in the overall composition. Lighting and color shift this observation of the everyday into a remarkable wonder. “It is surely Clutz”, wrote Gerrit Henry in Art News, 1979, “an artist who has rejected the niceties of representation in favor of the quintessence.” The young artist moved to New York City in 1955 and just four years later had his first solo exhibit at the Condon Riley Gallery. Clutz went on to show in major uptown galleries such as David Herbert, where, notably in 1962 he received a NYTimes review titled, Return of the Figure. That same year, his role in the revival of figuration was further solidified with inclusion in the MoMA group show, Recent Painting USA, The Figure. This was a pivotal turning point from which emerged a 50-year exhibiting career. Resume Born: Gettysburg, PA 1933 Mercersburg, PA 1933-1951 New York City 1955-1996 Education Painting: Thomas Danaher(WPA artist) 1944-51 Mercersburg Academy, PA 1947...

HAROLD CHEESMAN, RSA (1915-1982) Figures at Road Junction Signed, inscribed with title and dated 1960 on a label on the backboard Charcoal and black conte crayon Framed 36 by 53 ...

"Barns in the Helderberg, New York" by Martin Lewis shows neighbors (one in a Model T car) visiting outside a series of barns with a tree in the background...

Clara Deike (American, 1881-1964) Villa Giardino Charcoal on paper Signed and titled verso 17.75 x 12.5 inches A graduate of the Cleveland School of Art in 1912, Clara Deike was pa...

Hungarian/American artist/illustrator depicts a charming scene of sledding in the snow in Central Park. The work is abstract in its design as it's functional in its narrative - Unpublished New Yorker...

JÓZEF PANFIL (born in 1958) He graduated from PWSSP in 1984. In 1987 he received a grant from the Department of Culture and Arts. He won several prizes, e...