Rosy Andreasi-Verdier

Mode Drawing : Pretty Elegant Girls - Original charcoal drawing

Rosy ANDREASI-VERDIER (1934-2015) Mode drawing : Black and Color Dresses Original gouache, watercolor and charcoal drawing Bears the Rosy Andreasi Verdier Archives stamp bottom righ...

Gustave Poetzsch (1870-1950) Small Village in Switzerland Original charcoals drawing Stamp of the Estate auction sale on the back on linen vellum 31 x 24 cm (c. 12 x 10 in) Very g...

Gustave Poetzsch (1870-1950) Carriage coming from a Small Village, c. 1900 Original charcoals and pencil drawing Signed bottom right Stamp of the Estate auction sale on the back On...

Gustave Poetzsch (1870-1950) Baby on a Chair Original red chalk drawing on linen watermarked paper 19 x 13 cm (c. 7,5 x 5 in) Stamp of the Estate auction sale on the back Very goo...

Gustave Poetzsch (1870-1950) Blond Hair Girl Original charcoals and pencil drawing Signed on the back With an pencil drawing of a landscape on the back (probably a study for the i...

Gustave Poetzsch (1870-1950) Manner of Vermeer : Young Girl with a Bowl Original charcoals and pencil drawing Stamp of the Estate auction sale on the back On grey tinted vellum 32 ...

Alfred Fuchs (1925 Saarbrücken - 2003 Prague), Lying Boy. Charcoal drawing on strong paper, 30 x 41.5 cm, signed A.[lfred] Fuchs and dated [19]96. - smal...

Sean Keating (Irish 1889-1977) "Self Portrait" c. 1950s Charcoal on Paper Signed Lower Right Framed Size: approx 20 x 16 inches A noted portrait and figure painter, influenced by both Romanticism and Realism, Sean Keating was an Irish nationalist painter who executed several iconic images of the Irish Civil war era, and of the ensuing period of industrialization. One of the great exemplars of representational painting in Ireland, Keating was an intellectual artist in that he set out to depict the birth and development of the Republic of Ireland, and his pictures are deliberately idealized even heroic. However, he held very conservative views about art - verging on the academic style - and was a committed defender of traditional Irish painting, considering much modern art to be bogus. Born in Limerick, Sean Keating studied drawing at the Limerick Technical School before winning a scholarship, arranged for him by William Orpen, to study fine art painting at the Metropolitan School of Art in Dublin. In 1914 he won the Taylor Scholarship and the following year exhibited three paintings at the Royal Hibernian Academy. Over the next period of years he spent time on the Aran Islands off County Galway, and then in London. He returned to Ireland in 1916 and painted the war of independence and the subsequent civil war. Works he completed at this time include the painting: Men of the South (1921) depicting a group of IRA men about to stage a military ambush, and An Allegory (c. 1922) which features a cluster of figures representing the fractures in the young Irish state. Meantime, in 1919, Keating was appointed an assistant teacher at the Dublin Metropolitan School of Art. Then in 1921, he staged his first one-man show at The Hall, Leinster Street. In 1923, he was elected to the Royal Hibernian Academy. In a Dublin exhibition of Irish art held in 1924, Keating was awarded the gold medal for his picture Homage to Hugh Lane - now hanging in the Hugh Lane Gallery. In the late 1920s, Keating was commissioned to record the building of the hydro-electric power generator at Ardnacrusha, near Limerick. He painted a number of paintings of this scheme. Not unlike the Soviet Realism School of painting, these paintings sought to promote the construction work as an achievement of heroic proportions. Keating's works began to attract interest abroad. He exhibited at the Royal Academy in London and, in 1930, he held a one-man show at the Hackett Gallery, New York. In 1931 Keating's one-person exhibition was staged at the Victor Waddington Galleries, Dublin. In 1934 he was made professor of the National College of Art in Dublin, and Professor of Painting, three years later. His 1937 exhibition at the Victor Waddington Galleries attracted considerable interest. In 1939, he was asked to paint a wall-painting for the Irish pavilion at the New York World Fair and duly created a huge mural of fifty-four panels. He was President of the Royal Hibernian Academy from 1949 to 1962, exhibiting nearly 300 works during the period. In 1963, a retrospective exhibition was staged at the Municipal Gallery of Modern Art, which was opened by Irish President de Valera...

Aristide Maillol "Femme de Torse" 1930 Charcoal on Paper Monogrammed Lower Right with Photo Certificate of Authenticity Paper Size: approx 12 x 8 7/8 inches Framed Size: approx 15.25...

Artist : Lindsey Meyers Carroll Title : Goliathus Rorschachi 3 Materials : Charcoal, ink, chalk and gouache on paper. Date : 2017 Dimensions : 16 x 18 in. Lindsey Meyers Carroll is a contemporary artist working in magic realism through large-scale charcoal drawings. She received her BA in Fine Arts and Spanish Literature from the University of Montana in Missoula in 2008. Exhibitions include the Art Spirit in Coeur d’Alene, Idaho, Brink Gallery in Missoula, Montana and Turman Larison Contemporary in Helena, Montana. Carroll is a recipient of the Grants to Artist Award from the Myrna Loy Center. Figurative, Animal Drawings, Animal Paintings, Insect Drawings...

Mark Bradley Schwartz's (US based) "N.Z." is an original, handmade charcoal drawing that depicts the monochromatic portrait of a woman with long...

This original illustration, titled "Cops at Ease in the Muster Room of a Station," accompanied the article Nineteen Thousand Cops published in the July 1939 issue of Fortune Magazine. This issue was dedicated to the city of New York and included a total of ten paintings by Riggs for this article on New York City's police department. Robert Riggs was a gay artist.