Serge Mendjisky

La Taverne - Mixed Media attr. to S. Mendjisky - 20th Century

1960s

The Construction of the Building is an original artwork, mixed media on paper. It is not signed and dated but we can attribute the period to the middle 20th Century. A group of men...

Portrait of Woman is an original artwork, pencil, charcoal on paper. Is not signed and dated but we can attribute the period middle 20th Century. The artist want to define a sensit...

The Artisan is an Original Ink Drawing and white Lead realized by Rémy Hétreau. Good condition included a white cardboard passpartout (49x40 cm). Hand-si...

Interior of The Church is an original Artwork realized by Remy Hetreau (1913-2001). Realized with pencil, and watercolor on cardboard. in good condition.

Figures is an original Drawing on paper realized by the painter Pierre Georges Jeanniot (1848-1934). Drawing in Pencil. Hand-signed on the lower. Good conditions except for aged m...

Interior is an original Drawing on paper realized by painter Pierre Georges Jeanniot (1848-1934). Drawing in Pencil. Good conditions except for Some cutaways on the margins. The a...

Riga 2022. Paper/pen/mixed media, 14.8x19.4 cm Liga Kalnina Artist Liga Kalnina(1990) is born in Riga, Latvia. Her artist interests is mainly realistically based -landscapes, ar...

Original Preliminary Book Illustration Treasure Island by Robert Louis Stevenson, MacMillan, 1963 At the Admiral Benbow Mixed-media on board 9.5in. x 6in. (sight size) Signed lower left: J. Falter Inscribed lower left: "Sketch for Treasure Island" Morris Weiss collection...

Joan Cardona Lladós (1877-1957) - Modernist Paris scene - Mixed media Drawing measurements 40x29 cm. Frame measurements 66x54 cm. He was born in Barcelona on June 30, 1877, he was registered with the name of Juan Bautista José Pedro. His parents Josep Cardona i Farré (Sant Salvador, 1852-Barcelona, ​​?) and Maria Lladós i Vidal (Isona, 1855-Barcelona, ​​1935) came from Sant Salvador de Toló and Isona, respectively, two towns very close to Tremp, in the Pallars Jussà region, close to the Lleida Pyrenees. The Cardona Lladós family was of humble origins, linked to the rural and peasant world. José Cardona and María Lladós married around 1876, when they were twenty-five and twenty-one years old respectively. The couple decided to improve their precarious situation by moving to live in Barcelona. In 1877 Joan Cardona was born in the family home, at 62 Mediana de San Pedro Street, in the Ribera neighborhood of Barcelona and very close to the Rec Comtal. Joan Cardona was the firstborn of three brothers. When he was six years old, his sister Consuelo was born (1883) and later his younger sister, María (1888), was born. Josep Cardona i Farré was a day laborer and lived at least until the birth of his third daughter, María, in 1888. Her death, for reasons unknown to us, would occur shortly after. After the death of Josep Cardona, León Farré i Duró (Isona, 1867-Barcelona, ​​1932) became part of the family nucleus with his mother María Lladós, who took care of the child Cardona and his sisters Consuelo and María. Farré learned to play the guitar and was the most extraordinary disciple of the composer and guitarist Francesc Tàrrega i Eixea (Vila-real, 1852-Barcelona, ​​1909). Joan Cardona had in her stepfather the man who instilled in her a special musical and artistic sensitivity. The young Cardona took classes at the Academia Baixas, inaugurated in 1892 by the painter Joan Baixas i Carreter and installed on Carrer del Pi, a private center where a good batch of leading Catalan Modernisme artists were trained. Cardona married Clemencia Parade Cazabat at the beginning of the century. Daughter of Carles Parade and Amara Cazabat, she was born in 1870 in Bagnères de Bigorre...

Caleb Althin (1866-1919) Sweden The Wounded Man Caleb Althin studied at the Academy of Fine Arts in Stockholm 1885–1894 with a few years break for studies abroad in decorative pai...

Pastel on paper this is a modern interpretation of the thee Graces

Charcoal and acrylic on canvas Nostalgia for seemingly better times, or perhaps, simultaneously, a secret yearning for worse times to come, are woven into Francisca Ahlers’s scenes,...