Stephen Basso

the sculptor, charcoal and pastel

2018

Soft pastel and charcoal on toned archival toned paper signed and dated bottom left . On view at the table Rasa Gallery in Brooklyn NY.

Part of an ongoing series of mermaids by the artist on toned archival paper signed and dated on bottom

Soft pastel on archival toned paper signed and dated top left. Part of an ongoing series by the artist of artist and model subject matter

Soft pastel on toned sanded archival paper suitable for framing under glass. Signed and dated bottom. Part of an ongoing series of mermaids by the artist

this is a soft pastel on red toned heavyweight archival paper , framing under glass recommended for display. full figured women like Botero theme: circus, food, cake, relationships,...

soft pastel on toned paper . This work is mounted on archival foam board with clear plastic to protect surface. Framing under glass is recommended *ABOUT Stephen Basso Stephen Basso...

"Hula Study" is an energetic and unique charcoal on paper by Patsy McArthur showing a female figure dancing with a hula hoop. It is created using charcoal and pastel on pale pink Mur...

Abstracted New York City landscape drawing of urban rooftops and tree tops "Rooftops", created by William Clutz in 1977 30 x 20 inches, charcoal and pastel on paper 33 x 25 inches in light wood frame This framed pastel on paper was made in 1977 by William Clutz. It features an abstracted depiction of New York City rooftops as seen from a high window. Of particular note is the artist's technique with pastel; a wonderful texture and motion is created by closely woven striated lines. Sunlight reflects off brown rooftops and peaking green tree tops. The charcoal and pastel drawing is framed in a natural light wood frame with non-reflective glass and wire backing for installation. About the Artist: Renowned as the “impressionist of the contemporary metropolis”, William Clutz uses the city, in its entirety, as his subject. Pedestrians crossing streets become stars of the stage; the hustle and bustle of traffic and surrounding buildings are the chorus; each play their part in the overall composition. Lighting and color shift this observation of the everyday into a remarkable wonder. “It is surely Clutz”, wrote Gerrit Henry in Art News, 1979, “an artist who has rejected the niceties of representation in favor of the quintessence.” The young artist moved to New York City in 1955 and just four years later had his first solo exhibit at the Condon Riley Gallery. Clutz went on to show in major uptown galleries such as David Herbert, where, notably in 1962 he received a NYTimes review titled, Return of the Figure. That same year, his role in the revival of figuration was further solidified with inclusion in the MoMA group show, Recent Painting USA, The Figure. This was a pivotal turning point from which emerged a 50-year exhibiting career. Resume Born: Gettysburg, PA 1933 Mercersburg, PA 1933-1951 New York City 1955-1996 Education Painting: Thomas Danaher(WPA artist) 1944-51 Mercersburg Academy, PA 1947...

Pastel on paper Created in 2018 in Paris, France Unique work Signed by the artist

Pastel on paper Created in 2018 in Paris, France Unique work Signed by the artist

Pastel on paper Created in Paris, France Unique work Signed by the artist

Pastel on paper Created in 2019 in Paris, France Unique work Signed by the artist