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Consecration of a Church 15th Century English School Illuminated Manuscript

Gordon Noel Scott A.R.C.A 1914 - 2016 Worse for Wear Ink on Paper Image size: 8 x 8 inches White gold frame GORDON SCOTT EXHIBITION AT DARNLEY FINE ART 11th - 18th November 2017 Gordon Scott was trained at the RCA (1934-38) under Gilbert Spencer...

Ink and watercolour on paper Image size: 18 x 19 3/4 inches (46 x 50 cm) Contemporary style hand made frame

Pencil, pen and ink and watercolour on laid paper Image size: 12 ¾ x 16 inches (33 x 40.5 cm) Wash mount and period frame Boxing was a subject that Rowlandson depicted on a number ...

Ink on lined paper Image size: 3 x 2 3/4 inches (8 x 7 cm) Hand made frame Sam Rabin Samuel (Sam) Rabin, originally Samuel Rabinovitch, was an English sculptor, artist, teacher, singer, wrestler and Olympic bronze medallist. Rabin, who was Jewish, was born Samuel Rabinovitch on 20 June 1903 at Dewhurst Street, Cheetham, North Manchester. His parents were both Russian Jewish exiles from Vitebsk (now in Belarus). During his childhood, the family moved to Salford where Rabin grew up and where his parents encouraged his talent for drawing. In 1914 Rabin won a scholarship to the Manchester Municipal School of Art making him, at the age of 11, the youngest pupil ever to attend the college. There he was taught drawing by French artist Adolphe Valette. In 1921 he moved to the Slade School of Fine Art in London where he continued his studies under Henry Tonks until 1924. After the Slade, Rabin studied in Paris where he met and was greatly impressed and influenced by sculptor Charles Despiau. Rabin's own sculpture from this time is little known as he was a perfectionist and destroyed work that he considered unsatisfactory. In 1928, working under his full surname, he was commissioned by architect Charles Holden to carve West Wind, one of eight personifications of the four winds for the headquarters of the Underground Electric Railways Company of London at 55 Broadway. The sculpture was partly completed in-situ on the building. In 1930, he produced his only other public sculptures; two decorative winged masks, The Past and The Future, for the Daily Telegraph building in Fleet Street. These were carved on the building directly from the scaffold. Both commissions were well received at the time, but Rabin was unable to make a living as a sculptor and turned to another career – wrestling, for which he abbreviated his surname. Rabin was physically strong and had boxed and wrestled as an amateur to fund his art. He won a bronze medal in the middleweight division of the free-style wrestling at the 1928 Olympics in Amsterdam. Rabin turned professional in 1932 and fought as Rabin the Cat and Sam Radnor the Heb. Alexander Korda cast him as a wrestler in The Private Life of Henry VIII in 1933 and as Mendoza, a Jewish prize-fighter, in The Scarlet Pimpernel in 1934. Despite lacking any formal musical training, Rabin was a talented baritone and worked professionally during the 1940s singing with Stars in Battledress and sang operatic arias with the army's Classical Music Group. In 1946 he auditioned for La Scala's conductor, Victor de Sabata. In 1949, Rabin began teaching drawing at Goldsmith's College of Art in New Cross, London. His disciplined teaching style including the production of demonstration works, followed that of his own teacher, Valette. His students included Mary Quant, Bridget Riley and Tom Keating...

Watercolour and ink on paper, signed bottom right Image size: 7 x 10 1/2 inches (17.75 x 26.5 cm) Gilt frame An original artwork by an early 20th Century French illustrator, this is...

Ink and watercolour on paper Image size: 13 1/2 x 9 1/2 inches (35.25 x 24.25 cm) Framed Created in 1958 by the artist as evidence for study in their 'Examination in Art' at Wigan A...

Medium: Pen & Ink, Watercolor on Vellum Overlay on Board Signature: Signed Lower Left This piece is on 22.00" x 14.50" illustration board with watercolor on vellum overlay. The image measures to 14.00" x 13.00." Caricature by George Wachsteter (1911-2004) for the 1963 epic comedy blockbuster, `It`s a Mad, Mad,Mad, Mad World`, with stars in pursuit of hidden loot. The madcap treasure hunters are (counterclockwise) Buster Keaton, Edward Everett Horton, Mickey Rooney, Buddy Hackett, Ethel Merman, Phil Silvers, Joe E. Brown, Milton Berle...

Pen and sepia ink and wash on vellum, 8 7/8 x 10 1/2 inches (225 x 267 mm). In very good condition with some modern notations in pencil on the verso, minor cockling, and a 1-inch hor...

Clyde Steadman's "Untitled 2" is an original, handmade watercolor painting that depicts a cowboy riding a horse in a rodeo.

A new coffee table book has just been released titled "Poster Child" The Psychedelic Art & Technicolor Life of David Edward Byrd. This original drawing is featured on page 61 of the book. David Byrd created some of the most memorable Classic Theatre and Rock and Roll images from the 1960s and 70s. David created ALL of the Art for Bill Graham’s Fillmore East, including their Program covers and Rock posters, the art for Jimi Hendrix’s first Fillmore East appearance, The Rolling Stones 1969 World Tour art, The Who’s Performance of Tommy at the New York Metropolitan Opera House and The Fillmore, and The Grateful Dead Swell Dance Concert to name only a few. He also created the poster art for the original location of the 1969 Woodstock music festival . His memorable images were also used for classic Broadway shows like Godspell, Follies and Jesus Christ Superstar to mention only a few. These museum quality drawings are rarely made available for sale, they are not only wonderful rare works of art, but are truly historically important works in the field of Theatre and Rock and Roll collecting. It has been framed with archival double matting. David Byrd's poster art is in many museum collections, including : The Louvre, in Paris, Victoria & Albert in London, The Museum of Modern Art in New York and The Smithsonian in Washington, DC. Featured in this listing is the Original Color pencil Sketch created in 2006 by David Byrd prior to working on the finished painting which we also have available for sale. This drawing created in 2006 is based on David's very first original 1968 drawing for Hendrix's very first Fillmore East concert. It only featured Hendrix, and Bill Graham asked David if he could add the other two members of The Experience, which became the famous Fillmore East orange poster that featured all three members of the Experience. I included and image in this listing of the original pencil drawing from 1968 where you can see Bill requesting all three members to be included in the poster art. In this color rendering, David Byrd indicates two possible color choices for the poster in this sketch by listing the color numbers. He shows one half with one color combination and the other half with a different color combination. That was so that Bill Graham could choose which colors he preferred if the original 1968 poster art was to use this image. A great original color drawing that David Byrd created to show the colors of the first version of the 1968 Hendrix poster...

Study for “The Haircut” Graphite and colored pencil on vellum 24 x 18 inches (61 x 45.7 cm) This work is offered by CLAMP in New York City.

A new coffee table book has just been released titled "Poster Child" The Psychedelic Art & Technicolor Life of David Edward Byrd. This original drawing is featured on page 89 of the book. An image of the book cover can be seen in this listing. This beautifully matted & framed original art...