Unknown

Grayscale Abstract Figurative Drawing of a Lounging Woman

Mid 20th Century

Pink and peach abstract figurative drawing of a lady in a kimono or robe. Signed by the artist at the bottom left. Framed in a black frame with pink matting. Dimensions Without Fra...

Black and white pencil drawing sketch of an abstract male figure by Cuba-born artist Alberto Godoy. The work features Godoy's iconic robust figure. The d...

Monochromatic abstract figurative drawing by New Orleans artist Ida Rittenberg Kohlmeyer. The drawing depicts a sketch of nine faces and torsos. The work is framed and matted in a simple gold frame. Signed and dated by the artist at the bottom right. Dimensions With Frame: H 4.75 in. x W 10.25 in. Artist Biography: The daughter of Polish immigrants, Ida Kohlmeyer was born in 1912 in New Orleans, Louisiana, where she would reside for the majority of her life. Following her graduation from Sophie Newcomb Memorial College at Tulane University, she married and raised a family. She casually began studying drawing and painting relatively late in life, taking her first classes at the John McCrady...

Realistic pencil drawing of a man using a flying contraption. Inspired by Robert Altman's 1970 dark comedy film Brewster McCloud. The film follows a young recluse (Bud Cort, as the t...

Jewel-toned abstract figurative watercolor painting by Texas artist Ron Hoover. This painting depicts a figure of a man wearing a suit against a split background. Signed and titled b...

Black and white pen and ink abstract figurative drawing depicting a fantasy animal skull-like shape. Framed and matted in a silver frame. Previously with DuBose Gallery, a leading na...

Wonderful abstract expressionist drawing in shades and tones of grays and black by John Haley (American, 1905-1991), c.1956-7. Signed lower left corner. Presented in 3" mat. Condition: Very good: some edge wear consistent with age. Image size: 25"H x 19"W. A feature of the artwork of John Charles...

Charcoal and gouache on paper Paper size: 9x 11.5 inches Framed size: 23.5 x 25.75 inches Signed lower right Provenance: Raymond Spencer Co.; Galerie Dominion, Montreal, 1982; Dr Max Stern, Montreal, 1982; Leslie Sacks Fine Art, Los Angeles; Purchased by Haynes Fine Art...

A large charcoal-on-paper rendering by arguably one of America's most influential artists. It comes from the pioneering Allan Stone Galleries, who ...

Jim’s of Lambertville is proud to offer this artwork by: Joseph Meierhans (1890 - 1980) Joseph Meierhans is one of the most important modernist painters associated with Bucks Count...

Abstract black and grey charcoal drawing on thick, high quality Arches paper Vertical drawing, 25 x 20 inch image on 30.5 x 22.5 inch Arches paper 35 x 28.5 inches in black frame wi...

Provenance: This piece was deaccessioned from the Bass museum in Miami Beach florida. This piece is a good museum example of Exquisite corpse, also known as exquisite cadaver (from the original French term cadavre exquis), A method by which a collection of words or images is collectively assembled. This example is by Manuel Saez, Xisco Mensua and Guillermo Paneque. Each collaborator adds to a composition in sequence, either by following a rule or by being allowed to see only the end of what the previous person contributed. The technique was invented by surrealists. Surrealism principal founder André Breton reported that it started in fun, but became playful and eventually enriching. In the beginning were Yves Tanguy, Marcel Duchamp, Jacques Prévert, Benjamin Péret, Pierre Reverdy, and André Breton. Other participants probably included Max Morise, Joan Miró, Man Ray, Simone Collinet, Tristan Tzara, Georges Hugnet, René Char, and Paul and Nusch Éluard. Henry Miller often partook of the game to pass time in French cafés during the 1930s. Manuel Sáez (born 6 March 1961) is a Spanish, self-taught artist. Since 1984, he has been living and working in Valencia. The Enciclopedia Universal Ilustrada Europeo-Americana describes Manuel Sáez as among the most important painters of the turn of the 21st century owing to his simultaneously sensual and psychological approach to the world of objects, landscapes, figures and portraits. As a resident fellow of the Spanish Fine Arts Academy in Rome in 1990, Sáez elaborated a series of portraits called Biografia no autorizada In 1991 Sáez held his first important show at the Fundació La Caixa. in Valencia In 1996 he presented his first retrospective, Colección Exclusiva 1984-1995, in the Club Diario Levante of Valencia, as well as the Madrid Circle of Fine Arts, the Salas Verónicas of Murcia, the Castellón Delegation and the Brocense of Cáceres. In 2000 Sáez exhibited in Mexico City's Museo Rufino Tamayo and in the Instituto Valenciano de Arte Moderno (IVAM) in Valencia. In 2008 Sáez's work could be seen at the Sala Parpalló in Valencia. In 2003-04, Dispersions was exhibited at the Bass Museum of Art in Miami. In 2007, Sáez's work is featured in the Valencian Institute of Modern Art's (IVAM) El Pop Art en la Colección del IVAM ("Pop Art in the IVAM Collection") in Valencia.[12] Xisco Mensua Initially studied at Escuelas Virtèlia, but followed an atypical school career due to illness. Began to paint in 1978. Took a course in painting at the Escola d’Arts i Oficis (Valencia), where he had lived since the age of eight. Lived in Barcelona from 1982 to 1987, studying art at the Escola Eina for the first two years. Returned to Valencia and began exhibiting in 1990. Produced works in co-operation with Fernando Ros and Mim Juncà, as well as designing stage sets for the theatre. Now forms part of the Jacques Moran collective. Through drawing, Mensua creates a fictional world in an exercise in which he transfigures common references, whether intimate or biographic, political or social. Guillermo Paneque Seville, 1963 Spanish painter. He completed his artistic training at the Faculty of Fine Arts in Seville, Director and founder, along with Rafael Agredano and José Espaliú, of the magazine Figura in 1984. It is in the mid-eighties when his work is made known within the Andalusian artistic scene, through the production of small format paintings populated with references and symbols from the religious and everyday environment that the author mixes with a playful sense and with erotic characters that reveal a clear rejection of the Andalusian artistic tradition. His work evolves towards a formal synthesis and an iconographic cleansing in the line of conceptual art. He has starred in numerous solo exhibitions and participated in important collectives, among which include: Aperto 86 at the Venice Biennial (1986), Spain 87. Dynamiques and Interrogations (1987) at the Musée d'Art Moderne de la Ville in Paris, Spanish natures...