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Trajan Wallis (1794-1892): Robe study

19th century

Trajan Wallis (1794 Florence - 1892 ): Hand study of crossed hands, 19th century, Pencil Technique: Pencil on Paper Date: 19th century Description: Watermark: Coat of arms with i...

Trajan Wallis (1794 Florence - 1892 ): Hand study with book, c. 1820, Pencil Technique: Pencil on Paper Date: c. 1820 Description: Watermark: "P. e. C." Provenance: From the est...

Trajan Wallis (1794 Florence - 1892 ): Study of a robe on a female figure in back view, 19th century, Pencil Technique: White heightened Pencil on Paper Date: 19th century Description: Watermark: Shield of arms with initials "AGC Provenance: From the estate of the artist. Verso: numbered: 26"" Keywords: Back view, female garment, drapery, academy study, garment study, antique garment...

Leo Primavesi (1871 Cologne - after 1937 ): Heartfelt pleading Neapolitan, 1896, Pen drawing Technique: Pen drawing on Paper Inscription: monogrammed and dated in the centre left: ...

Leo Primavesi (1871 Cologne - after 1937 ): The blue hour Violin players studying music, 1899, Watercolor Technique: Watercolor on Paper Inscription: Lower right monogrammed: "LF"....

Trajan Wallis (1794 Florence - 1892 ): Study of the garment on a reclining female nude, 19th century, Pencil Technique: White heightened Pencil on Paper Date: 19th century Provenance: From the estate of the artist. Verso: Indication of a female nude study to the left; numbered: 12"" Keywords: Robe study, antique drape...

Early 20th century watercolour of a gentleman on horseback with other riders in the background apparently signed or titled 'Count A de Monthaus'. Signed or titled bottom left. Presented in fine period gilt frame under glass. The artist has captured a moment of pause, the gentlemen rider in his fine clothes and bowler hat regarding his surroundings as his fellow riders continue the chase behind him, possibly a 'point to point'. Monthaus has captured the stance of the standing horse as well as the movement of the other horses. He has used white to give light and definition to the costume of the rider and the background. A lovely atmospheric and dynamic watercolour very much of its period and in the spirit of equine portraiture made famous by the likes of Sir Alfred Munnings. Sir Alfred James Munnings, KCVO PRA RI (8 October 1878 – 17 July 1959) was known as one of England's finest painters of horses, and as an outspoken critic of Modernism. Engaged by Lord Beaverbrook's Canadian War...

Watercolour on paper interpretation of the Raft of the Medusa by English artist Derek Carruthers. The work is signed and titled to the back of the paper. A vivid and engaging interp...

Il disegno in questione è molto probabilmente uno studio dal vivo per un ritratto da riportare successivamente in pittura, come si può notare dall'intensità dello sguardo e dall'alta...

Fine drawing in pencil, oval format. Circle of Angelika Kauffmann. The subject is not clear. It is Amor with his arrows and perhaps Venus with a sp...

A. Lesueur French 19ème siècle Les Mille et Une Nuits – One Thousand and One Nights, 1892 Charcoal on paper heightened with white. Signed & dated 1892 lower right. Image size 23.6 i...

George Richmond RA (British, 1809 – 1896) Studies of a statue and a sketch of a lady in ink Pencil on paper and pen 6.7/8 x 9.3/4in. (17.5 x 25 cm.) Provenance: Abbot and Holder and Moore Gwyn Fine Art George Richmond was an English painter and portraitist. In his youth he was a member of the Ancients, a group of followers of William Blake. He was a keen follower or cricket, always to be found at Lords. He was a long life friend of Samuel Palmer and was a fellow student of Edward Calvert and Thomas Sidney Cooper. In 1888 Richmond went to Paris to study art and anatomy, it is possible this is from that period. His later works are portraits or prominent figures of the day such as William Wilberforce. He is buried at Highgate Cementary. Perhaps his most famous painting is a portrait of Charlotte Bronte...