Victor Di Gesu

'Seated Nude', Paris, Louvre, Académie Chaumière, Salon D'Automne, LACMA, SFAA

Circa 1955

Signed lower left, 'Denis Paul Noyer' (French, b. 1940) and created circa 1975. An exceptionally finely-detailed, silver point and colored pencil drawing showing a view of a Parisia...

Signed lower right, "Dignimont" for André Dignimont (French, 1891-1965) and painted circa 1950. A substantial, mid-century interior showing a man and ...

Signed lower right, 'Ruth Peabody' for Ruth Eaton Colburn Peabody (American, 1893-1966) and painted circa 1955. Born in Highland Park, Illinois, Ruth Peabody was taught to paint as a child by her mother, artist Elanor Colburn, and first studied sculpture at the Art Institute of Chicago. The two women moved to Laguna Beach, California, in 1924, and became active in the local art scene. At their studio, Peabody sculpted fountains and memorial plaques when not teaching, privately and at Laguna Beach High School. Over the course of a long career, Ruth Peabody exhibited widely and with success including at the Panama Pacific Exhibition (1915), Art Institute of Chicago, Oakland Art Gallery (1932)and the Pennsylvania Academy of Fine Arts (1931) and was the recipient of numerous prizes, medals and juried awards. In 1939, the Fine Arts Gallery of San Diego presented Peabody's abstract works in a solo exhibition, the first show of its kind by a regional artist. Her work is held in private and public collections including the San Diego Museum and Orange County Museum. Exhibitions: Panama Pacific Exhibition, 1915; Laguna Beach Art Association, 1925-52; County Fair (LA), 1925, 1931; California State Fair, 1926, 1936; West Coast Arts (LA), 1927; Biltmore Salon (LA), 1927; San Diego FA Gallery, 1929, 1931, 1937, 1939; Pennsylvania Academy of Fine Arts, 1931; California Art Club, 1927-32; Painters & Sculptors of LA, 1930-31; Pasadena Art Institute 1931; Olympiad, LACMA, 1932; Oakland Art Gallery, 1932; Whittier Art Gallery, 1934; Golden Gate International Exposition, 1939. Collections: Laguna Beach Art Gallery (fountain & medallion of Anna Hills...

Signed upper right, 'C. Mariani' for Carlo Maria Mariani (Italian, 1931-2021) and dated 1959. A native of Rome, Carlo Mariani first studied there at the Academy of Fine Arts where h...

Signed lower left, 'Jais' for Johannes Knud Ove Jais-Nielsen (Danish, 1885-1961) and dated 1938. A powerful figural work showing a view of Jesus kneeling in the Garden of Gethsemane on the evening before his trial and execution. Born in Denmark, Jais Nielsen initially studied at Kunstnernes Frie Studieskoler under Kristian Zahrtmann and exhibited for the first time at the 1907 Autumn Salon at the Charlottenborg Palace. Nielsen participated in the early and groundbreaking, “Group of Thirteen" Modernist show, where his focus on dynamic figural painting and his bold use of color set him dramatically apart from his contemporaries. From 1907-11, Nielsen's use of 'primitive' Fauve colors would continue to reinforce his break with traditional Danish painting. During this period, he made study excursions to important art centres, including, in 1909, to Berlin. In 1911, he moved to Paris where he settled in the Latin Quarter near the Musée Cluny. His first formal Paris exhibition was at the Salon d’Automne of 1912. During this first Paris period, Nielsen attended meetings of the Section d’Or at the studio of Jacques Villon and, as a result, began to incorporate subtle, yet distinct, Cubist elements into his work.   With the outbreak of World War One, Nielsen returned to Copenhagen, taking with him both his increasing compositional sophistication and a thorough understanding of the principles of Modernism. During this period, ports, dance and circus life became subjects of interest and he painted many canvases in the style of Analytic Cubism, of which he became the earliest and, arguably, the finest Danish exponent. From 1915 onwards, Nielsen also created Cubist sculptures and, from 1922-28, was employed as a sculptor by the Royal Copenhagen porcelain factory. Here, he produced a series of ceramic sculptures on Biblical themes which included the Good Samaritan and several versions of Jacob Wrestling with the Angel...

Signed upper right, 'Anne Jenkins' (American, 1923-2023) and dated 1958. An elegant and psychologically penetrating study of a young boy, shown seated and holding a white cat. Born...

Marc Chagall 1887-1985 Russian Musiciens sur fond multicolore (Musicians on a multicolored background) Signed 'Chag' (on the sleeve of the right figure); stamped with the signature 'Marc Chagall' (lower right) Tempera, gouache, colored ink and India ink and pastel on paper “The fact that I made use of cows, milkmaids, roosters and provincial Russian architecture as my source forms is because they are part of the environment from which I spring and which undoubtedly left the deepest impression on my visual memory of the experiences I have." - Marc Chagall Marc Chagall’s 1981...

Highly detailed india ink abstract pointillist drawing of figures and roses with watercolor and gouache by Ben Black (American, 1922-2003), c.1990's. Signed "Ben Black" lower right. ...

ROBERTO DOMINGO FALLOLA Spanish, 1883 - 1956 AT THE LONGCHAMP RACES signed and located "R. Domingo, París" (upper right) gouache on paper 10-1/2 x 13-1/4 inches ( 26.5 x 33.4 cm.) f...

Redheaded model wearing Traina Sport by Kay Unger and Jesper Nyeboe. Illustration published on the cover of Women's Wear Daily, February 25, 1971. Gouache o...

MARC CHAGALL 1887-1985 [Shagal, Mark, Zakharovich, Moses] Vitebsk, Belarus 1887-1985 Saint-Paul-de-Vence, Alpes-Maritimes Title: Study for The Circus Equisse pour ‘Le Cirque’, 1957...

Vogue USA, Fashion Illustration. Meticulously drawn in a descriptive and yet creative way. Antonio's full mastery of his art is on full display. Signed lower right. The work is arch...