Island Fisherman's Houses
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William ThonIsland Fisherman's Housesc. 1950
c. 1950
About the Item
- Creator:William Thon (1906 - 2000, American)
- Creation Year:c. 1950
- Dimensions:Height: 20.5 in (52.07 cm)Width: 27 in (68.58 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Myrtle Beach, SC
- Reference Number:Seller: 988301stDibs: LU53236201692
William Thon
William Thon was an American artist noted for his highly abstracted landscape images. He was born in New York City and spent his childhood summers camping on Staten Island. He developed a great love of travel, and in 1933 made an eight-month voyage to Cocos Islands in the Pacific. He debuted as a professional artist in the 1939 Corcoran Gallery Biennial exhibition. He joined the Navy during World War II, and shortly after the war won the Prix de Rome, a fellowship in Rome to the American Academy, for which he later served as a trustee. He received further recognition with his participation in the 1942 '"Artists for Victory" exhibit at the Metropolitan Museum of Art. He held his first one-person show at the Midtown Galleries in New York in 1944. The gallery continued to represent him throughout his career. He had subsequent solo exhibitions at the Smith College Art Museum, the Fort Wayne Museum of Art and the Farnsworth Art Museum in Rockland, Maine. He received an honorary Doctor of Arts from the Bates College in Lewiston, Maine, in 1957. He was a member of The American Academy and Institute of Arts and Letters, and the National Academy of Design. In 1947, Thon’s year-long study at the American Academy proved pivotal in his career, when he began working in watercolor. Upon his return to America, he submitted a watercolor to the 1949 exhibition of the National Academy of Design, and that year, he was voted into the Academy membership. From thereon, he frequently exhibited at the Academy and won prizes, including the Benjamin Altman Prize in 1951, 1954, 1961, 1967 and 1969. In 1951, Thon received a grant from the American Academy of Arts and Letters. He often traveled to Italy, and in 1955 served in Rome as Artist-in-Residence at the American Academy. Thon chose to live in the relative isolation of Port Clyde, Maine, on a peninsula overlooking the sea, a quiet place, especially in winter. He preferred the company of sailors, craftsmen, lobstermen, a few fellow artists and his beloved wife, Helen. This area is credited as inspiring a stylistic breakthrough for Thon when he discovered an abandoned quarry near his property. There, he created numerous, increasingly abstract paintings of spidery trees with rectilinear slabs of interspersed granite. Each season, Thon would send his paintings off to the prestigious Midtown Galleries in New York City. His works bore the imprint of his vital connection to the raw, natural beauty of rural Maine, its rugged terrain, beautiful virgin forests, intemperate seas, and the human-made scatter of wooden buildings along its rocky shoreline. Thon continued to work even after macular degeneration had left him legally blind. From his estate gift of four million dollars, the Portland Museum of Art, Maine, received the biggest cash donation to that time. Thon was awarded numerous prizes and is represented in over 60 museum collections including, the Metropolitan Museum of Art, the Brooklyn Museum, the Hirshhorn Museum and Sculpture Garden, The Butler Institute of American Art, the Columbus Museum of Art, and in Maine, the Farnsworth Art Museum, the Portland Museum of Art, and the Ogunquit Museum of American Art.
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$625 Sale Price50% Off - Whimsical Fishing Illustration Cartoon 1938 Mt Tremblant Ski Lodge William SteigBy William Steig (b.1907)Located in Surfside, FLLighthearted Illustration of Outdoor Pursuits This one of a fisherman signed "W. Steig" Provenance: from Mrs. Joseph B. Ryan, Commissioned by Joe Ryan for the bar at his ski resort, Mount Tremblant Lodge, in 1938. Mont Tremblant, P.Q., Canada Watercolor and ink on illustration board, sights sizes 8 1/2 x 16 1/2 in., framed. In 1938 Joe Ryan, described as a millionaire from Philadelphia, bushwhacked his way to the summit of Mont Tremblant and was inspired to create a world class ski resort at the site. In 1939 he opened the Mont Tremblant Lodge, which remains part of the Pedestrian Village today. This original illustration is on Whatman Illustration board. the board measures 14 X 22 inches. label from McClees Galleries, Philadelphia, on the frame backing paper. William Steig, 1907 – 2003 was an American cartoonist, sculptor, and, in his later life, an illustrator and writer of children's books. Best known for the picture books Sylvester and the Magic Pebble, Abel's Island, and Doctor De Soto, he was also the creator of Shrek!, which inspired the film series of the same name. He was the U.S. nominee for both of the biennial, international Hans Christian Andersen Awards, as a children's book illustrator in 1982 and a writer in 1988. Steig was born in Brooklyn, New York in 1907, and grew up in the Bronx. His parents were Polish-Jewish immigrants from Austria, both socialists. His father, Joseph Steig, was a house painter, and his mother, Laura Ebel Steig, was a seamstress who encouraged his artistic leanings. As a child, he dabbled in painting and was an avid reader of literature. Among other works, he was said to have been especially fascinated by Pinocchio.He graduated from Townsend Harris High School at 15 but never completed college, though he attended three, spending two years at City College of New York, three years at the National Academy of Design and a mere five days at the Yale School of Fine Arts before dropping out of each. Hailed as the "King of Cartoons" Steig began drawing illustrations and cartoons for The New Yorker in 1930, producing more than 2,600 drawings and 117 covers for the magazine. Steig, later, when he was 61, began writing children's books. In 1968, he wrote his first children's book. He excelled here as well, and his third book, Sylvester and the Magic Pebble (1969), won the Caldecott Medal. He went on to write more than 30 children's books, including the Doctor DeSoto series, and he continued to write into his nineties. Among his other well-known works, the picture book Shrek! (1990) formed the basis for the DreamWorks Animation film Shrek (2001). After the release of Shrek 2 in 2004, Steig became the first sole-creator of an animated movie franchise that went on to generate over $1 billion from theatrical and ancillary markets after only one sequel. Along with Maurice Sendak, Saul Steinberg, Ludwig Bemelmans and Laurent de Brunhofff his is one of those rare cartoonist whose works form part of our collective cultural heritage. In 1984, Steig's film adaptation of Doctor DeSoto directed by Michael Sporn was nominated for the Academy Award for Best Animated Short Film. As one of the most admired cartoonists of all time, Steig spent seven decades drawing for the New Yorker magazine. He touched generations of readers with his tongue–in–cheek pen–and–ink drawings, which often expressed states of mind like shame, embarrassment or anger. Later in life, Steig turned to children's books, working as both a writer and illustrator. Steig's children's books were also wildly popular because of the crazy, complicated language he used—words like lunatic, palsied, sequestration, and cleave. Kids love the sound of those words even if they do not quite understand the meaning. Steig's descriptions were also clever. He once described a beached whale as "breaded with sand." Throughout the course of his career, Steig compiled his cartoons and drawings into books. Some of them were published first in the New Yorker. Others were deemed too dark to be printed there. Most of these collections centered on the cold, dark psychoanalytical truth about relationships. They featured husbands and wives fighting and parents snapping at their kids. His first adult book, Man About Town, was published in 1932, followed by About People, published in 1939, which focused on social outsiders. Sick of Each Other, published in 2000, included a drawing depicting a wife holding her husband at gunpoint, saying, "Say you adore me." According to the Los Angeles Times, fellow New Yorker artist...Category
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