Wolfgang Wolff

Tahiti II

c.1940

This artwork titled "Ballerina" c.1950 is a watercolor on paper by French noted artist Charles Kiffer, 1902-1992. It has the estate stamp of the artist on the back. The artwork size ...

Artist: Merton Clivette (American, 1868-1931) Title: Landscape II Year: Circa 1925 Medium: Gouache Paper: Watercolor Size image: 17.35 x 22.65 inches Size paper: 17.35 x 22.65 inches Signature: Signed lower left by the artist Condition: Excellent Frame: Unframed About the artist. Clivette was born in Portage, Wisconsin, in 1868 as Merton Clive Cook, the youngest of five (four sons and one daughter). His father was a retired British sea captain, and his mother was an American of French, Scottish and Iroquois Indian stock. He stayed with a circus for about five years, traveling all over the Western United States, Canada and Mexico. They did shows for the army forts, for railroad workers and on Indian Reservations. Clivette settled in San Francisco in 1886, when he was offered a job as a reporter and theatrical writer for the San Francisco Call. He met Frederic Remington during this period. He was the first serious artist Clivette had met and he was an inspiration to him. Clivette had done some drawing and painting on the road during his vaudeville years, he had a natural facility for it, and he had had some formal art training as well. He had had some training in Europe and was aware of the modern art movement in Europe. Later in New York he participated in symposiums and workshops at the Art Students League. Around 1910 he gave up his stage career and began to paint full time. He was about 40 years old and was to continue to paint vigorously and prolifically for the remaining 22 years of his life, His style can be identified with the Expressionist Movement, His subjects include portraits (some quite realistic, others more generalized) Indians and horsemen, laborers, gentlemen and vamps, jungle animals and birds, fish, seascapes and landscapes. He was an active participant in the art world of New York. He was a member of the Society of Independent Artists. In 1923 he showed at the Ainslee Art Gallery at 677 Fifth Ave., in 1925 at the Spanish Society in Brooklyn and in 1927 he had a solo show at the New Gallery, 600 Madison Ave. That same year there was also a solo show of his work in Paris at the Bernheim-Jeune Gallery, which included a catalogue. In 1929 he exhibited at the Art Center of the Roerich Museum in a group show of work from the collection of George Hellman. In 1930 he was in a show at the Museum of Modern Art in New York, "Painting and Sculpture by Living Americans" which also included the work of Stuart Davis, Arthur Dove, William Glackens, Marsden Hartley, Childe Hassam, George Luks and Mark Tobey and sculptors Gaston Lachaise and William Zorach among others. A description and critical analysis of his work in included in the book by Henry Rankin Poore...

This artwork c.1950 is a watercolor by noted Oregon artist Maude Walling Wanker ( American, 1882-1970) It is signed at the lower right corner by the artist. The artwork size is 16.25 x 21.25 inches, framed size is 25 x 29 inches. Framed in a dark wood frame, with gold color bevel. The artwork is in excellent condition, the frame has some minor scratches. About the artist. Maude Walling Wanker (1882-1970) was born on October 22, 1882 in Lake Oswego, Oregon. She studied art at the Museum Art School with Clara Jane Stephens, at the Art Institute of Chicago in 1936 with John Bernard Hinshaw, at the University of Oregon with Steinhof, and in Vienna. She specialized in watercolors and oils. Maude Wanker grew up in the Tualatin Valley, where she began she began sketching as a child. After her marriage in 1901 and the birth of a child, she began attending the Museum Art School on an irregular basis. In 1939 she was one of the three artists chosen to represent Oregon at the fourth National Exhibition of American Art, held in New York's Rockefeller Center. Wanker moved to the Oregon Coast...

This artwork titled "Saint Cergue Switzerland" c.1930 is a watercolor by noted Scottish artist William Stuart Orr, 1872-1944. It is hand signed by the artist at the lower left corner...

This artwork titled "Fishing Net" c.1875 is a watercolor by artist Edward Duncan (British, 1803-1882) It is signed at the lower right corner by the artist. The artwork size is 18.55 x 13.85 inches, framed size is 28.25 x 22 inches .Custom framed in a wooden dark gold frame, with off white matting and gold color spacer. It is in excellent condition. About the artist. Edward Duncan was the son of Thomas Duncan (c1781-1841) and Peggy née Watson. He was born on 21 October 1803 at St Pancras in London. He was apprenticed to Robert Havell, the principal aquatint engraver of Audubon's Birds of America. Duncan was afforded frequent opportunities of studying the works of Havell's brother, the watercolorist, William Havell. These developed his taste for drawing and the use of colour. After tutelage under the Havell Brothers in London, Duncan started his own engraving studio, and primarily created print works for Fores of Piccadilly. In 1826, a project to engrave maritime scenes, after paintings by William John Huggins...

Artist: Merton Clivette (American, 1868-1931) Title: Landscape Year: Circa 1925 Medium: Gouache Paper: Heavy Bristol type Size image: 22.75 x 28 inches Paper size: 22.75 x 28 inches Signature: Signed lower left by the artist Condition: Excellent Frame: Unframed About the artist. Clivette was born in Portage, Wisconsin, in 1868 as Merton Clive Cook, the youngest of five (four sons and one daughter). His father was a retired British sea captain, and his mother was an American of French, Scottish and Iroquois Indian stock. He stayed with a circus for about five years, traveling all over the Western United States, Canada and Mexico. They did shows for the army forts, for railroad workers and on Indian Reservations. Clivette settled in San Francisco in 1886, when he was offered a job as a reporter and theatrical writer for the San Francisco Call. He met Frederic Remington during this period. He was the first serious artist Clivette had met and he was an inspiration to him. Clivette had done some drawing and painting on the road during his vaudeville years, he had a natural facility for it, and he had had some formal art training as well. He had had some training in Europe and was aware of the modern art movement in Europe. Later in New York he participated in symposiums and workshops at the Art Students League. Around 1910 he gave up his stage career and began to paint full time. He was about 40 years old and was to continue to paint vigorously and prolifically for the remaining 22 years of his life, His style can be identified with the Expressionist Movement, His subjects include portraits (some quite realistic, others more generalized) Indians and horsemen, laborers, gentlemen and vamps, jungle animals and birds, fish, seascapes and landscapes. He was an active participant in the art world of New York. He was a member of the Society of Independent Artists. In 1923 he showed at the Ainslee Art Gallery at 677 Fifth Ave., in 1925 at the Spanish Society in Brooklyn and in 1927 he had a solo show at the New Gallery, 600 Madison Ave. That same year there was also a solo show of his work in Paris at the Bernheim-Jeune Gallery, which included a catalogue. In 1929 he exhibited at the Art Center of the Roerich Museum in a group show of work from the collection of George Hellman. In 1930 he was in a show at the Museum of Modern Art in New York, "Painting and Sculpture by Living Americans" which also included the work of Stuart Davis, Arthur Dove, William Glackens, Marsden Hartley, Childe Hassam, George Luks and Mark Tobey and sculptors Gaston Lachaise and William Zorach among others. A description and critical analysis of his work in included in the book by Henry Rankin Poore...

Walter Spies was one of the first Europeans to settle in Bali after a stay in Java. He greatly contributed to the discovery and popularization of Balinese...

Moses With the Ten Commandments by Sir Jacob Epstein (1880-1959) Pencil and watercolor on paper 22 x 16 ⅝ inches unframed (55.88 x 42.24 cm) 28 ½ x 23 inches framed (72.39 x 58.42 cm) Signed on bottom left Description: In this figurative watercolor painting, Jacob Epstein depicts Moses holding two tablets, one in each arm, that are inscribed with the ten commandments. This is a visualization of the traditional biblical story in which Moses goes to Mount Sinai and has the ten commandments revealed to him by God which he inscribed onto two tablets and keeps in the Ark of the Covenant...

Figure Looking Out Window by Jules Pascin (1885-1930) Watercolor on paper 5 ¼ x 4 ½ inches unframed (13.335 x 11.43 cm) 13 ¾ x 10 ⅜ inches framed (34.925 x 27.002 cm) Signed and date...

Gerald Leslie Brockhurst (British/American, 1890-1978) In the Circle of the liberal Arts After Alessandro Botticelli's Fresco: ' A Young Man being introduced to the Seven Liberal Arts ' • Water colour on paper mounted behind old stained mount, this one then laid under a modern clean mount and presented in an antique glased...

Martin Eder untitled work on paper executed in ballpoint pen with traces of watercolor. Ohne Titel Arbeit auf Papier, ausgeführt in Kugelschreiber mit Spuren von Aquarell. 2007

Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Wom...