Jacob Gildor

Pocket Nudes

2007

CAMILLE BRYEN 1907-1977 [CAMILLE BRIAND] Nantes 1907 – 1977 Paris (French) Title: Surrealist Composition with Nude, Door and Key, ca 1935 Technique: Original Signed Graphite D...

JACOB GILDOR b. 1948 (German / Israeli) Title: Boy with Panther, 2005 Technique: Original Hand Signed and Inscribed Gouache on cardboard Size: 35 x 27.8 cm / 13.7 x 10.9 in...

JACOB GILDOR b. 1948 (German / Israeli) Title: Taurus II, 2003 Technique: Original Hand Signed Tempera and Collage and Ink on cardboard Size: 25.3 x 35.2 cm / 9.9 x 13.8 in Additional Information: It is hand signed in black pen "Gildor" at the lower left of the paper. It was realised in 2003. This work is recorded in the artist archive with reference no. 2003-12 Exhibited: 1. Forward and Backward, paintings 1966-2003, Sara Kishon Gallery, Tel Aviv, January 2003. No. 6, illustrated pages 10-11. 2. Art Budapst, Antik Enterior, 2006 3. Belvedere Gallery, Budapest , Winter Collection, 2007 Literaute: Jacob Gildor, Segments of Creation, Vol. I, 2009, Israeli Art Museum...

SAMUEL BAK b. 1933 Born in Vilna, Poland 1933 (Israeli/American) Title: Surrealistic Landscape Technique: Original Signed Oil Painting on canvas size: 46 x 55 cm / 18.1 x 21.7 in...

GREGOIRE MICHONZE 1902-1982 KiChinev (Bessarabia) 1902-1982 Paris (Russian / French) Title:Pique Nique beside the Lake, 1957 Technique: Original Si...

JULES PERAHIM 1914-2008 Bucharest 1914-2008 Paris (Romanian) Title: A Forgotten Flying Machine Une machine volante oubliée, 1978 Technique: Signed, Da...

Manfred K. Schwitteck (*1948), Still life with fish bones, pencil and pencil sharpener, 1992. watercolor over pencil on handmade paper, 31.5 x 45 cm (visible size), 47 x 61 cm (frame...

Manfred K. Schwitteck (*1948), Still life with fish bones and champagne corks, 1992. watercolor over pencil on handmade paper, 31.5 x 45 cm (visible size), 47 x 61 cm (frame), signed...

Surrealism has been my passion since a young age. The concept of being able to manifest my visions into a space where it can be seen and interacted with has always been fascinating...

Watercolor and cut paper collage w/ etching of staircase. Dream scape fire escape imagery

Mid-century lyrical surrealist abstract watercolour on paper by French artist Jean Clerté, signed and dated bottom right. Presented in mid-century frame. Jean Clerté , born in 1930 in Saint-Savin-sur-Gartempe in Vienne, is a French painter, engraver, draftsman, watercolourist and sculptor . This work is a great example of his more humorous and expressive work influenced by Alechinsky from the late 1960s onwards. There is a light playfulness and yet the watercolours are more vivid than his previous palette. Jean Clerté works in series. His sequential narrations testify both to a youthful spontaneity and to a perfect mastery in the distribution of forms and images on the painted surface. The narration is not only an accumulation of juxtaposed fragments and symbols, it forms a whole, it takes on and gives meaning. In general, we can say of Clerté that he practices an “eco-art” that feeds on primary hungers: the feeling of being united with nature, the vegetable, the mineral, the aquatic. In his colourful canvases, his inks, his boxes, his objects, like a shaman on the path of his dreams, the painter Clerté mounts an assault on beasts and demons, elves and gnomes. From the Poitevin marshes to the tropical forests emerges a fauna caught in the meanders of a design that marvels at the appearance of these grotesque idols. Jean Clerté began to draw and paint at a very young age, and at the age of 15 he enrolled at the École des Beaux-Arts in Poitiers. Then in 1949, curious about the capital, he moved to Paris. Having very few financial resources, he could not continue his studies at first, worked as a model to survive, and met other artists; he was then admitted to the studio of Ossip Zadkine and, from 1952, he was also able to study engraving at Atelier 17 of Stanley William Hayter, an English engraver and printer living in Paris associated in the 1930s with surrealism. At the end of the 1960s, he worked alongside Pierre Alechinsky, founding member of the Cobra movement, engraving Alechinsky's originals, benefiting from his advice, and discovering acrylic as a medium. From 1976, Jean Clerté became associate professor at Hayter. Clerté had taught previously, in 1971 at the Salzburg Summer University and in 1972 he gave courses at the Paris-Sorbonne University . In 1981, he was appointed professor at the School of Decorative Arts , where he had Maïlys Seydoux-Dumas as a student and, from 1983 to 1988, he was Alechinsky's assistant professor at the Paris School of Fine Arts. His first works are part of the current of lyrical abstraction, and are nourished by impressions of nature (landscape motifs, e.g. forest fires, waterscapes), then around 1968, encouraged by Alechinsky, he rejects abstraction, and his work becomes more figurative with expressive and humorous elements. From this period his colours are more subdued, often with pastel tones, he works on series. Jean Clerté has created a world in a space where drawing, painting, objects participate in a playful figuration. From his drawings were born sculptures and sometimes mobiles (Le Moulin à dessin). If it is the artist who makes astonishing, polychrome, whimsical “toys”, it is the painter who appeals to adults through his caustic and satirical humour. His first exhibitions in France took place at the Galerie Massol , then at the Galerie Pascal...

Watercolour and gouache on paper painting titled 'Siamese Slaves' by British artist Derek Carruthers, signed to the bottom right and to the reverse and dated 2008 and titled. A colo...