Julian Schnabel

Julian Schnabel Hand Painted Leather Jacket 1991 (Julian Schnabel painting)

Jean-Michel Basquiat (untitled), 'MAN MADE Sweatshirt', c. 1979: Basquiat produced this rare original hand-painted sweatshirt (among others, with only few known to have survived) for the purposes of selling these on his own and through the historic downtown fashion boutique, Patricia Field’s. Basquiat was captured wearing a similar example in the well publicized 1979 photo, 'Basquiat Dancing at The Mudd Club' by Nicholas Taylor of Gray. This double-sided work notably features Basquiat’s ‘MANMADE’ tag - Basquiat’s alias after he took to the streets to declare “SAMO is Dead”. The work is further highlighted by Basquiat’s ‘BAD’ motif - uniquely paralleling his consideration to naming his band, ‘Bad Fools’ prior to Gray. In trademark Basquiat style, we also find the vertically spaced ‘E’ on both sides of the piece, as well as dashed lines which would appear in many of the artist’s Anti-Product cards, early drawings and more. The work emanates directly from the collection of world renowned author Lucy Sante (formerly Luc Sante). As it is well publicized, Basquiat worked with Sante in 1979/80 on the downtown-art scene publication, ‘Stranded’ (New York, 1980). Medium: Acrylic on cotton sweatshirt (double-sided artwork). Executed circa 1979/1980. Dimensions: 16.5 x 22 inches (outstretched cuff to cuff: 50 inches & sleeve length: 18 inches). Condition: In good overall vintage condition. Bright well-preserved colors; some minor discoloration in several areas due to normal age related wear and use; scattered stains located on the hem, inner arm area(s) and cuffs; scattered minor pilling; loose thread on the reverse of hem. Basquiat's artwork throughout remains fully intact. Unique. One of a kind. Signed ‘MANMADE’ and numbered 5/100 on the reverse. Provenance: Gifted by Basquiat to Lucy Sante; obtained directly from the former. Sante's relationship to Basquiat is well documented in three publications (see below literature/references for more). Accompanied by a letter of provenance from Sante. Literature/References: -'Boom for Real: The Late Teenage Years of Jean-Michel Basquiat,' by Sarah Driver - this 2018 documentary features an in-depth section devoted to Basquiat's 'Man Made' clothing, featuring an interview with designer Patricia Field & artist Kenny Scharf. - 'Basquiat Before Basquiat' (MCA Denver; see Sante, p.40-43 ). - 'Stranded' issue four index (Spring 1980). Basquiat's identity is confirmed as 'Man-Made' midway on page. - 'Zeitgeist: The Art Scene of Teenage Basquiat' (Howl Arts 2018; essay: 'Stranded' by Lucy Sante). - 'An Intimate Look at Jean-Michel Basquiat's Early Days' by Lucy Sante (Village Voice 2/8/17). -'Man Made by Basquiat' (MinnieMuse) May 2019. -'Exploring Jean-Michel Basquiat's 1970's Clothing Collection, 'Man Made.'' Vice Magazine, May 2019. - ‘The Jean-Michel Basquiat Reader’ (Moore pg. 334) discusses Basquiat’s Man Made painted clothing. - 'Basquiat Dancing at The Mudd Club' photograph by Nicholas Taylor of Gray (Basquiat wears a similarly painted sweatshirt). Basquiat’s use of ’MAN MADE', see: - Glenn O'Brien "Graffiti '80;" High Times, June 1980 (p. 53-54); "Jean-Michel Basquiat who is known to many as SAMO, had changed his alias to Man Made". - Jean-Michel Basquiat: 1981, the Studio of the Street (Diego Cortez; 2007 p. 80). - The Last Time I Saw Basquiat (NYR Daily 9/3/16; essay by Lucy Sante). - Basquiat: Boom For Real (Barbican; Nairne, Buchhart & Johnson p.26). - Sotheby's S2 Catalog & Sale, "Man Made" (May 2013). Intertextual References: Basquiat's 'BAD' motif further appears in the following 1979 works: - "Stupid Games, Bad Ideas" (color xerox; see Basquiat: Boom For Real pg. 108). - Basquiat (untitled) "Test Pattern" (original drawing and xerox; see Basquiat: Boom For Real pg. 147). - Basquiat (untitled) "Gumby Is Bad" t-shirt (worn on camera by the artist at Canal Zone...

AYAKAMAY, "Mad Supper," 2013: The work of the late New York based artist, AYAKAMAY (1985-2019), combines reality with fantastically constructed traditional Japanese cultural aesthetics to create a dialogue between contemporary American urban identity and femininity. Medium: Acrylic & Spray Paint on Canvas. Dimensions: 36 x 48 x 1 inches. Very good overall condition. Unique. Signed & titled on the verso in black marker. Provenance: Ideal Glass Studios New York. Ayakamay (1985-2019) Biography: Born in 1985 in Tennessee, Ayakamay’s family moved several times in the US due to her father’s job and also traveled back and forth to Japan where the family decided to settle down when she was ten. Having been raised in an American lifestyle, the shift to Japan was especially confusing and overwhelming. As she was being forcibly shoved into a cultural mold that did not fit, she sought solace in art. Eventually Ayakamay’s parents decided art was a negative distraction and took away her art supplies. This led to the darkest period in her life, but served as an impetus for her to find new ways of expression via photography. At nineteen, Ayakamay headed for New York City and prior to her tragic passing in 2019, exhibited & performed with great consistency in both New York & Tokyo while being featured in publications such as, I-D magazine, Hyperallergic, The New York Times & Artnet News. Related Categories: Pop Art, Tokyo Artists, Comic/Cartoon, Japan, Contemporary Pop, Japanese Manga...

Curtis Kulig, Love Me on Canvas (Yellow & Red), 2011: This one of a kind ’Love Me' painting is impossible to overlook. An expressionist yellow background combined with Kulig's iconic...

Damien Hirst Spin Painting, 2009 (Damien Hirst Skull): A mesmerizing Damien Hirst Spin painting with explosions of vivid color amidst the timeless,...

Damien Hirst Spin Painting, 2009 (Damien Hirst Circle): A mesmerizing Damien Hirst Spin painting with explosions of vivid color amidst the timeless...

Damien Hirst Spin Painting, 2009 (Damien Hirst Butterfly): An enthralling Damien Hirst Spin painting with explosions of vivid color amidst the time...

Robert Rauschenberg 'Snowflake Crime XIX', from the ACE Gallery Collection, 1981 Solvent transfer, acrylic and fabric collage on handmade paper with deckled edges Signed and dated '81 in permanent marker on the back; bears unique artist inventory number on the back This is a UNIQUE work of art 7 3/4 × 7 1/2 inches This work is affixed on the top to its original mat, and the artist's hand signature can be seen on the verso, along with the date and artist's unique inventory number. Rauschenberg Reference No: RR-81.002 Signed and dated '81 by Robert Rauschenberg in permanent marker on the verso; bears unique inventory number Provenance: ACE Gallery art collection...

Urban Graffiti Cartoon Manga Art entitled 'Under the Influence' by British Street Artist Chris Pegg. Chris Pegg is a self-taught artist from Lancashire, UK....

Sacrifice Of The Rose 2015 Mixed Media on archival paper. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor and in...

Throat Chakra #5 Blue Heart Mixed Media archival paper. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting m...

Crown Chakra #7 Mixed Media Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor and ink...

Third Eye Chakra #6 Mixed Media on archival paper. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor and ink. He ...