Items Similar to 'Storm Clouds (Arizona)' — Early 20th-Century American Impressionism
Want more images or videos?
Request additional images or videos from the seller
1 of 3
Albert Groll'Storm Clouds (Arizona)' — Early 20th-Century American Impressionismc. 1914
c. 1914
About the Item
Albert Lorey Groll, 'Storm Clouds (Arizona)', graphite on paper, c. 1914. Signed in pencil, in the image, lower left. A fine spontaneous rendering on heavy buff, wove paper, with margins (1 1/2 to 2 inches); slight toning at the sheet edges, in good condition. With a pen and ink landscape drawing, verso.
Image size 7 5/8 x 10 inches; sheet size 10 3/4 x 13 5/8 inches. Matted to museum standards, unframed.
Provenance: Ex. collection Kennedy Galleries, New York.
ABOUT THE ARTIST
Albert Lorey Groll (1866-1910) was born in New York in 1866, the son of a pharmacist immigrant from Darmstadt, Germany. During his early years, he traveled to Europe to study at the Royal Academy of Fine Arts in Munich under Nicholas Gysis and Ludwig von Löfftz. He further pursued his studies in London and at the Royal Academy of Fine Arts in Antwerp, Belgium. Groll returned to New York in 1895 and moved from figure to landscape painting while expanding his interests to printmaking.
In 1904 Groll made the first of several trips to the American Southwest, traveling to Arizona with ethnographer Stewart Culin of the Brooklyn Museum. Later he went to New Mexico with his friend, the artist and illustrator William Robinson Leigh (see our 1stDibs listing no. LU53239015112 ). He focused on impressionistic scenes of Native American lands. The Laguna Pueblo people admired Groll's paintings, honoring him with the name "Chief Bald Head Eagle Eye."
Groll kept a studio in the Gainsborough Studios in Manhattan and won several awards for his work in Arizona and New York, including the Salmagundi Club Shaw Prize in 1904 and a gold medal at the Pennsylvania Academy of Fine Arts in 1906. He was also awarded the George Inness gold medal from the National Academy of Design in 1912 for his painting of Lake Louise in the Canadian Rockies.
In 1910 he was elected into the National Academy of Design and, in 1919, an associate member of the Taos Society of Artists (1919); in 1933, he became a member of the National Institute of Arts and Letters. He was also an esteemed member of the American Watercolor Society.
Groll's works are included in the collections of the Brooklyn Museum of Art, The Fine Art Museums of San Francisco, Gilcrease Museum, Metropolitan Museum of Art, Richmond Art Museum, Smithsonian American Art Museum, University of Arizona Museum of Art, and the San Diego Museum of Art.
- Creator:Albert Groll (1866 - 1952, American)
- Creation Year:c. 1914
- Dimensions:Height: 7.63 in (19.39 cm)Width: 10 in (25.4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Myrtle Beach, SC
- Reference Number:
Albert Groll
1866-1952 Born in New York City in 1866, Albert Groll became a much-admired, successful western desert landscape and skyscape painter. In 1910, he was elected to the National Academy of Design. Many of his paintings had rich colors and were landscapes with elements of realism, but they also had a focus on abstract shapes. He spent most of his student years in Munich, Germany, at the Royal Academy studying with Ludwig Loefftz; he also studied at the Royal Academy in Antwerp, something few Americans were doing in the late 19th century. In 1905, Groll first came to Arizona, where he became a friend and guest of Indian dealer Lorenzo Hubbell at his well-known Ganado Trading Post. One of Groll's desert scenes, Arizona, won a gold medal at the Pennsylvania Academy of the Fine Arts in 1906. In 1908, Groll spent the summer in Arizona and at Yellowstone National Park. It was Groll who introduced the general public to the varying landscapes of Arizona that made the desert so appealing. *https://www.matteucci.com/albert-groll
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1995
1stDibs seller since 2016
255 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: Myrtle Beach, SC
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- St. Austrell, Cornwall, EnglandBy Hayley LeverLocated in Myrtle Beach, SCA turn of the century view of the town of St. Austrell, Cornwall, in the morning mist of southern England. A beautifully subtle work, in muted earth tones, on buff wove drawing paper...Category
Early 1900s Impressionist Landscape Drawings and Watercolors
MaterialsWatercolor
- St. Ives Harbor, Cornwall, England, 1905By Hayley LeverLocated in Myrtle Beach, SCAn early 20th-century Hayley Lever watercolor depicting fishing boats docked at the St. Ives Harbor, Cornwall, England. A fine, spontaneous rendering on watercolor paper, in the orig...Category
Early 1900s Impressionist Landscape Drawings and Watercolors
MaterialsWatercolor
- After the Storm — Turn-of-the Century Impressionist Watercolor, Coastal BrittanyBy Hayley LeverLocated in Myrtle Beach, SCHayley Lever, 'After the Storm' (gallery title), also 'Sunny Afternoon', watercolor on watercolor paper, the full sheet, the image extending to the sheet edges; in very good conditio...Category
Early 1900s Impressionist Landscape Drawings and Watercolors
MaterialsWatercolor
- 'Corinthian Yacht Club, Marblehead, Mass' — 1920s New England ImpressionismBy Hayley LeverLocated in Myrtle Beach, SCHailey Lever 'Corinthian Yacht Club, Marblehead, Mass.', watercolor, c. 1925. Signed in pencil, lower right. Titled in pencil, verso. A fine, spontaneous watercolor, with fresh color...Category
1920s Impressionist Landscape Drawings and Watercolors
MaterialsWatercolor
- East Gloucester, Massachusetts — 1930's watercolorBy Hayley LeverLocated in Myrtle Beach, SCHailey Lever 'East Gloucester, Massachusetts', watercolor, c. 1930. Signed 'HL' in pencil, lower left. A fine, spontaneous watercolor, with fresh, undiminished colors, on off-white w...Category
1930s Impressionist Landscape Drawings and Watercolors
MaterialsWatercolor
- Hyde Park, England, 1904By Hayley LeverLocated in Myrtle Beach, SCHailey Lever 'Hyde Park, London, England, 1904', watercolor, 1904. Signed 'HL' in pencil, lower right. Titled and dated in pencil, in the bottom left margin....Category
Early 1900s Impressionist Landscape Drawings and Watercolors
MaterialsWatercolor
You May Also Like
- "Horse Cart"By Daniel GarberLocated in Lambertville, NJJim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...Category
Early 20th Century American Impressionist Landscape Drawings and Waterco...
MaterialsGraphite, Paper
- "Lunch at the Stockton Inn"By Daniel GarberLocated in Lambertville, NJJim’s of Lambertville is proud to offer this artwork. Signed lower left. Pencil drawing. Complemented by a hand carved and gilt frame. Daniel Garber (1880-1958) ...Category
20th Century American Impressionist Landscape Drawings and Watercolors
MaterialsPaper, Pencil
- "Central Park"By William Langson LathropLocated in Lambertville, NJJim’s of Lambertville is proud to offer this artwork. Signed. Complemented by a hand carved and gilt frame. William L. Lathrop (1859-1938) Deemed “Father of the New Hope Art Colony”, William Langson Lathrop was born in Warren, Illinois. He was largely self-taught, having only studied briefly with William Merritt Chase in 1887, at the Art Students League. Lathrop first moved east in the early 1880s, and took a job at the Photoengraving Company in New York City. While there, he befriended a fellow employee, Henry B. Snell. The two men became lifelong friends and ultimately, both would be considered central figures among the New Hope Art Colony. Lathrop's early years as an artist were ones of continuing struggle. His efforts to break through in the New York art scene seemed futile, so he scraped enough money together to travel to Europe with Henry Snell in1888. There he met and married an English girl, Annie Burt. Upon returning to New York, he tried his hand at etching, making tools from old saw blades. Even though his prints were extremely beautiful, he still was impoverished. Lathrop would return to his family in Ohio, before once again attempting the New York art scene. In 1899, with great trepidation, he submitted five small watercolors to an exhibit at the New York Watercolor Club. He won the Evans Prize, the only award given, and four of the five paintings were sold the opening night. At age forty Lathrop’s career would finally take off and he became an “overnight success Lathrop came to Phillips Mill for the first time in1898, to visit his boyhood friend, Dr. George Marshall. Shortly after, he and his family purchased the old miller’s house from Dr. Marshall. The Lathrop’s home became a social and artistic center for the growing New Hope colony. Tea and fascinating conversation was the “order of the day” every Sunday. This was a scene fondly recalled by many younger art students that Lathrop taught privately at Phillips Mill. It was common to see groups of his students painting and sketching along the banks of the canal or aboard his canal boat. He had previously taught in the Poconos and at the Lyme, Connecticut Summer School in1907, but Phillips Mill always remained Lathrop’s permanent address. In 1928, a committee headed by Lathrop was formed to purchase the old Phillips Mill building as a place to hold community gatherings and art exhibitions. The committee had success and in 1929 the Phillips Mill Community Association was formed. This became the center of the New Hope Art Colony holding annual exhibitions and still operating today. In 1930, Lathrop had built a sailboat he named the “Widge”. For eight consecutive seasons he sailed it along the coast of Long Island...Category
Early 20th Century American Impressionist Landscape Drawings and Waterco...
MaterialsGraphite, Paper
- Colon [Panama]By Reynolds BealLocated in New York, NYReynolds Beal painted this watercolor entitled “Colon” [Panama] in the spring of 1923. The paper size of this painting is 7 x 10" (17.7 x 25.3 cm). It is signed, titled, and dated ...Category
Early 20th Century American Impressionist Landscape Drawings and Waterco...
MaterialsPencil, Watercolor
- Albert Lorey Groll, American 1866-1952 Pencil sketch.By Albert GrollLocated in Hallowell, ME6.5" x 8" pencil on paper. Crows in a landscape. In custom mat from Kennedy Galleries, approx 14" x 20"Born in New York City, Albert Lorey Groll became a much admired, successful western desert...Category
Early 20th Century American Impressionist Landscape Drawings and Waterco...
MaterialsPencil
- "Old Russell House, " Charles Marion Russell, Western American DrawingBy Charles Marion RussellLocated in New York, NYCharles Marion Russell (1864 - 1926) Old Russell House Pencil on paper 3 1/2 x 6 1/2 inches Provenance: Kennedy Galleries, New York Raydon Galleries, ...Category
Late 19th Century American Impressionist Landscape Drawings and Watercolors
MaterialsPencil, Paper
Recently Viewed
View AllMore Ways To Browse
Early 20th Century American
Early American Signs
Early 20th Century American Paintings
Royal American
Early American Figure
Arizona Artists
Antique Clouds
Arizona Painting
Paintings Of Arizona
Pennsylvania Early
Early Pennsylvania
American Impressionism
American Impressionism Painting
German Early 20th Century Painting
American Immigrant
1912 American
New York Impressionism
Arizona Landscape Painting