Albert Pasquale

“The Old Homestead”

Circa 1960

Original mixed media composed of watercolor and gouache on archival paper. Signed lower right. Condition is very good. Appears to be a self portrait of the artist. Circa 1970. Under glass. Framed in a contemporary gold frame Overall framed measurements are 12 by 10 inches. Provenance: A Sarasota, Florida estate. Julee Docking biography: Painter, Oil, Watercolor, Acrylic, Collage, Woodcuts, Charcoal, Mixedmedia, Sculptor, Clay, Mixed media. Born: Bethesda-Chevy Chase, Maryland Studied: Corcoran Art School-Washington DC High Museum,Atlanta ,GA and Private Lessons Taught: Painting and Sculpture in Atlanta and Sarasota Membership: National League of American Pen Women, Women's Caucus ofArt, Florida Artists Group member 1973 Petticoat Painters member 1975 Art Center Sarasota member 1972 Manatee Art Center Venice Art Center Artist Statement: I enjoy painting in all media, relying on "Chance" to help create the First Ecstatic Impression of either abstract or Realism Genres. A long time resident of Sarasota, Julee Docking has been listed in "A History of Visual Art in Sarasota" And was part of the fine Arts Society "Artist and Collectors Tour" in 1973 and again in 1988 AWARDS: Grumbacher Gold Medallion, Cornell Museum FL Hilton Leach...

Original watercolor and ink drawing on paper mounted to heavy cardstock of the Place du Tertre in Montmartre, Paris by the French artist , Jeanne Felicia Simon. Signed lower right i...

Original watercolor and ink drawing on paper mounted to heavy cardstock of the Place du Tertre in Montmartre, Paris by the French artist , Jeanne Felicia Simon. Signed lower right ...

Original watercolor on archival paper of a classic fisherman’s cottage on the water with a dory nearby.. Signed lower left and dated 1923. Condition is very good. The artwork is ho...

Beautiful watercolor and gouache painting of waves crashing on the rocks along the shore by the renowned American artist, Edmund Darch Lewis. Signed lower left and dated 1908. Condition is excellent. The painting is housed in its original art nouveau frame recently restored. Under UV glass. Overall framed measurements are 21.75 by 33.75 inches. Edmund Darch Lewis (1835-1910) Edmund Darch Lewis was born in Philadelphia on October 17, 1835 to a successful, wealthy, well-connected family. He studied with Paul Weber...

Original watercolor of Monhegan Island, Maine on archival paper by the well known American watercolorist, Ted Davis. Signed lower right and dated 1950. Cond...

At over 11 feet in length, Broadbent’s “Andromeda” galaxy watercolor painting captures the spectacle and wonder one feels when looking at the stars in the night sky. In this large sc...

87"x149" multi-panel installation. This watercolor painting installation is created on 36 paper panels and is inspired by a view of the moon. The dee...

"One Potato", by Christina Haglid, is a meticulously detailed watercolor of a potato. The paper had a deckled edge and matted with a heavy white mat. The piece is framed in a white wood frame with a heavy white mat measuring 14h x 10.5w inches. Christina Haglid One Potato watercolor and gouache on paper 4.50h x 2.50w in 11.43h x 6.35w cm Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at night which will return to its purpose during the day. My intention is to not show the failure because I imagine all these objects make it through to better times. Allegories of survival. Someone comes by and finds the paper crane, the rowboat owners return and see their boat undisturbed, and the slide during the day brings joy. EDUCATION 1993 M.F.A., Cranbrook Academy of Art 1991 B.F.A., Maryland Institute, College of Art 1990 Skowhegan School of Painting and Sculpture EXHIBITIONS 2019 "Tiny Sanctuaries", Gallery Victor Armendariz, Chicago, IL 2015 "Gallery Group" Ann Nathan Gallery, Chicago, IL 2014 "Gallery Group" Ann Nathan Gallery, Chicago, IL 2013 "Gallery Group" Ann Nathan Gallery, Chicago, IL 2012 "Gallery Group" Ann Nathan Gallery, Chicago, IL 2011 “Gallery Group” Ann Nathan Gallery, Chicago, IL "Meticulous Details: Conservators' Paintings" The Architrouve, Chicago, IL 2010 “Art Chicago” Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2009 “Botanica” Ann Nathan Gallery, Chicago, IL 2006 “Botanicus” Ann Nathan Gallery, Chicago, IL 2006 “Arts Botanica” Loyola University Museum of Art, Chicago, IL 2005 “Blumen: Group Show” Ann Nathan Gallery, Chicago, IL 2004-05 “Think Small” Illinois State Museum, IL [traveled] “Christina Haglid: Microworlds” Greenville County Museum of Art, Greenville, SC [solo exhibition] 2004 “Art Chicago” Navy Pier, Ann Nathan Gallery, Chicago, IL 2003 “Small to Mighty” Ann Nathan Gallery, Chicago, IL 2002 “Art of the 20th Century” NY Armory, Ann Nathan Gallery, NY, NY “Art Chicago” Navy Pier, Ann Nathan Gallery, Chicago, IL 2001 “Group Fusion” Ann Nathan Gallery, Chicago, IL 2000 "Small & Mighty II" Ann Nathan Gallery, Chicago, IL "Christina Haglid, New Work and Amy Lowry-Poole, Bugs and Buds" Ann Nathan Gallery, Chicago, IL 1999 “Small & Mighty” Ann Nathan Gallery, Chicago, IL “Views II” Ann Nathan Gallery, Chicago, IL 1998 “Maleri” Galleri Carl Michael Bellman, Stockholm, Sweden “1987 – 1997, A Skowhegan Decade, Alumni Exhibition and Benefit Auction” David Beitzel Gallery, NY, NY “On and Off the Wall, Gallery Group” Ann Nathan Gallery, Chicago, IL 1997 “15 x 15” (Alumni Exhibition), Thesis Gallery, Maryland Institute, College of Art, Baltimore, MD 1996 “Small Works” Suburban Fine Arts Center, Highland Park, IL., Special Recognition Award 1994 “Unknown Chicago” Gallery 312, Chicago, IL “15 x 15” (Alumni Exhibition), Meyerhoff Gallery, Maryland Institute, College of Art, Baltimore, MD 1993 “Graduate Summer Exhibition” Cranbrook Academy of Art Museum, Bloomfield Hills, MI “Graduate Thesis Exhibition” Cranbrook Academy of Art Museum, Bloomfield Hills, MI “Michigan Fine Arts Competition” Birmingham Bloomfield Art Association, Birmingham, MI 1992 “Word of Mouth” Forum Gallery, Cranbrook Academy of Art Museum, Bloomfield Hills, MI 1991 “Drawing: A Covert and Private Affair” West Gallery, Rutgers University, New Brunswick, NJ “Senior Exhibition” Meyerhoff Gallery, Maryland Institute, College of Art, Baltimore, MD 1990 “Fiber Exhibition” Fox Gallery...

Watercolour, Acrylic Painting on archival paper. Work Title : "Vu d'ici" (EN : Seen from here) Artist : Fabien Granet (FR) The work is signed and dated on the back of the work. Uniq...

Bright floral landscape by Jean Harney (American, 20th Century). An interior courtyard is full of plants and flowers in bloom. There is a lush vine climbing over an archway, with blossoms in shades of pink and orange. Several other potted plants are displayed nearby. Signed "Jean Harney" in the lower left corner. Presented in a wood frame with a new cream mat. Frame size: 21.25"H x 17.25"W Image size: 13"H x 10"W Jean Harney (American, 20th Century) is an artist and illustrator from Ulen, Minnesota. Harney graduated from Pacific Lutheran University in Tacoma, Wash., with a major in Education and a minor in Art. After graduation, she moved to Arizona to take a teaching position. Since that time, she has taken art classes in Arizona at A.S.U., Scottsdale Community College, and privately. In the beginning, she painted in oils on canvas or masonite, then taking an interest in screen printing. Several years later she discovered acrylic paints and loved the quick drying properties of them. Eventually, she switched from painting in acrylics on canvas to painting on paper and gradually worked into painting in watercolor, which is now her medium of choice. Harney founded the Garden Art Show in 1965, which has been running yearly since that time. She has also been a participant in the Phelps Mill Festival for over two decades, as well as Phoenix’s Artist’s Studio Tour. She is a member of the Art of the Lakes Art...

A large translucent vessels floats upon a lake, so transparent that the wooded shoreline can be seen through this surreal boat. The artist treats watercolor much like oil paints, with layer upon layer to achieve a depth unseen in watercolor. The smallest of detail is apparent upon close examination. The piece is matted and framed in a simple white frame measuring 17.25 x 17.75 inches. Christina Haglid The Junipers watercolor and gouache on paper 8h x 9w in 20.32h x 22.86w cm CMH052 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at night...