Doug Patterson

India Watercolour RCA Architect Painting Palace Udaipur Lake Travel Orange Blues

1990

Sydney Point, Mahableshwur Hill Station, Western Ghats, India Artist: Sir James Peile (1833-1906) Medium: Watercolour and Pastel on Paper Created: October 1862 Image Size: 23 x 36 ...

Artist: Unknown Medium: Watercolour on Paper Created: 1856 Size: 22.2 x 32.5 cm Signed bottom left in pencil Ootacamund 10th March 1856 Written on back in pencil 'Ootacamund from ...

A fabulous piece of Inuit history and a compelling drawing of everyday life for an Inuit family. The artwork is also a strong example of a natural understanding of perspective from an artist with no formal art training. The lines and mark-making are interesting both in the fact that we can see the artist working out the image by the faint rubbings out around the animals horns (see image). The lines also appear to reflect Helen's own facial beautifying tattoos; at the time of her death in 1984 was one of the last women to carry the facial tattoos of her group. The drawing was purchased from Professor Leo Bushman, part of the Faculty at the Calgary University. Bushman was helping the Co-op promote Helen Kalvak...

3 Field, on the spot Sketches NW Frontier India : Manasbal Lake, Kashmir Artist: Unknown Medium: Pen & Ink Created: 1890s Size: 13 x 18 cm each A charming set of on-the-spot sketch...

Company School C 1820 Watercolour on Paper Image Size: 31 x 47 cm Frame Size: 49.5 x 65 cm Label Verso Abbott & Holder, London A fabulous and intriguing early, large watercolour, by an Indian artist. This painting warrants further research. The image shows European buildings on what appears to be the banks of The Hooghly River in Eastern India (Bengal). This was an area favoured and painted by early landscape artists as the Europeans were active along the river which was the prime route for the movement of goods and people. Without the group of figures to the foreground this painting could have been painted by Sita Ram or one the artists travelling with him (seen in the overall perspective and the rendition of the buildings, the boats in the water...

M D Natesan 1917 Watercolours on Paper x 2 Untitled (girl removing thorn from foot) Image Size: 33.5 x 17.7 cm Frame Size: 44 x 33 cm Untitled (girl with flower blue wash) Image Size: 27.5 x 17.6 cm Framed Size: 44 x 33 cm Two beautifully painted early Bengal School watercolours from Calcutta, One shows a girl removing a thorn from her foot, possibly a reference to a scene from Shakuntala, one of the Indian epics and portrayed by artists such as Abanindranath Tagore...

Gift, 2020, watercolor, oil pastel, pink, orange, ink, fantasy, rabbit.

Anthemusa, 2020, watercolor, oil pastel, green, landscape, ink, fantasy.

Hopeful Spring, 2020, watercolor, oil pastel, green, landscape, fantasy, trees.

Watercolor on paper, framed. Dark Night, 2020, watercolor, oil pastel, black, frame, landscape, fantasy, blue, creature. Framed and matted, frame size measures 24" x 35.75" x 1.25" ...

Watercolour, Acrylic Painting on archival paper. Work Title : "Vu d'ici" (EN : Seen from here) Artist : Fabien Granet (FR) The work is signed and dated on the back of the work. Uniq...

VFD #3 is an industrial watercolor painting on paper by California artist, Ferdinanda Florence. It is 11.25 x 7, unframed. It is based on the building in Vallejo California where the fire department conducts training. Ferdinanda Florence was born in Washington, DC, and grew up in Arlington, VA. She received a degree in art history and studio art at The American University in 1994, and has continued to pursue a successful professional life as a scholar, teacher, and practicing artist. She earned her Master’s degree in art history at the University of Maryland, College Park, in 1998. A second-generation Armenian-America, Ferdinanda has explored in her research the role of place in artistic expression. Her Master’s thesis detailed the link between Armenian religious rituals and church architecture. In her travel to sites in France, Italy, and Germany, she has researched the symbolism of doorway and floor decoration in Romanesque buildings. In her artwork, she uses industrial sites in her home city of Vallejo to explore issues of place on a more personal level. Ferdinanda’s exhibitions reflect her varied interests and concerns. Her work has appeared at the Di Rosa Preserve, Napa (“All in the Family IV,” 2005); the University of San Francisco Law School (“Creative Justice: A Social Art...