Josette Urso

Josette Urso, Backyard 1, 2005, Ink Brush Drawing, 6 x 8 in

2005

The view from my studio, looking across Brooklyn’s lower lying factory and warehouse buildings toward the tall grandness of Manhattan, is incredibly complex and at times overwhelming...

The view from my studio, looking across Brooklyn’s lower lying factory and warehouse buildings toward the tall grandness of Manhattan, is incredibly complex and at times overwhelming...

The view from my studio, looking across Brooklyn’s lower lying factory and warehouse buildings toward the tall grandness of Manhattan, is incredibly complex and at times overwhelming...

The view from my studio, looking across Brooklyn’s lower lying factory and warehouse buildings toward the tall grandness of Manhattan, is incredibly complex and at times overwhelming...

The view from my studio, looking across Brooklyn’s lower lying factory and warehouse buildings toward the tall grandness of Manhattan, is incredibly complex and at times overwhelming...

By developing a geometry between line and the spaces in between in their work, the abstract paintings of Tayo Heuser create a point of departure for the mind into a spiritual consci...

BLUE JAY WAY, 2012 ink and graphite on Arches cold press paper 44.5 x 75 inches / 1130 x 1905 mm  unframed Christina McPhee’s expansive abstract paintings, drawings, photographs, and videos test or query how can we know, and who is we? Moving from within a matrix of measurement, observation and contingent effects, her work resists characterization as product, and continually accesses fields outside itself. For her, process equals trial. Her work emulates potential forms of life, in various systems and territories, from a perspective of the non-self– a world beyond identity. McPhee’s dynamic, performative, physical engagement with materials, in both her analogue and digital works, is a seduction into surface-skidding calligraphic gestures and mark-making. The tactics of living are in subterfuge, like the ‘dazzle ships...

William O'Brien Untitled Drawing (INV# NP4044) ink on paper 11.88 x 9" (30 x 23 cm) 2004 signed by artist provenance - The Nevica Project Chicago-based artist William J. O’Brien is ...

"Three Pyramids + Blue Ball" is a gouache on paper by Alexander Calder. The work is signed in the lower right, "Calder 73”. Although renowned for his innovative and groundbreaking sculptures, Alexander Calder started his artistic career as an abstract painter, preferring to use gouache. What is gouache? Gouache is a water-soluble paint – a type of opaque watercolor. As Calder returned to gouache painting towards the end of his life, he was now armed with a lifetime of experience as a sculptor. He explored the three-dimensional vocabulary of sculptural forms he had developed onto the two-dimensional surface of the paper. Certain shapes and colors recur throughout his gouaches and sculptures. Circles, ovals, and other geometric forms dominate the space. There is the same sense of energy and fluidity. The shapes do not sit on the surface but vibrate giving a feeling of movement in contrast to the static nature of painting. Like his sculpture, Calder’s gouache...

"Der Hafen von Plit" is a drawing by Paul Klee. The drawing is signed lower left, "Klee". The framed piece measures 25 1/4 x 30 1/2 x 1 3/8 in. Paul Klee was one of the most import...

Ink on paper Liu Ziyu is a Chinese artist born in 1978 who lives and works in Beijing, China. He was graduated in 2020 from from the Stroganov Moscow State A...

Ink on paper Liu Ziyu is a Chinese artist born in 1978 who lives and works in Beijing, China. He was graduated in 2020 from from the Stroganov Moscow State A...